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Sanggitarupa
Published by Institut Seni Indonesia Surakarta
ISSN : 28088301     EISSN : 29876877     DOI : -
Core Subject : Art,
Arts
Sanggitarupa is an Fine arts journals covering art in interior design, visual communication design, photography, film and television, sculpture, printmaking, painting supported by the concept of creation, which are innovative and scientific works that are always oriented towards quality improvement Sanggitarupa is published twice a year, in July and December. Admitted and published articles can be freely accessed on this website.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 82 Documents
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MENITI JUARA SILAT PENCAK SILAT DALAM KARYA FOTOGRAFI ESAI Istiqomah, Ima Nur
Sanggitarupa Vol. 1 No. 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i2.4170

Abstract

Pencak silat merupakan beladiri yang berkembang di lapisan masyarakat Indonesia. Dalam perkemban- gannya pencak silat belum begitu dikenal sebagai sebuah sarana olahraga, secara umummasih sering dikenal sebagai ilmu beladiri. Pada dasarnya, pencak silat memang sebuah ilmu beladiri namun berkem- bang menjadi upaya pemeliharaan kesehatan dan ajang prestasi. Latihan serta materi yang diajarkan pun berbeda dengan latihan beladiri, proses latihan tersebut memiliki perjalanan cerita yang perlu didokumenta- sikan untuk memperkenalkan olahraga pencak silat dijalur prestasi ini. Berawaldari keadaan tersebut, mun- cul ide dan gagasan untuk menceritakan pengalaman empirik dalam berlatih pencak silat kedalam sebuah karya fotografi tentang pencak silat yang berfokus pada olahraga serta seni beladiri dan ajang prestasi.Pengerjaan tugas akhir fotografi esai ini menggunakan metode EDFAT dan menggunakan alur cerita Nara- tif. Penggunaan pendekatan tersebut bertujuan agar saat proses pembuatan karya, dapat memberikan foto yang variatif dari segi pengambilan gambar dan cerita. Hasil tugas akhir karya ini menyajikan bentuk visual proses latihan menjadi juara dalam pertandingan pencak silat, serta gambaran olahraga beladiri pencak silat.
BUNGA LAYU DALAM FOTOGRAFI STILL LIFE Rini, Yeti Septo; Caturiyanto, Setyo Tohari
Sanggitarupa Vol. 1 No. 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i2.4171

Abstract

Bunga merupakan salah satu wujud luar biasa yang dinikmati keindahannya. Berawal dari pengalaman masa kecil, karya ini berusaha mewujudkan kegelisahan melalui karya seni fotografi. Objek yang dipilih dalam karya ini adalah bunga layu. Layu merupakan dimana suatu keadaan sedang tidak segar atau pu- cat. Berdasarkan pada perubahan warna bunga, tekstur dan bentuk yang tidak beraturan menarik untuk divisualisasikan dalam sebuah karya fotografi. Salah satu genre fotografi yang digunakan adalah fotografi still life. Karya seni yang menciptakan sebuah gambar dari benda atau objek mati agar tampak jauh leb- ih hidup. Pengerjaan pada karya ini, menggunakan media akuarium berisi air dengan objek pendukung lainnya. Pemilihan media akuarium yang berisi air digunakan untuk mempermudah setting agar mencapai nilai estetik atau keindahan. Nilai-nilai keindahan meliputi kesatuan, kerumitan, dan kesungguhan dalam penciptaan karya ditata sedemikian rupa. Segala unsur tersebut berkaitan dengan hasil dalam proses pengerjaan karya. Penciptaan Bunga Layu dalam Fotografi Still life memiliki makna, bukan sekedar bentuk visual tanpa memiliki nilai-nilai estetika.
EKSPLORASI RAGAM TEKNIK CAT AIR Zuliati, Zuliati Zuliati
Sanggitarupa Vol. 3 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v3i1.4355

Abstract

Penelitian dengan judul Eksplorasi Ragam Teknik Cat Air ini ditujukan untuk menggali lebih dalam tentang berbagai kemungkinan yang dapat diterapkan dalam pembuatan karya seni lukis dengan menggunakan teknik cat air. Cat air sudah dikenal sejak lama dan merupakan media yang mudah diperoleh, relatif murah serta dapat menghasilkan karya-karya yang sangat artistik dan sulit dicapai apabila menggunakan media lain. Di Jurusan Seni Rupa Murni FSRD ISI Surakarta, teknik cat air merupakan teknik yang wajib dikuasai mahasiswa dan merupakan materi utama dari mata kuliah Seni Lukis Dasar, Seni Lukis I, Menggambar Manusia, dan Menggambar Alam Benda. Oleh karena itu, sangat dibutuhkan pengembangan teknik cat air agar mahasiswa mempunyai kemampuan untuk menghasilkan karya yang lebih kreatif dan inovatif. Teknik dalam cat air yang dikenal selama ini ada dua, yaitu teknik basah atau wet on wet yang menghasilkan karya cat air dengan sifat transparan serta teknik dry brush atau opaque yang menghasilkan karya cat air dengan sifat plakat. Dalam penelitian ini penulis akan mengeksplorasi kemungkinan-kemungkinan pengembangan teknik cat air yang dapat dikembangkan dalam proses penciptaan karya. Di antaranya teknik cat air dengan mencampur dengan material lain seperti garam, soda, alkohol serta mengembangkan teknik hisap dengan menggunakan tisu atau kapas.Kata kunci : Eksplorasi, teknik cat air, Jurusan Seni Murni ISI Surakarta 
CITRA TUBUH WANITA SEBAGAI SUMBER INSPIRASI KARYA SENI LUKIS Vilanda, Avita Risqi; Suyasa, I Nyoman
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4752

Abstract

This final project have to understand the image of woman’s body as a source of inspiration for painting. Through this final project I want the perfection of body appearance does not have standard but instead becomes a form of diversity. Difference in body shape, skin color, and body size should be things in human life that are generally accepted and not a form of problem such as standaration of beauty in society. In the process of creating this final project, the writer use the method of creation proposed by Hermann Von Helmholtz, which consists of, among others, saturation (data collect), incubation (precipitation) and illumination (Embodiment the work). Data collection is done through interview and take pictures directly to the relevant sources. The result of this final project show the idea of painting submit by the author is expect tobe a source of inspiration for many people, expecially woman, in responding to the acceptance of the diversity of body appearrences through the creation of body image beyond the standardization of society. Another way, by raising the topic of this woman body image, it is hope that people out there who feel they have shortcomings, especially in physical terms, become more accepting and respectful of themselves
IMPLEMENTASI MOTIF BATIK GEDOG PADA HUMIDIFIER DAN DIFFUSER 2IN1 Annafi, Erinda Hayu
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4753

Abstract

In the world of interior design, some traditional art results such as typical Indonesian batik motifs are very rarely applied to interior design elements. Even though this batik motif will be very interesting if applied to contemporary interior accessories such as humidifiers and diffusers. The way humidifiers and diffusers work is different. Humidifiers work by removing moisture to increase the humidity content of the air. While the diffuser emits steam into the air from the essential oils that are put into it. This 2in1 humidifier and diffuser is named HUDIGO (Humidifier, Diffuser, Gedog) The naming comes from the application of batik gedog on several sides of the humidifier and 2in1 diffuser. Gedog Batik originated from Tuban, East Java. The character contained in the Gedog batik motif Kijing Miring is a character of tolerance. In this motif, there are Islamic religious teachings that are adjacent to the culture of the surrounding community, namely the Gedog batik culture which comes from Javanese culture. The two cultures can coexist without losing the original culture. This application aims to apply semiotic elements to modern interior accessories. In addition, to maintain the existence of batik. Semiotic analysis uses a qualitative approach. This is because the basic assumption of semiotics is the study of signs, where in interpreting it everyone will be different. Each object has a subjective meaning, including the subject who interprets the object.
KERINDUAN PADA NENEK SEBAGAI SUMBER INSPIRASI PANCIPTAAN KARYA SENI GRAFIS Ariyadi, Irfan; M, Alexander Nawangseto
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4764

Abstract

The deep longing for the love and advice from grandmother, which is ingrained in the person, teaches a lot about the simple way of life as a Javanese. The purpose of creating this work of graphic art is to explain the concept, process, and visual description of a work whose inspiration comes from longing for one's grandmother. The technique used is the printing technique (Intaglio). The creation of this Final Project graphic artwork provides more insight regarding the tools, materials, techniques to work on a work. The result obtained from the creation of the work is a work of graphic art inspired by a sense of longing for grandmothers. In addition, empirical experience in creating works of art is also a deepening of the concept of longing for grandmothers.
HASIL PRODUK SEMIOTIKA Isman, Raya Nazwa; Badriyah, Siti
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4765

Abstract

The purpose of semiotic analysis is to find the meaning of signs, including the things that are hidden behind a sign. Semiotics (semiotics) is a theory about the giving of 'signs'. In general, semiotics is classified into three basic concepts. The interior design of this room displays a concept that meets the criteria for sufficient space in lighting. This room is designed to be as comfortable as possible with very sufficient lighting. It's the same as the semiotics of light that marks this room
EFEK MEDIA SOSIAL TERHADAP REMAJA SEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI LUKIS Hasanudin, Miftah; Rahman, Deni
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4766

Abstract

The effect of social media on adolescent is the main discussion on the background of magnitude of the influence of social media on daily life, such as patterns of interaction and development of ways of thinking of adolescent. Adolescent segment was chosen because it is the transition of a person to adulthood, this age is also called the age of shock where a person begins to enter the wider environment and relationships. The creation of this painting is expected to provide knowledge about the effect of social media on adolescent, as well as the process of creation and its visual aesthetics.
STUDI IKONOGRAFI ORNAMEN PADA INTERIOR MASJID AGUNG AL FATTAH MOJOKERTO Hariyanto, Vernanda Juni; Badriyah, Siti
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4767

Abstract

The Great Mosque of Al Fattah is a mosque built in 1877 which was the first Muslim worship building in Mojokerto City. This research uses qualitative research methods based on Panofsky's Iconography theory. The research was conducted through three stages, namely pre-iconography, iconographic analysis, and iconography interpretation. The results showed that the ornaments on the Great Mosque of Al Fattah have a stylistic meaning that is in accordance with the interior style, namely Majapahit-Middle East, but there are some ornaments whose use is not appropriate to the interior style of Majapahit- Middle East.
KARAKTERISTIK MOTIF TENUN OMAH PETROK DI DESA TROSO JEPARA Fajarena, Yustia; Yustana, Prima
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4768

Abstract

Ikat weaving is one of the noble heritages in the form of cloth or textiles which until now has been in great demand by the people of Indonesia. Weaving is used as a symbol of dress by certain communities. This study aims to describe the historical background of omah petrok weaving in Torso Jepara Village, explain the creative process of omah petrok weaving for the people of Torso Village, outline the forms and meanings contained in the Omah Petrok woven cloth used by the people of Troso Jepara Village. This research is a qualitative research. The subject of this research is Omah Petrok's woven fabric in Troso Jepara Village. In addition, data obtained from observation techniques, interviews and documentation. Data analysis was also carried out in a qualitative descriptive manner with the steps of data collection, data reduction, data processing, data testing, and drawing conclusions or verification. The research location is on Jl. Datuk Ampel Troso Village 01/02 Pecangaan Jepara. The results of this study are to determine the home industry that produces weaving, namely Omah Petrok Weaving, to determine the production potential of the home industry. The technique for making Omah Petrok Weaving includes: selecting materials and tools, making weaving designs, choosing colors based on themes, coloring processes, weaving and finishing processes. As well as explaining the meaning of the omah petrok woven motif and the uses of the omah petruk woven motif.

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