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I Putu Udiyana Wasista
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Ekspresi Mental Illnes Sebagai Sumber Ide Penciptaan Seni Lukis Wahana, Karang Sweta; Gunawan, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1532

Abstract

Mental Illness is a mental disorder that affects thoughts, feelings, and behaviors that are contrary to social norms. Mental illness can be caused by various factors such as genetics, environmental influences and caused by the influence of drugs and illegal drugs. In this influence also causes various effects that can completely affect the character of the sufferer and cause different stimuli according to the mental illness suffered. The different expressions of these stimuli tend to have a dark impression and also give an atmosphere of sadness that surrounds them, these different expressions are chosen by the author as a source of ideas in the creation of painting, with the intention that later this work can also express visually from the sufferer's perspective. mental disorders so as to add insight to the general public. This creation is done through a literature review and aesthetic experience found after direct observation. In the process of creation, this is done by making a rough sketch as a design which will later be used as the initial basis for creation into a painting.
Visualisasi Tradisi Bedag-Bedagan Di Desa Adat Manukaya Let Tampaksiring Gianyar Bali Dalam Penciptaan Seni Lukis Dalem Ramadi, I Gusti Ngurah; Tirta Ray, D. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1533

Abstract

Bedag- Bedagan is a barong ket performance which the author adopted as the object of research in his final thesis entitled "Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring Gianyar Bali in the Creation of Painting." The aesthetic experience felt when watching the Bedag- Bedagan show was so impressive that the author felt, the barong ket performance with an interesting storyline, packed with unique character actions, using masks and classical dancer costumes reflecting local Balinese wisdom. In the process of pouring inspiration and creativity into the painting that the author creates, the author describes the Barong Ket object, which is combined with the objects of Bedag Bedagan as supporting objects according to the personal experience that the author feels while watching the Bedag Bedagan performance. There are several atmospheres that the author describes in the author's work regarding the Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring, Gianyar Bali in the Creation of this painting, which includes an emotional atmosphere, as well as a peaceful atmosphere at the end of the story. In the process of realizing the ideas in the six works, the author applies several stages including: the exploratory process, the experimental process, the manufacturing process, and the final stage is the completion process. The author includes elements of painting and aesthetic principles in the creation that the author visualizes into six works.
Baris Kekupu di Banjar Lebah Desa Sumerta Kaja sebagai sumber inspirasi dalam Penciptaan Karya Seni Lukis Putra Artawan, I Made; Karja, I Wayan; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1534

Abstract

Baris Kekupu Dance is a dance that was originally created to accompany the memukur/nyekah ceremony, which is during the mepurwa daksina process. The idea of creating the Baris Kekupu dance is from the butterfly decoration on the resin brackets that are found during the memukur ceremony. The Baris Kekupu dance has its own uniqueness and characteristics such as colorful costumes, wearing legong coils, and using the butterfly wing property which has an aesthetic value in terms of color. The meaning contained in the Baris Kekupu dance and its uniqueness has become an idea and source of inspiration for the author in painting. The method used in the research of the Baris Kekupu Dance in Banjar Lebah is the method of observation, interviews, literature, and documentation. The idea in this creation are realized by the author using the methods of exploration, experimentation, and formation. In the process of realizing this work, the author pours his ideas and imagination into canvas media. The author describes the object of the Baris Kekupu dance and its supporting objects by pouring the author’s imagination in accordance with the uniqueness and meaning contained in this dance, which the author manifest into six works, including: 1. The Birth of the Baris Kekupu Dance, 2. Pitra Yadnya, 3. Mepurwa Daksina, 4. Journey to Sunia Loka, 5. Towards Swarga Loka, 6. Towards Neraka Loka. In the creation of this work, the author applies the elements and principles of painting. The creation of paintings is viewed from the physioplastic and ideoplastic aspects. Then the writer is able to describe the meaning of the six works.
Babi Sebagai Media Ekspresi Kritik Sosial Dalam Penciptaan Seni Lukis Darma Yoga, I Made; Setem, I Wayan; Murdana, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1535

Abstract

Pig is one of animal which has its own characteristics, both in terms of physical and characteristics that distinguish them from other animals. Pigs are greedy, dirty, lazy, stupid, savage, lustful and so on. By understanding to involve and observe a pig from their uniqueness on people's life, either directly or indirectly, it will lead to an understanding and perspective in assessing everything which is experienced in daily life. With the background of observing the life of pig in Balinese society in particular, the creator has an interest in expressing it into painting. The creation of this painting tries to visualize a metaphor from the characteristics of pig which is exist in the present context of human. It can be seen from the society phenomena which actually reflect the characteristic of the pig itself. In realizing ideas and themes in artworks through process, experiment, preparation, formation and finishing. Creating the artwork by organizing the elements and elements of art on a two dimension. Regarding the displayed theme, they are sourced from the nature environment and personal experience which is interesting or imprint in memory and provide memories so that the artwork will create as a record of personal life. Personally in this context, the creator sees various interesting things which can be expressed through the depiction of the characteristics of a pig, which can be concluded that with the life of a pig, the creator can understand, express, interpret the characteristic of a pig as a social critique in the creation of an artwork.
Barong Kedingkling Sebagai Sumber Penciptaan Karya Seni Lukis Nanda Darmayanta, Kadek; Wirakesuma, I Nengah; Tirta Ray, D.A
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1536

Abstract

Barong Kedingkling juga sering disebut dengan Barong Blas-blasan, yang berarti mablat-blatan (terpisah-pisah), merupakan cabang seni suatu pertunjukkan pewayangan kuno klasik yang ditarikan oleh manusia. Di Bali terdapat beberapa kesenian tari Barong Kedingkling yang sangat di sakralkan dalam setiap pagelarannya, salah satunya di Pura Luhur Natar Sari, Desa Apuan Baturiti, Tabanan Bali. Penulis tertarik memvisualisasikan masing-masing tokoh Barong Kedingkling tersebut ke dalam karya seni lukis dengan menampilkan bentuk topeng, karakter, kostum beserta atribut yang digunakan dari masing-masing tokoh serta menyampaikan makna yang terkandung didalam karya seni lukis. Dalam proses pengumpulan data penulis menggunakan metode penelitian kualitatif, agar penulis dapat memahami realitas sosial dan makna budaya yang terkandung didalamnya. Analisis data yang digunakan adalah data primer dan data sekunder. Penulis menggunakan metode penciptaan seni didalam mewujudkan Barong Kedingling ke dalam karya seni lukis seperti melakukan proses eksplorasi dan eksperimen dengan memasukkan unsur-unsur seni rupa ke dalam karya yang diantaranya ada titik, garis, bidang, bentuk, warna dan tekstur dengan mempertimbagkan prinsip-prinsip seni rupa seperti keseimbangan, proporsi, komposisi, kesatuan, dan pusat perhatian. Berdasarkan pemaparan penjelasan di atas penulis dapat menciptakan sebuah karya lukisan yang berjudul “Ida Bhatara Sakti Nawa Sangga”. Visualisasi Barong Kedingkling dituangkan ke dalam media kanvas menggunakan teknik plakat dengan gaya ekspresionisme dengan menampilkan objek-objek Barong Kedingkling di pura Luhur Natar Sari yang mengandung nilai-nilai dan makna filosofis sebagai cerminan keseimbangan alam antara baik dan buruk (Rwa Bhineda) serta wujud rasa bhakti umat manusia kepada Ida Sang Hyang Widhi Wasa serta alam semesta agar terciptanya kehidupan yang harmonis antara manusia dengan manusia, manusia dengan alam, dan manusia dengan Tuhan (Tri Hitta Karana).
Siklus Kehidupan Kupu-Kupu Sebagai Inspirasi Penciptaan Seni Patung Widi Apriana, I Wayan; Jodog , I Made; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1537

Abstract

The life cycle of a butterfly in the Butterfly Park as an object of research on the creation of art works (sculptures), with the title “The Life Cycle of a Butterfly As Inspiration for the Creation of Sculpture Artwork.” To find out the problems faced by the author, it is necessary to research steps creation of works of art using construction theory approaches, semiotic theory, and aesthetic theory, while the research process uses a qualitative approach using data collection methods: observation, interviews, documentation, and literature study. The results of the discussion (1) the author makes with a representation of the butterfly’s life cycle, namely: (a) mating, (b) birth, (c) writhing (d) transitional period, and (e) rebirth. (2) in the process of carrying out the work using reinforced concrete materials with the technique of forming, sticking, adding and subtracting. (3) the embodiment of the author’s work displays a visual of the butterfly’s life cycle with a natural style in every work that is embodied. The color in each work that is realized by the author, namely the color of each object the is used as a reference for every three- dimensional artwork (sculpture). From this concept, a thesis work will be created. Five sculptures and journals.
Representasi Cempaka Dalam Kehidupan Masyarakat Bali Sebagai Inspirasi Penciptaan Seni Lukis Rekha Bayutha , Ida Bagus; Tirta Ray , D.A.; Wirakesuma, I Nengah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1538

Abstract

Berangkat dari penulusuran sejarahnya seni yang imitatif sudah ada sejak ribuan tahun. Kemudian berkembang dengan hadirnya beragam subjek matter salah satunya adalah bunga. Sejak ditemukannya teknologi fotografi kecenderungan representatif ini mulai ditinggalkan namun demikian seniman akan kembali melakukan proses ‘imitasi’. Keunikan dalam visual akan dicapai bila bentuk-bentuk representasional tersebut digabungkan dengan pemahaman simbolis mengenai nilai-nilai tradisi yang bisa digunakan dalam eksplorasi karya. Dengan mengambil tema cempaka diharapkan dapat mewakili ide-ide dalam penciptaan seni lukis. Ketertarikan penulis diawali ketika melihat lekukan kelopak bunga cempaka dan menyadari bahwa kehadirannya selalu mewarnai aspek kehidupan masyarakat Bali. Sehingga menyakini bahwa cempaka memuat nilai-nilai estetis yang dapat diterjemahkan ke dalam seni lukis dua dimensi. Melalui bimbingan oleh I Nyoman Erawan sebagi mitra MBKM karya-karya yang dihasilkan nanti merupakan sebuah hasil diskusi serta hasil penelusuran pustaka lewat jurnal, skripsi, maupun internet. Tahap visualisasi nanti akan menerapkan prinsip-prinsip seni rupa berupa Keseimbangan, Proporsi, Irama, Penekanan, dan Kesatuan. Selain itu juga menggunakan metode penciptaan berupa Eksplorasi, Improvisasi, dan Pembentukan, melalui tahapan tersebut tercipta 6 buah karya yang berjudul: 1)”Cempaka 1: Gratitude”, 2) “Cempaka 2: Balance”, 3) “Cempaka 3: Paradoks”, 4) “Cempaka 4: Tiga”, 5) “Cempaka 5: Homage to Mahadewa”, 6) “Cempaka 6: Value ?”. Pada akhirnya terwujudlah karya yang terkait dengan judul yang diangkat yaitu ‘Representasi Cempaka dalam Kehidupan Masyarakat Bali Sebagai Inspirasi Penciptaan Seni Lukis“, dan diharapkan dengan tercapainya karya ini dapat berguna bagi khalayak dan dapat memberikan kesadaran bagi kita tentang makna cempaka dalam kehidupan sehari-hari.
Eksplorasi Cerita Rajapala Sebagai Inspirasi Dalam Penciptaan Seni Lukis Komik Digital Aryandika, Made; Gulendra, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1539

Abstract

Rajapala's story is a symbol of the love and escaptic marriage between man and angel. The message that can be gleaned from this story or literary work is "do not seek pleasure by means of bulus wit or akompli nature like I King pala against the angel Ken Sulasih". Therefore the author became inspired to do the writing and embodiment entitled "Exploration Rajapala Story As Inspiration In The Creation Of Digital Comic Painting". Afterwards by examining the message and meaning of Rajapala's story, the author was inspired to create a storyline with the embodiment style of the author that they re-authored rajapala story based on the theoretical approach of the book "Making Comics", Scott McCloud. Not to forget also the author uses elements of digital comic painting so that in the creation effort can run well. Therefore, the creation of digital comics writers use the method of creation of digital comic painting works, namely exploration, experimentation, and formation so that digital comic art can be created. The creation of rajapala digital comics is an attempt to explore of Rajapala's story.
Lukis Tekstil Dengan Nuansa Ornamen Tradisional Pada Busana Kasual Wanita Sebagai Produk Wirausaha Seni Kingki Yani, Made; Yugus, A.A. Gede; Putra, I Gusti Ngurah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1540

Abstract

Seeing from the conditions in the field of painting that continues to develop from time to time, artists are now applying painting to various media to be able to maintain the selling value of their artwork. The emergence of various technologies such as print and screen printing is a challenge for painters in marketing their work. Not only canvas, nowadays painting is widely applied to daily necessities, one of which is clothing. Unique hand painting and adapting to the growing trend in fashion is a very unique attraction. In addition to adding to the value of beauty, the addition of paintings to clothing also adds to the selling value of the clothing. The addition of decoration to a garment is known as surface design. This is where the author's idea emerged to develop the author's artistic entrepreneurship product by applying a surface design in the form of a painting with traditional ornament nuances on women's casual clothing. Casual clothing with a modern style will have an elegant impression when combined with motifs from traditional Balinese ornaments. It can be concluded that, in entrepreneurship in the field of painting, artists do not have to sell their works in the form of paintings on canvas. Making daily necessities as a medium for painting is a very good opportunity for entrepreneurship in the field of art.
Zodiak Sebagai Ekspresi Dalam Penciptaan Karya Seni Lukis Kristina, Renata Ayu; Setem, I Wayan; Purnami Utami, Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1541

Abstract

This thesis raises the theme of "Zodiac as Expression in the Creation of Paintings" from an observation of various types of behavior, characters, and characteristics of the zodiac. This gives rise to the urge to bring the expressions of the zodiac cancer, pisces, and scorpio into abstract style paintings. In the embodiment of the work, the style used is a combination of naturalism and abstractionism, which are the characteristics of Mr. Made Budhiana's painting as a partner in the independent study program of the Merdeka Learning Campus Merdeka. With the aim and benefit of providing an understanding of the zodiacal character of the water element, the author expresses ideas that are processed using qualitative methods, equipped with interview guidelines, reduction and presentation of data that can be used as ideas in creating a painting. Ideas or ideas cannot be separated from observations and interactions with surrounding conditions and personal experiences so that the author can express the feelings of the zodiac character with the water element in the painting. The idea obtained also comes from astrological records that have been studied since time immemorial, namely the Ancient Greek tradition that is spread on social media. So it can be concluded that this painting with the theme of the water element zodiac can be used as a reference to understand a person's character, especially the Cancer, Pisces, and Scorpio zodiacs in everyday life

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