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MENGOPTIMALKAN HASIL BELAJAR MAHASISWA MELALUI PENGEMBANGAN MEDIA RUMAH CERITA PADA MATA KULIAH TATA TEKNIK PENTAS PRODI PENDIDIKAN SENDRATASIK UNU NTB Galih Suryadmaja; Lalu Dwi Satria Ardiansyah; Duwi Purwati
Jurnal Ilmiah Mandala Education (JIME) Vol 1, No 2 (2015): Jurnal Ilmiah Mandala Education (JIME)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Tujuan penelitian Mengoptimalkan Hasil Belajar Mahasiswa Melalui Pengembangan Media Rumah Cerita Pada Mata Kuliah Tata Teknik Pentas ini dilakukan ialah, untuk mengembangkan model pembelajaran pada mata kuliah Teknik Pentas yang ditempuh oleh mahasiswa semester lima. Pengembangan Teknik Pentas penting untuk di pelajari saat ini. Karena penelitian memberikan dampak positif bagi seorang mahasiswa khususnya dan masyarakat luas pada umumnya yang mengambil minat keaktoran. Kecerdasan yang bisa dipelajari dalam belajar monolog tentu saja bukan hanya demi keberanian seorang aktor tampil sendirian di atas panggung dengan menyampaikan kisah atau cerita. Tetapi nilai yang paling berharga dari penemuan teknik pentas ini adalah, seorang aktor bisa memulai pelatihannya dengan tersistem, teratur dan terprogram. Karena monolog juga memiliki dampak yang positif untuk dipelajari, seperti sebagai mahasiswa atau manusia mampu menghapalkan hasil pemikiran seorang penulis naskah, merespon segala tatanan artistik dengan kecerdasan lahiriah dan batiniah sebagai perangkat keaktoran untuk disampaikan kepada penonton. Oleh sebab itu teknik-teknik dalam pelatihan seorang aktor untuk mewujudkan pementasan monolog dan monodrama tentu saja dibutuhkan, sehingga penelitian ini akan berguna bagi mahasiswa UNU NTB khususnya, dan seluruh mahasiswa teater yang ingin pentas monolog pada umumnya

The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Gde Agus Mega Saputra; Galih Suryadmaja; Dewi Puspita Ningsih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.

An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.

Potensi Komunitas Stand Up Comedy Lombok Dalam Dunia Pariwisata NTB Buana, Daffa Satya Jaya; Kukuh, Lalu Guruh Virgiawan Dwi; Suryadmaja, Galih
Journal of Education and Social Science Vol. 1 No. 2 (2025): Journal of Education and Social Science, February 2025
Publisher : Lembaga Publikasi Ilmiah Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/jess.v1i2.111

The Stand-Up Comedy Lombok community holds significant potential in supporting the development of creative tourism in West Nusa Tenggara (NTB). As a modern performing art, stand-up comedy functions not only as entertainment but also as a medium for conveying local cultural values in an engaging and universal manner. This study reveals that the community effectively packages traditional stories, social issues, and unique Lombok cultural practices into comedic material that is both educational and entertaining. Observations indicate that their performances often attract cross-cultural audiences, promote local traditions, and create authentic tourism experiences.

The Role of Art in Promoting Tourism in the Province of West Nusa Tenggara (NTB) Biagi, I Wayan Kusuma Di; Suryadmaja, Galih; Renda, Rapi; Nahdlatuzzainiyah, Nahdlatuzzainiyah; Wangi, Baiq Larre Ginggit Sekar
Jurnal Multidisiplin Sahombu Vol. 5 No. 03 (2025): Jurnal Multidisiplin Sahombu, (2025)
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to identify the various roles of art in promoting tourism in West Nusa Tenggara (NTB). It explores different forms of art and how they can be utilized to attract tourists, as well as analyzing the impact of art on the number of tourist visits. The research employs a qualitative approach to gain an in-depth and comprehensive understanding of the social and cultural phenomena related to the role of art in tourism promotion in NTB Province. The data collected from the field are then analyzed thematically by identifying patterns and themes that emerge. The findings of this study reveal that art, including performing arts, visual arts, and traditional arts, significantly contributes to attracting tourists. The integration of art into tourism promotion also supports the preservation of local culture. Overall, traditional arts in West Nusa Tenggara not only serve an aesthetic function but also play a central role in promoting tourism, cultural education, and the local economy. The results of this research provide valuable insights for local governments in formulating policies and strategies for tourism development. By understanding the role of art in tourism promotion, governments can more effectively allocate resources and support artistic activities that attract tourists.

Semiotic Analysis of John Fiske: The Meaning of the Song "Senja Kala Itu" by Gading Suryadmaja Suryadmaja, Galih
Jurnal Multidisiplin Sahombu Vol. 5 No. 03 (2025): Jurnal Multidisiplin Sahombu, (2025)
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

The song "Senja Kala Itu" by Gading Suryadmaja, featured in the album Terlahir Kembali, evokes a nostalgic sentiment surrounding childhood experiences, particularly the relationship between a child and a father. This study aims to uncover the symbolic meanings embedded in the song through a semiotic approach, as proposed by John Fiske. Fiske, renowned for his semiotic theory emphasizing the production of meaning through texts and social contexts, serves as the analytical framework for examining the song’s lyrics. In this analysis, "Senja Kala Itu" is viewed as a text rich in signifiers representing memories and implicit emotions. A qualitative approach is employed, utilizing semiotic analysis based on Fiske’s theory. The analysis of the lyrics, which depict the twilight atmosphere of childhood, identifies symbols such as twilight, roads, and the notion of 'home,' each carrying dual meanings in both social and personal contexts. Twilight, symbolizing the passage of time, becomes a metaphor for longing and nostalgia for a past that cannot be reclaimed. The father’s role as an authority figure and reminder of time, as depicted in the song’s lyrics, reflects a relationship characterized by affection, yet also by a sense of obligation. The portrayal of the father’s command to return home, coupled with the yearning for the past, constructs a broader narrative on childhood experiences, temporal boundaries, and personal growth. The findings of this study reveal that the song transcends mere nostalgia for childhood; it conveys messages about time, responsibility, and power relations within the family. By applying Fiske’s semiotic theory, this analysis demonstrates how the signs within the song’s lyrics function to construct meaning, reflecting social dynamics and offering a new understanding of generational and temporal relationships.

Studi Estetika Seni Pertunjukan di Era Global Galih Suryadmaja; Muhammad Fazli Taib Saearani
Cantata Deo: Jurnal Musik dan Seni Vol. 3 No. 1 (2025): Cantata Deo: Jurnal Musik dan Seni
Publisher : Pusat Penelitian dan Pengabdian Masyarakat STAKPN Sentani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69748/jmcd.v3i1.339

Perkembangan studi estetika dalam seni pertunjukan merupakan topik yang semakin relevan di tengah dinamika globalisasi dan perubahan sosial yang cepat. Latar belakang penelitian ini berfokus pada bagaimana estetika dalam seni pertunjukan telah berkembang, dipengaruhi oleh berbagai faktor budaya, sosial, dan teknologi yang terus berkembang. Masalah penelitian yang diangkat adalah bagaimana estetika dalam seni pertunjukan dapat dipahami dalam konteks yang beragam, serta bagaimana perubahan-perubahan ini memengaruhi persepsi dan pengalaman estetika para penonton. Tujuan dari penelitian ini adalah untuk menganalisis perkembangan estetika dalam seni pertunjukan dengan menyoroti berbagai pendekatan dan perspektif yang ada dalam studi ini, serta mengeksplorasi kontribusi faktor eksternal yang berperan dalam pembentukan estetika tersebut. Metode penelitian yang digunakan adalah studi literatur, memanfaatkan analisis kualitatif terhadap berbagai karya seni pertunjukan yang relevan, baik yang bersifat tradisional maupun kontemporer. Temuan penelitian menunjukkan bahwa estetika dalam seni pertunjukan dipengaruhi tidak hanya oleh konteks budaya lokal tetapi juga oleh interaksi global yang memperkaya dan memperluas cakrawala pengalaman estetika. Penelitian ini memberikan wawasan baru yang signifikan mengenai pentingnya pemahaman estetika dalam seni pertunjukan sebagai entitas yang dinamis dan kompleks, sekaligus mendorong diskusi lebih lanjut mengenai relevansi dan penerapan estetika dalam konteks seni pertunjukan kontemporer, di mana teknologi, budaya lokal, dan interaksi sosial menjadi elemen yang saling terkait.

Potensi Penguatan Tenun Kembang Kerang dalam Pengelolaan Pariwisata Mohamad Yudisa Putrajip; Galih Suryadmaja; Qatrunnada Qatrunnada; Taufik Mawardi; I Wayan Kusuma Di Biagi; Rapi Renda
Indonesian Research Journal on Education Vol. 4 No. 4 (2024): irje 2024
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/irje.v4i4.1508

Kain tenun merupakan komponen yang tak terpisahkan dari kekayaan budaya Indonesia yang memadai. Artikel ini mengenalkan kain tenun Kembang Kerang dari Pulau Lombok sebagai representasi penting dari warisan tekstil tradisional. Penelitian ini menyoroti tantangan yang dihadapi dalam upaya pelestarian dan promosi kain tenun, terutama dalam konteks hak kekayaan intelektual (HKI). Meskipun memiliki potensi besar sebagai aset pariwisata dan warisan budaya, kain tenun Kembang Kerang belum sepenuhnya diberikan perlindungan hukum yang memadai. Metodologi penelitian menggunakan pendekatan empiris untuk menganalisis kain tenun Kembang Kerang dan mengidentifikasi tantangan terkait perlindungan HKI. Temuan kami menunjukkan bahwa, meskipun kain tenun ini memiliki nilai budaya yang tinggi, perlindungan hukumnya masih minim, khususnya dalam hal pendaftaran hak cipta. Hasil penelitian menegaskan bahwa kain tenun Kembang Kerang memiliki daya tarik yang kuat, tidak hanya sebagai produk seni, tetapi juga sebagai simbol status sosial dan budaya. Namun, tanpa perlindungan hukum yang memadai, kain tenun ini rentan terhadap penggunaan tidak sah dan plagiarisme. Simpulan dari penelitian ini menekankan pentingnya penguatan hak kekayaan intelektual untuk melindungi dan mempromosikan kain tenun Kembang Kerang. Selain itu, hasil penelitian juga memberikan saran konkret, termasuk dukungan aktif dari pemerintah, peningkatan kesadaran masyarakat lokal, dan kolaborasi antara berbagai pemangku kepentingan. Diharapkan bahwa melalui implementasi saran-saran ini, kain tenun Kembang Kerang dapat mendapatkan perlindungan hukum yang lebih baik dan menjadi simbol kebanggaan budaya yang mendukung pembangunan ekonomi dan pariwisata di Pulau Lombok.

Analysis of Levi-Strauss's Structuralism on the Myth of Princess Mandalika Galih Suryadmaja; Retno Utari; Haryono Haryono; Dewi Puspita Ningsih
Global Journal of Social Learning Vol. 1 No. 2 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/

The myth of Princess Mandalika is a significant folktale within the culture of the Sasak people in West Nusa Tenggara, Indonesia. This myth illustrates the sacrifice of a princess for the sake of social harmony within her community, and it reflects profound cultural values. This study employs Claude Lévi-Strauss's structuralist approach to analyse the narrative structure and symbolic meanings within the myth of Princess Mandalika. Through this analysis, the research aims to understand how the various elements of the myth interact to form a more complex meaning and reflect the duality of values in Sasak culture. The primary focuses of this research are: 1) to analyse the narrative structure of the myth of Princess Mandalika, 2) to identify the symbolic meanings of the elements within the myth, and 3) to comprehend how this myth reflects the social values and cultural identity of the Sasak community. The analysis reveals that the myth embodies values of collectivism, sacrifice, and the relationship between humans and nature. The sea, as a symbol within the myth, represents uncertainty and the power of nature that must be respected. Furthermore, the sacrifice of Princess Mandalika illustrates a moral principle that emphasises the interests of the community over those of the individual. This study reveals that the myth of Princess Mandalika serves not only as a cultural narrative but also as a mirror of the social values that continue to shape the identity of the Sasak people to this day.

An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.

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