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Eva Solina Gultom
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ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
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The Representation of African Cultural Identity in Black Panther Film by Ryan Coogler (The Application of Stuart Hall’s Theory) Shinta Sere; Muarifuddin Muarifuddin; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9468.152 KB) | DOI: 10.33772/elite.v3i1.876

Abstract

This study focuses on the analysis of The Representation of African Cultural Identity in Black Panther. This study aims to reveal the portrayal of African cultural identity in real life. In analyzing the data the writer used both library and media research related to this study, the writer applied a qualitative descriptive study as the method of this study. The source of data in this study Black Panther movie which is directed by Ryan Coogler and it was released in 2018. The data were collected through process of watching, pausing and interpreting then the writer analyses those data by using theory of Representation by Stuart Hall through constructionist approach. Black Panther movie became a medium to change the audience perspective about Africa. This movie shows the depiction of various kinds of cultural identity in Africa that can open the audience's thoughts about Africa. The results of this study indicate that the Black Panther movie has become a medium to provide a better perspective through the description of several elements related to African identity:Representation of African civilization through a symbol of vibranium, cultural ritual, traditional costume, African images through the character those elements are used by Ryan Coogler as director to develop a different perspective of Africa.
A Critical Discourse Analysis Stereotype and Discrimination in "Green Book" Movie Script by Peter Farelly Meli Samelia; Ansor Putra
ELITE: Journal of English Language and Literature Vol. 5 No. 2 (2020): Vol. 5 No. 2 December 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.327 KB) | DOI: 10.33772/elite.v3i2.880

Abstract

This study aims to analyze the stereotypes and discrimination that occur in the Green Book movie script. The researcher found many utterances as well as actions that refer to stereotypes and discriminatory behavior committed by white people against black people in America. This study used the qualitative method because qualitative is a procedure that produces descriptive data including written and oral words. The results of this study showed that the Green Book movie script contains three types of discrimination and stereotypes. First, Individual Discrimination is presented in unfair treatment by whites against the main black character, Don Shirley. Second, Institutional Discrimination happened in the police institution where the police imprison Don Shirley who did not commit a crime at all, but only because he was black. Third, Structural Discrimination occurred in the form of policies carried out by majority races which have a negative impact on minority races. In the green Book movie script, structural discrimination is presented in a safe travel guide for black people in southern America, the book also contains such as restaurants, hotels, beauty salons, and then medical stores that are safe for black people to visit. This book was published from 1936 to 1976 during the era of segregation in the United States. As the final result of this research, the researcher found the dominant type of discrimination in the Green Book movie script is Individual Discrimination.
The Portrayal and The Effects of Hyper-reality in Ready Player One Movie By Steven Spielberg (The Application of Jean Baudrillard’s Theory) Sarniyati Dalimu; Ansor Putra; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (172.489 KB) | DOI: 10.33772/elite.v3i1.882

Abstract

Technology can create a hyperreality, hyperreality is an artificial reality that feels real. The portrayal of hyperreality is illustrated in one of the science-fiction movies named Ready Player One by Steven Spielberg. This study aims to analyze the portrayal and the effect of hyperreality that occurs in the society of Columbus, Ohio in Ready Player One movie. Based on the objective of this study, the writer uses Jean Baudrillard’s theory of hyperreality. In this study, the writer used a descriptive qualitative method to analyze and explain how hyperreality portrayed and affected the society of Columbus, Ohio in Ready Player One movie. The writer finds out that hyperreality is formed and portrayed through the simulation of technology. James Halliday is the famous expert and developer of games in Ohio who created a virtual world named the Oasis. People in Ohio use virtual reality as a tool to connect the Oasis and the real world. People spend their time in the Oasis because they can get freedom, money, and pleasure at the Oasis. it makes them rarely socialize in the real world. They also do not have jobs in the real world. Those are the effects of hyperreality that happened in Ready Player One movie by Steven Spielberg.
The Meaning of Denotation, Connotation, and Myth Used in Ariana Grande’s "God is A Woman" Song Lyrics Ahmad Jafar; La Aso; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 6 No. 1 (2021): Vol. 6 No. 1 June 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (158.182 KB) | DOI: 10.33772/elite.v4i1.887

Abstract

This study focused on God is a woman song Lyrics. The writer took song lyrics as primary data and used a qualitative descriptive method that explained descriptively how the meaning used in Ariana Grande’s God is a woman song lyrics. The theory used in the study is semiotics, in particular, is the theory used by Roland Barthes. The result of this study based on Roland Barthes Semiotic’s theory in a way of denotative it is about sex and how she claims the chemistry will be so incredible that the guy is going to think she is God and in a way of connotative Ariana Grande campaigned for a struggle for gender equality and she showed off women's energy and independence. While the myth is God is a woman which this sentence represents gender differences in life. The answer to dismantling patriarchy is not raising a matriarchy in its place. But building our understanding of, as Ariana Grande puts it, "God as a woman," will help counterbalance almost every human's internalized beliefs that our creator is a man, a father, a guy in the sky. God is our mother, our father, our parents. Come to think of it, if God can be referred to with the masculine pronoun “he”, why is not okay for us to also use the female pronoun “she” when referring to God.
Figurative Language used on @Poets Instagram Social Media: A Pragmatics Analysis sri bulan
ELITE: Journal of English Language and Literature Vol. 4 No. 2 (2019): Vol. 4 No. 2 December 2019
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (167.132 KB)

Abstract

Figurative language is language that used words or expressions which has different meanings from literal interpretations. Every figurative language is used in literary works especially poem, to better understand its intentions and messages. It also used to express feeling like a happiness, grieving, heartbreak, and disappointment of the author. This study aims to describe the types of figurative language and the pragmatic effects used in @poets Instagram social media. This study used the Abrams theory in which figurative language consists of alliteration, allusion, assonance, hyperbole, imagery, irony, metaphor, metonymy, onomatopoeia, paradox, personification, simile, and synecdoche. This study used descriptive qualitative method. The data of this study are 16 poem posts from the @poets Instagram account and the writer only took data uploaded from October 2, 2019 to November 19, 2019. Data is collected by using several steps: opening, reading, screenshoting, and coding. The writer used some steps for techniques of analysis data, as follows: presenting the data, describing the context, interpreting the data, and making conclusion. The result of this study is figurative language that contains on @poets Instagram Social Media, there are, Assonance 3 data, Hyperbole 6 data, Personification 3 data and Simile 4 data. Also, 5 kinds of pragmatic effects that are used namely Expressing Negativity, Enchancing Meaning, Objectivication, Identification, and Emotion Expression.
Perlocutionary Acts In “The Croods” Movie Script Farhan Anwar; La Aso; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (169.47 KB) | DOI: 10.33772/elite.v3i1.913

Abstract

The research is about the use of perlocutionary acts in “The Croods” movie script. The research aims to describe the use of the perlocutionary acts used by the character that found in “The Croods” movie script based on Searle's classification of speech act. The researcher used descriptive qualitative. The data include an utterance from the characters' conversation and that utterance produces the perlocutionary acts in the movie script. In conducting the research, the researcher read the script and watch the movie intensively and make notes on the pages contain the required data. Then the researcher classify the data into five classifications; declarative, assertive, expressive, directive and commissive then a result of these classifications is the perlocutionary act, the researcher mentions an utterance contains the five classifications then explain the perlocutionary act. The result of this research shows there are twenty-nine data contain the perlocutionary act. The research revealed the five classifications of speech act that in the movie script produce the effect of the perlocutionary. Based on the data that occur in “The Croods” movie script, it is indicated that all of the characters in “The Croods” movie script are use the perlocutionary act.
The Flouting and Violating Maxims In Deadpool 2 Movie Script Rismayanti Safitri; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 6 No. 1 (2021): Vol. 6 No. 1 June 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (519.457 KB) | DOI: 10.33772/elite.v4i1.914

Abstract

This current study is aiming to find out the flouting and violating of maxims produced by characters in Deadpool 2 movie. The theory uses in this study is theory of Grice about maxims . Descriptive qualitative method is used to analyze the data. Steps in analyzing the data consist of presenting the data, describing the context of the data, interpreting the data and making the conclusion. Based on the research, It found that there are four types of flouting and violating the Grice’s maxims which derived from 22 data. 15 data that flouted the Grice’s maxims, they are 1 data flouting maxim of quantity, 6 data flouting maxim of quality, 1data flouting maxim of relation, and 7 data flouting maxim of manner. 7 data that violated the Grice’s maxims, they are 1 violating maxim of quantity, 1 violating maxim of quality, 3 violating maxim of relation, and 2 violating maxim of manner. Flouting maxim of manner becomes the most dominant types of flouting maxim, and violating maxim of relation becomes the most dominant types of violating maxim in the movie.
The Portrayal of The Main Character’s Struggle Against Capitalist Society In “The Shawshank Redemption” Movie By Frank Darabont Stephen Ali Barkah; Rasiah Rasiah; Nur Israfyan Sofian
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (167.64 KB) | DOI: 10.33772/elite.v3i1.942

Abstract

This research is concerned to reveal the portrayal of the main character’s struggle against capitalism in the Shawshank Redemption movie. According to the purpose of this research, the researcher uses marxism as the basic theory related to the class struggle. The research question of this research is “How is the portrayal of the main character’s struggle against capitalism in Shawshank Redemption movie?”. The data in the research is collected through watching the movie intensively, identifying the data in detail which referred to the Marxism class struggle perspective, and cataloging the data by sorting the data analyzed in Marxism theory. The technique of data analysis is done through analyzing the data descriptively and interpretatively in showing the portrayal of the main character's struggle in getting his freedom and defeating capitalism in The Shawshank Redemption movie. The researcher uses qualitative descriptive analysis as the method to analyze how capitalism works in the prison institution in the movie. The research found that there is a distinction between the two social classes in the prison, the bourgeoisie, and the proletariat. The research found that Andy as the main character treated differently before and after being a prisoner, so he did the struggle by using his intellectuality to defeat the capitalists in the prison. In the conclusion, the researcher found the relationship with the position of the Capitalist triggers them to oppress the prisoners in the Shawshank prison, and the process of the main character’s in defeating the capitalist society.
Ecological Issues in the Movie Entitled The Chronicles of Narnia: Prince Caspian Nur Alfiah; Eva Solina Gultom
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (198.116 KB) | DOI: 10.33772/elite.v3i1.944

Abstract

This study aims to describe ecological issues based on the Ecocritical study of Greg Garrard in The Chronicles of Narnia: Prince Caspian movie by Andre Adamson. This study uses a qualitative descriptive method. The data in this study are dialogue, pictures, and texts in the movie that cover ecological issues. The data sources in this study were The Chronicles of Narnia: Prince Caspian movie by Andrew Adamson. The data is collected through the process of watching, enlisting, and screenshotting. The data is analyzed by identifying, classifying, and interpreting. The results of this study illustrate that in The Chronicles of Narnia: Prince Caspian movie there are ecological problems that occur due to human activities. Ecological problems were found in the movie are the relationship between human and nature, the animals become wild and extinct, destruction of nature. First, the relationship between human and nature shows that the characters of the female in the movie had associated with nature. Secondly, animals become wild and extinct because humans ignore the rights of animals. Such as destroying habitats and exploitation toward animals. Thirdly, the destruction of housing/shelter because of the human construction of houses for their own interests without thinking about other living things which is they take the land of Narnia.
Women’s Language in the Devil Wears Prada Movie Script By David Frankel Ighfa Sakinah Yunnisa; Arman Arman; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.429 KB) | DOI: 10.33772/elite.v3i1.945

Abstract

This study aimed to investigate and describe woman’s language in the main character's The Devil Wears Prada movie script. The research question is “what are the features of woman’s language described in The Devil Wears Prada movie script by David Frankel”?. The objective of this research is to describe ten types of woman’s language features used by the main characters in The Devil Wears Prada. The Source of this data is taken from a movie script. The method used in this study was qualitative descriptive to analyze the data of Lakoff’s theory. The data were taken from conversations uttered by the main characters of “The Devil Wears Prada” movie script. The techniques of data analysis were presented, describing, interpreting, analyzing, and concluding the data. Based on the discussion, the researcher found several conclusions after analyzing this movie script. The researcher found ten types of woman’s language used by the main characters in The Devil Wears Prada movie script there are lexical hedges fillers (3 data), tag questions (2 data), rising intonation on declarative (2 data), Empty Adjective (2 data), Avoidance of strong swearwords (3 data), Emphatic stress (2 data), super-polite form (2 data), precise color term (1 data), and intensifiers (2 data), and hypercorrect grammar (1 data) of the 20 data that are related to woman’s language found in this movie script. This proves that women’s language exists in the conversations between the main characters in this movie script.

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