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I Putu Udiyana Wasista
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Rerajahan Aesthetics as an Idea for Creating Painting Works Aprianta, I Putu Gede Ivan Ayestha; Kondra, I Wayan; Sucipta, I Wayan Adi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3635

Abstract

This independent study report raises the theme of Rerajahan Aesthetics as an Idea for Creating Painting Works, starting from raising ideas around rerajahan. All aspects of Balinese life are imbued with Hinduism, which indirectly gives birth to a socio-religious culture. Various cultural elements were born due to the demands of religious needs. Art as an element of culture was also born due to the demands of religious activities. This has encouraged the creation of various forms of symbolic-magical art which are representations of something abstract. One of them is in the form of pictures or writing which is commonly called Rerajahan. For the Balinese people, rerajahan, apart from being a means of religious ceremonies, is also believed to have very high supernatural powers. This believed power functions as a means of suggestion to achieve certain desires or goals. In this case, the effect of rerajahan is that it is able to become a source of ideas for artists in creating modern works of art without abandoning the traditional values behind it. Rerajahan is also a very inspiring work of traditional art, and a source of ideas for some Balinese artists in creating individual works.
Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
Overcoming The Feeling Of Insecure As An Idea In The Creation Of Painting Art Puspayoga, Putu Gede; Kondra, I Wayan; Sucipta, I Wayan Adi; Suryadinata T. Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3637

Abstract

Insecurity is a feeling of discomfort or fear that is triggered by a feeling of dissatisfaction and uncertainty about one's capacities. Insecurity is a common problem that often occurs among society, especially today's young people, if it is not addressed it can disrupt productivity in living life, a lack of understanding and knowledge regarding insecurity and how to overcome this condition often causes this insecurity to be a taboo matter. The aim to be achieved in the creation of this work is to understand the efforts that can be made to overcome feelings of insecurity in the perspective of packaging the embodiment of a work of painting. The author will visualize the efforts to overcome this feeling of insecurity using a visual analogy approach in the meaning of a message that will be expressed as a work of painting. In its development, the author formulated several things, various efforts to overcome feelings of insecurity and a visual analogy approach technique in expressing expressions of efforts to overcome feelings of insecurity.
Fourmoon Start-Up Management Development Start-Up Fourmoon (Multifunctional Painted Shawl) Nisa, Apriliana Putri Khairun; Budiarta, I Dewa Putu Gede; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3640

Abstract

The Multifunctional Painted Shawl is a special product from Fourmoon that prioritizes functionality and beauty. Based on Wikipedia, a shawl is traditional Indonesian clothing in the form of a long cloth and it is usually worn by women. This scarf is specially designed to have multiple functions in just one item. In addition, the multiple function of Fourmoon Shawl also has aesthetic value on its surface design and additional prada. The aims of this text are, 1). To Find out the Transfer of Entrepreneurial Knowledge to the Agung Bali Collection for the development of fourmoon start-up management (multifunctional Painted Shawls). 2). Finding out about the transfer of entrepreneurial skills to the Agung Bali Collection for the development of fourmoon start-up management (Painted multifunctional shawl). 3). Finding out about the transfer of Marketing Knowledge and Technology to the Agung Bali Collection. This type of research includes quantitative research and observation as a data collection method. The results of this MBKM are, 1). There are 9 functions of painted shawl products produced by fourmoon 2). The marketing that the writer does is offline and online way such as Instagram. The writer also applies a custom-order system 3). Developing insight such as prada adding with the canting massage technique.
“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game Putra, I Made Pande Agus Cahyadi; Budiarta, I Dewa Putu Gede; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3641

Abstract

Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.
Fineline Tattoo Design as a Form of Self Expression at Ingkeu Ink Tattoo Studio Fauzi, Ivan; Tjokropramono, I Gede Yosef; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3642

Abstract

The main objective of this research and art creation is to create and present the work "Designing Fineline Tattoos as a Form of Self-Expression at Ingkeu Ink Tattoo Studio" as a representation of arts and culture education. Fineline tattoo is a style of tattoo that involves creating a design with very thin and smooth lines. These tattoos are often minimalist and subtle, with intricate and detailed designs that require a skilled artist to execute. This creation is research-based, so the method consists of two inseparable parts, namely the research method and the creation method. The technique for implementing MBKM internship/work practice activities at Ingkeu ink tattoo studio is carried out using a project based learning model. In designing this tattoo design, it begins with brainstorming together to collect the concepts and topics that will be discussed. After getting a mature concept, students can continue to the stages of the work process. In this research the author will describe the Fineline Tattoo design process as a form of self-expression at Ingkeu ink tattoo studio along with an analysis of the design results. The data in this research was obtained directly from Ingkeu ink tattoo studio as a partner who has a project to be featured in the internship report using several methods. The results of the tattoos done by the author are also uploaded by partners on social media and TikTok, in this way the partners believe they are very effective in attracting client interest.
Visualization of the Impact of Industrial Revolution Developments in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3643

Abstract

Bwah Loka in Sarad Pulagembal as an Idea for Creating Sculpture Tenaya, I Made Suwardana; Mustika, I Ketut; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3644

Abstract

The yadnya ceremony in Bali cannot be separated from an upakara or offering. One of the upakara or offerings that contains a touch of artistic elements is Sarad Pulagembal. Sarad Pulagembal is made from rice flour dough given various colors, symbolizing the positive powers of Bhuwana Agung. In Sarad Pulagembal there are components that are distributed according to the position in the Tri Loka, namely from bottom, to middle, to top (Bhur, Bwah, Swah). Bhur Loka is the layers of negative natural dimensions, Bwah Loka is the layers of the cycle of life and death, Swah Loka is the layers of positive natural dimensions. In the middle part (Bwah Loka) depicts elements of the living world such as humans and animals, the sarad pulagembal will of course contain these elements. The aim to be achieved in the creation of this work is to find out the contents of Sarad Pulagembal, especially in the middle part (Bwah Loka) and it will be developed with creativity and imagination into the form of a sculptural work of art using elements of fine art, such as color, media and techniques. . In the process of realizing this work, the author used interview, observation and experiment methods. From the theme above, 5 (five) sculpture works will be created entitled Purusa, two works entitled Pradana, three works entitled Tunjung, four works entitled Angsa, and five works entitled Boma.
Nias Tribe Tradition as an Ideas in Creating Painting Telaumbanua, Calvin Galileo; Ruta, I Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3645

Abstract

The Maena dance, a cultural heritage from the Nias tribe on Nias Island, North Sumatra, Indonesia, is a traditional dance full of meaning and cultural values. This dance displays strong and dynamic movements, with dancers wearing traditional Nias clothing. Accompanying music, such as gondang, taganing, and tifa, creates a rhythm that strengthens the expression of the dance. The Maena dance depicts the strength, enthusiasm and unity of the Nias people. In this dance, vigorous war movements, high jumps symbolize courage, and expressive hand and eye movements express a variety of emotions. This dance is also used in various traditional ceremonies, cultural celebrations, and important moments in the lives of the Nias people. The Maena dance, as a source of creative ideas, inspires us to dig deeper into the cultural values and spirit of courage contained in this dance. Combining elements of Maena dance with modern art or developing new dances could provide a unique creative platform, celebrating Nias' cultural heritage while presenting a message of strength, unity and courage to today's generation.
Eksplorasi Visual Cerita Rakyat Palembang “Legenda Pulau Kemaro” Dalam Karya Seni Digital Simatupang, Putri Gracia; Budiaprilliana, Luh; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.4252

Abstract

The report on the creation of the work entitled "Visual Exploration of Palembang Folklore, Legend of Kemaro Island" in Digital Art Works aims to introduce Palembang folklore so that it can be known by the wider community and encourage people to love the culture of their respective regions more. The process of creating digital works uses the Hawkins method, which includes exploration, experimentation and formation, and is equipped with a presentation method to display the results of the work. In the process of creating works, fine art elements such as points, lines, planes, shapes, spaces, colors, textures and light and darkness are applied and combined to create interesting visuals. This work is realized through non-proportional anatomical objects in the shape of children with fat and cute faces, inspired by the shape of bakpau. The choice of this shape provides visual uniqueness and an attractive impression. The results of the creation of this work are 16 (sixteen) digital works that visualize Palembang folklore, the Legend of Kemaro Island. These works were then presented as an interactive art installation with the title "A Story." Through this work, it is hoped that Palembang folklore can be better known and appreciated by the wider community, as well as encouraging a love of local culture. Thus, this work contributes to the preservation and introduction of regional culture to a wider generation, emphasizes telling stories that are rich in cultural values, and provides new experiences for art lovers.

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