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INDONESIA
Ekspresi: Indonesian Art Journal
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14114305     EISSN : 29645921     DOI : https://doi.org/10.24821/ekp.v1i11
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
EKSPRESI is a double-blind peer-reviewed international journal published twice a year in April and October. Ekspresi published by Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas, art creation, and community service activities in the fields of arts and humanities.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 2 Documents
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Search results for , issue "Vol 14, No 2 (2025)" : 2 Documents clear
Bentuk dan Fungsi Gamelan dalam Kidung Surajaya Mahatmajangga, Binarung
Ekspresi Vol 14, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i2.17649

Abstract

AbstrakKidung Surajaya adalah naskah skriptorium Merapi-Merbabu yang bergenre santri lelana brata serta bertema kegamaan Hindu-Buddha. Teks menceritakan perjalanan Ki Singamada yang merupakan anak dari seorang penguasa di Majapahit menuju ke hutan-hutan dan pertapaan-pertapaan di pegunungan serta perjalanan spiritualnya untuk mencapai moksa. Masa penulisan teks diperkirakan berasal abad 17 Masehi di sekitar pegunungan Merapi-Merbabu sehingga dapat menjadi acuan untuk menelisik kebudayaan masyarakat Jawa pada masa itu salah satunya adalah karawitan atau gamelan Jawa. Gamelan dalam teks Kidung Surajaya ini memiliki berbagai fungsi yaitu sebagai pengiring dalam peribadatan, berkidung, peperangan, dan juga sebagai selingan pembentuk suasana keindahan dalam alur cerita Kidung Surajaya. Kata kunci: Kidung Surajaya, Karawitan, Gamelan, Manuskrip, Musik, Jawa  AbstractThe Form and Function of Gamelan in Kidung Surajaya. Kidung Surajaya is a manuscript from the Merapi-Merbabu scriptorium, categorized as a "santri lelana brata" (wandering student seeking for soul liberation) genre and featuring Hindu-Buddhist religious themes. The text narrates the journey of Ki Singamada, the son of a ruler in Majapahit, to the forests and hermitages in the mountains, as well as his spiritual journey to attain moksha (liberation). The estimated period of the text's composition is around the 17th century AD in the Merapi-Merbabu highlands, making it a reference for examining Javanese culture of that time, one aspect of which is karawitan or Javanese gamelan. The gamelan in the Kidung Surajaya text serves various functions, namely as accompaniment in worship, chanting, warfare, and also as an interlude to create an atmosphere of beauty within the storyline of the Kidung Surajaya. Keywords: Kidung Surajaya, Karawitan, Gamelan, Manuscript, Music, Java
Interpretasi Hening Sesanti Niskala sebagai Janturan menjadi Karya Musik Asmoro, Panji Probo; Aji, Ananto Sabdo; Nastiti, Dian
Ekspresi Vol 14, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i2.17514

Abstract

AbstrakHening Sesanti Niskala adalah komposisi musik yang terinspirasi dari kedalaman makna filosofis janturan. Karya ini bertujuan merepresentasikan substansi janturan secara musikal sebagai pesan spiritual. Konsep karya dibangun atas tiga elemen: Hening (ketenangan), Sesanti (doa), dan Niskala (keselamatan), yang dimaknai sebagai kekhusukan manusia saat berdoa kepada Tuhan. Metode penciptaan meliputi tiga tahapan utama: persiapan, observasi, dan tafsir garap yang melibatkan eksplorasi bunyi serta teknik instrumen. Karya ini diharapkan menjadi referensi alternatif dalam metode penciptaan musik baru, khususnya bagi akademisi karawitan. Kata kunci: Janturan, Suasana Musikal, Doa, Makna, dan Eksplorasi AbstractInterpreting Hening Sesanti Niskala as Janturan into a Musical Composition. Hening Sesanti Niskala is a musical composition inspired by the profound philosophical meaning of janturan. This work aims to represent the substance of janturan musically as a spiritual message. The concept is built upon three elements: Hening (stillness), Sesanti (prayer), and Niskala (salvation), which are interpreted as the solemnity of human devotion to God. The creation method comprises three main stages: preparation, observation, and tafsir garap (musical interpretation), involving the exploration of sounds and instrumental techniques. This work is expected to serve as an alternative reference for new music creation methods, particularly for Karawitan scholars. Keywords: Janturan, Musical Atmosphere, Prayer, Meaning, and Exploration

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