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I Gede Arya Juni Arta
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widya.katambung.ojs@gmail.com
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Jalan G. Obos X Kelurahan Menteng Kecamatan Jekan Raya Kota Palangka Raya Kalimantan Tengah
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Widya Katambung Jurnal Filsafat Agama Hindu
Published by Institut Agama Hindu Negeri Tampung Penyang Palangka Raya
ISSN : 20896662     EISSN : -     DOI : -
Core Subject : Religion, Humanities,
Religion Humanities
Jurnal Widya Katambung is scientific journal published by LPPM of the State Hindu Institute of Religion Tampung Penyang, Palangka Raya. This journal presents academic articles discussing developments and research findings in the fields of philosophy and Hinduism. It is published twice a year, in June and December. Editorial team Jurnal Widya Katambung accept submissions of manuscripts related to philosophy and Hinduism that have never been published in other media. The editors team reserve the right to edit manuscripts as long as they do not alter the essence of the content. The scope of this journal is as follows: Hindu Philosophy, Nusantara Philosophy, Western Philosophy, Hindu Religion.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 35 Documents
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FILSAFAT PERAN TUKANG SANGIANG PEREMPUAN TERHADAP PENGARUSUTAMAAN GENDER KALIMANTAN TENGAH Vedanti, Kunti Ayu
Widya Katambung Vol 16 No 2 (2025): Jurnal Widya Katambung: Filsafat Agama Hindu
Publisher : Fakultas Dharma Duta dan Brahma Widya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/wk.v16i2.1557

Abstract

Marginalization and discrimination against women still occur and are inversely proportional to the need for inclusive gender participation in Indonesia's development. These problems and challenges require the elaboration of ideas, ideas and synergies of various parties to support gender mainstreaming. To meet these needs, research on the philosophy of women's sangiang is carried out with a qualitative descriptive method with literature research to find values that can be adopted to increase the motivation of empowered women. The value is that female sangiang role is represent the Hindu teachings that women have the opportunity to have a free profession according to their competence, of course they also have the same rights and obligations as men in development.
Bentuk, Fungsi, dan Makna Upacara Manenung di Desa Tumbang Baringei Kecamatan Rungan Kabupaten Gunung Mas Griya Danika, I Wayan Sindia; Yoga, Yoga; Nurlensi, Nurlensi
Widya Katambung Vol 16 No 2 (2025): Jurnal Widya Katambung: Filsafat Agama Hindu
Publisher : Fakultas Dharma Duta dan Brahma Widya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/wk.v16i2.1779

Abstract

This study aims to describe the form, function, and meaning of the Manenung ceremony in the Hindu Kaharingan community of Tumbang Baringei Village, Rungan District, Gunung Mas Regency. The research employs a descriptive qualitative approach with data collected through observation, interviews, and documentation. Informants consisted of three Basir/Pisor (spiritual leaders) and two Hindu Kaharingan religious figures. Data were analyzed using the Miles and Huberman interactive model involving reduction, presentation, and conclusion drawing. The findings reveal that the Manenung ceremony is performed through preparatory stages, chanting of sacred mantras, and the invocation of the holy spirit Putir Santang. The ceremony functions religiously as a means of spiritual communication, socially as a medium of community solidarity, and educationally as a vehicle for transmitting cultural values. The symbolic meanings embedded in ritual instruments such as amak purun, baliung, tengang, and behas tawur reflect cosmic harmony between humans, nature, and the divine. This tradition remains relevant in preserving the cultural identity and spirituality of the Dayak Kaharingan community amid modernization, serving as a vital source of moral guidance and local wisdom.
Tantangan dan Strategi Pelestarian Tradisi Hindu Kaharingan Di Era Modernisasi Rupiadi, Rupiadi; Juni Arta, I Gede Arya
Widya Katambung Vol 16 No 2 (2025): Jurnal Widya Katambung: Filsafat Agama Hindu
Publisher : Fakultas Dharma Duta dan Brahma Widya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/wk.v16i2.1782

Abstract

This study aims to comprehensively analyze the various challenges in preserving the Hindu Kaharingan tradition in Central Kalimantan amidst the rapid currents of globalization and modernization. Using a literature study method that examines previous research, the findings reveal that globalization has led to a decline in youth participation in ritual activities, a shift in spiritual values, and a transformation of local lifestyles toward more modern and pragmatic orientations. Nevertheless, the study specifically shows that the preservation of the Hindu Kaharingan tradition can still be sustained through the reinforcement of local wisdom values within formal and non-formal education systems, the optimization of the roles of traditional and religious leaders as cultural preservation agents, and the effective utilization of information technology and social media as tools for education and the dissemination of traditional values among the younger generation. Therefore, a collaborative and adaptive preservation strategy—through the synergy between local culture and technological advancement—has proven to be an effective approach to ensuring the continuity and relevance of the Hindu Kaharingan tradition in the modern era.
BENTUK SENI DALAM UPACARA UMAT HINDU DI KALIMANTAN TENGAH Wiranata, Anak Agung Gede; Sarma, Nyoman; Ratini, Ni Made
Widya Katambung Vol 16 No 2 (2025): Jurnal Widya Katambung: Filsafat Agama Hindu
Publisher : Fakultas Dharma Duta dan Brahma Widya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/wk.v16i2.1792

Abstract

Art in the Hindu perspective holds a fundamental position and is inseparable from religious rituals. Artistic works are a form of devotion and a longing to connect with the very source of art itself, while also fulfilling human needs in daily life. Hindu art is derived from the sacred Vedic scriptures, with specific art forms (such as expression, song, drama, and sentiment) originating from different Vedas. Artistic creativity is synonymous with religion, particularly in Hindu communities in Bali, where various art forms (dance, music, visual arts, voice) support the execution of rituals. Sacred art, which functions as an accompaniment to ceremonies, is created through a process involving religious initiation and sacralization, thus being believed to possess magico-religious power. The relationship between art and religion is so intimate that it becomes difficult to distinguish between religious practice and artistic performance. Art is also viewed as a symbol of Satyam (Truth), Siwam (Purity), and Sundharam (Beauty), and serves as a medium to facilitate the expression of devotion to God. Through the concept of Ngayah (selfless service), art is offered sincerely as a form of dedication. The preservation of sacred art, especially among the younger generation, is crucial for maintaining its continuity as part of Hindu identity and spirituality.
FILSAFAT ARTHUR SCHOPENHAUER DALAM PERSPEKTIF AGAMA HINDU Pebriani, Ni Made Devi
Widya Katambung Vol 16 No 2 (2025): Jurnal Widya Katambung: Filsafat Agama Hindu
Publisher : Fakultas Dharma Duta dan Brahma Widya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/wk.v16i2.1796

Abstract

This study aims to examine the relationship and relevance between Arthur Schopenhauer’s philosophy and Hindu spiritual teachings, particularly as presented in the Bhagavadgītā. The research employs a library research approach using qualitative methods and a hermeneutic-philosophical framework. This approach is applied to interpret the texts and conceptual meanings in depth, both in Schopenhauer’s philosophy and in the metaphysical teachings of the Bhagavadgītā. The analysis reveals essential similarities between Schopenhauer’s idea of the denial of the will (Willensverneinung) as a path to liberation from suffering, and the Hindu concept of liberation (mokṣa) through knowledge and detachment from worldly attachments (vairāgya). Both are based on the understanding that suffering originates from desire and individual ego, and that liberation can only be attained through a transformation of consciousness toward a reality that transcends duality. However, a fundamental difference lies in the theological context: Schopenhauer rejects the concept of a personal God and emphasizes the immanent metaphysical aspect of reality, whereas the Bhagavadgītā positions Brahman as the ultimate consciousness, both transcendent and immanent. The study concludes that Schopenhauer’s philosophical thought can be understood as a rational reflection that resonates with the mystical-metaphysical dimension of Hindu teachings. This demonstrates a universal convergence between ethical, aesthetic, and spiritual principles that underpin thought in both Western philosophical traditions and Eastern spirituality.

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