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INDONESIA
Ekspresi: Indonesian Art Journal
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14114305     EISSN : 29645921     DOI : https://doi.org/10.24821/ekp.v1i11
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
EKSPRESI is a double-blind peer-reviewed international journal published twice a year in April and October. Ekspresi published by Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas, art creation, and community service activities in the fields of arts and humanities.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 74 Documents
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TERAPI MUSIK DAN ANAK AUTISME: SEBUAH TINJAUAN LITERATUR Florisia Revanya Josephine; Clarissa Orenda; Lamria Roliharni Silalahi
EKSPRESI: Indonesian Art Journal Vol 12, No 1 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i1.10550

Abstract

AbstrakTerapi musik adalah suatu pendekatan intervensi yang memanfaatkan musik sebagai alat untuk meningkatkan kemampuan keterampilan berkomunikasi, ekspresi emosi, fokus perhatian, interaksi sosial, dan keterampilan esensial lain pada individu dengan gangguan spektrum autisme. Terapi musik untuk anak autistik berbeda-beda yang disesuaikan berdasarkan kebutuhan dan preferensi anak. Intervensi musik dapat berupa kegiatan auditif pasif mendengarkan hingg aktif bergerak dalam aktivitas bermain musik yang lebih kompleks. Tulisan ini hendak meninjau penelitian-penelitian terdahulu tentang hubungan terapi musik dengan anak autisme di Indonesia. Penelitian dilakukan melalui studi literatur untuk melihat bagaimana pengaruh terapi musik pada anak autisme. Tinjauan literatur menunjukkan bahwa terapi musik memberikan pengaruh yang bermakna pada perkembangan perilaku seperti perkembangan kemampuan berkonsentrasi, kemampuan berbahasa, serta perkembangan kognitif anak.Kata kunci: autisme, musik, terapi musik AbstractMusic therapy is an intervention approach that utilizes music as a tool to enhance communication skills, emotional expression, attention focus, social interaction, and other essential abilities in individuals with autism spectrum disorder. Music therapy for autistic children varies depending on individual needs and preferences. Music interventions can range from passive auditory activities such as listening, to active engagement in more complex musical play activities. This paper aims to review previous research on the relationship between music therapy and children with autism in Indonesia. The research is conducted through a literature study to examine the impact of music therapy on autistic children. The literature review reveals that music therapy has a significant influence on behavior development such as improved concentration, language or verbal skills, and cognitive development in children with autism spectrum disorder.Keywords: autism, music, therapy, health
PERAN DIREKTUR MUSIK DALAM SYMPHONY ORCHESTRA DAN LIGHT MUSIC ORCHESTRA: KELOMPOK ORKESTRA DI YOGYAKARTA Atika Septiana Laksmi
EKSPRESI: Indonesian Art Journal Vol 12, No 1 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i1.10648

Abstract

AbstrakDirektur Musik adalah aditokoh yang bertugas untuk memimpin berjalannya pertunjukkan musik, terutama pada orkestra. Direktur musik mengarahkan dan mengoordinasi pemain orkestra menggunakan gerakan tangan ataupun stik baton. Artikel ini bertujuan untuk mendeskipsikan peran direktur musik dalam ranah musik hiburan dan musik edukatif pada beberapa orkestra di Yogyakarta. Penelitian dilakukan pada satu kelompok Symphony Orchestra dan dua kelompok Light Music Orchestra. Metode penelitian yang digunakan adalah metode kualitatif deskriptif dengan melakukan wawancara semi-terstruktur terhadap tiga direktur musik orkestra, yaitu pada  Orkestra Mahasiswa Institut Seni Indonesia Yogyakarta, Aditya Music Project, dan Puput Pramuditya Music Production. Penelitian ini menunjukkan bahwa direktur musik melakukan pengelolaan organisasi secara efektif dan efisien dan dapat dijelaskan melalui empat fungsi manajemen yaitu planning, organizing, leading, dan controlling. Direktur musik pada masing-masing kelompok yang diteliti memiliki peran yang relatif sama meskipun direktur musik dari dua kategori tersebut memiliki masa tugas yang berbeda. Perbedaan peran direktur musik pada light music orchestra dan symphony orchestra adalah terdapat perbedaan prosedur dalam menentukan pemilihan pemain musik, penyusunan aransemen karya musik, serta peran sebagai konduktor.Kata kunci: direktur musik, pertunjukan musik, orkestra mini, orkestra simfoni  AbstractThe Music Director is a prominent figure responsible for leading musical performances, particularly in orchestras. The Music Director conducts and coordinates the orchestra members using hand gestures or a baton. This article aims to describe Music Directors’ role in entertainment and education within several orchestras in Yogyakarta. The research was conducted with one Symphony Orchestra group and two Light Music Orchestra groups. The research method was qualitative descriptive, utilizing semi-structured interviews with three Music Directors from the Indonesian Institute of the Arts Yogyakarta Student Orchestra, Aditya Music Project, and Puput Pramuditya Music Production. The study reveals that Music Directors effectively and efficiently manage the organization and can be explained through the four functions of management, namely planning, organizing, leading, and controlling. The Music Directors in each examined group share relatively similar roles, despite differing tenures between the two categories. The distinction in the roles of Music Directors in light music orchestras and symphony orchestras lies in the procedures for selecting musicians, arranging musical compositions, and their role as conductorsKeywords: music director, music performance, light music orchestra, symphony orchestra 
Kidung Nusaraya: Penciptaan Komposisi Musik berlandaskan Konsep Multikulturalisme Nasionalistik Slamet, R Chairul
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12349

Abstract

Music Composition based on the Concept of Nationalistic Multiculturalism. This paper aims at analyzing textually the music composition of Kidung Nusaraya. Kidung or tembang (Javanese) means a song, but then the meaning changes into 'something beautiful'.For that reason, all songs or something beautiful can be called as a kidung, including the instrumental music composition entitled Nusaraya. The word Nusaraya is related to the word Nusantara or Indonesia that is abundant with various culture and art potentials; a nation that must realize its potentials including the music to be promoted nationally and internationally.Viewed from the musical perspective, the slogan Bhinneka Tunggal Ika shows that Indonesians are very open in enriching their national music because of their idiomatic variation. The orchestra symphony composition of Nusaraya presents a combination between some Western instruments with the instruments of Nusantara ethnical music to produce beautiful symphonic sounds. Kidung Nusaraya consists of five parts, namely 1) Dialogue, 2) Adaptation, 3) Tolerance, 4) Introspection, 6) Convention, 7) My Country Symphony 8) My Tribute, and 9) My Hope. Keywords: Kidung, music composition, multiculturalism.
Perancangan Video Animasi tentang Pencegahan Konsumsi Daging Anjing di Masyarakat Perkotaan Lazuardy, Mahesa Bintang; Suwasono, Arief Agung; Utama, Aditya
Ekspresi Vol 12, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i2.11531

Abstract

AbstrakPerdagangan hewan merupakan isu yang sudah lama terjadi di Indonesia, namun menjadi masalah yang lebih besar apabila perdagangan tersebut mengancam kesehatan masyarakat, perdagangan daging hewan ekstrim seperti anjing, kelelawar dan biawak berpotensi membawa berbagai penyakit serta masalah moralitas pada masyarakat. Setelah mengumpulkan berbagai data dari jurnal, berita, dan gerakan-gerakan sosial yang sudah dilakukan oleh berbagai organisasi animal welfare, aspek yang bisa dihimbaukan untuk mengurangi perdagangan hewan di sekitar kehidupan masyarakat adalah menghimbau konsumen akan bahaya hewan tersebut kepada kesehatan masyarakat. Untuk memberikan presentasi yang menarik dan dapat memberikan skenario terburuk dari tindakan masyarakat tersebut, perancangan dengan media animasi dipilih. Analisis yang menggunakan metode 5W + 1H untuk perancangan animasi ini. Animasi final menyampaikan cerita akan masyarakat yang mengkonsumsi hewan berbahaya dan menerima akibatnya, diakhiri dengan infografis untuk memperjelas hasil risetKata kunci: edukasi, isu sosial, penyakit, perdagangan hewan, animasi AbstractDesigning an Animation Video about Preventing Dog Meat Consumption in Urban Communities. Animal trafficking is an issue that has been going on in Indonesia for a long time, but it becomes a bigger problem if the trade threatens public health. The trade-in meat from extreme animals such as dogs, bats, and monitor lizards has the potential to bring various diseases and moral problems to society. After collecting various data from journals, news, and social movements that various animal welfare organizations have carried out, the aspect that can be proposed to reduce animal trade in people's lives is to alert consumers to the dangers of these animals to public health. A design using animation media was chosen to provide an interesting presentation and the worst-case scenario of people's actions. Analysis using the 5W + 1H method for designing this animation. The final animation tells the story of people who consume dangerous animals and suffer the consequences, ending with an infographic to explain the research results.Keywords: education, social issues, diseases, animal trade, animation
Revitalisasi Seni Pertunjukan Rakyat Kethoprak di Yogyakarta Wibono, Joanes Catur
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12344

Abstract

Kethoprak revitalization in Yogyakarta. This writing scrutinize kethoprak as one of the performing art varieties that develops along with the age transformation. It is because of its devotees ensure the kethoprak revitalization process to take place. The process is carried out both textually and contextually. The revitalization is not merely done by repeating the show as an action to perpetuate the tradition but also covers undertaking the efforts to improve and to renew it, in its textual as well as contextual aspects, to fulfill the existing demand. Keywords: kethoprak, revitalization, textual, contextual
Perspektif Estetika Timur terhadap Ritual Rambu Solo’ Suku Toraja Bonggaminanga, Putri Isydora
Ekspresi Vol 12, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i2.11517

Abstract

AbstrakPerspektif estetika digunakan sebagai cara pandang untuk memahami keindahan dan seni. Ritual Rambu Solo adalah bagian dari warisan budaya dan seni yang dijaga secara turun-temurun oleh masyarakat suku Toraja. Artikel ini bertujuan untuk mengeksplorasi serta memahami keindahan dan seni dalam ritual Rambu Solo Suku Toraja dari sudut pandang estetika Timur. Metode penelitian yang digunakan adalah penelitian kepustakaan, dengan penggunaan data dari riset pustaka tanpa memerlukan pengumpulan data lapangan, dan menerapkan teknik analisis untuk mendapatkan data yang valid. Penelitian ini mengusung tiga perspektif estetika Timur, yaitu Cina, Jepang, dan India. Hasil penelitian menunjukkan kesamaan dalam perspektif estetika dari Cina, Jepang, dan India dalam mengakui hubungan penting antara manusia dan alam, serta nilai spiritualitas dalam upacara pemakaman Rambu Solo Suku Toraja. Ritual ini melibatkan rangkaian upacara yang kompleks untuk menghormati orang yang telah meninggal. Penggunaan seni, tarian, musik, dan simbolisme alamiah dalam ritual ini menggambarkan penghargaan terhadap alam dan kesinambungan spiritual. Kata kunci: perspektif, estetika timur, ritual rambu solo, suku toraja.  AbstractIn the field of aesthetics, perspective is used to understand beauty and art. The Rambu Solo ritual is one of the cultural and artistic traditions passed down through generations among the Toraja people. This article aims to explore and comprehend the beauty and artistry of the Rambu Solo ritual of the Toraja people from the perspective of Eastern aesthetics. The research methodology employed is a literature review method, utilizing existing scholarly works without requiring field research, and relying on analytical techniques to ensure the validity of the data obtained. This study presents three Eastern aesthetic perspectives: namely, Chinese, Japanese, and Hindu. The research findings provide an understanding that the aesthetic perspectives from China, Japan, and India share a common recognition of the significance of the relationship between humans and nature, as well as the spiritual value within the Rambu Solo funeral ceremony of the Toraja people. This ritual involves a series of intricate ceremonies to honor the deceased. This ritual's utilization of art, dance, music, and natural symbolism signifies reverence for nature and spiritual continuity.
Wayang dan Perkembangannya Soetarno, Soetarno
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12353

Abstract

Shadow Puppet Theatre and Its Development. Wayang (shadow puppet show) has developed and changed in forms, performing techniques, types, and details. The wayang show refers to the values of life and is an interpretation of life that is actualized through the art of shadow play puppetry. Because of it, wayang show presents a number of values, the ones that are related to various matters that are revealed in real forms as well as the ones that are associated with the customs and manners of the society. In addition to other objectives, such as providing information, delivering propaganda, critisizing the social life, entertaining and so on, each show is hoped to be able to deliver motivating messages to the audiences so that they can get satisfying aesthetics experience.The show is a value resource that can express a message artistically and aesthetically.Javanese Wayang Kulit Purwa still exist in the era of globalization for it is not merely seen from its visual or aesthetical aspects, but also the meanings behind it. For Javanese people, wayang functions as a performance, a life teaching, and a life arrangement. For that reason, in 2003, UNESCO declared wayang as an intangible world heritage. keywords: puppet theatre, wayang, kelir
Kreativitas Grup Musik Gambang Kromong Alunan Silibet di Jakarta Selatan Christiawani, Michelle Darsida; Haryanto, Haryanto; Sukotjo, Sukotjo
Ekspresi Vol 12, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i2.11533

Abstract

AbstrakAlunan Silibet adalah salah satu grup musik Gambang Kromong Betawi di DKI Jakarta yang memiliki kreativitas tinggi dalam kesenian musik Gambang Kromong. Alunan Silibet kerap kali mementaskan musik Gambang Kromong dengan menggabungkan ansambel Gambang Kromong dengan musik etnis lainnya, bahkan sampai ke instrumen musik barat. Tidak hanya itu, Alunan Silibet pun menciptakan lagu yang mereka garap sendiri yang berjudul Menong. Metodologi penelitian ini menggunakan penelitian kualitatif dengan pendekatan etnomusikologis yang menyakup musikologi, sosiologi, etnologi, dll. Teori yang digunakan dalam penelitian ini adalah teori kreativitas milik Mel Rhodes untuk mengupas kreativitas lagu Menong yang dibawakan oleh grup musik Gambang Kromong Sanggar Silibet yang disebut dengan Alunan Silibet. Penelitian ini meneliti tentang kreativitas Alunan Silibet, lagu Menong, dan lagu Menong dalam masyarakat. Lagu Menong tidak hanya menggunakan ansambel Gambang Kromong, tetapi juga menggunakan instrumen musik barat. Perpaduan antara alat musik etnis dan diatonis yang berbeda sistem penotasian itu dapat digabungkan menjadi bentuk yang estetik sehingga enak didengar dalam bingkai kreativitas. Kata kunci: kreativitas, Menong, gambang, silibet, Betawi  AbstractCreativity of the Gambang Kromong Music Group Alunan Silibet in South Jakarta. Alunan Silibet is one of the Betawi Gambang Kromong music groups in DKI Jakarta which has high creativity in the art of gambang kramong music. Silibet's strains often perform Gambang Krummong music by combining the Gambang Kromong ensemble with other ethnic music, even Western musical instruments. Not only that, but Alunan Silibet also created a song that they composed themselves entitled Menong. The research methodology uses qualitative research with an ethnomusicological approach which includes musicology, sociology, ethnology, etc. The theory used in this study is Mel Rhodes' theory of creativity to explore the creativity of the Menong song performed by the Silibet Sanggar Silibet gambang kramong music group called Alunan Silibet. This research examines the creativity of Strains of Silibet, Menong songs, and Menong songs in society. Menong songs not only use the Gambang Kromong ensemble but also use Western musical instruments. The combination of ethnic and diatonic musical instruments with different notation systems can be combined into an aesthetic form that is pleasing to the ear within the framework of creativity. Keywords: creativitas, Menong, gambang, silibet, Betawi
Memule: Ritual Peringatan Arwah dalam Tradisi Jawa Probosini, Agustina
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12345

Abstract

Memule: After Death Commemoration Ritual Javanese Tradition. Javanese people believe in life after death. The belief is embodied in the form of traditional rituals and ceremonies that constitute Javanese cultural heritage. The sacred ceremony held to commemorate those who died is called memule and is carried out on days 3, 7, 40, 100, mendhaki (year - 1, 2) and day-to-1000 after someone passed away. Besides dominated by prayer, this ritual is sometimes added with an activity called macapat. It has been done by Javanese community since the prehistoric times. Until now it comprises the sacred aspects and magical aspects. The objective of the ritual is to express gratitude, to honor ancestors, and to seek safety for the spirits of the deceased and also the family left behind. Memule is believed to have a magic power that can lead to relationships. The relationship in question here is between human beings who are still alive in the mortal world with their ancestors' spirits who are also believed to be still alive in the afterlife. Incense (dupa) or perfumed powder used as incense (ratus), the photos of the deceased, and the incense derivedfrom gum benzoin (kemenyan) and offerings (sesaji) are examples of the magic contagious. Thus it can be said that memule ritual is a ritual done by the living to deeply honor the people who have passed away in the Javanese community. Keywords: Javanese community, death, soul, prayer.
Proses Pembelajaran Kreasi Musik Dalam Membentuk Karakter “Profil Pelajar Pancasila (P3)” Firdaus, Azka Rayhan; Triprasetyo, Gathut Bintarto; Hapsari, Prima Dona
Ekspresi Vol 12, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i2.11335

Abstract

AbstrakProgram “Profil Pelajar Pancasila (P3)” dari Kemdikbudristek dilaksanakan untuk membentuk kembali karakter siswa yang mencerminkan nilai luhur Pancasila. SMP Muhammadiyah Srandakan Bantul sebagai satuan pendidikan menerapkan proses pembelajaran kreasi musik untuk membentuk karakter P3 pada siswanya. Aktivitas pembentukan karakter tersebut dianalisis menggunakan metode penelitian kualitatif deskriptif dengan pendekatan fenomenologi. Kreasi musik di sekolah ini dilaksanakan selama 9 pertemuan dengan materi pengolahan sumber bunyi yang menggunakan limbah bekas seperti botol kaca dan plastik, kaleng cat, kayu, dan karet ban.  Proses kreasi musik dilakukan melalui beberapa tahapan, yaitu siswa diminta membawa, mengidentifikasi, mengeksplorasi, melatih, dan menampilkan sumber bunyi secara berkelompok. Proses berkreasi musik ini memberi dampak perubahan sikap siswa yang semakin kolaboratif, peduli, komunikatif, dan inovatif. Dimensi bergotong-royong tampak saat siswa melatih dan menampilkan bunyi kreasi musik secara berkelompok. Dimensi bernalar kritis tampak saat siswa mengidentifikasi dan mengolah sumber bunyi menjadi alat musik. Dimensi kreatif tampak saat mereka memainkan lagu Gundul-Gundul Pacul dan Cublak-Cublak Suweng dengan limbah bekas serta memodifikasi pola ritme musik untuk mengiringi melodi asli dari lagu-lagu tersebut.Kata kunci: kreasi musik, pembentukan karakter, profil pelajar Pancasila AbstractThe "Pancasila Student Profile (P3)" program from the Ministry of Education and Culture was implemented to reshape student characters to reflect the noble values of Pancasila. Muhammadiyah Middle School Srandakan, Bantul, applies a music creation learning process to form the P3 characters in its students. These character formation activities were analyzed using descriptive qualitative research methods with a phenomenological approach. Music creation was carried out over nine meetings with material processing sound sources using used waste such as glass and plastic bottles, paint cans, wood, and tire rubber. The music creation process is carried out through several stages; students are asked to bring, identify, explore, practice, and display sound sources in groups. This process of creating music has an impact on changing students' attitudes and becoming more collaborative, caring, communicative, and innovative. The dimension of working together is visible when students practice and perform musical creations in groups. The critical reasoning dimension appears when students identify and process sound sources into musical instruments. The creative dimension appeared when they played the songs Gundul-Gundul Pacul and Cublak-Cublak Suweng with used items and then modified the rhythmic patterns of the music to accompany the original melodies of these songs.Keywords: music creation, character building, Pancasila student profile

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