Articles
59 Documents
<![CDATA[MENURUNNYA ANGKA BUNUH DIRI DI JEPANG DITINJAU DARI KEBIJAKAN JISASTSU TAISAKU KIHON HOU ]]>
<![CDATA[Muhammad Fadhli Dzil Ikram]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 9 No. 2 (2022): Japanese Culture in Education ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v9i2.51565
<![CDATA[Suicide in some countries in the world is not a big problem. But in Japan, suicide is a very worrying social problem. Japan since 1998 experienced a very high increase in suicide rates. In 1998, suicide rates in Japan rose to above 30 thousand, after previously stabilizing at 20 thousand. This suicide rate lasts up to 5 years and shows no signs of decreasing. Therefore, in 2006, the Japanese government made Jisatsu Taisaku Kihon Hou or suicide measures basic law to reduce suicide rates. As a result, suicide rates declined in 2010, 4 years after the adoption of the suicide measures basic law. This research seeks to reveal the influence of Jisatsu Taisaku Kihon Hou by decreasing suicide rates in Japan. The object of research is various kinds of public documents relating to suicide in Japan in the period from 2006 to 2019. Using policy theory and literature, this study reveals the impact brought about by making suicide prevention laws on suicide rates that high in Japan since 1998. This research shows the efforts of the Japanese government to reduce suicide rates by using a variety of programs for all ages and to apply to all kinds of places. Thus, suicide rates can be reduced so that the suicide rate in Japan is no longer a social problem.]]>
<![CDATA[MAKNA KANJI DAN KIBUN DALAM NOVEL "KOKORO” KARYA NATSUME SOSEKI ]]>
<![CDATA[Adorada Pramessyah Panukmolaksari]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 9 No. 2 (2022): Japanese Culture in Education ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v9i2.51566
<![CDATA[The novel Kokoro by Natsume Soseki is a novel that is widely translated into many languages, especially in Indonesia language. The word kokoro have literal meaning of ‘heart', but when the word translated more it means ‘feeling'. In the novel itself, there are many uses of word ‘feeling' in Japanese language, especially the nouns kanji and kibun that are the focus on this research. Both nouns when translated into Indonesia language have the meaning ‘perasaan' (feeling). Knowing more of the detail about the similarity between the words, makes it easier to use it in sentences. Therefore, this research aims to analyze the similarity in meaning between the two nouns. The method used is descriptive qualitative method. This research uses the theory of lexical meaning, grammatical meaning, relation of meaning, and synonym itself to specify the differences between synonym of kanji and kibun. After analyzing the entire data, it can be concluded that the noun kanji have the meaning of ‘the atmosphere in everything'. The noun kibun means "a state of feeling which is not very strong and persists for a certain period of time” and "the atmosphere that is felt”.]]>
<![CDATA[ANALISIS RESEPSI HARAJUKU STREET FASHION SEBAGAI BENTUK PERLAWANAN: STUDI KASUS ANGGOTA KOMUNITAS HARAJUKU STREET SURABAYA ]]>
<![CDATA[Poppy Putri Hardanti]]>;
<![CDATA[Kirana, Rahaditya Puspa]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51567
<![CDATA[Harajuku street fashion is a popular street fashion among youngster.This fashion's popularity is very high, not only in Japan, but almost in around the world. Harajuku street fashion has many various types of styles, such as visual kei, decora, Ura-Harajuku, lolita, Mori kei, and fairy kei.Each of these styles has different meaning also have different reasons to the one who wear it. One of reasons the fans of this fashion in Japan is they wear it as a form of rebellion. This research aims to describes the acceptance of the members of the Harajuku Street Surabaya community towards harajuku street fashion.This research is conducted by using qualitative research method through case study approach also used an interview method as a data collecting methods. This research used Stuart Hall's reception theory (encoding-decoding) to find the acceptance positions conducted by informants. The results obtained there are two positions which occupied by informants, dominant-hegemonic and negotiated. The informants whom in dominant-hegemonic position, approve the messages brought by the encoder (harajuku street fashion) and reinterpret the messages according to the encoding rules. While the informants who are in a negotiated position accept and understand the messages, but they have exceptions and make their own rules.]]>
<![CDATA[KELIMA DAIMYO DALAM PERTEMPURAN SEKIGAHARA PADA FILM ANIME SENGOKU BASARA "THE LAST PARTY”: KAJIAN NEW HISTORICISM ]]>
<![CDATA[Ekky Puturahman]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51568
<![CDATA[The Sengoku period was a time when Japan was filled with war and chaos. Although so many historical figures in the era that inspired Japanese culture until now. Including also the grup of the strongest daimyo formed by Toyotomi Hideyoshi in his last day. This grup of strongest daimyo potrayal through the Japanese culture was a lot. For examples like in comics, drama series, movies, and anime. One anime that uses the grup as the character is in the Sengoku Basara anime. In the movie version which is Sengoku Basara "The Last Party", the strongest group of daimyo during the Sengoku era of Sekigahara battle that became the background of the film is depicted by different characters. This article will analyze the five daimyo that appear in Sekigahara's battle on the Sengoku Basara "The Last Party" anime movie. Using a descriptive qualitative method, this article will analyze the scene snippets in the film. Using New Historicism, the author analyzes the differences between history and film, the five daimyo who fought in the battle of Sekigahara. Keywords: Daimyo, Go-Tairo,New Historicism, Battle of Sekigahara]]>
<![CDATA[KEBEBASAN EKSISTENSIAL MANUSIA DALAM NOVEL "SUNA NO ONNA” KARYA ABE KOBO ]]>
<![CDATA[Galang Demo Satrio]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51569
<![CDATA[Dalam kehidupan manusia sejak zaman dahulu hingga saat ini, tentu tidak akan pernah lepas dari hubungan antara masyarakat dengan karya sastra. Karya sastra merupakan refleksi pemikiran pengarang yang kerap kaitannya berupa pertanyaan, pernyataan sekaligus kritik. Karya yang betul-betul memiliki nilai untuk tetap eksis di dalam masyarakat akan terus hidup melampaui batas ruang dan waktu. Begitu juga dengan kesusastraan Jepang, banyak karya-karya sastra yang hingga kini masih dapat bertahan dan semakin menarik minat baca banyak orang. Hal itu dikarenakan kesusastraan Jepang yang memiliki ciri khas tersendiri dibandingkan negara-negara lain. Terlebih karya-karya penulis di era modern seperti Akutagawa Ryuunosuke, Kawabata Yasunari, yang karyanya telah diakui dan mendapatkan penghargaan Nobel Kesusastraan.Penelitian kali ini akan mengkaji novel yang berjudul Suna no Onna karya Abe Kobo yang terbit pertama kali pada tahun 1962. Penelitian ini menggunakan metode kualitatif atau pendekatan objektif, yang artinya pusat penelitian adalah pada teks itu sendiri. Hasilnya, terdapat permasalahan yang signifikan terkait dengan tema kebebasan, ketidakbebasan manusia ditinjau dari situasi cerita. Maka dari itu, penelitian ini akan memfokuskan pada konsep kebebasan manusia melalui peranan tokoh pria dalam novel Suna no Onna dengan menggunakan teori kebebasan manusia dalam filsafat eksistensialisme Sartre. Since a long time ago, human life could not be separated with literary works. Literary works are the reflection of the writers' thoughts, expressing their questions and critics towards life and society in general. The works that are considered to have a high societal value will carry on existing through space and time. This also applies in Japanese literature, which still survives up until now and attracts the reading interest of many people throughout the world. This is due to the certain characteristics Japanese literature has compared to other literary works throughout the globe. Moreover, the works of modern era author such as Akutagawa Ryuunosuke and Kawabata Yasunari have been recognized by the world and received Nobel Prize in literature.This study will analyze Kobo Abe's Suna no Onna (1962) focusing on the concept on human freedom through the role of the male characters using human freedom theory in Jean Paul Sartre's existentialism. This study applies qualitative method or objective approach, focusing on the text itself. The result is there are significant problems related to the theme of human freedom and elimination of human freedom in terms of story situation.]]>
<![CDATA[KEGELISAHAN NATSUME SOSEKI DALAM TIGA CERITA DARI LONDON (RONDONTOU, RONDON SHOSOKU, DAN JITENSHA NIKKI) ]]>
<![CDATA[Fatma Silviana Fatimah]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51570
<![CDATA[Natsume Soseki (1867-1916) sebagai salah seorang sastrawan besar Jepang di Zaman Modern perna mengalami pengalaman yang tidak menyenangkan selama studinya di London Inggris. Dia mengalami perasaan cemas, ketakutan, dan marah yang saat ini kita sebut sebagai gegar budaya (culture shock). Melalui tiga karyanya yang berjudul Rondontou, Rondon Shousoku, dan Jitensha Nikki, peneliti telah menemukan beberapa fase gegar budaya yang dialami oleh tokoh utama "Aku”. Seperti yang disampaikan oleh Ward dalam teorinya tentang fase gegar budaya, yaitu (1) fase bulan madu, (2) fase kritis, (3) fase penyembuhan, dan (4) fase adaptasi, Soseki tidak mengalami fase pertama dan terakhir. Namun karena tanggungjawabnya terhadap tugas dari tanah air, ia mampu bertahan dua tahun sebelum mengakhiri studinya di luar negeri.]]>
<![CDATA[HUBUNGAN BENTUK AKTIVITAS YANG MENDASARI TIMBULNYA HUMOR DENGAN PELANGGARAN MAKSIM PADA ACARA RAGAM AKBINGO! ]]>
<![CDATA[Anindya Kartika]]>;
<![CDATA[Kusumawati, Adis]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51571
<![CDATA[A speech act that violates the maxim can cause humor. Humor is an important role in entertainment programs. One of the Japanese entertainment programs in which there are many acts of speech violating the maxim of linguistic principles is the AKBINGO! This variety program has been aired since 2008 until now. Not only violations of the maxims of the utterances uttered by the performers in AKBINGO !, the forms of activities carried out can also invite audience laughter. Speech act theory, the principle of cooperation and politeness theory as well as the theory of activity forms that underlie the emergence of a humorous activity are used to analyze speech and activities that can invite laughter in this television program. The research method used is the literature study method and the matching method. Based on the results of the study, it was found 153 maxim violations that invited humor and there were 87 forms of activity that cause humorous activities. There is relation between the types of activities that cause humorous activity with violations of maxims that are carried out because there are similarities in the way they form humor.]]>
<![CDATA[REPRESENTASI NERAKA DALAM ANIME "HOOZUKI NO REITETSU” ]]>
<![CDATA[Andiza Azza Suhadi]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51572
<![CDATA[In Japanese people belief hell is place in the afterlife where sinners and ungodly people get tortured. But it also often appears in Japanese pop-media such as anime. One of the anime is Hoozuki no Reitetsu which displays fantasy as the main background for the characters doing their stuff. The research method used is descriptive qualitative research method. The data analysis technique in this study is collecting data from the anime Hoozuki no Reitetsu, doing a sign analysis of the screenshoot using the "meaning triangle" Charles Sanders Peirce. Finally, look for the relationship between the results of the analysis of the signs in the anime and disaster groups in Japanese society. The results of the analysis show that the facts in the anime are described as Japanese companies issued various needs to punish sinful humans, because there are many factors such as changing the times, science and culture in Japan.]]>
<![CDATA[ANALISIS SIMIOTIKA KESEDIHAN BAMBU PADA KUMPULAN PUISI "TSUKINI HOERU” KARYA HAGIWARA SAKUTARO ]]>
<![CDATA[Rosa Ayu Dwirohma]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51573
<![CDATA[Karya sastra puisi merupakan bentuk imajinatif dari pengarang yang di dalamnya memiliki makna tersirat. Oleh karena itu, dalam memahami isi puisi dibuthkan analisis untuk mengetahui struktur puisi yang kompleks. Setiap puisi memiliki ciri khasnya sendiri berdasarkan dari prngalaman pengarang dalam perjalanan hidup dan budaya tempat tinggal pengarang. Hal tersebut dapat ditemukan pada penelitian ini yang membahas tentang makna puisi karya Hagiwara SakutarÅ pada salah satu kumpulan puisinya. Tsukini Hoeru 『月ã«å ãˆã‚‹ã€ã€€merupakan kumpulan puisi pertama karya Hagiwara sakutarÅ yang memiliki banyak apresiasi oleh masyarakat Jepang. Kumpulan puisi tersebut ada pada periode TaishÅ 6. Fokus utama dalam penelitian yaitu Take to Sono AishŠ「竹ã¨ã”ã®å“€å‚·ã€ yang termasuk dalam bab pertama dari kumpulan puisi Tsukini Hoeru. Ada 10 puisi yang dijadikan sebagai objek penelitihan. Penelitian ini menggunakan metode pendeketan deskriptif dan teori semiotik Riffaterre. 10 puisi yang diteliti menerapkan metode dalam teori semiotik Riffaterre menggunakan tahapan Heuristik, Hermeneutik, Matrix. Hasil dari pengaplikasian tersebut akan menghasilkan makna dari "bambu dan kesedihannya” dan gambaran kesedihan menurut Hagiwara SakutarÅ. Poetic literary works are imaginative forms of authors whose implicit meanings. Therefore, in understanding the contents of poetry analysis is needed to find out the complex structure of poetry. poems have own characteristics based on the experience of the author in the journey of life and culture where the author lives. This can be found in this research which discusses the poetic meaning of Hagiwara SakutarÅ's on one of his poetry collections. Tsukini Hoeru 『月 ã« å ㈠る〠is the first collection of poems by Hagiwara SakutarÅ, which has a lot of appreciation from Japanese. The collection of this poems is in the TaishÅ 6. The main focus of the research is Take to Sono AishŠ「竹 㨠㔠㮠哀傷〠which is included in the first chapter of the collection of Tsukini Hoeru poems. There are 10 poems that are used as research objects. This study uses descriptive methods, and the semiotic theory of Riffaterre. The 10 poems studied apply the method in semiotic theory of Riffaterre. that use the stages of Heuristics, Hermeneutics, Matrix. The results of the application will produce meaning from "bamboo and his sadness" and the meaning of ‘sadness' according to Hagiwara SakutarÅ.]]>
<![CDATA[PERBANDINGAN KONSTRUKSI PEMBERITAAN KASUS KAUS BOM ATOM BTS DALAM MEDIA MASSA JEPANG ASAHI.COM DAN MAINICHI.JP ]]>
<![CDATA[Adis Kusumawati]]>
<![CDATA[ Japanology: The Journal of Japanese Studies Vol. 8 No. 1 (2019): Japanese Urban Language and Culture in Literature, Mass Media, and Commercial M ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jjs.v8i1.51574
<![CDATA[A popular boy group from South Korea BTS was being criticized because one of the member once wore a t-shirt with words and image graphic desgin that considered hurting the atomic bomb victims' feeling. This controversy lead to a performance cancellation of theirs in a music broadcast "Music Station” aired by Asahi TV. This case gained attention from many countries especially Japan mass media. In this research, the writer uses news articles that published on November 9 to 10 2018 by online media Asahi.com and Mainichi.jp. This study applies qualitative research method approach and use discourse analysis proposed by Teun A. Van Dijk on the text dimension to determine the atomic bomb t-shirt related news being constructed by both newspapers. The result is there are some difference points between Asahi.com and Mainichi.jp in news constuction.]]>
