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Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Published by Asosiasi Seni Desain dan Komunikasi Visual Indonesia
ISSN : 30322456     EISSN : 30321670     DOI : 10.62383
Core Subject : Art,
Arts
Journal of Arts, Media and Design Studies is a journal that is peer-reviewed and open. The fields of study in this journal include the Arts, Media and Design sub-groups. Abstract : The Journal of Arts, Media and Design Studies accepts articles in English and Indonesian
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 145 Documents
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Penggunaan Media Pembelajaran Digital Untuk Meningkatkan Hasil Belajar Seni Budaya (Tari) di Kelas VIII A SMP Negeri 17 Kerinci Andini Ade Nengsih; Alrizka Hairi Dilfa
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.491

Abstract

This research sought to ascertain and characterize how the use of digital learning resources improved the dance learning outcomes of Class VIII SMPN 17 Kerinci pupils. Class action research (PTK), a subset of qualitative research, is the kind of study that this is. The researcher is the primary instrument in this study, with the help of supporting instruments in the form of written assessments (cognitive). Twenty-five pupils from class VIII A at SMP Negeri 17 Kerinci served as the study's subjects. Two cycles of planning, execution, observation, and reflection were employed in this study. The findings demonstrated that using digital learning resources to teach dance may enhance student learning outcomes. Due to the fact that many pupils still do not take learning seriously, cycle I learning has not been successfully implemented; cycle II learning continues this education. Cycle II learning has been implemented with good execution. Nearly all of the tasks at each level are completed, and students are actively engaged in their education, increasing the quality of their learning results. The average student learning results from written tests during cycle I were 56%, whereas the average student learning outcomes during cycle II were 84%. Applying digital learning media to dance education has been shown to improve student learning results, according to data analysis and debate.
Upaya Guru Mengoptimalkan Penggunaan Media Audiovisual dalam Pembelajaran Seni Budaya (Tari) Kelas VII C SMPN 35 Kerinci Aisyah Jesika; Alrizka Hairi Dilfa
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this research is to evaluate the methods implemented by the teacher and their impact on students' understanding and dance skills. The method used is qualitative research, including direct observation, interviews with teachers, and analysis of the audiovisual materials used. The results of the study show that the use of audiovisual media in dance education increases students' interest and motivation, as well as improves their learning outcomes. This media helps explain the material more effectively and makes learning more engaging. The application of this method has also proven effective in enhancing students' self-confidence, such as encouraging them to try new things, take responsibility for tasks, and participate actively in discussions. In conclusion, audiovisual media plays an important role in supporting the teaching and learning process. However, there are some challenges faced, such as limited equipment and teachers' knowledge. It is recommended that schools provide adequate equipment and that teachers continue to develop their skills in using educational media to achieve optimal results.
Analisis Ragam Motif Henna Pada Jasa Lukis Fuji Henna Berdasarkan Teori Estetika Sussane K Langer Aneu Levani; Wan Ridwan Husen; Asep Wasta
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.494

Abstract

The public's need to provide henna painting services is currently important, considering the high enthusiasm of brides for using henna painting, so that henna artist services have become a promising profession. Apart from the emergence of this henna painting service, every henna artist has innovated various motifs. The aim of this research is to determine the variety of henna motifs in Fuji Henna painting services in Cintaraja Village, Singaparna District, Tasikmalaya Regency. This research uses qualitative research methods with a descriptive approach. The focus of this research is to analyze the various henna motifs on Fuji Henna painting services using Susanne K. Langer's aesthetic theory. The data collection techniques used were observation, interviews and documentation. The results of the research show that the variety of henna motifs at Fuji Henna painting services totals 11 motifs, including: 1) 2 dome motifs, 2) mandala, 3) flower, 4) Indian, 5) Arabian, 6) Botanical, 7) Russian, 8 ) African, 9) geometric, 10) modern, and 11) floral. The hanging flower motif is a characteristic motif of Fuji Henna ownership, with the symbol of the jasmine flower. There are 8 henna elements in Fuji Henna including dots, lines, outlines, flowers, leaves, paisley, filler and additional ornaments.
Penciptaan Kriya Kayu untuk Hiasan Dinding Berbasis Ornamen Karo dengan Teknik Ukir Yudea Agriva Tarigan; Sri Wiratma
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Wood Craft is the art or skill in making an item that has a decorative function, Wood carving is an art that requires technical skills, also involves creativity in design and execution in its creation using wood as the main medium, in its creation the author made this work for wall decorations based on Traditional Karo Ornaments. The choice of Karo Ornaments in this work is because the author sees many types and uniqueness in their forms and in an effort to preserve Karo culture, especially in traditional ornaments. In the process the author uses carving techniques including recapan, buledan, krawinga, and krawengan. These techniques help the author in creating varied works. The stages of creation in this work the author uses the method proposed by S.P Gustami. The stages of the process of creating a work of art from this method are: 1. Exploration Stage 2. Design Stage 3. Realization Stage. The process of creating this work begins with making a design, transferring the design to wood media, carving wood according to the design pattern, sanding/smoothing the wood, and finishing with a layer of varnish. The result of this creation is 12 different sized craft works made of wood media for wall decorations based on Karo ornaments with carving techniques
Analisis Peran Kegiatan Melukis terhadap Anak Berkebutuhan Khusus di Sentra Terpadu Prof. Dr. Soeharso Surakarta Slamet Supriyadi; Videlis Mutiara
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.507

Abstract

Children with Special Needs (CSN) have unique potential that requires special approaches to support their development. This study aims to analyze the role of painting activities in the development of fine motor skills, concentration, emotional regulation, and self-expression of CSN at the Integrated Center Prof. Dr. Soeharso Surakarta. Using a descriptive-qualitative method, data were collected through interviews, observations, and documentation. Data analysis was carried out using Miles and Huberman's interactive techniques, including data reduction, data presentation, and conclusion drawing. The results showed that painting activities effectively train fine motor skills through the use of brushes, enhance concentration and emotional regulation abilities, and provide a platform for self-expression for CSN. Moreover, painting helps boost children’s self-confidence through the appreciation of their artwork. These findings emphasize the importance of painting as part of an educational and therapeutic approach to support CSN development. Its implication is that painting can be more broadly implemented in inclusive educational activities to strengthen children’s abilities in various aspects of development.
Analisis Struktur Gerak Ibing Jagatraharja di Padepokan Fajar Kancana Kumpay Kuning Putra Desa Nagarakembang Kabupaten Majalengka Tika Rostika; Arni Apriani; Budi Dharma
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.508

Abstract

This study aims to analyze one of the movements that is characteristic of Padepokan Fajar Kancana Kumpay Kuning Putra in Nagarakembang Village, Majalengka Regency, namely the Ibing Jagatraharja movement. Ibing Pencak Silat can be interpreted as a basic martial arts movement presented in the form of dance or the development of the pencak silat martial arts movement. The form of the Jagatraharja Movement is a development of core movements such as Tonjok, Nahan, and Siku Ajul. The problem raised in this study is to describe the structure of the Ibing Jagatraharja movement. The purpose of this study is to describe the structure of the movement of Ibing Jagatraharja Padepokan Fajar Kancana Kumpay Kuning Putra. This study uses a qualitative method with a descriptive approach with data collection techniques of observation, interviews and documentation.
Motif Siriah Gadang dan Bunga Anggrek Pada Kain Selendang Menggunakan Teknik Batik Tulis dan Bordir Mutiya Wahyuni; Siti Aisyah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.520

Abstract

This final work aims to create works of written batik and embroidery art in the form of shawls by visualizing the beauty and uniqueness of the Siriah Gadang Motif and Orchid Flowers which have various types of colors as an effort to preserve Minangkabau culture, traditions and nature. The creation method for this final work is carried out in stages, namely: the preparation stage, the observation stage of the theme that the author raises, the elaboration stage (In-depth Stage), the synthetic stage (idea creation), the concept realization stage which is a follow-up stage to the completion stage of the work and finally the completion stage or Finishing Works. Based on the method used, a work in the form of a shawl with Siriah Gadang and Orchid Flower motifs was created using written batik and embroidery techniques. The author created seven works in the form of shawls with the titles: Elegance, Optimism, Softness, Happiness, Tranquility, Luxury, Luck.
Aktivitas Petani Sayur di Nagari Padang Laweh Dalam Seni Grafis Ahmad Jamil Illahi; Irwan Irwan
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.522

Abstract

This research aims to visualize the activities of vegetable farmers in Nagari Padang Laweh in graphic art, this explains the daily activities of vegetable farmers which have become a community habit and become the livelihood of the people in the author's environment, therefore the author raises the work with the title Activities of vegetable farmers in Nagari Padang Laweh in graphic art and a form of depiction of people's daily lives in planting vegetables and other activities in the fields starting from the beginning of the planting process through several processes until harvesting the field results. The creation method used is the art consortium method through five stages of work, namely: (1) preparation, including observation and exploration: (2) elaboration, including collecting references: (3) synthetic, namely the application of the main idea: (4) realization of the concept through creation work: and (5) the completion stage in the form of preparing a report and exhibition of the final work. The results of this research are ten works of graphic art measuring 50cm x 60 cm, the works of which are entitled: Clearing Land, Planting, Transporting Fertilizer, Fertilizing, Regret in the Midst of Harvest, Toiling in the Fields, Making a Living, Farmer's Life, Generation of Farmers, Human Harmony and Natural,
Penerapan Plot Linear terhadap Perkembangan Cerita dalam Film Dua Hati Biru Karya Sutradara Gina S. Noer Jenny Fransiska; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.528

Abstract

Film is a medium that functions as entertainment and an effective means of communication in conveying messages, stories and emotions to the audience. "Two Blue Hearts" by Gina S. Noer is a follow-up film to the story of Bima and Dara, a young couple who married at an early age because of a mistake. After four years apart since the birth of their son, Adam, Dara decided to return to Jakarta to be with Bima and Adam. Conflicts in their household arise again when Dara struggles to get closer to Adam, who does not yet recognize her as a mother. This research aims to determine the application of linear plot in the development of the story in the film "Dua Hati Biru". The theory used is the Linear Plot from Elizabeth Lutter. The results show that the use of a linear plot in Dua Hati Biru allows the audience to see the emotional transitions and dynamics of Bima and Dara's relationship clearly. This approach is effective in depicting character growth through a consistent passage of time, without relying on a back-and-forth plot.
Penerapan Teknik Expository dalam Penyutradaraan Film Dokumenter “Museum Perkebunan Indonesia” Karya Fabio Fahrezi Canavaro Pratiwi Pratiwi; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 1 (2025): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.529

Abstract

The documentary film "Museum Perkebunan Indonesia" by Fabio Fahrezi Canavaro uses the expository technique to present the history of plantations in Indonesia in a factual and educational manner. This technique emphasizes the clear delivery of information through authoritative narration, visual archives, and expert interviews, providing the audience with a deeper understanding. The documentary is structured in a chronological narrative, starting with the early history of plantations during the colonial era, the post-independence developments, and the relevance of plantations in the modern era. Observations of the film reveal the use of visual archives, such as old plantation photos, historical documents, and colonial maps, as well as interviews with historians and plantation practitioners, enriching the narrative. The combination of clear verbal narration and visual evidence strengthens the presented information, making it easier to comprehend. The expository technique successfully changes the perception of plantation history, which was previously considered monotonous, into something more engaging and relevant. This documentary not only serves as a medium for historical education but also provides a fresh perspective on the role of plantations as a key pillar of Indonesia’s economy. Through this approach, the film serves as an effective example of expository technique in historical documentary filmmaking in Indonesia, encouraging the audience to explore often-overlooked history.

Page 10 of 15 | Total Record : 145

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