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Articles 224 Documents
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From Agama Hindu Bali to Agama Hindu: Two styles of argumentation Michel Picard
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
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This paper attempts to compare two different styles of argumentation, composed by Balinese at pivotal turning points of their religious identity. The first one, set in the 1920s, when Balinese intellectuals were starting to assess the foundations of their “Balineseness” (Kebalian), contrasts the argumentation of Bali Adnjana (1924-1930) with that of Surya Kanta (1925-1957), by focusing on the use of dialogue as rhetorical device by Tjakra Tanaja, the editor of Bali Adnjana. The second moment takes place in the 1960s, after the Balinese leaders had succeeded in having their religion officially recognized by the Indonesian Ministry of Religions, under the condition that it would no longer be exclusively theirs. It expounds the Upade?a Tentang Ajaran-Ajaran Agama Hindu, the Hindu catechism composed by the Parisada Hindu Dharma in 1967, once the dogmatic contents of the Agama Hindu – the Panca Çraddha – had been fully delineated in 1964. While the Upade?a is also presented in the form of a dialogue between the guru ??i Dharmak?rti and his ?i?ya Sang Suya?a, its argumentation differs strikingly from the one used in Bali Adnjana.
Kearifan lokal Bali untuk pelestarian alam: Kajian wacana kartun-kartun majalah “Bog-Bog” I Wayan Swandi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
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An aggressive logging becomes a chronic problem in Indonesia. There is an inappropriate paradigm in the understanding and treating of the environment, especially trees and forests. This article examines the discourse of nature conservation based on Balinese local wisdom as presented in visual cartoons of Bog-Bog magazine (No 10, Vol 10, 2012) which theme is tree. Information data taken from cartoon Bog-Bog magazine No. 10, analyzed by the theory of semiotics and supported by the theory of visual design elements. The pictures from the Bog-Bog cartoon show the artistic, critical and humorous efforts of the Bog-Bog cartoonists in constructing Balinese local discourse based on customs, belief, and Hindu religion in an important message of preserving the forest in particular and nature in general. Analysis shown that Bali has a number of local wisdom such as the sacred trust system of tree as one of the ecological messages for forest preservation. An example is the concept of palemahan in the Hindu philosophy of Tri Hita Karana which is important for the harmony of human relationship with nature as a source of prosperity. Bog-Bog cartoon successfully convey the nature conservation discourse based on Balinese local wisdom with the construction of humor, critical, and parody discourse.
Menilik kesaksian seorang “pelaku sejarah” Menjelang peristiwa 30 September 1965 I Ketut Ardhana
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
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Kisah Brayut dalam Lukisan Kamasan dari Abad ke-19 dan ke-20 Peter Worsley
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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In this article I discuss a Kamasan painting in the Charlie Sayer’s collection in the Tropenmuseum in Amsterdam. I begin by explaining the way in which the painter has organised the design of his painting to tell the story of the Brayuts, a commoner Balinese family, and to draw attention to important aspects of family life in the nineteenth and early twentieth centuries. In the lower part of the painting we see the Brayut family celebrating the festivals of Galungan and Kuningan and in the topmost sequence of scenes the circumstances in which the head of the family, Pan Brayut, abdicates his religious and customary duties on behalf of the family in favour of his youngest son Ketut Subaya. I argue further that the painter draws attention to a radical distiction between the roles of men and women in family life in this period and to his manifest interest in illustrating the virtue of Pan Brayut, the male head of the family.
Demokrasi di Layar Wayang: Cara Baru Mentransformasi Ajaran Kepemimpinan Hindu I Wayan Winaja
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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Wayang is the traditional performing arts whose the story contains many moral teachings, ethics, and mrality. Shows (art of pakeliran) screen puppet, not only as spectacle but also as a guide. This article analyzes the transfomation of the Hindu leadership values throught at pakeliran. The purpose of the study is to increase the appreciation of literature, namely preserving and developing traditional works especially oral literature play shadow puppets Bali especially about Hinduism leadership values. Methods of analysis using cultural study approach with descriptive analytic method. The theory used to analyze is the deconstruction theory, and the theory of Critical Education. Conclusions from this research is the transfomation of value not only carried out on formal education (schooling) but also through education can no scholling through art of pakeliran.
Segregasi Ruang Sosial Antara Pendatang dengan Penduduk Asli pada Permukiman Perkotaan di Denpasar Syamsul Alam Paturusi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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This article aims to determine the socio-space segregation between newcomers and natives having the same genealogy in Denpasar, Bali. The study was focused on three aspects: determining the factors that influence the occurrence of socio-space segregation; the factors that most influence the shape of such interactions; and its influence on the spatial. The approach taken was descriptive qualitative, through verification at Housing Complex Padang Galeria, West Denpasar. The final result was: bigotry against region of origin, both the migrants and natives became the forerunner to the segregation of socio-space; the most influential factors for the socio-space segregation was customary (pakraman) village institution itself that binds its members in a teritorial unity, spiritual and member togetherness; socio-space segregation phenomena were abstract when transformed into mental maps will show multinodes in the sub-villages in the region of pakraman village.
Pengaruh Sistem Catur Wangsa terhadap Perwujudan Tata Spasial Kota Peninggalan Kerajaan Hindu di Bali: Kasus Kota Karangasem I Gusti Ngurah Wiras Hardy; Bakti Setiawan; Budi Prayitno
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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Karangasem City is one of the heritage cities of Karangasem Kingdom in Bali which has a typical spatial layout and society life. The society of Karangasem City is divided into several classes based on the catur wangsa (social group) which is presumed affecting the realization of spatial layout of Karangasem City physically. It is interesting to conduct a deeper investigation on it to identify the effect of the system, so that it can be used as an input to manage and develop Karangasem City in the future. In investigating the effect, the method used in this study is qualitative method with inductive-qualitative technique and three data collection techniques, they are field observation, in-depth interview with purposive sampling, and literature study. Based on the results of the study, it is understood that the catur wangsa system took part in affecting the spatial layout of Karangasem City in which divided the city area into three layers of concentric circles according to the level of social classes that inhibits each of the layers. It also shows the suitability of Karangasem City spatial layout with the tri mandala (three spaces) concept which divides the area of Karangasem City into three layers.
Paradigma Kepariwisataan Bali Tahun 1930-An: Studi Genealogi Kepariwisataan Budaya I Made Sendra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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This article analyses the connection between Baliseering discourse and the practice of Bali`s cultural tourism by applying the theory of hegemony from Gramsci and genealogy from Micheal Foucault as tools of analysis. It is very interesting topic to analyses especially in relation to the reconstruction of Baliseering discourse, the power knowledge emerged from Baliseering discourse, the articulation of it to open the space of Bali as historical cultural. Research shows that Baliseering is colonial discourse constructed by the Dutch government having purpose, such as: (a) to stem the influence of nationalism and moslem radicalism movement from Jawa; (b) to utilize the unique conservative tradition and historical cultural landscape as tourist attraction. On the other hand, there were modern elites who had ideology called anti colonial discourse. They consisted of Balinese youth who had finished their study in Java brought modern thought. They applied soft struggle by establishing social, cultural and religious organization called Bali Darma Laksana (BDL). They criticized the Baliseering discourse as deceptive instrument by glorifying the conservative unique tradition and culture in order to create dissension among Balinese people.
Citra dan Hak Anak Menurut Kakawin Nitisastra I Nyoman Suarka; A.A. Gede Bawa; Komang Paramartha
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
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This article analyses children’s images and rights described in Kakawin Niti??stra, Old Javanese poem about politics and moral didactics). The issue of children’s images and rights have become serious challenges and problems for all components of Indonesian society. Various cases of violence still facing children in Indonesia, including cases of sexual harassment, illegal adoptions, children without birth certificates, drug addicts, to human trafficking. Therefore, fulfillment and protection of the rights of children is a shared responsibility. The issue of children’s images and rights as stipulated in the text Kakawin Niti??stra assess through a critical hermeneutic approach by integrating interpretation and philosophical reflection. Imagery and children’s rights in Kakawin Niti??stra interpreted textual or contextual. Meaning of the text thought out and sought its reflection in relation to the meaning of life. Text Kakawin Niti??stra explain the issue of positive image (suputra) and negative (kuputra). Similarly, the rights of children described in the text Kakawin Niti??stra includes their right to grow and develop, the right to education, the right to receive attention, affection, and protection of various acts of violence
Balinese Suffixes -an and -in and Their Morphological Process Ida Ayu Made Puspani
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Universitas Udayana

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This article aims at describing the Balinese suffix -an and -in and their morphological processes. In general, an affix can function as an inflection or derivation. But, it is not the case with the Balinese suffixes -an and -in; they can function, either as inflectional or derivational suffixes. As derivational suffixes - an and -in have various meanings and functions, depending on the types of root the suffix is being attached to. Suffixes –an and -in if they are attached to root which ends in consonant, the form does not change, and if it is being attached to root ends in vocal it as an allomorph -nan and -nin as in the words: gedé (big) + -an becomes gedénan (bigger than) an jumu (start again) + -in becomes jumunin /being started again (Warna, et.al, 1983). The data of this article were gathered from three Balinese short stories` in Katemu ring Tampaksiring` (Sanggra, 2004). The research applied the qualitative-descriptive approach. The theory of Understanding Morphology (Haspelmath and Sims, 2010) is applied to give clear description of the word formation of suffixes -an and –in and the meanings occurred after the suffix is being attached to the root.

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