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MENGOPTIMALKAN HASIL BELAJAR MAHASISWA MELALUI PENGEMBANGAN MEDIA RUMAH CERITA PADA MATA KULIAH TATA TEKNIK PENTAS PRODI PENDIDIKAN SENDRATASIK UNU NTB Galih Suryadmaja; Lalu Dwi Satria Ardiansyah; Duwi Purwati
Jurnal Ilmiah Mandala Education (JIME) Vol 1, No 2 (2015): Jurnal Ilmiah Mandala Education (JIME)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Tujuan penelitian Mengoptimalkan Hasil Belajar Mahasiswa Melalui Pengembangan Media Rumah Cerita Pada Mata Kuliah Tata Teknik Pentas ini dilakukan ialah, untuk mengembangkan model pembelajaran pada mata kuliah Teknik Pentas yang ditempuh oleh mahasiswa semester lima. Pengembangan Teknik Pentas penting untuk di pelajari saat ini. Karena penelitian memberikan dampak positif bagi seorang mahasiswa khususnya dan masyarakat luas pada umumnya yang mengambil minat keaktoran. Kecerdasan yang bisa dipelajari dalam belajar monolog tentu saja bukan hanya demi keberanian seorang aktor tampil sendirian di atas panggung dengan menyampaikan kisah atau cerita. Tetapi nilai yang paling berharga dari penemuan teknik pentas ini adalah, seorang aktor bisa memulai pelatihannya dengan tersistem, teratur dan terprogram. Karena monolog juga memiliki dampak yang positif untuk dipelajari, seperti sebagai mahasiswa atau manusia mampu menghapalkan hasil pemikiran seorang penulis naskah, merespon segala tatanan artistik dengan kecerdasan lahiriah dan batiniah sebagai perangkat keaktoran untuk disampaikan kepada penonton. Oleh sebab itu teknik-teknik dalam pelatihan seorang aktor untuk mewujudkan pementasan monolog dan monodrama tentu saja dibutuhkan, sehingga penelitian ini akan berguna bagi mahasiswa UNU NTB khususnya, dan seluruh mahasiswa teater yang ingin pentas monolog pada umumnya

The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Gde Agus Mega Saputra; Galih Suryadmaja; Dewi Puspita Ningsih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.

An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.

The Potential of the Lombok Stand-Up Comedy Community in Enhancing Tourism Development in West Nusa Tenggara Buana, Daffa Satya Jaya; Kukuh, Lalu Guruh Virgiawan Dwi; Suryadmaja, Galih; Hakiki, Ihsan; Arsyad, Abdur
Journal of Education and Social Science Vol. 1 No. 2 (2025): Journal of Education and Social Science, February 2025
Publisher : Lembaga Publikasi Ilmiah Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/jess.v1i2.111

The Stand-Up Comedy Lombok community demonstrates substantial potential in advancing creative tourism development in West Nusa Tenggara (NTB), Indonesia. While studies on cultural tourism have primarily emphasized traditional arts and heritage-based performances, limited scholarly attention has been given to contemporary creative expressions such as stand-up comedy. This study aims to examine how the Lombok stand-up comedy community contributes to tourism by transforming humor into a medium for cultural communication and destination branding. Employing a qualitative descriptive approach through observations, interviews, and performance analysis, the research highlights how comedians creatively integrate traditional narratives, local wisdom, social issues, and unique cultural practices of Lombok into their material. The findings reveal that performances not only entertain but also serve as an educational platform that facilitates cultural transmission, encourages cross-cultural understanding, and strengthens audience engagement. Furthermore, their shows often attract diverse audiences, enhance the visibility of Lombok’s cultural identity, and foster authentic and memorable tourism experiences. The study contributes to the discourse on creative tourism by positioning stand-up comedy as a modern performing art capable of bridging cultural heritage and contemporary entertainment. The implications suggest that policymakers and tourism stakeholders should recognize and support such creative communities as strategic partners in sustainable tourism development in NTB.

The Role of Art in Promoting Tourism in the Province of West Nusa Tenggara (NTB) Biagi, I Wayan Kusuma Di; Suryadmaja, Galih; Renda, Rapi; Nahdlatuzzainiyah, Nahdlatuzzainiyah; Wangi, Baiq Larre Ginggit Sekar
Jurnal Multidisiplin Sahombu Vol. 5 No. 03 (2025): Jurnal Multidisiplin Sahombu, (2025)
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to identify the various roles of art in promoting tourism in West Nusa Tenggara (NTB). It explores different forms of art and how they can be utilized to attract tourists, as well as analyzing the impact of art on the number of tourist visits. The research employs a qualitative approach to gain an in-depth and comprehensive understanding of the social and cultural phenomena related to the role of art in tourism promotion in NTB Province. The data collected from the field are then analyzed thematically by identifying patterns and themes that emerge. The findings of this study reveal that art, including performing arts, visual arts, and traditional arts, significantly contributes to attracting tourists. The integration of art into tourism promotion also supports the preservation of local culture. Overall, traditional arts in West Nusa Tenggara not only serve an aesthetic function but also play a central role in promoting tourism, cultural education, and the local economy. The results of this research provide valuable insights for local governments in formulating policies and strategies for tourism development. By understanding the role of art in tourism promotion, governments can more effectively allocate resources and support artistic activities that attract tourists.

Semiotic Analysis of John Fiske: The Meaning of the Song "Senja Kala Itu" by Gading Suryadmaja Suryadmaja, Galih
Jurnal Multidisiplin Sahombu Vol. 5 No. 03 (2025): Jurnal Multidisiplin Sahombu, (2025)
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

The song "Senja Kala Itu" by Gading Suryadmaja, featured in the album Terlahir Kembali, evokes a nostalgic sentiment surrounding childhood experiences, particularly the relationship between a child and a father. This study aims to uncover the symbolic meanings embedded in the song through a semiotic approach, as proposed by John Fiske. Fiske, renowned for his semiotic theory emphasizing the production of meaning through texts and social contexts, serves as the analytical framework for examining the song’s lyrics. In this analysis, "Senja Kala Itu" is viewed as a text rich in signifiers representing memories and implicit emotions. A qualitative approach is employed, utilizing semiotic analysis based on Fiske’s theory. The analysis of the lyrics, which depict the twilight atmosphere of childhood, identifies symbols such as twilight, roads, and the notion of 'home,' each carrying dual meanings in both social and personal contexts. Twilight, symbolizing the passage of time, becomes a metaphor for longing and nostalgia for a past that cannot be reclaimed. The father’s role as an authority figure and reminder of time, as depicted in the song’s lyrics, reflects a relationship characterized by affection, yet also by a sense of obligation. The portrayal of the father’s command to return home, coupled with the yearning for the past, constructs a broader narrative on childhood experiences, temporal boundaries, and personal growth. The findings of this study reveal that the song transcends mere nostalgia for childhood; it conveys messages about time, responsibility, and power relations within the family. By applying Fiske’s semiotic theory, this analysis demonstrates how the signs within the song’s lyrics function to construct meaning, reflecting social dynamics and offering a new understanding of generational and temporal relationships.

An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.

EKSPLORASI ORGANOLOGI DAN INSTRUMENTASI DALAM SENI TRADISI TAMBUR MASYARAKAT SASAK Suryadmaja, Galih; Mukminah; Nurtikawati; Salniwati; Ningsih, Dewi Puspita
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 1 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i1.7130

This research explores the traditional Tambur art of the Sasak community as a cultural artifact possessing historical, organological, and social significance. The Tambur is not merely regarded as an instrument; it also serves as a symbol of identity and a space for contesting narratives between claims of Balinese heritage and the local Sasak roots. The study indicates that the Tambur has undergone a process of localisation, rendering it an inseparable part of the cultural practices of the Wetu Telu Islamic community, particularly within the context of the Perang Topat ritual. From an organological perspective, the Tambur instrument and its ensemble demonstrate the technological skills of the community in transforming natural materials such as wood, metal, skin, and bamboo into musically meaningful and functional instruments. Its rhythmic and collaborative instrumental structure reflects values of mutual cooperation, spirituality, and a connection to the environment. In a social context, the Tambur serves as a binding medium for the community and a link between generations. It functions as a cultural communication tool that preserves the continuity of tradition amidst the challenges of changing times. Therefore, the preservation of the Tambur should be understood as an effort to maintain the identity and vitality of local culture, which is increasingly threatened by global homogenisation.

Pelatihan Menulis Berita Seni untuk Remaja pada Komunitas Acenta Pena di Desa Kuranji Dalang, Kecamatan Labuapi, Kabupaten Lombok Barat Suryadmaja, Galih; Dewi Puspita Ningsih; Mawardi, Taufik; I Wayan Kusuma Di Biagi; Renda, Rapi; Irhas, Irhas
TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Vol. 1 No. 2 (2025): TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya, Mei 2025
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/teras.v1i2.77

Kegiatan pelatihan ini bertujuan untuk meningkatkan kemampuan menulis berita seni bagi remaja di komunitas Acenta Pena desa Kuranji Dalang, kecamatan Labuapi, Kabupaten Lombok Barat. Melalui pelatihan ini, remaja diharapkan dapat menulis dengan lebih baik tentang berbagai kegiatan seni yang ada di desa mereka, yang pada gilirannya dapat memperkenalkan dan mempromosikan seni dan budaya lokal. Program ini juga bertujuan untuk membangkitkan minat remaja terhadap dunia jurnalistik serta meningkatkan kemampuan komunikasi mereka melalui media tulisan. Metodologi pelaksanaan kegiatan ini menekankan pada prinsip belajar sambil praktik (learning by doing), sehingga tidak hanya berorientasi pada pemberian materi secara teoritis, tetapi juga menitikberatkan pada aspek keterlibatan langsung dalam kegiatan jurnalistik yang sesungguhnya Pelatihan ini berhasil meningkatkan pemahaman dan keterampilan menulis berita seni di kalangan remaja desa. Selain itu pelatihan ini juga berimplikasi pada meningkatnya motivasi remaja untuk mempelajari seni dan budaya.

Tren Penggunaan Slang di Kalangan Remaja di Platform Tiktok: Analisis Makna dan Penyebarannya Biagi, I Wayan Kusuma Di; Suryadmaja, Galih
Journal of Linguistics and Language Teaching Vol. 1 No. 1 (2025): Journal of Linguistics and Language Teaching, February 2025
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/jollt.v1i1.47

TikTok telah menjadi salah satu platform media sosial paling populer di kalangan remaja, menghadirkan fenomena linguistik baru dalam bentuk penggunaan slang yang terus berkembang. Fenomena penggunaan slang oleh remaja di TikTok mencerminkan dinamika perkembangan bahasa dalam konteks digital. Penelitian ini bertujuan untuk mengidentifikasi tren penggunaan slang di kalangan remaja, menganalisis makna serta fungsi sosialnya, dan memahami mekanisme penyebarannya melalui platform TikTok. Dengan pendekatan kualitatif deskriptif, data diperoleh dari komentar, teks deskripsi, dan hashtag populer seperti #slangchallenge dan #genzslang. Analisis dilakukan untuk mengklasifikasikan slang berdasarkan jenisnya (kreasi baru, adaptasi, atau transformasi makna) dan mengeksplorasi peran TikTok sebagai medium penyebaran bahasa. Hasil penelitian diharapkan dapat mengungkap bagaimana slang mencerminkan identitas budaya remaja, pola komunikasi, serta pengaruh teknologi terhadap perkembangan bahasa. Penelitian ini juga memberikan kontribusi terhadap studi sosiolinguistik dalam memahami hubungan antara media sosial dan evolusi bahasa di era digital.

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