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Journal of Urban Society´s Arts
Published by Institut Seni Indonesia Yogyakarta
ISSN : 23552131     EISSN : 2355214X     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Journal of Urban Society's Art ( Junal Seni masyarakat Urban) memuat hasil-hasil penelitian dan penciptaan seni yang tumbuh dan berkembang di masyarakat perkotaan yang memiliki struktur dan kultur yang berbeda dengan masyarakat pedesaan. Seni masyarakat urban merupakan manifestasi seni yang dihadirkan melalui media-media seni rupa, seni pertunjukan, dan seni media rekam yang erat dengan problematika kehidupan yang terjadi dalam keseharian masyarakat, serta bisa menjadi simbol yang menarik dan menjadi elemenpenting yang menjadi ciri khas dari (1) pusat kota, (2) kawasan pinggiran kota, (3) kawasan permukiman, (4) sepanjang jalur yang menghubungkan antar lingkungan, (5) elemen yang membatasi dua kawasan yang berbeda, seperti jalan, sungai, jalan tol, dan gunung, (6) kawasan simpul atau strategis tempat bertemunya berbabgai aktivitas, seperti stasiun, jembatan, pasar, taman, dan ruang publik lain.
Arjuna Subject : -
Articles 7 Documents
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Search results for , issue "Vol 10, No 2 (2023): October 2023" : 7 Documents clear
Advocating the Role of Disabled Artists from the Artistic Ecosystem to the Spectrum of Karawitan Performances Swara, Lintang Pramudia; Listiowati, Nensi; Pardosi, Gilbert Natanael; de Fretes, Daniel
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11207

Abstract

This research aims to uncovering the experiences of individuals withdisabilities within the spectrum of karawitan. Their contributions are highlightedthrough captivating performances at the Yogyakarta Gamelan Festival 2022. Disabledfriends successfully presented works that express and actualize their roles withinsociety, including within the artistic ecosystem. The research aims to explore theexperiences interpreted by disabled individuals from Sanggar Seni Candrika Adikara.We chose a case study as the primary approach for the qualitative method thatunderlies this research. The case study involved observing Sanggar Seni CandrikaAdikara and engaging in dialogue with key figures involved in the intersection of the artworld and disability issues in Yogyakarta and its surroundings. Our study wasexpanded by exploring the realms of literary and visual arts and reclaiming performingarts with a fresh discourse on self-equality. The participants' perspectives become asignificant force of value that is unveiled and presented to the readership and theacademic community. The articulation of the artistic experiences of our disabledfriends becomes a manifestation of the creation of a new paradigm that prioritizestheir needs for existence and recognition in various aspects of life.
Beauty in South Korean TV Drama Series Based on Television Artistic Elements in the Series 'True Beauty’ Rahmawati, Handini; Suhartami, Wiwik; Irawanto, Budi
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.8212

Abstract

South Korean beauty standards have become increasingly globalized,including in Indonesia, largely through the influence of the South Korean entertainment industry, particularly television drama series and K-pop, commonly referred to as the Hallyu industry. Beauty is frequently constructed as a social issue within South Korean television dramas. One drama series that explicitly addresses this issue is True Beauty, which portrays socially accepted beauty standards and their rolein shaping interpersonal interactions. This study aims to examine the representation of beauty in the South Korean television drama series True Beauty by employing television artistic elements as an analytical framework. The findings reveal how these artistic elements are utilized to construct and communicate beauty ideals within then arrative. Furthermore, the study identifies representations of beauty from the perspectives of supporting characters during social interactions with the main character, who is perceived as unattractive without makeup and attractive with makeup. These interactions produce three dominant perspectives: the meaning ofbeauty, self-perception of beauty, and perceptions of beauty toward others. The influence of True Beauty extends beyond South Korea to Indonesia, where South Korean beauty ideals have increasingly become a reference point, as reflected in the emergence of beauty-related content created by Indonesian beauty vloggers following the series' broadcast.
The Application Of The Solfegio Method In Learning Major Instrument Practice (string) II In The Music Education Study Program, Department Of Music, Faculty Of Language And Arts, Universitas Negeri Padang Mimanda, Fela Vio; Ardipal, Ardipal
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11075

Abstract

This study aims to determine whether the application of the solfegio method can improve the ability of student learning outcomes in aiming for tone in the practical learning course of major string instruments 2 of the Department of Sendratasik Music Education Study Program FBS UNP. The type of research is classroom action research (PTK) or classroom action research collaboratively using the Kemmis and Mctaggart cycle. The research subjects were students of the 2022 batch of major string instrument practice II (PIM 2) music education study program FBS UNP. The research procedure is planning, action implementation, observation, and reflection. Research instruments in the form of assessment test criteria sheets. Data collection techniques literature study, observation, practice assessment tests, documentation. Quantitative descriptive data analysis technique. The results showed: (1) the pre-cycle average score was 56.2 in the sufficient category (C) = incomplete (2) in cycle 1 was 67 in the sufficient category (B-) = incomplete, (3) in cycle 2 was 79.4 = complete. Students experienced an increase in cycle 1 of 10.8 and in cycle 2 of 12.4. The research was successful in cycle 2 meeting 2 and the results were significant. It can be concluded that the ability of students to aim for notes in playing string instruments has increased after taking action by applying the solfegio method. So the solfegio method can be applied in learning the practice of playing string instruments.
The Development of a Performance Anxiety Scale for Theatre Actor Dhani, Kurnia Rahmad
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.6852

Abstract

Anxiety is the main barrier for an actor to give a perfect performance that determines the show’s overall quality. However, there have been no studies examining performance anxiety in theatre actors, especially in Indonesia. This study aims to develop a psychological scale that measures the actor’s performance anxiety level. The following five steps are carried out: (a) preparing the items based on the performance-only type of social anxiety; (b) checking content validity using Aiken's V method; (c) conducting a trial scale; (d) testing reliability using Cronbach's alpha; and (e) selecting items. One hundred sixty-three (163) theatre actors were given the Performance Anxiety Scale for Theatre Actors, which consists of 44 items. The analysis showed that Cronbach's alpha coefficient was 0.953 out of 38 passed items (r ≥ 0.30). Thus, the developed Performance Anxiety Scale for Theatre Actors has a good validity and reliability score and can be used properly.
The Construction of Masculinity Myths in the Namin Group's Bajidoran Arena as a Specific Gender Order Saepudin, Asep; Djohan, Djohan; Sunardi, Stanislaus
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11123

Abstract

The Sundanese people have long recognized bajidoran as an entertainment art form that presents the aesthetics of dance and traditional Sundanese music (karawitan). However, beneath this surface lies the complexity of power struggles and masculine domination among individuals involved in the Bajidoran Enthusiast Community (Komunitas Pecinta Bajidoran or KPB). Interestingly, the power struggles are not limited to men but also involve women. This phenomenon prompts an inquiry into why bajidoran is heavily associated with practices of masculinity. This study aims to address the following questions: why is bajidoran associated with practices of masculinity, how is this construction process carried out, what are the contributing factors, and what are the implications for the KPB?This research employs a qualitative method with an ethnographic approach, wherein the researcher values the experiences and realities of the subjects under study, even if they differ radically from their own. The researcher applies three characteristics of this new ethnography: honesty, towards other facts, self-reflection, and polyvocality. Data collection involves literature review, observation, interviews, and documentation.The findings of the research explain that: 1) masculinity is strongly embedded in bajidoran due to: firstly, cultural, daily practices, and historical contexts that construct masculinity, which are dialectically intertwined with the experiences of the KPB, both present and past. Secondly, the situational and practical conditions within the bajidoran arena (social relations and interactions) have great potential to generate masculinity. 2) The process of constructing masculinity involves seven stages: production, socialization, appreciation, internalization and externalization, relationships and interactions, staging, and formation. Eight factors contribute to the construction of masculinity: patterns/sequences, the role of the mc and pesinden (vocalists), pencug ibing (leader), kendang (drum), selendang (scarf), economic capital, alcoholic beverages, and musical elements. The results of this research provide insights for the Bajidoran Enthusiast Community and relevant institutions to reconstruct the staging of masculinity in a way that accommodates gender equality.
Theme Of The Festival And Student Interest In Participating In The Student Film Setyawan, Deddy; Widyastutieningrum, Sri Rochana; Handriyotopo, Handriyotopo
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.10988

Abstract

This research aims to analyze the relationship between film festival themes and students' interest in participating in the Jogja Student Film Festival (FFPJ). On the one hand, the theme of a film festival provides guidance about the films that will be competed in the festival, on the other hand, the theme can also limit students' freedom in expressing ideas or ideas through film works. Restrictions on a theme may reduce interest in participating in the festival. This research uses descriptive qualitative methods. Data was taken from interviews and FFPJ documents from 2010 - 2021. Data analysis was descriptive qualitative. The research results show a clear pattern trend, namely the relationship between themes and the number of film works included in FFPJ. When FFPJ has a free theme, the number of film works tends to increase. When FFPJ has a theme determined by the organizer, the number of films included in FFPJ decreases. Students seem to prefer making films to express their ideas or concepts according to their themes rather than having to make films according to the themes desired by the organizers.
Autoethnography In Photography Research Of The Self Kurniawan, Donie Fadjar; Lukistyawan, Purwastya Pratmajaya Adi; Sudarwanto, Aan; Purnomo, Agung; Tuminah, Tuminah
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.10749

Abstract

The focus of this research is to describe a concept of auto-ethnographic research that is based on an understanding of the ethnographic view. The aim is to encourage those with a background in the arts to get detailed information about this type of auto-ethnographic research. The urgency is to strengthen auto-ethnography into artistic research (about art) from their own experiences.  The research departs from the literature review. Data was obtained through literature research by relying on primary data in the form of an article entitled An Autoethnography on Learning About Autoethnography. This article was written by Sarah Wall (2006). The work, Fitting the Methodology with the Research: An exploration of narrative, self-study and Autoethnography written by Mary Lynn Hamilton, Laura Smith & Kristen Worthington (2008) as supporting methodology. The work Artistic Research: The Thoughts And Ideas Of Mika Hannula written by Guntur (2020) to support the artistic. The case study used Self-Reflection in Mirrors in Photographic Works by Sepba Fri Atnin. (2018). The results of the study are first the concept of research on qualitative data sources that come from the researchers themselves. Second, its application in the field of arts such as recording media arts, visual arts, fine arts, dance, and performing arts.

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