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I Putu Udiyana Wasista
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udiyanawasista@isi-dps.ac.id
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Endek Collaboration Unisex Top Clothes Design and Painting on Plain Fabrics Dewi, Nur Warninda; Supriyatini, Sri; Sujana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3006

Abstract

Entrepreneurship is the process of creating something different by devoting all of one' s t ime and energy accompanied by taking r isks f inancially, psychologically, socially, and receiving remuneration in the form of money and personal satisfaction. Agung Bali Collection as a partner in the Entrepreneurial MBKM activity has an important role in designing Endek Patchwork Collaborative Unisex Tops and Paintings on Plain Fabrics and in adding insight as well as introducing the author to new painting techniques using canting massage. The author performs several s tages in this production process such as; the stage of searching for materials, the s tage of making dress patterns, the s tage of cutting or cutting endek patchwork patterns, the stage of sketching paintings, painting designs usin g painting paint, the packaging s tage, and the marketing stage. The main target in marketing the production of painted clothing in collaboration with endek patchwork i s the Indonesian people, ranging f rom vulnerable teenagers to vulnerable adults aged 18 - 25 years. Trika. Collection i tself is a writer' s personal business, this business i s engaged in fashion and art by utilizing online media as a promotional medium, with plain t - shirts and endek patchwork as i t s main products. Plain t - shirts and endek patchwork are the raw materials for making products because the materials are s trong and environmentally friendly, and the use of endek patchwork in the Agung Bali Collection as a form of preserving t raditional culture and processing patchwork waste into goods wil l have high selling power.
Revitalization of Kali Unda Tourism Objects Nataprawira, Muhammad Rafli Ramdhani; Yudha, I Made Bendi; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3007

Abstract

Paksebali Village is one of 12 villages in Dawan District and is located east of Semarapura City, 1 Km away. Paksebali Village consists of 5 Office Banjars. The Klungkung River Dam Tourism Object, which is currently called the Unda River Tourism Object, is the most easily accessible tourist attraction because when heading to this area it is located close to the connecting bridge between Klungkung City and Dawan District. The Kali Unda Tourism Object has a natural panorama that captivates tourists because this tourist spot has a dam that forms a two-story waterfall, which is known as "Curtain Waterfall". Around the dam there are shady trees and restaurant huts as a means of enjoying the natural beauty of Kali Unda Tourism Object. Revitalizing the Unda River Tourism Object through Community Service activities, the condition of the Unda River is currently increasingly apprehensive, namely environmental conditions that are not maintained, lack of reflection therapy fish ponds, ornamental fish ponds and fish nurseries, botanical gardens, and inadequate photo spots. Likewise with existing infrastructure such as changing room walls, mossy and dull toilets, no signs providing information, and unused entry counters, so revitalization is needed to restore and increase visits as a water tourism object.
Tampiog Dance Tradition as a Source of Inspiration for Painting Works Yana, I Wayan Wirta; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3008

Abstract

The Tampiog Dance tradition literally means kicking fire in its implementation involving the youths, undagi and stakeholders as participants and witnessed directly by village krama around the village of Manukaya Let. This shows that the Tampiog organizational culture that is formed in a system called Pekraman village is able to move each other to make the implementation of its activities successful. The Tampiog Dance Tradition (Kicking Fire) is a mythology that has been accepted as an inheritance by the people of Manukaya Let Village for generations. This tradition sounds and looks unique and rare, simply not found anywhere else. After carrying out a joint prayer at the Balai Agung Temple or the Village Temple, the village. So in the evening the Tampiog Dance tradition was immediately carried out. This tradition was carried out by the Pemangku who started this ceremony and was continued by the Banjar youth Manukaya Let. In carrying out this tradition, all residents were expected to be able to think cleanly, speak the truth and do what was noble. In this independent project, the author displays a tradition that stands out in the Tampiog tradition that is highlighted, namely the tradition of kicking a fire.
Lingkaran Kehidupan dalam Penciptaan Seni Lukis Yugus, Anak Agung Gde
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.127

Abstract

Life is something that is very complex and unique, which is always running, rotating, and changing according to its nature. It is undeniable that everyone will experience a life cycle that is based on the concept of Rwa Bhineda, namely life-death, joy-sorrow, sadness-happy, health-sickness, and others. Based on the circle of life, abstract paintings will be created embodied in symbols full of meaning and deep meaning. The values of life in society with all of its problems will be expressed into a visual art work as an artifact that can summarize all the various events of the world. The creation of this work is expected not only to function as mere visual artifacts, but to have a deep value that life will always rotate according to its nature. The task of humans is how to interpret life so that life can be useful and in accordance with its true purpose. With line strokes, color strokes, and the composition of the fields and spaces embodied in the symbols, it is hoped that they will enlighten all people to interpret life by accepting all the natures that occur while still trying to fight all existing problems.
SENI LUKIS DEWA PUTU MOKOH PASCA RUDOLF BONNET Putra, I Gusti Ngurah; Sukarya, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.129

Abstract

The presence of two Western painter Walter Spies, Rudolf Bonnet community of artists make very high antosias studied painting so by Cokorda Gede Sukawati build bevy of artists deemed necessary to ensure the welfare of the artists, so stand Pita Maha (1932) means a great soul or creativity. Dewa Putu Mokoh is the only young artists at that time who had the courage to come out of the themes puppet. Mokoh no longer presents the themes puppet as painted by the artists of that time. In addition, the courage to lift sex life through the development of techniques and approaches the theme of sex in humorous narrative. Factors that influence the work of Mokoh ie, natural, social, cultural, religious, education and tourism. In the presence of all influences interact and coalesce and grow into love in its development that is supported by the skills and professional. In addition, the work serves as a work Mokoh aesthetic, renewal, education, economy and to decorate the space, in his form with regard to aesthetic function. Impact Mokoh paintings that contribute new ideas, creative economy, namely the growth sectors of business life, giving birth to new artists who have the courage to give birth to works of art are bold, unique, interesting and has a distinctive character or trait. In addition, painting Mokoh have a different meaning, namely the symbolic meaning, the meaning relegi, meaning renewal, cultural significance, and reflection. Painting Dewa Putu Mokoh although express object of reality, which is seen directly, but there is a message and a specific meaning to be conveyed. To understand the symbolic paintings Dewa Putu Mokoh implied through the realization of painting, the symbolic meaning.
DEKONSTRUKSI PERUBAHAN KARAKTER KEBENDAAN IMAJINASI KREATIF DALAM KARYA SENI LUKIS Yudha, I Made Bendi; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.130

Abstract

Art is a reflection and sensitivity of spiritual experience related to environmental phenomena. It is the values of life which constantly offer anxiety over the changes. Exploration through observation and scrutiny on this phenomenon stimulates imaginative and expressive spirit. Therefore, it is necessary to do a deeper approach on life values through understanding and appreciation. This can be transformed into visual works which present moral messages of lifereality. Life today is full of a challenge that changes the mental attitude. There is a tendency of being materialistic which affects the uncontrolled behavior of life. So, crime is rampant with different motives and forms in society. Abuse of power, authority, law and religion are only a mask to meet the goal of temporary interests. Money and property have been embezzled the soul and the sense of human’s life. These phenomena have stimulated spiritual and emotional feeling to lift up an idea about the meaning of changes. The admirers of changes took pride of this material world. Life is a process of love, sorrow, sadness and starch as the nature of life. All material elements are not eternal. They are being bound by the limitation of the natural law of life cycle; the birth, growth and destruction (pralina). Appreciating these values can create ideas in understanding of the character of the material elements such as aging, decrepitude, distraction and destruction. In the creation process, this idea is very important.
TARI LEGONG KERATON DI DESA PEKRAMAN SUKAWATI DALAM PENCIPTAAN SENI LUKIS Antara, I Made Gita Teja; Rinu, Ni Made; Gunawan, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.133

Abstract

The Legong Keraton dance has the meaning of a classical dance from the island of Bali which has agile, flexible and smooth movements because it is danced by three girls aged 10-12 years, and is accompanied by the gamelan Gong Kebyar. This dance functions as a balih-balihan dance or entertainment. Many stories are played in the performance of the Legong Keraton dance, one of the most popular stories is Lasem which tells the love of Prabu Lasem to Putri Rankesari. There are 5 structures in the performance of this dance which include papeson, pangawak, penyet, pengipuk and pakahad. This dance, which was originally a dance of entertainment for kings and nobles in a palace or castle. The method used in the research of Legong Keratondi Dance in Pekraman Village, Sukawati, is the method of observation, interviews, literature, and documentation. The data analysis method used is a qualitative method. The theories used to support the creation of works are the theory of painting, aesthetic theory, and semiotic theory, using the flow of naturalism.
JAJA BEBANGKIT SEBAGAI PERWUJUDAN PERSEMBAHAN YANG MENGANDUNG NILAI ESTETIK Budiarta, I Dewa Putu Gede; Buana, Anak Agung Ngurah Gede Surya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.134

Abstract

Hinduism in Bali is a religion that is very full of offerings as gratitude to God in all His manifestations, as well as offerings to the ancestors, also to the Rsi which is translated as a debt, so that all people feel obliged to do the offering. In carrying out the obligation to make offerings with a series of ceremonies, it is always packed with a series that is very symbolic and has a high aesthetic value. Beauty or aesthetics is a very important consideration in carrying out a series of offerings, starting from objects as manifestations of ceremonies, mantra words pronounced in beautiful rhythms, to the attitudes of the performers of offerings with beautiful attitudes and movements in the form of dances. Bebangkit is a series of ceremonies with symbolic meaning which means the manifestation of the great world, contained with symbols of all contents in this universe.
VISUALISASI NILAI-NILAI PRANAYAMA DALAM KARYA SENI PATUNG ABSTRAK Merta, I Dewa Putu
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.135

Abstract

This article is the creation of research-based works related to the values of Pranayama. Pranayama is one of the yoga activities that puts more emphasis on breathing, body movement and is combined with concentration. There is a holy relationship or a combination of breathing, body work and concentration which can create a balance between body and soul (subtle body and gross body). The union between body and soul can occur when the combination of breath, body movement (hand movement), and concentration. The meaning contained in pranayama tantra is balance. This theme is taken from a meaning contained in tantra pranayama. The emergence of this theme explicitly refers to the object itself based on the fact that an artist has a sense of sensitivity in observing, dismantling, and peeling off an object as a source of inspiration. The method of creation is a method developed by Hawkins to create works of art systematically. The stages of creating an art work that outlines the design process for the creation of an art work according to the stages of the work, from the inspiration (idea) to the design, to the embodiment of the artwork. By cultivating the balance value contained in tantra pranayama it is visually manifested into three-dimensional works of art. The concept of space and field is the basis for visualizing it, so that it can give birth to monumental abstract sculptures.
TRADISI METIGTIG DI DESA BEBANDEM DALAM PENCIPTAAN KARYA SENI LUKIS Setiawan, I Komang Fergi; Yudha, I Made Bendi; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.136

Abstract

The Metigtig tradition is one of the cultural traditions associated with the nangluk mrana ritual, namely the yadnya / offering ceremony which is carried out as a form of praise and requests to Ida Sang Hyang Widhi, God Almighty. Offerings or rituals of this kind are proposed, so that by His blessings, grace and through His power could neutralize or control all forms of negative disturbances by insects or pests, as well as supernatural forces, which have a detrimental impact, especially when disease outbreaks/pandemics in plants, animals and humans. Before the implementation of the Metigtig Tradition culture, first it begins with a prayer, namely submission of oneself through the offering of true devotion to ask for salvation so that the implementation could run according to common expectations. After the prayer is carried out, it is continued with the Matumblu ceremony at Pasuwikan Temple or commonly called Usaba Sumbu, which is a ketupat that is hung using 66 (sixty six) pieces of bamboo, then tumblu (pushed using jempana) until the hanging ketupat falls.

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