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Multikultura
Published by Universitas Indonesia
ISSN : 29634199     EISSN : 29634199     DOI : -
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
MULTIKULTURA accepts articles on various issues in the humanities, including philosophy, literature, archaeology, linguistics, history, library and information technology and area studies from various cultures in the world through a double-blind peer-review process.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 162 Documents
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EPISTEMOLOGI INTELIJEN DALAM NARASI NEGARA YANG BIAS TENTANG GERWANI DALAM G30S 1965 Firyasa, Nadilya Adhwari; Adian, Donny Gahral; Mukhlis, Meutia Irina
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

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Abstract

This study analyzed epistemic bias in the state’s narrative about Gerwani during the 1965 G30S event using the epistemology of intelligence approach. Through a qualitative philosophical method, this research evaluated the state’s processes of information acquisition, interpretation, and dissemination, focusing on the identification of political bias, gender bias, confirmation bias, framing effects, overconfidence bias, as well as the use of misinformation and disinformation. The findings revealed that the state’s narrative about Gerwani was systematically constructed to support the New Order regime’s political agenda through the manipulation of information. These biases led to dangerous epistemic failures and justified violence and the erasure of women’s historical roles. The study concluded that a Pancasila-based philosophy of intelligence, especially the epistemology of intelligence, was necessary to prevent future misuse of intelligence practices. It was recommended that state intelligence agencies prioritize truth, justice, and human rights principles to create an ethical and accountable intelligence system aligned with democratic values.
<i>THE PHARAOHS’ GOLDEN PARADE</i>: DAMPAK PEMINDAHAN MUMI KE NMEC TERHADAP BUDAYA DAN PARIWISATA Dewanata, Putra Pandu; Apipudin, Apipudin
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

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Abstract

Acara pemindahan mumi-mumi firaun dari Museum Mesir di Tahrir ke The National Museum Egyptian Civilization (NMEC) pada 3 April 2021, dikenal sebagai "The Pharaohs' Golden Parade". Acara ini merupakan momen bersejarah yang tidak hanya menarik perhatian lokal, tetapi juga internasional. Penilitian ini berfokus pada dampak acara pemindahan mumi firaun dari museum Mesir di Tahrir, Cairo ke The National Museum Egyptian Civilization (NMEC). Penelitian ini mengeksplorasi bagaimana dampak dari acara pemindahan mumi Firaun dari Museum mesir di Tahrir ke the National Museum of Egyptian Civilization (NMEC) dari aspek budaya dan pariwisata. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Penelitian ini menggunakan teori Warisan Budaya menurut David Lowenthal, dan Teori Pariwisata Budaya menurut MacCannell. Penelitian ini menemukan bahwa dampak budaya dari "The Pharaohs' Golden Parade" sangat signifikan. Parade ini tidak hanya berhasil menarik perhatian masyarakat Mesir, tetapi juga meningkatkan kesadaran global akan kekayaan sejarah dan kebudayaan Mesir. Dari sisi pariwisata, "The Pharaohs' Golden Parade" memberikan dorongan yang kuat bagi sektor pariwisata Mesir. Acara ini mendapatkan perhatian besar dari khalayak internasional, dengan peningkatan jumlah wisatawan yang berkunjung ke NMEC dan situs-situs bersejarah lainnya. Pembahasan ini relevan untuk mendorong pelestarian warisan budaya dan pengembangan sektor pariwisata Mesir yang berkelanjutan, serta meningkatkan kesadaran masyarakat akan pentingnya sejarah dan identitas budaya mereka.
HUMOR SUBVERSIF DALAM VIDEO MUSIK <i>BALANCE TON QUOI</i> OLEH ANGELE Zarkasya, Nur Annisa Khalish; Miranda, Airin
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

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Abstract

The phenomenon of the #MeToo and #BalanceTonPorc hashtags became the focus of attention in various parts of the world in 2017. It was first popularized by Alyssa Milano on her Twitter account using the #MeToo hashtag, and later followed by Sandra Muller with #BalanceTonPorc in France. The feminist movement on social media inspired many artists and musicians, including Angèle, a singer from Belgium. She released a song and music video titled "Balance Ton Quoi" (2019), in which she expressed that the activist spirit of feminism resides within her, turning her song into a feminist anthem. The messages conveyed in her music video are often wrapped in subversive humor. This research aims to demonstrate how subversive humor in the "Balance Ton Quoi" music video can be a form of resistance against sexism. The qualitative research method by Creswell & Poth (2016) is used, focusing on the corpus of Angèle's music video "Balance Ton Quoi." The research draws upon various theories, including Barthes' semiotics (1957) from the book "Mythologies," Kramer's subversive humor (2015), and Scott's notions of public and hidden transcript (1992). Five selected scenes of subversive humor are analyzed, and the results show that the ratio of public to hidden transcript is 2:4. Public transcript is predominantly used not only for educational purposes but also to bring about broader social change, expose injustices, and build solidarity among victims and supporters to attract a larger audience. Moreover, the message must first reach the objects of sarcastic mockery in the music video, namely, adherents of patriarchal ideology, men, and sexual harassers.
SEMANGKA SEBAGAI SIMBOL PERJUANGAN RAKYAT PALESTINA Madaniyyah, Khaulah Tsabita; Letmiros, Letmiros
Multikultura Vol. 4, No. 3
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Abstract

This study aims to analyze how the watermelon is used, interpreted, and disseminated as a symbol of resistance and a form of expression of solidarity with the Palestinian struggle on social media. The research employs a descriptive qualitative approach through various literature sources. It draws upon Roland Barthes’ (1977) theory of signs and meaning to examine the symbolic use of the watermelon in this context. The findings reveal that the watermelon, whose internal colors resemble those of the Palestinian flag—green (rind) symbolizing resilience, white (inner rind) symbolizing sincerity, red (flesh) symbolizing courage, and black (seeds) symbolizing the emerging younger generation—has evolved into a powerful emblem of solidarity and resistance against Israeli oppression of the Palestinian people. The popularity of the watermelon as a symbol has grown significantly since the escalation of the Israel–Palestine conflict on October 7, 2023, up to the time this study was conducted. It has appeared in a variety of visual content formats, including emojis and TikTok filters, thereby broadening its symbolic reach and amplifying its impact on the global solidarity movement.
REPRESENTASI CANCEL CULTURE DI KOREA SELATAN DALAM FILM PILOT (2024) Adani, Sharfina Rahmanita; Burhan, Amelia
Multikultura Vol. 4, No. 3
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Abstract

Cancel culture is a social phenomenon that occurs when an individual receives public backlash due to actions or statements considered to violate social norms. This phenomenon has become increasingly prominent in South Korea, attracting attention in its highly collective and responsive digital society, which has led to its portrayal in various media works. One such work is the film Pilot (2024), which tells the story of a famous pilot's reputation falling after a gender-biased comment of his spread widely online and drew public scrutiny. This study aims to analyze the representation of cancel culture in the film Pilot (2024) using a qualitative approach with the Critical Discourse Analysis (CDA) method developed by Jäger and Maier. The analysis reveals that the film represents cancel culture as a complex social mechanism through discourse construction reflected in language, actions, and visual elements. This representation illustrates how power dynamics, gender bias, and expectations of professionalism interact to shape social consequences for individuals deemed to have committed a transgression. The film also portrays various responses to social pressure and highlights the role of social media as a primary space for shaping public opinion in the digital era.
REPRESENTASI STRATIFIKASI SOSIAL DALAM FILM<i> ZOETE DROMEN</i> (2023) KARYA ENA SENDIJAREVIC Maharani, Najla; Pesulima, Barbara Elisabeth Lucia
Multikultura Vol. 4, No. 3
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Abstract

Film is a form of visual art that can shape public perceptions of various aspects of life, including social and cultural issues. One of the recurring themes in film is colonialism, which often represents issues such as racism and social stratification. These themes are reflected in the film Zoete Dromen (2023), directed by Ena Sendijarević, with a runtime of 1 hour and 42 minutes. The film narrates a conflict over inheritance within a sugar plantation-owning family, in which the entire estate is left to a child born from a relationship with a concubine. The research problem addressed in this study is: how is the representation of social stratification constructed in the film Zoete Dromen (2023) by Ena Sendijarević? The aim of this study is to describe the general depiction of social stratification in Zoete Dromen (2023) by analyzing the dialogue and visual elements among the characters. This research employs a descriptive qualitative method. It is grounded in Max Weber’s concept of social stratification, particularly his definitions of social class, social honor, and power. The concept of social stratification is further supported by Stuart Hall’s theory of cultural representation through the constructionist approach. The findings of this study indicate that the film portrays power as the central element of social relations, representing indigenous identity through language, symbols, and power dynamics. This research contributes to a deeper understanding of indigenous identity within the broader framework of social stratification as depicted in the film Zoete Dromen (2023).
KULINER SEBAGAI REPRESENTASI IDENTITAS DIASPORA KOREA DI AMERIKA SERIKAT: STUDI KASUS JURU MASAK EDWARD LEE Radianti, Jasmine Anindita; Zaini, Zaini
Multikultura Vol. 4, No. 3
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Abstract

In recent years, the popularity of Korean cuisine has experienced a significant increase, in parallel with the growing influence of the Korean Wave (hallyu) across various countries. Beyond this cultural phenomenon, Korean diaspora communities have also played a crucial role in promoting Korean cuisine on a global scale. This study aims to analyze the representation of Korean-American diaspora identity through a case study of culinary presentation innovations by chef Edward Lee in the reality show Culinary Class Wars. The research adopts a descriptive qualitative method. The findings indicate that Edward Lee’s diasporic identity is represented through the fusion cuisine he presents, as reflected in his choice of ingredients, presentation style, and the personal narratives that accompany his dishes. Lee embraces both cultural backgrounds and incorporates them as integral components of his identity. This representation also serves as part of the broader strategy of Korean cultural globalization, utilizing global media platforms such as Netflix to convey Korean culture to a worldwide audience through the figure of the diaspora.
TINDAK TUTUR MENGKRITIK DALAM SERIAL BAHASA ARAB <i>CRASHING EID /JĀYIBATU AL-‘ĪDI/</i> Nurhannah, Childa; Triwinarti, Wiwin
Multikultura Vol. 4, No. 3
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Abstract

The speech act of criticizing is a statement that contains assessment, expression, and emotion towards the behavior and words of the speech partner or the object of criticism. The data corpus studied in this research is the speech act of criticizing in the Arabic series from Saudi Arabia جايبة العيد or Crashing Eid which aired on Netflix in 2023. This descriptive qualitative research data is processed with free listening and note-taking techniques. This study aims to analyze the form of criticizing speech acts in the Hijazi dialect of Arabic contained in the series and classify criticizing speech acts with direct and indirect categories based on Nguyen's theory (2005). The results show that the strategy that is more widely used in the data corpus is direct criticism speech, which acts as an expression of disagreement.
STUDIUM PUNCTUM: POLITIK CITRA PUTIN DALAM FOTO <i>САММИТ СТРАН БРИКС 2024</i> / SAMMIT STRAN BRIKS (KTT BRICS 2024) Wahyuningsih, Dyah Hayu Permatasari; Limbong, Banggas
Multikultura Vol. 4, No. 3
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Abstract

This research takes a data corpus in the form of visuals provided by five Russian digital news channels with a focus on the image of Vladimir Putin as the leader of Russia at the BRICS Summit congress in Kazan in 2024. The author will analyze five online news channels from Russia published between October 23, 2024 and October 25, 2024 with headlines related to the 16th BRICS Summit in Kazan. The method used in this research is a descriptive analysis method. Through this research, the author will explain the meaning contained in the visualization of these online news as a medium to convey a meaning. Behind the image is certainly a propaganda technique that shows the way the current Russian leader, Vladimir Putin, leads the new world order through the BRICS organization. From the results of the research it can be concluded that behind the visualizations included as research topics there is meaning and how the use of images in the news as a tool for shaping perceptions that can form public opinion and convey ideological messages.
PENGGUNAAN PREPOSISI TETAP BAHASA BELANDA OLEH MAHASISWA PROGRAM STUDI BELANDA SEMESTER 3 DAN 5 TAHUN AJAR 2024/2025 Rosprianti, Caesi; Gustinelly, Eliza
Multikultura Vol. 4, No. 3
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This study examines the use of fixed prepositions in Dutch by third- and fifth-semester students of the Dutch Studies Program in the academic year 2024/2025. The topic of this research is related to linguistics, specifically grammar and vocabulary. The theoretical framework used in this study is the meaning of fixed prepositions by Van den Toorn, Willy Vandeweghe, and Walter Haeseryn. et al. This research employs a descriptive method with a quantitative approach to analyze the extent of third- and fifth-semester students' ability in answering questions related to the use of fixed prepositions, classified according to their association with verbs, adjectives, and nouns. The data for this study were collected from the completion of questions about fixed prepositions by 10 third-semester students and 10 fifth-semester students from the Dutch Studies Program in the academic year 2024/2025. The results of this study show that fifth-semester students have a better command of using fixed prepositions in relation to verbs, adjectives, and nouns compared to third-semester students.

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