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I Putu Udiyana Wasista
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 244 Documents
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Romantisme Kehidupan Sebagai Ide Penciptaan Karya Seni Lukis Aliyahzahra, Anitia; Adnyana, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4455

Abstract

Romantic art has long been a means of expression that allows people to explore various aspects of life outside the boundaries of conventional romance. In this report, the author approaches the topic of romance from a broader perspective, not only as an embodiment of love and human social interaction but also as an expression of natural simplicity and beauty as well as emotional depth. Inspiration from the Romantic art school motivates writers to create works of art that visualize the beauty and complexity of individual lives through self-portraits and portraits of people important to the writer. Method of making this work. Art includes the stages of contemplation, idea processing, improvisation, and conception, which are systematic steps in developing an idea from conception to realization. The idea for this work of art emerged from the author's personal experience in depicting the people closest to him, and pets were the main subject. The process of viewing this work is made using a collage technique combined with acrylic paint, thus creating a dynamic aesthetic, full of emotional meaning. This work of art not only represents the physical dimensions of the object depicted but also reveals its depth. relationships and hidden meanings behind them. With an emphasis on facial expressions and harmonious use of color, this work invites viewers to reflect on the beauty of human relationships and appreciation of shared values. Through this study, the author hopes to inspire an experience of contemplation and deep appreciation for the romance of life in all its splendor.
SUSTAINABLE ART MANAGEMENT IN THE SCOPE OF FOLK ART FESTIVALS Rahmat, Joey; Sujana, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4460

Abstract

In the ever-evolving evolution of cultural events, the integration of sustainable practices in curatorial and art management is becoming increasingly important. This report explores the application of sustainability strategies in the context of art festivals, examining the intersection between environmental responsibility, cultural preservation, and community engagement. By analyzing case studies of leading art festivals that have successfully adopted sustainability practices, the report identifies key approaches such as resource optimization, waste reduction, and promotion of eco-friendly materials. In addition, the report highlights the role of stakeholders, including artists, organizers, and spectators, in fostering a culture of sustainability. These findings underscore the potential for sustainable arts management that not only reduces the environmental impact of festivals but also increases social and economic impacts. The report aims to provide a comprehensive framework for art festival organizers to integrate sustainability into their planning and implementation processes, ultimately contributing to a more resilient and responsible cultural sector.
THE EXPLOITATION OF POVERTY IN THE VIRTUAL ERA AS AN IDEA FOR CREATING PAINTINGS Gultom, Yusnita Maria Magdalena; Budiarta, I Dewa Putu Gede; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4463

Abstract

The exploitation of poverty that occurs in the virtual space of social media is an act of dehumanization of digital culture. The condition of the poor people who are less empowered is used as a weapon to gain wealth and popularity through various social media content. This painting is intended to describe the meaning, stages, and visual results with the theme of the phenomenon of poverty exploitation in the virtual era. The creator uses a creation method that broadly refers to the creation method discovered by Hawkins, consisting of three stages, namely exploration, improvisation, and forming. The characteristics of the six works created are seen in the use of thick textures, anatomically deformed objects, and colors that tend to be contrasting, unique, spontaneous, and simple in order to display an emotional and dynamic impression. The visualization of the work applies a variety of techniques, such as the wet-on-wet technique, the paint-melting technique, and the plaque technique. Through this work, it is hoped that all people, especially the lower middle class, will gain equality and be appreciated for their existence, both in social and cultural activities. In addition, the creator also persuasively invites the public to use social media wisely and creatively through the art of painting.
THE IMPACT OF BULLYING ON CHILDREN AS A SOURCE OF INSPIRATION FOR CREATING PAINTING WORK Sunarbawa, I Wayan Cahya; Purnami , Ni Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4467

Abstract

This study journal/independent project raises the theme of the impact of bullying on children as a source of inspiration for ideas for creating works of art. The problem of bullying still often occurs in educational environments, especially among children. Bullying will have a negative impact on the victim in terms of physical and mental health. The cause of the perpetrator committing acts of bullying is based on several factors; namely, the perpetrator has temperamental behavior, and the second factor is due to the parenting style of parents who use violence. The problem faced is how to apply the concept and how to visualize the meaning contained in a painting. The aim to be achieved in the creation of this work is to determine the impact of bullying on children through creativity and imagination in the form of paintings by combining techniques, styles, symbols, colors, and references to achieve the desired goals and meaning. From the themes above, there are 6 (six) works that can be realized with the titles Bullying, Despair, Anxiety, Anti-Social, Depression, and Self-Harm. It can be concluded that the impact of bullying on children provides inspiration for writers in creating works of painting and developing imaginative ideas, which will become valuable and meaningful works of painting. With the creation of these works of art, it is hoped that they will be able to convey messages of meaning as well as be a medium. education and an overview of the impact of bullying on children.
THE SANGHYANG JARAN DANCE IN NYALIAN VILLAGE, KLUNGKUNG, AS A SOURCE OF INSPIRATION FOR THE CREATION OF VISUAL ART WORKS Darmasuta, I Putu Eka; Setem, I Wayan; Adi Sucipta, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4516

Abstract

The report on the creation of this work of pure art was inspired by the Sanghyang Jaran dance in Nyalian Village, Banjarangkan District, Klungkung Regency. As a source of inspiration for creative ideas, the author has lived side by side with the Balinese customs and traditions around him since childhood, and one of them is the Sanghyang Jaran dance. The Sanghyang Jaran dance is also a religious art because it involves the spirit of Sanghyang Jaran, which will possess the selected dancer and will experience a trance, and Sanghyang Jaran dance performances are held at several temples. is in Nyalian Village. The creation process used stages: basic research, exploration, canvas experiments with acrylic paint totaling 4 (four) works, and 2 (two) works of wood-based sculpture. In the process of creating the work, the author took references from the Wasundari Kamasan studio as a source for creating the work. The author combines the ornaments given. In the creation process, the author took the form of patterns, proportions of rock shapes, standards, and several other techniques.
Women In The World Of Modeling As An Inspiration For Creating Fine Art Paintings Triani Sartika, Ni Nyoman; Gulendra, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.5965

Abstract

This study explores how the female body is represented in the visual world of fashion as a source of inspiration in the creation of paintings that highlight female figures by emphasizing aesthetic and symbolic aspects. The representation of the female body in the modeling world is not merely a physical expression but also carries cultural constructions, ideologies, and complex social narratives related to women’s identity, roles, and existence in society. Within this approach, the body is understood as a space of expression that embodies grace, strength, and gentleness, as well as vulnerability, which can be transformed into a visual language in art. The research applies a practice-based creative exploration method, involving stages of visual observation, technical experimentation, and critical reflection on issues of bodily representation in visual art. The Sigar Mangsi technique, a distinctive Balinese painting tradition, is combined with the use of Chinese ink and acrylic paint to create expressive visual compositions. This combination of media symbolizes the duality of strength and fragility in the female body, visualized through metaphors such as insect fibers, wings, and butterfly forms as symbols of transformation and freedom. The resulting works depict female figures in artistic costumes rendered on canvas, presenting both glamorous and reflective nuances while contributing to the development of contemporary painting rooted in local wisdom. This study not only produces aesthetically engaging visual forms but also opens critical discourse on the body, beauty, identity, and symbolism in visual art, thereby enriching perspectives on the relationship between art, fashion, culture, and painting.
VISUAL SYSTEM OF WAYANG KAMASAN PAINTING ART Putra Adnya, Made Chandra; Budiaprilliana, Luh; Suryadinata T.Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.5994

Abstract

Iconography plays a crucial role in the visual interpretation of Wayang Kamasan, wherein various symbols and icons are embedded within a complex system that warrants in-depth analysis. This study, therefore, centers on the archiving and examination of iconography within the Wayang Kamasan painting tradition. The author conducts a stylistic documentation of several painters who are heirs to this tradition to map contemporary artistic tendencies in Kamasan. The rationale for this research arises from the paucity of scholarly inquiry into the visual aspects and creative processes, particularly the transformation of textual narratives into visual imagery. Under the auspices of the Gurat Institute, this research deconstructs the visual elements and narrative structures inherent in Kamasan painting. The objective is to systematically document and deepen the understanding of the formal structures and narrative strategies employed by the artists, while simultaneously fostering opportunities for novel explorations in iconography and thematic development.
Penerapan Teknik Glasir dan Lukis untuk Pewarnaan Keramik Tableware Sanusi, Angeline; Pemayun, Tjokorda; Utami, Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.5996

Abstract

This study explores the application of glazing and underglaze painting techniques in the creation of ceramic tableware inspired by the aesthetic qualities of plant forms. The research adopts a practice-based artistic approach consisting of observation, exploration, and material embodiment in ceramic media. The artworks produced include a series of functional tableware items, specifically three cups and three bowls, created using wheel-throwing and handbuilding techniques. Surface decoration was developed through carving and coloring processes that combine underglaze painting and glaze finishing to produce varied visual effects. The findings demonstrate that the integration of multiple coloring techniques enhances both the aesthetic quality and functional value of ceramic tableware. This study contributes to the development of creative strategies in ceramic art practice, particularly in the exploration of decorative surface treatments.
EVOLUTION TOWARDS FREEDOM: SUN GOKONG AS A SYMBOL OF HUMAN BEHAVIORAL TRANSFORMATION AS INSPIRATION FOR SCULPTURE CREATION AT THE LABDA SCULPTURE STUDIO Frasnanda, Nyoman Ferry; Bendi Yudha, I Made; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.5997

Abstract

This study aims to create a series of sculptures that represent the philosophical concept of freedom through the symbolic transformation of human behavior, using the character of Sun Gokong as the central figure. The research adopts a practice-based approach combining additive and subtractive sculpting techniques. Various materials, including aluminum wire, resin, gypsum, and clay, were used to construct six sculptures representing stages of human development from primitive existence to spiritual awareness. The results demonstrate that the sculptural series visualizes a gradual transformation of human consciousness, from instinctive behavior to rational and spiritually mature conditions. The final sculpture depicting Sun Gokong symbolizes the attainment of self-control and inner liberation. This study confirms that sculpture can function not only as an aesthetic object but also as a medium for philosophical reflection on human transformation and the meaning of freedom in contemporary life.
Expressing the Essence of Classical Gambuh Dance Drama through Batuan Traditional Painting Barde, Ashlesha; Purnami Utami, Ni Made; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.6001

Abstract

This independent study project explores how the essence of Gambuh, Bali’s oldest and most sacred dance-drama, can be interpreted through the lens of traditional Batuan painting. Motivated by a desire to preserve and reinterpret cultural heritage, this project focuses on visualizing six main characters, Putri Rangkesari, Panji, Condong, Prabhu Lasem, Kade-Kadean, and Arya, each rendered with deep attention to gesture, costume, and symbolic presence. The research employs a method rooted in artistic creation, combining aesthetic approaches such as heuristic, hermeneutic, and symbolic exploration with field observations and traditional mentorship. The creative process followed three key stages: exploration through direct observation of Gambuh performances and Batuan traditional painting studios; improvisation through sketching and experimenting with visual composition; and forming, where the final works were developed using Chinese ink and watercolor on watercolor paper and canvas in the Batuan style. The artworks produced do not merely document the characters but reinterpret them as reflections of emotional and philosophical dimensions relevant to today’s social reality. This project concludes that Batuan painting offers a powerful visual medium to convey the layered narratives of Gambuh, enabling the audience to engage with classical themes of love, power, longing, and moral conflict through a contemplative visual experience.

Page 24 of 25 | Total Record : 244

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