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Global Journal of Social Learning
Published by Gema Cendekia Institute
ISSN : -     EISSN : 3089364X     DOI : https://doi.org/10.71094/gjsl.v1i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Environmental Science Social Sciences Other
Global Journal of Social Learning (GJSL) adalah jurnal multidisipliner yang terbit dua kali setahun, yaitu setiap bulan Desember dan Juni, dengan versi online yang dapat diakses secara terbuka. Jurnal ini merupakan jurnal ilmiah dan akademik yang telah melalui proses peer review, bersifat akses terbuka, dan mempublikasikan berbagai karya seperti makalah penelitian, tinjauan pustaka, laporan kasus, studi kasus, ulasan buku, serta karya tesis dan disertasi. GJSL menyediakan wadah untuk diskusi berkelanjutan mengenai isu-isu relevan yang sesuai dengan fokus dan ruang lingkup jurnal dan dapat dianalisis secara empiris. Jurnal ini memuat artikel penelitian dari berbagai bidang ilmu multidisipliner, termasuk ilmu sosial, humaniora, dan pendidikan. Sebagai jurnal akses terbuka, GJSL memungkinkan siapa saja untuk mengakses dan mengunduh isi artikelnya secara gratis sesuai dengan lisensi creative commons yang digunakan. Namun, apabila data dalam artikel tersebut digunakan sebagai bahan penulisan artikel atau karya lainnya, diwajibkan mencantumkan kutipan dan nama penulis artikel tersebut.
Arjuna Subject : Umum - Umum
Articles 10 Documents
 1 
Wayang Sasak as a Media for Dakwah Case Study of Ki Dalang Buwana Sanggar H. Safwan, AR in Batu Rimpang Dusun Badrain Village Narmada District, West Lombok Regency Sauri, Sopiyan; Kurnia, Wahyu; Permana, Beny; Junaidi, Junaidi; Subhan, Subhan
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.3

Abstract

Shadow puppets, a cultural gem of Indonesia, embody acting, sound, music, literature, sculpture, and symbolism. For the Sasak people, puppets hold deep significance as a medium of communication and entertainment, enabling the delivery of Islamic dakwah messages through their storylines. This study focuses on how puppeteer Ki Dalang H. Safwan, AR, of Sanggar Buwana in Batu Rimpang, West Lombok, conveys dakwah messages during puppet performances. Using a descriptive qualitative approach, data were collected via observation, interviews, and documentation. The findings highlight the puppeteer's efforts to integrate dakwah messages, which resonate with audiences by incorporating philosophy and noble values. Puppet performances significantly influence fans, offering life lessons in engaging ways. However, challenges persist: limited publicity restricts audiences to local villagers, funding constraints prevent adding personnel to attract more viewers, and younger generations show declining interest in puppetry. Despite these obstacles, shadow puppetry remains a culturally valuable and impactful tool for communication and education within Sasak society, bridging tradition and Islamic values for the community's benefit. The art form continues to be a reflection of cultural heritage and moral guidance.
The Existence of Bekayat Tradition in Sembung Village, Narmada Subdistrict, West Lombok Qirom, Syahrul; Permana, Beny; Subhan , Subhan
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.6

Abstract

Traditional arts often face challenges in evolving with the times. The processes of inheritance and preservation become common diction and challenges in maintaining the existence of traditional arts. This is one of the issues faced by the traditional art group Bekayat in Sembung Village, Narmada Subdistrict, West Lombok Regency. Observing such a reality of tradition, researching the existence of the Bekayat tradition becomes an interesting topic. The goal is to understand the reality of the Bekayat tradition through the analysis of its form, function, and inheritance process in maintaining its existence. A descriptive qualitative method is used to address the issues, with data collection techniques including observation, interviews, and documentation. To test the validity of the data, the researcher uses triangulation techniques. The results show that the existence of the Bekayat tradition in Sembung Village, Narmada Subdistrict, West Lombok Regency has weakened. Several factors contribute to the weakening existence of this tradition, namely: 1) Political factors. 2) Economic factors. 3) Regeneration factors.
Effectiveness of Music as a Medium for Environmental Conservation and Awareness Among Children at Kampoeng Baca Pelangi in Mercekebon Village, Narmada Subdistrict, West Lombok Regency Yunan, Tegar La Nendar Amukti Prihatin; Permana, Beny; Junaidi, junaidi
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.8

Abstract

This research is motivated by the effective use of music as a medium for environmental conservation and awareness. The works created by the children of Kampoeng Baca Pelangi have made efforts to voice the importance of environmental conservation and awareness. The focus of this research is to understand the effectiveness of music as a medium for character building in environmental awareness among the children of Kampoeng Baca Pelangi in Mercekebon Village, Narmada Subdistrict, West Lombok Regency. This research uses a descriptive qualitative approach, a method that provides an overview and description of all activities using music as a medium to convey messages to children to understand the importance of preserving the natural environment. The research consists of four stages: planning, observation, implementation, and reflection. The research was conducted over a period of three months, emphasizing music as an effective medium for the children in the Kampoeng Baca Pelangi community in Mercekebon Village, Narmada Subdistrict, West Lombok Regency. The results of the research show that music can be an effective medium for raising community awareness about the environment and nature. This has proven to be effective for the children of Kampoeng Baca Pelangi. This is evidenced by the observed changes in the children's discipline in maintaining the cleanliness of their surroundings, their habit of disposing of waste properly, and their growing understanding of the importance of preserving the environment and nature for their future.
The Impact of Social Media on The Interaction Patterns of The Community in Rujak Ngalun, Mekar Sari Village, Praya Barat District, Central Lombok Hajar, Siti; Ningsih, Dewi Puspita; Fauzan, Ahmad; Apriawan, Andika; Haryono, Haryono
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.15

Abstract

The rapid advancement of technology has led to a decline in verbal communication activities, impacting many aspects of daily life, particularly social interaction. The researcher assumes that social media serves as a platform for interactive engagement, both personally and in groups. Consequently, this study aims to examine the impact of social media on the interaction patterns of the community in Rujak Ngalun, Mekar Sari Village, Praya Barat District, Central Lombok. This research employs a qualitative method grounded in positivist philosophy. The data analysis is qualitative in nature, emphasising meaning over generalisation. Social media is a platform that provides various features enabling users to engage in digital activities in their daily lives. In the Rujak Ngalun community, social media serves as a comprehensive and user-friendly medium for social interaction, facilitating long-distance communication.  
Art Communication in the Dongkrek Performance of Madiun Renda, Rapi; Mawardi, Taufik; Biagi, I Wayan Kusuma Di
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.34

Abstract

Artistic communication can be defined as the process of exchanging information, ideas, and expressions through the medium of art. In the context of performance, artistic communication not only involves the interaction between artists and the audience but also encompasses the ways in which cultural values and traditions are conveyed and understood. In relation to this perspective, this research aims to elucidate the patterns and processes of artistic communication in the Dongkrek performance in Madiun. The objective of this study is to analyse and delve into the artistic communication within the Dongkrek performance in Madiun. Specifically, this research aims to identify the elements of communication present in the performance. The method employed in this study is a qualitative approach, with data collection techniques including observation, interviews, and documentation studies. Observations were conducted during the Dongkrek performance to understand the dynamics of communication occurring between the artists and the audience. Dongkrek in Madiun functions not only as entertainment but also as an important medium for cultural communication. Dongkrek, which is part of the local performing arts tradition, conveys the social, cultural, and identity values of the Madiun community. Through the analysis of various elements in the performance, including music, dance, and narrative, it was found that Dongkrek possesses the ability to convey profound messages to its audience.
Analysis of Levi-Strauss's Structuralism on the Myth of Princess Mandalika Suryadmaja, Galih; Utari, Retno; Haryono, Haryono; Ningsih, Dewi Puspita
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i2.61

Abstract

The myth of Princess Mandalika is a significant folktale within the culture of the Sasak people in West Nusa Tenggara, Indonesia. This myth illustrates the sacrifice of a princess for the sake of social harmony within her community, and it reflects profound cultural values. This study employs Claude Lévi-Strauss's structuralist approach to analyse the narrative structure and symbolic meanings within the myth of Princess  Mandalika. Through this analysis, the research aims to understand how the various elements of the myth interact to form a more complex meaning and reflect the duality of values in Sasak culture. The primary focuses of this research are: 1) to analyse the narrative structure of the myth of Princess  Mandalika, 2) to identify the symbolic meanings of the elements within the myth, and 3) to comprehend how this myth reflects the social values and cultural identity of the Sasak community. The analysis reveals that the myth embodies values of collectivism, sacrifice, and the relationship between humans and nature. The sea, as a symbol within the myth, represents uncertainty and the power of nature that must be respected. Furthermore, the sacrifice of Princess Mandalika illustrates a moral principle that emphasises the interests of the community over those of the individual. This study reveals that the myth of Princess Mandalika serves not only as a cultural narrative but also as a mirror of the social values that continue to shape the identity of the Sasak people to this day.
Aesthetic Values in the Lyrics of the Song ภูเขา (Pūkheā) by Wing Sentot Irawan Nurtikawati, Nurtikawati
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i2.80

Abstract

Abstract This research examines the aesthetic values embedded in the lyrics of the song ภูเขา (Pūkheā) by Wing Sentot Irawan. Through an aesthetic analysis approach, this paper aims to reveal the visual and auditory dimensions contained within the song. Furthermore, this study seeks to explore the philosophical meanings and reflections on life experiences as depicted by the composer. By investigating the interaction between text, context, and musical elements, this article demonstrates how the lyrics of this song serve not only as a musical composition but also as a medium of communication that possesses aesthetic significance, showcasing the interrelations of various components. The research was conducted using a descriptive qualitative research method with an ethnomusicological approach. The findings indicate that the lyrics of the song ภูเขา (Pūkheā) by Wing Sentot Irawan depict not only a physical journey but also an inner journey that embodies aesthetic values. The lyrics illustrate a harmonious relationship between language, nature, and civilization. By employing elements of nature, culture, and personal journeys as symbols, this song invites listeners to reflect on the meanings of life, civilization, and achievement.
Musical Memory: Audience Redintegration through Tembang Kenangan Performances at THR Sriwedari Solo Widya Wardani, Galuh
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i2.96

Abstract

This study aims to examine how the process of redintegration occurs in the audience through the Tembang Kenangan performances held at Taman Hiburan Remaja Sriwedari (THR) Solo. The primary focus of this research is to explore how the music group D’Oldies, as one of the performers, can trigger the recollection of past events among the audience through nostalgic songs. Using a music psychology approach, particularly the concept of redintegration, this study seeks to delve deeper into the relationship between music, memory, and past life experiences that are reawakened through Tembang Kenangan. Redintegration refers to the process of retrieving memories or past events through specific cues or triggers, in this case, through music. This research employs a descriptive analytical method to describe how Tembang Kenangan music can serve as a reminder and the psychological process that occurs in the audience. The findings of this study are expected to contribute to the understanding of the relationship between music and memory, as well as how music can be used as a medium to recall and reflect on past life experiences.
Teater Koma's Dramaturgical Strategy in Delivering Social Criticism of the New Order Era Mawardi, Taufik; Jufry, Fara Dayana Mohd
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i2.102

Abstract

This study examines the dramaturgical strategies employed by Teater Koma to convey social criticism during the New Order era, a period marked by stringent political censorship that constrained artistic expression. Focusing on a case study of the 1985 performance of Opera Kecoa, this research analyzes how dramaturgical components such as the script, characterization, symbolism, and satirical humor are strategically utilized to articulate social and political injustices. Employing a qualitative methodology, the study draws upon text analysis and performance documentation to explore these elements in depth. The findings reveal that Teater Koma creatively circumvented censorship through the use of symbolic language, allegorical storytelling, and nuanced narrative structures, enabling the theater to raise public awareness without directly contravening the political restrictions of the time. This dramaturgical approach functioned not only as an artistic expression but also as a subtle form of resistance against authoritarian suppression. The study underscores the critical role of theater as a medium for socially engaged discourse and political critique within repressive regimes.
Peresean as Local Cultural Heritage and Religious Values in Sasak Society Riyad, Riyadissolihin; Renda, Rapi
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i2.103

Abstract

Peresean is a martial arts tradition typical of the Sasak people in Lombok that contains deep cultural and religious values. This tradition not only depicts physical strength, but also reflects the philosophy of life, such as courage, honor, and self-control. This study aims to examine Peresean as a representation of local culture as well as a manifestation of the religious values of the Sasak people with a cultural anthropological approach. Data were collected through participatory observation, in-depth interviews, and documentation studies in Semoyang Village, Central Lombok. The results of the study show that Peresean has strong spiritual elements, such as the reading of prayers (mentere), fighting ethics that uphold sportsmanship, and its transformation into a means of teaching religious values in the pesantren environment. This tradition is not just a performance or entertainment, but a medium for cultural preservation and character development of the Sasak people, especially the younger generation. Thus, Peresean is a cultural heritage that has not only aesthetic and historical value, but also spiritual and moral, which continues to be relevant in the face of globalization and modernization.

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