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All Journal Jurnal Penelitian Humaniora DIKSI Litera Hexagone ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Edulitics (Education, Literature, and Linguistics) Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya NOTION: Journal of Linguistics, Literature, and Culture Arif: Jurnal Sastra dan Kearifan Lokal Edulitics (Education, Literature, and Linguistics) Journal Susastra : Jurnal Ilmu Sastra dan Budaya Literature and Literacy
Yeni Artanti
Universitas Negeri Yogyakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Pribadi yang Bertumbuh dalam Roman Trois Femmes Puissantes Karya Marie Ndiaye Sofyanti, Diajeng; Artanti, Yeni
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.700.233-248

Abstract

Semua manusia menjalani kehidupannya dengan bertumbuh, baik secara fisik maupun secara psikis. Penelitian ini bertujuan untuk mendeskripsikan proses pertumbuhan kepribadian sebagai sosok perempuan yang menunjukkan superioritasnya dalam roman "Trois Femmes Puissantes" karya Marie Ndiaye. Sumber data penelitian adalah cerita bagian pertama pada roman "Trois Femmes Puissantes" karya Marie NDiaye yang diterbikan oleh Gallimard tahun 2009. Penelitian ini merupakan penelitian deskriptif kualitatif dengan teknik pengumpulan datanya dengan membaca, mengidentifikasi, mencatat, membuat tabel, dan mengkategorisasikan. Hasil penelitian menunjukkan bahwa tokoh Norah pada awalnya memiliki kepribadian inferior dan pendendam, lalu terdapat perubahan kepribadian, yaitu menjadi pribadi yang cerdas, pekerja keras, kreatif, tepat janji dan pemaaf. Proses pendidikan yang dilaluinya dan lingkungan yang positif membuat Norah mampu berdamai dengan dirinya sendiri dan sekitarnya. Selain itu, tokoh Norah menujukkan wujud superioritas baik sebagai pribadi sehingga menjadi pribadi yang sehat dan tumbuh. Tokoh Norah menunjukkan bahwa 'growth mindset' diperlukan untuk terus bertumbuh menjadi pribadi yang sehat. Kata kunci: kepribadian; superioritas; psikologi individual; Adler; growth mindset[Becoming Growth Person in Marie Ndiaye’s Trois Femmes Puissantes] All humans do their task by growing, both physically and psychologically. This study aims to describe the process of personality growth as a female figure that shows her superiority in Marie Ndiaye's "Trois Femmes Puissantes". The source of the research data is the story of the first part of the novel "Trois Femmes Puissantes" by Marie NDiaye published by Gallimard in 2009. This research is a qualitative descriptive study with reading, identifying, taking notes, making tables, and categorizing as data collection techniques. The results showed that Norah initially had an inferior and vengeful personality, then becoming a smart, hard-working, creative, right on promise and forgiving. The educational process and the positive environment made Norah able to make peace with herself and her surroundings. In addition, Norah shows a form of superiority both as a person so that he becomes a healthy and growing person. So, this character shows that a "growth mindset" is needed to continue to grow into a healthy person.
KAJIAN FILMIS NOVEL LE COLENEL CHABERT KARYA HONORE DE BALZAC Yeni Artanti
Jurnal Penelitian Humaniora Vol 10, No 1: April 2005
Publisher : LPPM UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4085.381 KB) | DOI: 10.21831/hum.v10i1.6126

Abstract

Abstract This research aims at describing “ Le Colonel Chabert” as a filmic novel by using structuralism approach focusing on the intrinsic elements of the work. The elements of the story to analyze are plot, characters, background, and timing. The objectof the research is “ Le Colonel Chabert” written by Honorḗ De Balzac, last printed in 1994 bt Broadard et Taupin in Paris. The result of the research shows that  the novel constitutes a potential novel to be adapted into theatre of film.the novel isdramatic and so visual Keywords: Film, novel, “ Le Colonel Chabert, Balzac
KONSEP DIRI PEREMPUAN DI PERSIMPANGAN BUDAYA DALAM AUTOBIOGRAFI STUPEUR ET TREMBLEMENTS KARYA AMÉLIE NOTHOMB Yeni Artanti
LITERA Vol 19, No 1: LITERA MARET 2020
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v19i1.30465

Abstract

Identitas atau konsep diri merupakan representasi seseorang.  Konsep diri pengarang  dapat direkonstruksi pembaca melalui karya-karyanya, salah satunya autobiografi. Penelitian ini bertujuan mendeskripsikan konsep diri perempuan di persimpangan budaya, mencakup gambaran diri, harga diri, dan harapan diri. Sumber data penelitian ini adalah roman autobiografi Stupeur et Tremblements karya Amélie Nothomb.  Penelitian ini merupakan penelitian kualitatif deskriptif dengan teknik analisis interpretatif. Pengumpulan data dilakukan dengan teknik membaca, mencatat, mengklasifikasikan, dan mengkoding.  Hasil penelitian menunjukkan adanya konsep diri sebagai berikut. Pertama, kegagalan usaha peleburan diri tokoh Aku atau Amélie, sosok perempuan Belgia terdidik, menguasai bahasa Jepang dan diterima bekerja di Perusahaan Yumimoto sebagai penerjemah Jepang-Belgia/Prancis,  namun terpaksa harus menerima dirinya diperkerjakan  sebagai pembersih toilet, agar diterima dan melebur sebagai seorang Jepang. Dia mencoba menghapus dirinya dan mencoba melebur dalam cara pikir dan  budaya Jepang, tempat ia dilahirkan dan tumbuh sampai usia lima tahun. Kedua,  self-esteem atau harga diri yang selalu direndahkan oleh atasannya, wanita Jepang bernama Mori Fubuki, Saito dan Omichi. Hal itu  berbenturan dengan keyakinan dan penilaian dirinya sebagai perempuan yang tumbuh di Barat. Ketiga,  ideal self tokoh Amélie di Jepang yang tidak tercapai.  Tokoh ini mengalami  self-discrepancies, yaitu harapan dirinya berbeda dengan kenyataan. Pada akhirnya ia dapat mengaktualisasikan diri menjadi penulis setelah kembali ke  Belgia. Kata Kunci: identitas, feminisme, barat-timur, autobiografi, konsep diri WOMEN'S SELF-CONCEPT IN CULTURAL JUNCTION IN AMÉLIE NOTHOMB’S STUPEUR ET TREMBLEMENTS AUTOBIOGRAPHY AbstractIdentity is closely related to self-concept. Through an autobiography, authors reconstruct their concepts through their works. This study is aimed at describing women’s self-concepts in a cross-cultural setting which includes their self-images, self-esteem, and self-ideals. The main source of this study is “Stupeur et Tremblements”, an autobiography written by Amélie Nothomb. This study is a descriptive qualitative research using interpretive analysis techniques. Data collection is done by reading, collecting, classifying, and coding. The results show that self-concepts consist of (1) dissolution of selves marked by the figure of ‘I’ as  Amélie, a Belgian woman, 22 years, educated, mastering Japanese, accepted to work at Yumimoto as a Japanese-French translator but working as toilet janitor in this company. She tried to fuse into the Japanese way of thinking and culture, the country where she was born and grew until she was five years old; (2) her self-esteem is always demeaned by his direct supervisor, a Japanese woman named Mori Fubuki and also Omichi. It clashes with her beliefs and considerations as a woman who grew up as a Western woman; and (3) Amélie’s ideal self in Japan was disapproved because she faced self-discrepancies and pushed her to return to Belgium and became a successful writer. Keywords: identity, feminism, east-west, autobiography, self-concept
EKSISTENSI DIRI TIGA PEREMPUAN DALAM TROIS FEMMES PUISSANTES KARYA MARIE NDIAYE Yeni Artanti; Diajeng Sofyanti; Muhammad Deni Reza P.; Wiwin Hartanti
LITERA Vol 19, No 3: LITERA NOVEMBER 2020
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v19i3.36011

Abstract

Manusia sepanjang hidupnya secara terus-menerus melakukan tindakan-tindakan untuk menunjukkan keberadaan dirinya. Tujuan penelitian ini adalah untuk mendeskripsikan eksistensi diri ketiga perempuan yang  terepresentasi dalam Trois Femmes Puissantes karya Marie Ndiaye.  Penelitian ini adalah penelitian deskriptif kualitatif dengan teknik analisis interpretatif dengan menggunakan pendekatan eksistensialisme sebagai acuan analisis.  Data-data berupa kata, frasa, kalimat atau paragraf terkait eksistensi ketiga tokoh perempuan, yaitu Norah, Fanta, dan Khady Demba yang terkumpul melalui pembacaan secara berulang, pencatatan, pengelompokan  atau pengklasifikasian kemudian dianalisis dan diinterpretasikan untuk disajikan.  Hasil penelitian menunjukkan bahwa ketiga perempuan yaitu Norah, Fanta, dan Khady Demba merepresentasikan tokoh-tokoh yang mencoba melakukan perlawanan terhadap dominasi kulit putih, dunia patriarki, dan kapital dengan mencoba menjadikan diri mereka ‘ada.’  Ketiganya meng’ada’ dengan menjadi pribadi yang bertindak terhadap hidup mereka. Kecemasan, ketakutan, kepedihan, penderitaan, pengalaman traumatis, emosi dan juga keputusasaan yang seringkali mengungkung perempuan, dijadikan sebagai pengalaman eksistensi untuk meng‘ada’ sebagai perempuan dan pribadi. Kegetiran hidup Norah karena trauma kehilangan sosok ayah, ikatan cinta suami Fanta yang memenjarakan, dan jeratan kebutuhan ekonomi yang melilit Khady Demba tidak membuat tiga perempuan ini putus asa, tetapi justru menjadikan mereka sebagai individu yang konkret dan unik dalam memilih eksistensi mereka sendiri, yaitu sebagai pengacara, ibu rumah tangga, atau pekerja seks, setidaknya mereka memilih untuk bertindak dengan sadar. Ketiganya menyadari keberadaannya sebagai manusia. Kata Kunci: eksistensi, perempuan, Ndiaye, kedirian, pergumulan batin  THE SELF-EXISTENCE OF THREE WOMEN IN MARIE NDIAYE'S TROIS FEMME PUISSANTES AbstractHumans throughout their life continuously take actions to show their existence. The purpose of this research is to describe the existence of the three women represented in Marie Ndiaye's “Trois Femmes Puissantes.” This research is a qualitative descriptive study by using interpretive analysis techniques and an existentialism approach as a reference for analysis. Data in the form of words, phrases, sentences or paragraphs related to the existence of the three female characters, namely Norah, Fanta, and Khady Demba which were collected through repeated reading, note taking, grouping or classifying, and analysing or interpreting.  The results showed that the three women stated represented figures who tried to fight against white domination, patriarchy and capital domination. The three of them are becoming individuals who act and own their life to show their existence. Anxiety, fear, pain, suffering, traumatic experiences, emotions, and despair that often confine women, are interpreted as their experiences as a woman and as a person. Norah's life bitterness due to the traumatic feeling  of losing a father’s figure, the love bond of Fanta's imprisoned husband, and the bondage of economic necessity that surrounds Khady Demba did not make these three women despair, but instead made them concrete and unique individuals in choosing their own existence, explicitly as lawyer, housewife, or sex worker. They choose to act and show their existence consciously.  Keywords: existence, women, Ndiaye, self, inner struggle
Tiga Perempuan Perkasa: Kisah Manusia yang Bertindak untuk Kebebasannya dalam Trois Femmes Puissantes Karya Marie NDiaye Yeni Artanti
Arif: Jurnal Sastra dan Kearifan Lokal Vol 1 No 1 (2021): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (449.228 KB) | DOI: 10.21009/Arif.011.01

Abstract

Kebebasan merupakan hal yang paradoksal bagi manusia. Secara alamiah manusia terlahir dengan membawa kehendak bebasnya yang terbatasi oleh berbagai macam hal di luar dirinya. Penelitian kualitatif ini bertujuan menginterpretasikan secara kritis proses pengalaman pembebasan diri tokoh Khady Demba dalam novel Trois Femmes Puissantes (2009) karya Marie NDiaye. Hasil penelitian menunjukkan bahwa identitas kedirian Khady Demba tidak terlepas dan sekaligus legitimasinya sebagai perempuan Afrika yang terusir namun sekaligus menanggung beban harapan untuk memperbaiki kondisi ekonomi keluarga, masyarakat, dan negaranya. Sosok individu yang sederhana, Khady Demba menjalani kebebasannya dengan mengikatkan diri pada hal-hal lain yang sering kali tidak manusiawi, dalam pencariannya akan ‘rumah’ yang secara tragis mengantarkannya pada kematian. Keterbatasan pengetahuan karena proses individuasinya tidak berjalan dengan baik, Khady Demba merepresentasikan kegelisahan penulis terhadap permasalahan sosial musafir tangguh sekaligus naif dan tragis Afrika menuju tanah impian bernama Eropa / Prancis. Namun, melalui tokoh ini, pembaca dapat becermin bahwa hidup terlalu berharga untuk disia-siakan, makna diri harus disusun sendiri sebelum ajal menjemput.
Berharap pada gen-z melalui film komedi "Pourris Gâtés" karya Nicolas Cuche: Naratif pedagogi Yeni Artanti; Otta Orsya; Siti Sumiyati
LITERA Vol 22, No 1: LITERA (MARCH 2023)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v22i1.58521

Abstract

Film adalah karya seni yang memiliki peran mendidik, selain juga memberikan hiburan. Penelitian ini bertujuan untuk memaknai film komedi keluarga yang ditayangkan melalui Netflix, Pourris Gâtés (2021) karya Nicolas Cuche melalui paradigma berpikir pedagogi kritis Henry Giroux dan psikologi sosial Erich Fromm. Sebagai penelitian kualitatif, teknik analisis yang digunakan  adalah interpretatif reflektif. Data visual dan lisan dalam bentuk gambar,  percakapan, dan tulisan dalam film Pourris Gâtés (Cuche, 2021) yang produksi  oleh Borsalino Productionspartners  secara tematik diidentifikasi dan diklasifikasikan untuk mendapatkan pesan dan kebermaknannya.  Hasil penelitian menunjukkan bahwa harapan terhadap generasi-z ditampilkan melalui konflik dalam keluarga Francis Bartek, seorang ayah tunggal yang kaya raya, salah satu pengusaha terbaik di bidang konstruksi di Monako yang mencoba mendidik anak-anaknya, yaitu  Philippe Bartek, Stella Bartek, dan Alexandre Bartek untuk bertanggung jawab  terhadap hidup mereka sendiri dengan bekerja. Harapan Francis Bartek agar anak-anaknya memahami konsep perencanaan, seperti menabung, penganggaran, investasi, dan mengelola keuangan, termasuk mengambil keputusan yang tepat dalam hidup mereka. Konsep dan keterampilan literasi keuangan disajikan melalui adegan dan dialog yang lucu dan akrab saat Stella, Philippe, dan Alexandre Bartek berjuang untuk bertahan hidup dengan bekerja atau berbisnis mulai dari nol. Harapan yang disertai tindakan aktif Francis Bartek terhadap anak-anaknya memunculkan keyakinan, ketabahan, dan kebangkitan dalam memaknai kehidupan mereka sendiri. Dengan berharap seseorang menjadi gigih, mampu kerja keras, bertanggung jawab dengan penuh kesadaran. Jadi, naratif pedagogi Pourris Gâtés (Cuche, 2021) menunjukkan bahwa harapan merupakan aspek psikis manusia untuk terus tumbuh dan mengada.Kata kunci: literasi keluarga, narasi, film, Monako, komedi, harapan, Fromm Pinning hopes on gen-z through Nicolas Cuche's Pourris Gâtés comedy film: Narrative pedagogy AbstractFilms, like novels, plays, poems, music, paintings, and sculptures, are effective mediums for both education and entertainment. This research aims to interpret Nicolas Cuche's family comedy Pourris Gâtés (2021) using Henry Giroux's critical pedagogical thinking paradigm and Erich Fromm's social psychology. The analytical techniques used in qualitative research are reflective and interpretive. To obtain the message and meaning, visual and oral data in the form of images, conversations, and writings in the film Pourris Gâtés (2021), produced by Borsalino Productionspartners and directed by Nicolas Cuche, are thematically identified. The findings indicated that Francis Bartek, a successful businessman in construction and a wealthy single father, experienced family conflict as he attempted to teach his children—Stella  Bartek, Philippe Bartek, and Alexandre Bartek—to be accountable and self-sufficient by means of employment. Francis Bartek hopes her children understand financial concepts like saving, budgeting, investing, managing finances, and making sound decisions. Stella, Philippe, and Alexandre Bartek struggle to survive by working or starting a business from scratch, and financial literacy concepts and skills are presented through hilarious and familiar scenes and dialogues. The hope that was accompanied by Francis Bartek's active actions towards his children gave rise to conviction, fortitude, and awakening in interpreting their own lives. By expecting someone to be persistent, able to work hard, and take responsibility with full awareness. Thus, the pedagogical narrative of Pourris Gâtés (Cuche, 2021) shows that hope is a psychic aspect of the human being to continue to grow and exist.Keywords: finance literacy, narrative pedagogy, film, Monaco, comedy, hope, Fromm
Community attitude to the news of pandemic Covid-19 Rohali Rohali; Siti Perdi Rahayu; Herman Herman; Yeni Artanti; Dwiyanto Djoko Pranowo
LITERA Vol 21, No 3: LITERA (NOVEMBER 2022)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v21i3.53338

Abstract

This study aims to describe the themes and attitudes of the community towards news about the Covid-19 pandemic on WhatsApp. By conducting critical discourse analysis, it is hoped that an understanding will be formed that can enlighten the public on how to interpret and understand the information about the COVID-19 pandemic that they receive through the WhatsApp application and be selective in sending this information to others. The results of the study show the following. Fisrt, the attitude of affection contains 4 themes, namely religious, health, education, and economic themes. There are two functions of a religious theme, namely a request to God and an expression of gratitude. The health theme has three functions, namely an invitation to maintain progress, vaccination recommendations, and health humour. The theme of education is represented in the form of public attitudes regarding the readiness of universities for offline learning. The function of the economic theme is related to expressions of concern and ironism towards the deteriorating Indonesian economy. Second, the attitude of the community's cognition is realized with the theme of health which has the function of protest, fake news, and health humour. Thirth, dehavioral attitudes carry three themes, namely health, education, and economy. The function of the health theme is behaviour in responding to the funeral process for Covid-19 victims and vaccination. The function of the educational theme is related to the behaviour of the community towards the preparation of offline learning. The economic theme is represented by behavioural deviations from health protocols during the implementation of PPKM.Keywords: discourse analysis, attitude, covid-19, WA SIKAP MASYARAKAT TERHADAP BERITA PANDEMI COVID-19 ABSTRAKPenelitian ini bertujuan untuk mendeskipsikan tema dan sikap masyarakat terhadap berita tentang pandemi Covid-19 di WhatsApp. Dengan melakukan analisis wacana kritis, diharapkan akan terbentuk pemahaman yang dapat mencerahkan masyarakat bagaimana memaknai dan memahami informasi tentang pandemi covid-19 yang mereka terima melalui aplikasi WhatsApp dan selektif dalam mengirimkan informasi tersebut ke orang lain. Hasil penelitian menunjukkan hal-hal sebagai berikut. Pertama, sikap afeksi memuat 4 tema yaitu tema religius, kesehatan, pendidikan, dan ekonomi. Ada dua fungsi tema religius yaitu permohonan kepada Tuhan dan ungkapan syukur. Tema kesehatan memiliki tiga fungsi yaitu ajakan menjaga prokes, anjuran vaksinasi, dan humor kesehatan. Tema pendidikan direpresentasikan dalam bentuk sikap masyarakat terkait kesiapan perguruan tinggi dalam pembelajaran luring. Fungsi tema ekonomi berkaitan dengan ungkapan kekhawatiran dan ironisme terhadap ekonomi indonesia yang semakin memburuk. Kedua, sikap kognisi masyarakat diwujudkan dengan tema kesehatan yang memiliki fungsi protes, berita bohong, dan humor kesehatan. Ketiga, sikap perilaku mengusung tiga tema yaitu kesehatan, pendidikan, dan ekonomi. Fungsi tema kesehatan adalah perilaku menyikapi proses pemakaman korban Covid-19, dan vaksinasi. Fungsi tema pendidikan berkaitan dengan perilaku masyarakat terhadap persiapan pembelajaran luring. Tema ekonomi direpresentasikan dengan penyimpangan perilaku terhadap protokol kesehatan di tengah pemberlakuan PPKM.Kata kunci : analisis wacana, sikap, covid-19, WA 
RESILIENSI DAN KEBERMAKNAANNYA: ASPEK PENDUKUNG RESILIENSI TOKOH UTAMA DALAM NOVEL LES GENS HEUREUX LISENT ET BOIVENT DU CAFÉ Nafingatul Mustafidah; Yeni Artanti
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 11, No 2 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2022)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v11i2.127

Abstract

Human challenges in living life are often used as a description of the personality or psychology of the characters in the story. Psychological conditions greatly affect the character's ability to be resilient. This study aims to describe the aspects of supporting resilience that are carried out by the character Diane to get out of her slump. The subject of this research is the main character, Diane, and the research object studied is the aspect of supporting resilience by the character Diane in the novel Les Gens Heureux Lisent et Boivent du Café by Agnès Martin-Lugand. The research method used is descriptive-qualitative method with a literary psychology approach. The results of this study indicate that the aspects of resilience that support Diane's character to find her happiness again can be seen from seven aspects, namely emotion regulation, impulse control, optimism, causal analysis, empathy, self-efficacy, and achievement. Diane's causal analysis ability is the most supportive in the process of carrying out resilience. Therefore, these aspects of resilience allowed Diane to process very well in identifying the problems she was facing so that she was able to get out of her slump. AbstrakTantangan manusia dalam menjalani kehidupan sering dijadikan sebagai gambaran kepribadian atau kejiwaan tokoh dalam cerita. Kondisi kejiwaan sangat mempengaruhi kemampuan tokoh dalam beresiliensi. Penelitian ini bertujuan untuk mendeskripsikan aspek-aspek pendukung resiliensi yang dilakukan tokoh Diane untuk keluar dari keterpurukannya. Subjek penelitian ini adalah tokoh utama yaitu Diane dan objek penelitian yang dikaji adalah aspek pendukung resiliensi yang dilakukan tokoh Diane dalam roman Les Gens Heureux Lisent et Boivent du Café karya Agnès Martin-Lugand. Metode penelitian yang digunakan adalah metode deskriptif-kualitatif dengan pendekatan psikologi sastra. Hasil penelitian ini menunjukan bahwa aspek resiliensi yang mendukung tokoh Diane untuk menemukan kebahagiaannya kembali terlihat dari tujuh aspek yaitu regulasi emosi, pengendalian impuls, optimis, analisis kausal, empati, efikasi diri, dan pencapaian. Kemampuan analisis kausal yang dimiliki Diane paling mendukung dalam proses melakukan resiliensi. Oleh karena itu, aspek-aspek resiliensi tersebut membuat Diane dapat berproses mengidentifikasi permasalahan yang dihadapi dengan sangat baik sehingga mampu keluar dari keterpurukan.
Queen Shima as Nusantara feminist pioneer: Feminist literary study on the novels Putri Kalingga and Avatar Keadilan Wiyatmi, Wiyatmi; Sudiati, Sudiati; Artanti, Yeni
Diksi Vol. 32 No. 1: DIKSI (MARCH 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i1.66349

Abstract

Up to the present time, the public is more familiar with the figures of Kartini, Dewi Sartika, and Cut Nyak Dien as icons of Indonesian women emancipation fighters. In reality, for hundreds of years before Kartini was born, in the 7th century, the Kingdom of Kalingga has been led by a woman, Queen Shima. Not much of the historical data has recorded her name and roles. In the midst of this condition, there were published two novels which enumerate the way of life of Queen Shima, entitled Putri Kalingga (Wibidharma, 2022) and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga (Nararosa, 2010). The present study is aimed at understanding the existence of Queen Shima as a pioneer of Nusantara feminism by using the perspectives of feminist literary approach. The study was qualitative feminist research. The data sources of the study were the two novels Putri Kalingga and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga. Data were the narratives that tell about the characteristics and way of life of Queen Shima as King of Kalingga Kingdom which contain information about her position and roles in Nusantara women history. Findings of the study show that Queen Shima, whose life story is told in the two novels Putri Kalingga and Avatar Keadilan is not only a fictitious character, but also a historical figure from the 7th century, who is hauled up as King of Kalingga Kingdom not because of inheriting the crown from her parents, but because of the intelligence, wisdom, and leardership capacities she has. In the perspectives of feminist literary criticism, Queen Shima represents Nusantara feminisim that has been practiced in the era of the Kalingga kingdom.
Manifestation of birds in the illumination of Javanese manuscripts Ekowati, Venny Indria; Artanti, Yeni; Gedat, Remmy; Hartanto, Doni Dwi
Diksi Vol. 32 No. 2: DIKSI (SEPTEMBER 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i2.72542

Abstract

Illuminations are decorative framing texts that are related to the content of the text. Illuminating Javanese manuscripts contain a variety of interesting symbols and ornaments that need to be revealed its meanings. One of the dominant ornaments in Javanese manuscript illumination is in the form of birds. The data of this study were 150 Javanese manuscripts with illumination from the collection of Sonobudoyo Museum and the Library of Balai Bahasa Yogyakarta. This research was built using qualitative methods with a hermeneutic approach to describe the manifestation of the bird symbol found in the illumination of Javanese texts. The hermeneutic approach is used in the analytical approach because the data used must be understood deeply through the symbols that appear in the illumination. The results of the present research show that: (1) the most common bird species used in illumination are eagles manifested as Garudha yeksa, sawat, and mirong, (2) the majority rationale (91%) of creating illumination of bird motifs is as the representation of the King, and (3) results of symbol interpretation establish a relationship between the symbol and the text. There were ornaments symbolising the King such as snakes, birds, crowns, batik motifs, leaves, houses, palaces, and others. Most ornaments contain meaning corroborating the contents of the manuscripts. For example, the change of power is symbolised by the cakra manggilingan, the HB (Hamengku Buwana) symbol shows the king on throne, and the bird symbolises and represents the king. The ornaments of birds in particular have the functions of didactic, aesthetic, and legitimacy. 
Co-Authors Ahmad Taufiq Anas Ahmadi Ashadi Azhari Baltazar, Cirilo Burhanudin Burhanudin Colo, Heribertus Amaunut Daroe Iswatiningsih Diajeng Sofyanti Dinda Destari Doni Dwi Hartanto Dwiyanto Djoko Pranowo Gedat, Remmy Gigit Mujianto Guterres, Antonio Herawati, Diyah Herman Herman Muhammad Deni Reza P. Muhammad Zikrullah Mustofa, Andi Nafingatul Mustafidah Novitasari, Hilda Dian Nova Orchid, Andy Adawiyah Otta Orsya Putri, Intan Anugrah Rohali Rohali Roswita Lumban Tobing Sarmento, Joao da Silva Senen, Ikram Siti Perdi Rahayu Siti Sumiyati Sofyanti, Diajeng Sudiati Sudiati Tianusad, Marseilles Tri Kusnawati Venny Indria Ekowati Wiwin Hartanti Wiyatmi Wiyatmi