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Gorga : Jurnal Seni Rupa
Published by Universitas Negeri Medan
ISSN : 23015942     EISSN : 25802380     DOI : https://doi.org/10.24114/gr.v9i1
Core Subject : Education, Art,
Arts Education
Gorga : Jurnal Seni Rupa terbit 2 (dua) kali setahun pada bulan Juni dan Desember, berisi tulisan/artikel hasil pemikiran, hasil penelitian, dan pengabdian kepada masyarakat yang ditulis oleh para pakar, ilmuwan, praktisi (seniman), dan pengkaji dalam disiplin ilmu kependidikan, kajian seni, desain, dan pembelajaran seni dan budaya.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 846 Documents
 79   80   81   82   83 
PERKEMBANGAN DAN PERUBAHAN TARI ZAPIN BENGKALIS DALAM BERBAGAI KRITERIA Nora, Syofia; Nofrizal, Nofrizal; Evi, Agusti
Gorga : Jurnal Seni Rupa Vol. 11 No. 2 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i2.34530

Abstract

Art is a skill performed by humans that produces a good attraction such as painting, carving and dance. Art in the form of dance is very popular in Indonesia, one of which is Zapin Dance with Islamic nuances originating from Malay, Bengkalis Regency, Riau Province. The purpose of this study is to provide an understanding to the reader regarding the developments that occur in Zapin Bengkalis Dance in various criteria by using qualitative descriptive methods and purposive sampling as sampling. At this time very many people think Zapin is a dance that comes from the country of Malaisya, so with the results of this study it is explained that Zapin Dance is a dance from Indonesia originating from Riau. For this reason, it is very necessary to describe the history and development of Zapin Dance so that readers understand the history and development of Zapin Dance. Keywords: arts, zapin dance, zapin development. AbstrakKesenian adalah suatu keahlian yang dilakukan oleh manusia yang menghasilkan daya tarik yang bagis seperti lukisan, ukiran dan tari. Kesenian dalam bentuk tarian sangat populer di Indonesia salah satunya yaitu Tari Zapin yang bernuansa islam berasal dari Melayu Kabupaten Bengkalis Provinsi Riau . Tujuan penelitian ini adalah untuk memberikan pemahaman kepada pembaca terkait perkembangan yng terjadi pada Tari Zapin Bengkalis dalam berbagai kriteria dengan menggunakan Metode Deskriptif Kualitatif dan Purposive Sampling sebagai penarikan sampel. Pada saat sekarang ini sangat banyak masyarakat yang menganggap Zapin adalah tarian yang berasal dari negara Malaisya, sehingga dengan hasil penelitian ini dijelskan bahwa Tari Zapin merupakan tarian dari Indonesia yang berasal dari Riau. Untuk itu sangat perlu dilakukan pendeskripsian terkait sejarah dan perkembangan Tari Zapin agar para pembaca paham terkait sejarah dan perkembangan Tari Zapin.Kata Kunci:kesenian, tari zapin, perkembangan zapin. Authors: Syofia Nora: Universitas Negeri PadangNofrizal: Universitas Negeri PadangAgusti Efi: Universitas Negeri Padang References: Moleong, A. L .J. (1989). Metodologi Penelitian Kualitatif. Bandung: Remaja Rosda Karya.Augina, M. A. (2020). Teknik Pemeriksaan Keabsahan Data pada Penelitian Kualitatif di Bidang Kesehatan Masyarakat. Jurnal Ilmiah Kesehatan Masyaraka, 13(3), 145-151.  https://doi.org/10.52022/jikm.v12i3.102Evadila, E, Y., & Astri, N. Y. (2019). Perkembangan Tari Tradisi Zapin Bengkalis ke Zapin Meranti di Sanggar Zapin Tradisi Hangtuah Desa Perumbi Kecamatan Tebing Tinggi Kabupaten Kepulauan Meranti. Jurnal Pendidikan Seni Drama, 6(1), 34-4. https://doi.org/10.31004/basicedu.v6i3.2858Suparno, M., & Rin, R. (2020). Upaya Pelestarian Tarian Zapin Dalam Rangka Memperkuat Nilai Karakter Sebagai Pemersatu Bangsa Pada Masyarakat Melayu Pesisir Melawi Di Desa Pagar Lebata Kecamatan Serawai Kabupaten Sintang. Jurnal Pendidikan Kewarganegaraan, 5(2), 223-234.  https://doi.org/10.31932/jpk.v5i2.941Suryani, N., & Fitriah, L. (2019). Seni Pertunjukan Tari Zapin Api Di Rupat Utara Bengkalis Provinsi Riau. Jurnal Ilmu Humanior, 3(1), 18-33.  https://doi.org/10.22437/titian.v3i1.7030Wulan, P. G., & Idrus, A. (2016). Memaknai Nilai Kesenian Kuda renggong dalam Upaya Melestarikan Budaya Daerah di Kabupaten Sumedang. Journal of Urban Society™s Arts. 3(1), 27-35. https://doi.org/10.24821/jousa.v3i1.1474Yuni, I. P., Ediwar., & Martion, M. (2013). Estetika Zapin Sebagai Sumber Penciptaan Karya Kaki-kaki. Jurnal Pengkajian dan Penciptaan Seni, 1(1), 1-18. http://dx.doi.org/10.26887/bcdk.v1i1.22Zulaika, S. (2021). Apresiasi Masyarakat Terhadap Tari Tradisi Zapin Meskom di Desa Sejangat Kecamatan Bukit Batu Kabupaten Bengkalis Provinsi Riau. Pekanbaru: Terbitan FKIP UIR.
KRITIK SENI DAN FUNGSI MELAKUKAN KRITIK SENI Nofiyanti, Nofiyanti; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 11 No. 2 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i2.34618

Abstract

Art criticism is a process of evaluating and inputting a work of art. The purpose of doing art criticism is to provide improvements to a work of art to make it even better. The method used in this research is descriptive qualitative, where a description of art criticism is carried out and the function of performing art criticism. The initial steps taken to understand how to do art criticism properly and correctly are to understand what art criticism is, knowing the types of art criticism, presenting art criticism, and knowing the function of doing art criticism. This study succeeded in describing how art criticism is, the types of art criticism, the presentation of art criticism, and the function of doing art criticism. By understanding the concept of art criticism, readers will be able to practice in their daily life how to do good and right art criticism. Therefore, it is necessary to have a deeper understanding to become an expert in art criticism. Keywords: art criticism, presentation, function. AbstrakKritik seni merupakan suatu proses penilaian dan masukan terhadap suatu karya seni. Tujuan melakukan kritik seni adalah untuk memberikan perbaikan terhadap suatu karya seni agar menjadi lebih baik lagi. Metode yang digunakan dalam penelitian ini yaitu deskriptif kualitatif, dimana dilakukan pendeskripsian mengenai kritik seni dan fungsi melakukan kritik seni. Tahapan awal yang dilakukan untuk memahami bagaimana melakukan kritik seni yang baik dan benar adalah dengan memahami apa itu kritik seni, mengetahui tipe kritik seni, penyajian kritik seni, dan mengetahui fungsi dari melakukan kritik seni. Penelitian ini berhasil menguraikan bagaimana kritik seni, tipe kritik seni, penyajian kritik seni, dan fungsi dari melakukan kritik seni. Dengan memahami bagaimana konsep kritik seni tersebut, maka pembaca akan dapat mempraktikkan dalam kehidupan sehari-hari bagaimana melakukan kritik seni yang baik dan benar. Oleh karena itu perlu dilakukan pemahaman yang lebih mendalam untuk menjadi seorang yang pakar dalam melakukan kritik seni.Kata Kunci:kritik seni, penyajian, fungsi. Authors:Nofiyanti: Universitas Negeri PadangAgusti Efi: Universitas Negeri Padang References: Dharsono. (2007). Kritik Seni. Bandung: Rekayasa Sains Publishing.Eskak, E. (2013). Mendorong Kreativitas dan Cinta Batik Pada Generasi Muda. Jurnal Dinamika Kerajinan dan Batik, 30(1), 1-10. http://dx.doi.org/10.22322/dkb.v30i1.947Husen, W. R. (2017). Pengembangan Apresiasi Seni Rupa Siswa Sekolah Dasar Melalui Pendekatan Kritik Seni Pedagogik. Jurnal Kajian Penelitian Pendidikan dan Pembelajaran, 2(1), 54-61. https://doi.org/10.35568/naturalistic.v2i1.100Maharani, S. & Martin, B. (2018). Analisis Hubungan Resiliensi Matematik Terhadap Kemampuan Pemecahan Masalah Siswa Pada Materi Lingkaran. Jurnal Pembelajaran Matematika Inovatif, 1(5), 819-826. http://dx.doi.org/10.22460/jpmi.v1i5.p819-826Noor, R. (2017). Sastra Populer dan Masalah Mutu Penelitian Sastra di Perguruan Tinggi. Jurnal NUSA, 12(4), 265-275. https://doi.org/10.14710/nusa.12.4.265-275Nugrahani, F. (2014). Metode Penelitian Kualitatif Dalam Penenlitian Pendidikan Bahasa. Surakarta: Cakra Books.Pratama, E. P., Risvi, P., & Yosef, Y. (2021). Pendekatan Kritik Seni Terhadap Desain Poster Karya Naufan Noordiyanto. Jurnal Besaung, 6(1), 42-50.  http://dx.doi.org/10.36982/jsdb.v6i1.1834Wiflihani, W. (2016). Fungsi Seni Musik Dalam Kehidupan Manusia. Jurnal Antropologi Sosial Dan Budaya, 2(1), 101-107. Http://Jurnal.Unimed.Ac.Id/2012/Index.Php/ Anthropos.Yasmen, E. (2021). Meningkatkan Keterampilan Kritik Seni Peserta Didik Kelas X MIPA 4 Pada Karya Seni Rupa Dua Dimensi Dalam Pelaksanaan Pembelajaran Dari Rumah Sekolah Menengah Atas Negeri 1 Muaro Jambi Tahun Pelajaran 2020/2021. Jurnal Meningkatkan Keterampilan Kritik Seni, 7(2), 203-2018. https://doi.org/10.37286/ojs.v7i2.104 
TRANSFORMASI ESTETIK SENI KRIYA; KELAHIRAN DAN KRIYA MASA KINI Zam, Riswel; Dharsono, Dharsono; Raharjo, Timbul
Gorga : Jurnal Seni Rupa Vol. 11 No. 2 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i2.36026

Abstract

This paper discusses the aesthetic transformations in craft art.  The discussion focuses on craft art as a form of socio and cultural bonding in the past that developed into a part of individual culture and a means of self-expression in the present.  Studies are conducted on aesthetic components, such as the form, purpose, and expressive content found in crafts.  To achieve the goals, studies in the form of qualitative research using cultural and artistic methods are employed.  According to the research, craft art is ingrained in human life and has existed from prehistoric times to the present.  The philosophy that guided the development of ancient crafts is founded on a metaphysical perspective, a charge of spiritual, religious, and magical principles that form works of high quality crafts and reflect the soul of their era.  The philosophy that guided the development of ancient crafts is founded on a metaphysical perspective, a charge of spiritual, religious, and magical principles that form works of high quality crafts and reflect the soul of their era.  Modern or contemporary craft art, which displays aesthetic inclinations as a result of the interaction and effect of freedom of expression, is currently referred to as art craft.  The thought and philosophy of art also influenced the creation of crafts, by adapting of understanding Western™s fine art to the archipelago's cultural norms. These adaptations and acculturations make craft art a manifestation that is affected and reflects societal changes that occur in Indonesia or along with the soul of the times.   Keywords: aesthetic transformation, art craft. AbstrakTulisan ini membahas transformasi estetik dalam seni kriya. Pembahasan difokuskan pada seni kriya sebagai ikatan sosio-kultural pada masa lampau yang berkembang ke dalam aspek individu-kultural sebagai media ekspresi personal pada saat ini.  Kajian dilakukan terhadap unsur-unsur estetik yang meliputi bentuk, fungsi, dan muatan ekspresi yang terkandung dalam kriya. Untuk mencapai tujuan digunakan kajian berupa penelitian kualitatif melalui pendekatan kebudayaan dan pendekatan estetik. Temuan yang diperoleh adalah bahwa seni kriya melekat dan berjalan seiring dengan kehidupan manusia sejak masa prasejarah sampai sekarang. Penciptaan kriya masa lampau dilandasi oleh filosofi yang berorientasi pada pola pikir metafisis, muatan nilai-nilai spiritual, religius, dan magis yang menghasilkan karya-karya kriya adiluhung dan mencerminkan jiwa zamannya. Sementara seni kriya modern atau kontemporer menunjukkan kecenderungan estetik sebagai interaksi dan pengaruh kebebasan berekspresi, kriya ini dikenal dengan kriya seni. Pemikiran dan filsafat seni juga memberi pengaruh pada penciptaan kriya, dengan mengadopsi aliran-aliran seni rupa Barat yang disesuaikan dengan kebudayaan nusantara. Penyesuaian dan akulturasi tersebut menjadikan seni kriya sebagai manifestasi kesenian yang dipengaruhi serta mencerminkan perubahan-perubahan sosial yang terjadi di Indonesia atau seiring dengan jiwa zaman.Kata Kunci:transformasi estetik, seni kriya. Authors:Riswel Zam : Institut Seni Indonesia PadangpanjangDharsono : Institut Seni Indonesia SurakartaTimbul Raharjo : Institut Seni Indonesia Yogyakarta References:Adryamarthanio, V. (2022). Batik Pesisir: Sejarah, Ciri-ciri, dan Motif. https://kompas.com/stori/read/2022/04/27/090000579/batik-pesisir--sejarah-ciri-ciri--dan-motif (diakses tanggal 1 November 2022).Ahmad, A. S. E. (2021). Kritik Sejarah Batik Sidoarjo. Gorga¯: Jurnal Seni Rupa, 10(1), 137. https://doi.org/10.24114/gr.v10i1.24626.Burhan, M. A. (1999). Nilai Estetik dalam Seni Lukis di Indonesia. Jurnal Seni, ISI Yogyakarta., VI(3).Dharsono, D. (2016). Kreasi Artistik, Perjumpaan Tradisi Modern dalam Paradigma Kekaryaan Seni. Yogyakarta: Citra Sains.Dillistone, F. (2002). The Power of Symbols. Jakarta: Penerbit Kanisius.Feldman, E. B. (1967). Art As Image and Idea. USA: Prentice Hall.Gie, T. L. (2004). Filsafat Seni: Sebuah Pengantar. Yogyakarta: Pusat Belajar Ilmu Berguna.Guntur, G. (2021). Kriya Retro, Biutifikasi dan Legatimasi Artistik. Yogyakarta: Pusat Belajar Ilmu Berguna.Gustami, S. (2007). Butir-butir Mutiara Estetika Timur, Ide Dasar Penciptaan Seni Kriya Indonesia. Yogyakarta: Prasista.Joedawinata, A. (2001). Seni Kriya dan Desain di Lingkungan Perguruan Tinggi. Jurnal SR&D Fakultas Seni Rupa Dan Disain ITB, Bandung, 1.Junaedi, D. (2016). Estetika Subjek, Objek, dan Nilai. Yogyakarta: ArtCiv.Kamal, M. N. (2020). Kerajinan Perak Tinjauan Pada Proses Dan Makna Simbolis Ornamen Di Home Industry Di Koto Gadang. Gorga¯: Jurnal Seni Rupa, 9(2), 409. https://doi.org/10.24114/gr.v9i2.21229.Kartika, D. S. dan N. G. P. (2004). Pengantar Estetika. Yogyakarta: Rekayasa Sains.Marianto, M. D. (2011). Menempa Quanta Mengurai Seni. Yogyakarta: Badan Penerbit ISI Yogyakarta.Najoan,Stephanie Jill., J. C. M. (2011). Transformasi Sebagai Strategi Desain. Media Matrasain, 8(2), 117“130. https://doi.org/https://doi.org/10.35792/matrasain.v8i2.330Nugraha, A. (1999). Kriya Indonesia, Sebuah Wilayah Sumber Inspirasi Yang Tak Terbatas. Yogyakarta: Prasista.Ponimin, & Guntur. (2021). The COVID-19 War in Ceramic Arts: Navigating Aesthetic and Symbolic Expressions. Aisthesis. Pratiche, Linguaggi e Saperi Dell™estetico, 14(1), 81“99. https://doi.org/10.36253/aisthesis-12056.Raharjo, T. (2011). Seni Kriya dan Kerajinan. Yogyakartaa: Program Pascasarjana Institut Seni Indonesia Yogyakarta.Sakti, Z. (2017). Pengertian Unsur Estetika dan Unsur Ergonomis Produk Kerajinan. https://www.aelilmu.com/2017/09/pengertian-unsur-estetika-dan-unsur-ergonomis-produk-kerajinan-html (diakses tanggal 1 November 2022).Soedarso. (2006). Trilogi Seni; Penciptaan, Eksistensi, dan Kegunaan Seni (Cetakan Pe). Yogyakarta: BP ISI Yogyakarta.Strauss, A. dan J. C. (2007). Dasar-dasar Penelitian Kualitatif. Jakarta: Pustaka Pelajar.Sullivan, L. (1896). Number BY. Lippincott´s, 403“409.Sunarto, K. (2004). Pengantar Sosiologi (Revisi). Jakarta: Lembaga Penerbitan Fakultas Ekonomi Universitas Indonesia.Zam, R. (2006). Cerek dalam Ekspresi Kriya Logam. Yogyakarta: Institut Seni Indonesia Yogyakarta.Zam, R., & Ferawati, F. (2020). POTENSI DAN PELUANG PENGEMBANGAN KERAJINAN COR KUNINGAN SUNGAI PUAR DALAM ERA REVOLUSI INDUSTRI 4.0. Artchive: Indonesia Journal of Visual Art and Design, 1(1), 46. https://doi.org/10.53666/artchive.v1i1.1561.Zuhdi, B. M. (2010). PERKEMBANGAN KONSEP KRIYA. Imaji, Fakultas Bahasa dan Seni, 1(1). https://doi.org/10.21831/imaji.v1i1.142.
The Development of Women’s Shirt for the “Berkain” Trend with the Application of Embroidery Rajagukguk, Juniar Angelin Berliana; Bastaman, Widia Nur Utami; Putri, Liandra Khansa Utami; Muslikhani, Aghnia Fauzul
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.64508

Abstract

The emergence of the Berkain trend since 2017, initiated by the Indonesian art community Swara Gembira, has shown a new fashion style. The younger generation combines traditional Indonesian fabrics with modern clothing products, one of which is shirts with decorative embroidery elements. Data shows that many local Indonesian brands offer women's shirts with simple cuts and limited design development. On the other hand, the decorative elements used are still largely inspired by floral motifs with embroidery techniques that lack variety. This presents an opportunity to develop clothing with more diverse embroidery motifs to create new design variations. This research uses a double diamond approach: discover, define, develop, and deliver, with the application of the craft creation development method: inquiry, design, and reification in the develop stage. The final product of this research is a women's shirt with embroidery motifs inspired by traditional Indonesian dance culture so that it can meet the market's need for varied shirt designs and motifs that are still comfortable and casual to wear in daily activities.
Reinforcing Animal Conservation Ideology in Children’s Media through Cultivation Theory and Gestalt Principles Sundah, Johanna Ratuwani; Ahmad, Hafiz Aziz
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65722

Abstract

This study explores the significance of storytelling in children’s media as a means to reinforce conservation ideology, particularly regarding the protection of Indonesia’s endemic wildlife. By applying Cultivation Theory, a communication framework developed by George Gerbner that posits long-term media exposure can influence an individual's perceptions of social reality, this research emphasizes how early and consistent exposure to conservation-themed content can shape children’s environmental awareness and values. Children’s media, including storybooks, animated films, and television series, serve not only as entertainment but also as a powerful tool for education and character development. Through visual storytelling, messages related to animal protection, ecological balance, and social responsibility can be effectively communicated in ways that are engaging and emotionally resonant for young audiences. The analysis focuses on narrative structures and visual elements, such as character design, setting, color, and sequence, which contribute to a child’s understanding and retention of conservation messages. The study finds that consistent use of symbolic imagery and compelling narratives fosters emotional involvement, empathy toward wildlife, and a sense of personal responsibility in children. This emotional engagement, paired with repeated exposure to conservation themes, strengthens memory retention and encourages pro-environmental behavior. Furthermore, the combination of Cultivation Theory and visual storytelling, supported by psychological principles such as Gestalt theory, proves to be an effective educational strategy. It highlights the potential of children’s media to not only entertain but also to shape attitudes and ideologies that support environmental stewardship from an early age. Ultimately, this research underscores the vital role of storytelling in shaping a more ecologically conscious generation.
Sumbang Duo Baleh: Cultural Heritage as the Foundation of Character Development in the Digital Age Elpalina, Srimutia; Darmansyah, Darmansyah; Fitrisia, Azmi; Efi, Agusti; Erianjoni, Erianjoni; Agustina, Agustina
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.70313

Abstract

This study aims to analyze the role of Sumbang Duo Baleh, a Minangkabau traditional ethical guideline, as a foundation for character education in the digital era. It also explores strategies for integrating these values into formal and informal education to address modern challenges in moral development. This research employs a qualitative approach with a literature review and field observations conducted in schools in West Sumatra. Data collection methods include document analysis, interviews with teachers and cultural figures, and direct observations in educational settings. The data are analyzed using a descriptive qualitative method to examine a the relevance of Sumbang Duo Baleh in shaping students’ character amidst digital transformation. The findings reveal that Sumbang Duo Baleh remains relevant in guiding students’ ethical behavior despite the growing influence of digital culture. Its values can be effectively integrated into character education through curriculum adaptation, teacher and parent involvement, and the utilization of digital platforms. However, challenges such as the declining understanding of traditional values among younger generations and the influence of global digital trends must be addressed. The study implies that strengthening digital literacy with a cultural perspective and fostering collaboration between schools, families, and communities can enhance the effectiveness of character education. This research contributes to developing a character education model based on local wisdom that aligns with modern educational needs.
Character Design for the Illustrated Book “Tukang Pos Pembawa Mimpi” Ramadhani, Brilliant Firdaus; Daniar, Aninditya; Masnuna, Masnuna
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.65122

Abstract

Character design is a crucial visual element in media, particularly illustrated books. “Tukang Pos Pembawa Mimpi” is an illustrated book that explores themes of dreams and aspirations for teenagers aged 16-18. The story follows a postman who guides readers on a journey of self-discovery to help them find their dreams. This study aims to develop a character design for a 16-year-old postman to be utilized in an illustrated book. The research methodology employed is a descriptive qualitative approach, utilizing observation, analysis, and interviews. The resulting character design possesses high visual appeal and effectively caters to the target audience’s age, thereby fostering their interest in reading the book’s content. The character adopts a cartoonish style and exudes a friendly demeanor.
Interviews as the Basis for Developing a Content Creation App for Generation Z Creators Pambudi, Nada Larasati; Syarief, Achmad
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.66005

Abstract

The rise of digital platforms has enabled Generation Z to become content creators, using social media to express themselves, develop personal brands, and monetize their creativity. Maintaining consistency, navigating algorithm-driven competition, and juggling time constraints with creative output presents unique challenges for this generation. Through in-depth qualitative interviews with ten representative respondents, this study investigates the needs and preferences of Generation Z creators in facing these challenges. The study seeks to understand their creative processes, motivations, problems, and expectations for optimal content creation applications. The results show that the target users prioritize features such as trend analysis, audience research tools, and monetization insights. Performance analysis is one of them. Along with community forums for collaboration and inspiration, they also emphasize the need for organizational tools including moodboards, timelines, and integrated notes. Interestingly, most users prefer mobile-first applications with simple and intuitive designs over desktop-based solutions. They also value paid applications free of ads more than ad-supported free applications. These observations guide this paper to explain the Agile thinking process and design of content creation app development. Prioritizing user-centered design concepts, iterative feedback loops, and adaptability help the proposed app empower Generation Z creators by providing relevant, easy-to-use, and effective tools tailored to their needs.
Designing an Infographic Poster for a Social Campaign Regarding Smartphone Addiction: English Emriadi, Haviz; Nurdiani, Silvana; Ghifari, Muhammad; Basra, Sri Meiweni
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.66225

Abstract

The purpose of this study is to design an infographic-based social campaign strategy as a form of representative effort against smartphone addiction in early childhood. This research method is based on qualitative descriptive. Using interviews and field study documentation as research data, this study analyzed the research subjects, parents who have early childhood experiences in Padang Panjang, using the SWOT method. Meanwhile, the object of this research is the visual communication design of social campaigns with the theme of smartphone addiction. The objective of this research can be achieved through four stages: data source analysis, exploration, planning, and realization.  At the realization stage, three infographic posters were created, namely illustrations of children who passively use smartphones as a form of criticism of digital parenting patterns, infographic designs on the bad impact of smartphones on children, and tips so that children are not addicted to smartphones.  This infographic poster is available in both print and digital forms, making it an efficient medium for conveying complex information on social media.
Effect of Physical Elements in Counseling Room on Women's Psychological Comfort: Pulih Foundation Case Study Syakira, Khoizuron; Saphiranti, Dona
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.66940

Abstract

The counseling room plays a critical role in supporting psychological recovery, particularly for young adult women in Indonesia who experience a high prevalence of emotional mental disorders such as anxiety and depression. This study aims to examine user perceptions of the physical elements of counseling rooms—specifically lighting, color, and spatial layout—and to identify which components contribute most significantly to psychological comfort. Conducted at the Pulih Foundation Clinic, the research employs a mixed-method case study approach with data collected through structured observation, semi-structured interviews with two psychologists, and a main questionnaire completed by 52 female clients. Instruments used in the survey included the Environmental Satisfaction Questionnaire and the Perceived Restorativeness Scale. The results reveal a clear perceptual dichotomy: while spatial elements such as layout and furniture arrangement were positively perceived, sensory components—particularly lighting and color—received low satisfaction scores and were measured to be below standard comfort levels. The study also highlights the critical importance of acoustic privacy, which received the highest importance score among participants. A strong correlation was found between perceptions of lighting and color, indicating the interdependence of these environmental aspects. Based on these findings, the study recommends targeted design interventions that prioritize the improvement of acoustic insulation and the implementation of adaptive lighting systems. These recommendations aim to support the creation of gender-responsive, psychologically supportive counseling spaces that are attuned to the needs of young adult women in recovery.

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