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INDONESIA
Gorga : Jurnal Seni Rupa
Published by Universitas Negeri Medan
ISSN : 23015942     EISSN : 25802380     DOI : https://doi.org/10.24114/gr.v9i1
Core Subject : Education, Art,
Arts Education
Gorga : Jurnal Seni Rupa terbit 2 (dua) kali setahun pada bulan Juni dan Desember, berisi tulisan/artikel hasil pemikiran, hasil penelitian, dan pengabdian kepada masyarakat yang ditulis oleh para pakar, ilmuwan, praktisi (seniman), dan pengkaji dalam disiplin ilmu kependidikan, kajian seni, desain, dan pembelajaran seni dan budaya.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 799 Documents
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The Transformation of Mother-Baby Bonding Attachment in Tufting Art Abdillah, Afifah Ashma'; Wardoyo, Sugeng
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

The bonding attachment between a mother and her baby is crucial and should be established as early as possible because it can significantly influence the baby’s psychological and social development. However, the public is often not fully aware of the long-term impact of this bond. The author transforms the concept of mother-baby bonding attachment into a tufting artwork, aiming to raise public awareness about its importance. This artwork not only highlights the significance of bonding attachment between mother and baby but also enriches the ideas and concepts of tufting art, providing the general public with a basic understanding of this vital connection. Tufting art is a technique used to create textile artworks by arranging and attaching threads to fabric with a specialized tufting tool, resulting in a rich, textured surface with tufted shapes. The method used is the practice-based research method or artistic research, consisting of literature research, drawing sketches, experiments, practices and possible outcomes. The outcome of this research is a tufting artwork that visually represents the bonding attachment between mother and baby. This artwork serves as both a reminder of the importance of the mother-child relationship and an effort to increase public awareness of the emotional bond’s vital role. There is still much room for further development in tufting art, especially with a broader approach. Future research could also explore combining tufting with other art media to create more diverse and impactful works.
The Effect of Interfacing Type on the Finished Result of Paneled Circle Skirt Using Bridal Material Zhafirah, Zhafirah; Puspaneli, Puspaneli
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

A paneled circle skirt is a type of skirt that expands, consists of several pieces and is shaped like a star fruit. In making a paneled circle skirt so that the panel looks upright and has volume, it needs to be coated with interfacing. Interfacing is a material that is paired between clothes to make a part of clothing look strong and neat, therefore the selection of the right coating material will affect the finished result of the paneled circle skirt. This study aims to describe the finished results of paneled circle skirts using woven and non-woven interfacing in terms of skirt volume, skirt flatness and skirt shape stability aspects and describe the effect of interfacing type on the finished results of paneled circle skirts using bridal materials. The type of research conducted is experimental research. The object of the research is a paneled circle skirt that uses woven interfacing, namely trubenais and non-woven interfacing, namely pelon. The research instrument was a questionnaire with a likert scale. The data used was primary data obtained by distributing questionnaires to 15 panelists. The data analysis techniques used are descriptive statistics and inferential statistics. Based on data analysis, there is an effect of interfacing type on the finished result of the paneled circle skirt, the finished result of the paneled circle skirt using woven interfacing (trubenais) is obtained an overall percentage value of 86% categorized as very suitable while the finished result of the paneled circle skirt using non-woven interfacing (pelon) is obtained an overall percentage value of 65% categorized as suitable.
Digital Comic Strip as an Attempt for Self-Control Againts Impulsive Buying among Generation Z Imanda, Ghea Sonja; Siswo Martono; Evi Farsiah Utami
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

Generation Z has a close relationship with social media, which influences the emergence of Fear of Missing Out (FOMO). Uncontrolled FOMO can result in a lifestyle that prioritizes wants over needs. This type of lifestyle eventually has an impact on impulsive buying behaviors often seen in Generation Z. To prevent impulsive buying in Generation Z, good self-control is necessary. Based on this, the research aims to design a digital comic strip as an effort for self-control and prevention of impulsive buying in Generation Z. The digital comic strip is designed to send educative informations for the target audience. The research uses a qualitative method and the design process using a design thinking method. The results of the data collection in the form of observations, interviews, documentation, and literature studies indicate that many Generation Z have engaged in impulsive buying. In addition, data collection also shows that Generation Z is interested and easily accepts information from digital comic strips because of the simple language, easily understandable content, easy access, and attractive features, such as illustration style, character design, and story flow. Therefore, it is concluded that a digital comic strip is needed that can be used as an effort for Generation Z's self-control over impulsive buying.
Transformation of East Kalimantan Batik into Ready-to-Wear Fashion with Augmented Reality for Creative Economy IKN Putri, Hesti Rosita Dwi; Yendra, Sasferi; Syaputra, Eko Agung
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

The uniqueness of East Kalimantan batik lai in its motifs and colors which are influenced by motif designs inspired by the Dayak tribe, local flora, and fauna.  The transformation of East Kalimantan batik into ready-to-wear fashion is a strategic initiative to combine cultural heritage with modern design trends, and contribute to the creative economy in Indonesia's new capital city. This research explores the development of batik from a traditional fabric into a contemporary fashion product, with the aim of strengthening local identity so as to expand market reach. Augmented reality technology is used to enhance the consumer experience through a virtual try-on feature, allowing users to view batik clothing in real time. The problem formulation in this research is how the transformation process of East Kalimantan Batik into ready-to-wear fashion products, and how the use of Augmented Reality technology can provide solutions to improve user experience in trying and deciding product purchases effectively. The method used is the Design Thinking method which is carried out with 4 stages namely discover, define, develop and deliver. The results obtained Augmented Reality  in the promotion of ready-to-wear batik not only supports the preservation of local culture, but also strengthens the competitiveness of batik products in the modern era. This is an important step in making batik a highly competitive ready-to-wear fashion product in supporting IKN's creative economy.
Implementation of Kosa Rupa Book: Drawing and Coloring of Elementary School Teachers in Pegayaman Village, Bali Alhail, Hadi; Rubijanto, Vincensius Jovan; Musthafa, Akram; Purnama, Della; Utama, I Gusti Agung Gede Aditya
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

Difficulty in teaching learning related to drawing from teachers to students is a problem experienced by elementary school teachers in Pegayaman Village, previous research provides information that there is one media to help teachers improve their drawing and coloring competencies, namely "kosa rupa". The purpose of this study was to implement kosa rupa in elementary school teachers in Pegayaman Village through training and mentoring. The method used is qualitative, descriptive and exploratory research design. Collection techniques through interviews, observations, and documentation. The instruments used are interview drafts, observation drafts, and documentation lists. Data validity testing is carried out by triangulation testing. Data analysis techniques use domain analysis, taxonomy, and componential. Respondents involved in the research setting were 3 teachers. The results of the research on the implementation of kosa rupa in elementary school teachers in Pegayaman Village through training and mentoring are: 1) Discussion of teaching experiences in drawing and coloring that have been applied to students, 2) Discussing and identifying problems faced by teachers, 3) Introducing and presenting kosa rupa and how it works, 4) Demonstrating kosa rupa based on aspects of composition, perspective, and color, 5) Conducting training and mentoring on the implementation of village-themed kosa rupa for teachers, 6) Conducting intensive open evaluation and reflection carried out by teachers on the results of work made based on aspects of composition, perspective, and color.
Halliday’s Discourse Analysis of the "Tatap" Exhibition Haryono, Haryono; Satria, Christofer; Mawardi, Taufik
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

Painting exhibitions are part of a discourse strategy published by artists through public spaces. Where art exhibitions generally try to represent multi-dimensional values in the form of artwork from various types of spaces. Exhibitions are seen as art events that are discoursed in the form of exhibition packages with the theme "Tatap". Tatap is the concept of Ahmad Junaidin's solo exhibition which consists of three categories of small sub-themes, namely the theme of nature, the theme of Sasak mythology, and the theme of tradition. Behind the exhibition with the theme "Tatap" of course, there is another purpose that must be conveyed by the discourse to the audience. The purpose of this study is to try to describe the existence of the dimensions of the artist's paintings that are exhibited and the curatorial dimensions presented in the form of a narrative of the relationship between works and paintings are dimensions that are related to one another. Because behind the text, both visual and verbal, there are certain intentions and purposes. This study uses a qualitative research type with the Halliday discourse analysis research method consisting of the field of discourse (field of discourse) what is being discussed, the discourse participants (tenor of discourse) who are involved in the conversation, and the mode of discourse (mode of discourse) the choice of language used by the media. The results of the study show that what is exhibited and what is opined experience distortion between the work and its curatorial.
Application of Artsteps in Exhibitions as a Creative Learning Platform for Art Education Students Faradila, Nita Dian; Indar Sabri; Welly Suryandoko; Trisakti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

Art is a skill or medium that is done and made by humans to realize the imagination and creativity of the artist. Art has several fields such as dance, painting, sculpture, carving, and many more. Art includes many human activities in creating visual, audio, or performance works based on the imagination of the artist’s ideas and techniques of the art maker (artist). Art exhibition is an activity to exhibit or showcase works of art so that they can be appreciated by the general public with the aim of conveying creative ideas and ideas owned by the artist. This exhibition is carried out on the website artsteps.com. The website is a website that is useful for exhibiting works in the form of paintings that are famous in pandemic areas. Artsteps presents a 3D virtual exhibition platform where individuals and collectives can exhibit their work on the platform. This platform is useful in the implementation of exhibitions that are carried out to fulfill exhibition management courses, as well as useful for the general public or art education students in appreciating works of art virtually. In this research, the researcher conducted several qualitative approaches, namely interviews and observations. This research also has the aim of fostering the spirit of work to visitors to the virtual exhibition that has been implemented.
Medan City Icon Image as Applied Art on Tourism T-Shirts Diningrat, Raden Burhan Surya Nata; Priyatno, Agus; Muslim, Muslim
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

The general aim of this research is to create a new design and apply it to typical Medan City souvenirs on T-shirts which are starting to be difficult to find. So that tourists who visit Medan can get a more interesting and varied variety of souvenirs, it will also support tourism in the city of Medan as well as become a reference for designers who want to develop a clothing business with characteristics typical of the city of Medan. The method used is a qualitative method, with a design thinking method approach consisting of the empathize, define, ideate, prototype and test stages. The results of the research are t-shirts as souvenirs, as a form of creativity that elevates the iconic shape of the city of Medan. Add value to souvenirs in the form of t-shirts that previously existed and add aesthetic value to t-shirt designs with Medan icons. Adding a variety of souvenir items to tourist destinations in the city of Medan.
Correlation of Color Symbolism in Guel Dance Costumes and Movement in The Gayo Community Permata, Magfhirah Murni Bintang; Setiawan, Indra
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.67690

Abstract

The Guel Dance, a traditional performing art originating from the Gayo culture in Central Aceh, Indonesia, is a captivating yet underappreciated cultural heritage. Although the dance is practiced within the community, many remain unfamiliar with its intricate visual and symbolic elements, such as the elaborate costumes, decorative patterns, properties (ulen-ulen), and especially the use of specific colors. These colors go beyond mere ornamentation—they act as visual metaphors and spiritual expressions, communicating profound cultural values. In Gayo culture, visuality is deeply meaningful and not simply decorative. Each design and color carries symbolic significance, inherited and sustained through generations, forming a rich semiotic system. The kerawang embroidery, a hallmark of Gayo visual identity, exemplifies this symbolic tradition. Despite its cultural importance, the role of color in the Guel Dance remains largely misunderstood by both dancers and musicians, often resulting in performances that lack harmony between costume visuals and dance expression. This research seeks to uncover and clarify the functions and meanings of visual elements—particularly color—in the performance of the Guel Dance. It investigates how colors and patterns in costumes are interwoven with movement, spiritual values, and ritual practices of the Gayo people. Employing a descriptive qualitative approach with a visual ethnographic model, the study documents how visual elements function in artistic performances and cultural rituals. This research identifies five primary colors in Guel dance costumes—red (courage), green (fertility), yellow (wisdom), black (authority), and white (purity). These colors are not arbitrary; they correspond to specific movements and spiritual expressions within the dance. The findings contribute to a deeper understanding of the cultural meanings embedded in Gayo traditional arts and emphasize the need for preserving and recontextualizing these values through synchronized and informed performances.

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