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ATAVISME JURNAL ILMIAH KAJIAN SASTRA
Published by Balai Bahasa Jawa Timur
ISSN : 1410900X     EISSN : 25035215     DOI : 10.24257
Core Subject : Education,
Languange, Linguistic, Communication & Media
Atavisme adalah jurnal yang bertujuan mempublikasikan hasil- hasil penelitian sastra, baik sastra Indonesia, sastra daerah maupun sastra asing. Seluruh artikel yang terbit telah melewati proses penelaahan oleh mitra bestari dan penyuntingan oleh redaksi pelaksana. Atavisme diterbitkan oleh Balai Bahasa Provinsi Jawa Timur. Terbit dua kali dalam satu tahun, pada bulan Juni dan Desember.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 284 Documents
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Strategi Produksi dan Struktur Ideologi dalam Novel Perempuan Berkalung Sorban Djunuhi, Muhammad Surahman
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.697.175-188

Abstract

Penelitian ini bertujuan untuk menguraikan strategi produksi yang termaktub pada konstituen ekternal dan struktur ideologi teks yang ada pada konstituen internal dalam novel Perempuan Berkalung Sorban (PBS) karya Abidah El-Khalieqy dengan menggunakan konsep Terry Eagleton. Metode yang digunakan adalah kualitatif deskriptif. Hasil penelitian membuktikan bahwa (1) novel PBS telah melewati proses produksi material eksternal, dengan strategi sebagai berikut; pada masa reformasi, ideologi-ideologi dalam novel PBS telah menjadi buah artikulasi kekuasaaan. Untuk melewati sensor produksi yang ketat, pengarang mengangkat tema-tema romantisisme, humanisme serta pola sosial realisme dalam masyarakat pesantren yang dirangkai secara estetik oleh pengarang dalam PBS layaknya novel-novel populer pada umumnya. (2) Konstituen internal mengungkap struktur ideologi PBS berhubungan dengan insiden-insiden historis yang dimaksudkan sebagai kritik terhadap rezim kekuasaan, khususnya masyarakat komunal pesantren yang identik dengan ideologi patriarki. Ini dilakukan dengan langkah menegosiasikan ideologi subordinatif atau resisten, yakni feminisme, humanism, dan seksualisme terhadap ideologi dominan,ideologi patriarki yang konservatif dan represif pada tindak tanduk perempuan.[Production Strategy and Ideological Structure in Perempuan Berkalung Sorban] This study aims to describe the production strategy in the external constituents and the texts ideological structure in the internal constituents in the novel Perempuan Berkalung Sorban (PBS), written by Abidah El-Khalieqy by using Terry Eagletons concept. The method used is descriptive qualitative. The results of the research prove that (1) the PBS has passed through an external material production process, by following strategies. During the reformation period, the ideologies in the PBS novel had become the articulation of power. To get past the strict censorship of production, the PBSs author raises the themes of romanticism, humanism and social realism in the pesantren society which are arranged aesthetically by the authors in PBS like popular novels in general. (2) The internal constituents reveal the ideological structure of the PBS in relation to historical incidents which are intended to be a criticism on the regime of power, especially the pe-santren communal society which is identical to the patriarchal ideology. This is done by negotiating challenging ideologies, namely feminism, humanism and sexualism against the dominant ideology which is a patriarchal ideology that is conservative and repressive towards women's behavior.Keywords: ideological structure; production strategy; Terry Eagelton
PEPATAH JAWA SEBAGAI PRINSIP HIDUP MASYARAKAT MODERN DALAM NOVEL IMPIAN AMERIKA KARYA KUNTOWIJOYO Rahaya, Ivana Septia
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.637.249-260

Abstract

Perubahan pola pikir akibat globalisasi mempengaruhi berbagai aspek kehidupan, salah satunya adalah pemaknaan pepatah Jawa yang sedari dulu digunakan sebagai prinsip hidup masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna pepatah Jawa yang mencerminkan kehidupan masyarakat modern di Amerika dalam novel Impian Amerika karya Kuntowijoyo. Penelitian ini diharapkan mampu membuktikan bahwa pepatah Jawa tetap relevan dengan perkembangan zaman dan menyadarkan pembaca bahwa karya sastra bukan hanya hasil imajinasi pengarang tetapi juga merepresentasikan kehidupan sehingga mampu meningkatkan apresiasi pembaca terhadap karya sastra. Penelitian ini adalah penelitian deskriptif kualitatif dengan pendekatan antropologi sastra. Teknik pengumpulan data menggunakan teknik baca catat. Analisis data menggunakan teknik analisis isi. Hasil penelitian ini membuktikan bahwa novel Impian Amerika karya Kuntowijoyo menggambarkan prinsip hidup masyarakat modern yang diambil dari pepatah Jawa. Prinsip hidup tersebut berhubungan dengan usaha masyarakat dalam menciptakan keselarasan antara individu dan Tuhan serta keselarasan antar individuKata Kunci: pepatah Jawa; masyarakat modern; prinsip hidup; globalisasi[Javanese Proverbs as a Principle of Modern Society’s Life in Kuntowijoyo’s Novel Impian Amerika] Changes of mindset because of the changing era affect so many aspects of life. One of them is the interpretation of Javanese proverb which has always been used as a principle of modern society's life. The purpose of this research is to explain and describe the meaning of Javanese proverb which is the principle of modern society’s life in Kuntowijoyo’s Novel Impian Amerika that reflect modern society’s life in America. This research is expected to be able to prove that Javanese proverbs which are an ancestral heritage still relevant to today’s modern conditions and remind the readers that literary works are not only the result of the author's imagination but can also represent life and other positive values, thereby increasing the reader’s appreciation of literary works. This research is a descriptive qualitative with a literary anthropology approach. Data collection technique was note-taking technique. The data were analyzed with content analysis technique. The results of this research prove that Impian Amerika illustrates the principle of modern society's life taken from the Javanese proverb. The principle of life is related to community efforts in creating harmony between individuals and God and individuals as well.
Symbolic Annihilation Terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson Kusumaningrum, Ayu Fitri
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.641.189-205

Abstract

Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.Kata kunci:Era Victoria;narasiperempuan;media;sastraanak[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather.
Politik Spasial dalam Lirik Lagu Bengawan Solo Karya Gesang dan Di Tepinya Sungai Serayu Karya Soetedja: Analisis Pascakolonial Sara Upstone Sulistyo, Hary
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.633.147-160

Abstract

Tulisan ini membahas politik spasial Gesang dan Soetedja dalam lirik lagu Bengawan Solo dan Di Tepinya Sungai Serayu. Persoalan tersebut menarik dikemukakan karena menghadirkan konsepsi baru melalui redefinisi atas kedua objek. Tujuan penulisan ini adalah menunjukkan bentuk-bentuk place, space, dan postspace kedua lagu terhadap objek yang telah menghadirkan definisi baru atas pengetahuan. Teori yang digunakan adalah pascakolonial Sara Upstone mengenai place, space, dan postspace. Metode penelitian ini adalah mengamati aspek tekstual di dalam teks dan mengorelasikannya dengan persoalan kontekstual berdasarkan aspek-aspek teoretis. Hasil penelitian menunjukkan bahwa politik spasial melalui kedua lirik lagu menghadirkan kebaruan informasi mengenai objek yang berbeda dengan realitas kedua sungai sebagai bentuk place. Jejak-jejak space yang ditinggalkan oleh kedua pengarang menunjukkan bahwa penciptaan lagu lebih pada kepentingan estetis dan romantik. Postspace yang dihasilkan dengan kehadiran lagu itu memberikan legitimasi atas konsepsi administratif dalam penyebutan asal sumber mata air Bengawan Solo dan hilangnya sisi mistisme yang terdapat di Sungai Serayu.[Spatial Politic in The Song Lyrics of Bengawan Solo and Di Tepinya Sungai Serayu : Sara Upstones Postcolonial Analysis] This paper discusses Gesang and Soetedjas spatial politics in the song lyrics of Bengawan Solo and Di Tepinya Sungai Serayu. The issue is interesting to be raised because it presents a new conception through redefinition of the two objects. The purpose of this paper is to show forms of place, space, and postspace in both songs toward the object that have presented a new definition of knowledge. The theory used is Sara Upstones post-colonialism about place, space, and postspace. The method in this study is to observe textual aspects in the text and correlate them with contextual issues based on theoretical aspects. The results show that spatial politics through both song lyrics presents new information about objects that are different from the reality of the two rivers as a form of place. The traces of space left by the two authors through their songs show the creation of songs more in the interests of aesthetic and romantic aspects. The postspace produced by the presence of the two songs gives legitimacy to the administrative conception in the mention of the origin of the Bengawan Solo spring and the loss of the mysticism found in the Serayu River.Keywords: spatial politics; Bengawan Solo; Serayu River
Kuliner dan Identitas Keindonesiaan dalam Novel Pulang Karya Leila S. Chudori Anantama, Muharsyam Dwi; Suryanto, Suryanto
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.688.206-219

Abstract

Penelitian ini mencoba meneroka anasir kuliner dalam novel Pulang karya Leila S. Chudori. Melalui pendekatan gastronomi sastra, penelitian ini menggali filosofi makanan yang dihadirkan da-lam novel Pulang karya Leila S. Chudori, bagaimana tokoh dalam novel memperlakukan kuliner, serta bagaimana representasi keindonesiaan yang ada dalam kuliner di novel tersebut. Penelitian ini adalah penelitian kualitatif deskriptif dengan sumber data novel Pulang karya Leila S. Chudori. Unsur-unsur yang berhubungan dengan kuliner dalam novel Pulang karya Leila S. Chudori menjadi data dalam pe-nelitian ini dan dikumpulkan dengan teknik studi dokumen atau pustaka. Data kemudian dianalisis dengan model analisis interaktif. Hasil penelitian menunjukkan bahwa (1) makanan yang terdapat dalam novel Pulang karya Leila S. Chudori adalah satai kambing, kue putu, bir, kopi, pindang serani, dan nasi kuning. Kuliner-kuliner tersebut mengusung filosofi masing-masing; (2) tokoh dalam novel Pulang karya Leila S. Chudori begitu memuliakan makanan; (3) melalui kuliner, tokoh dalam novel menegaskan identitas kebangsaan mereka.Kata kunci: kuliner; novel;identitas bangsa[Culinary and Indonesian Identity in Leila S. Chudori’s Novel Pulang] This research tries to explore the culinary elements in Leila S. Chudori’s novel Pulang. Through a literary gastronomy approach, this research explores the food philosophy presented in the novel, how the characters in the novel treat culinary, as well as how the representations of Indonesian-ness in culinary in the novel. This research is a descriptive qualitative research using the novel Pulang as the data source. The elements related to culinary in the novel became the data in this study and were collected using document or literature study techniques. The data were then analyzed using the interactive analysis model. The results show that (1) the foods contained in Leila S. Chudori’s Pulang are satai kambing, putu cake, beer, coffee, pindang serani, and yellow rice. These culinary delights carry their respective philosophies; (2) the character in Pulang exalts food; (3) through culinary delights, the characters in the novel confirm their national identity.
Karakteristik Heterotopia Ruang Kafe dalam Al-Karnak Karya Najib Mahfudz: Analisis Other Space Michel Foucault Suweleh, Fadlun
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.645.135-146

Abstract

Hal menarik yang menjadi ciri khas tulisan Najib Mahfudz selain politik adalah keberadaan latar tempat kafe yang nyaris tak pernah alpa dari karya-karyanya. Penelitian ini bertujuan menggambarkan karakteristik heterotopia ruang kafe dalam novel Al-Karnak (1974, 2008) karya Najib Mahfudz. Penelitian ini menggunakan metode kualitatif. Data penelitian ini berupa kalimat atau dialog antartokoh yang berhubungan dengan kafe dan ruang heterotopia. Dengan menggunakan konsep other space Michel Foucault, penelitian ini menemukan adanya karakteristik heterotopia pada ruang kafe Karnak dalam novel Al-Karnak karya Najib Mahfudz. Sebagai karya memorial, Al-Karnak menggambarkan kafe Karnak dengan sangat kompleks. Kompleksitas tersebut erat kaitannya dengan realitas sosial masyarakat Mesir pasca perang Juni 1967. Kafe Karnak mampu merepresentasikan kondisi masyarakat Mesir yang menanggung beban distopis sekaligus menginginkan kehidupan utopis pada masa itu. Penelitian ini melihat bahwa karakteristik heterotopia yang ditemukan dalam kafe Karnak berkontribusi dalam memproduksi ruang lain, yang direfleksikan melalui imajinasi serta realitas tokoh-tokoh dalam novel.[Heterotopia Characteristics of Caf in Najib Mahfudzs Al-Karnak: Michel Foucaults Other Space Analysis] The interesting thing that characterizes Najib Mahfudzs works besides politics is the existence of caf setting which is almost never neglected from his works. This study aims to describe the heterotopia characteristics of the caf space in the novel Al-Karnak (1974, 2008) by Najib Mahfudz. This study uses a qualitative method. The data in this study are in the form of sentences or dialogues between figures related to cafes and heterotopia spaces. By using the concept of other space by Michel Foucault, this research found the characteristics of heterotopia at Karnak caf space in Al-Karnak novel by Najib Mahfudz. As a memorial work, Al-Karnak describes Karnak caf so complexly. The complexity is closely related to the social realities of the post-war June 1967 Egyptian society. Karnak caf is able to represent the conditions of Egyptian society who bear the burden of dystopian as well as want a utopian life in those days. This research then sees that the heterotopia characteristics found in Karnak caf can contribute in producing other spaces which are reflected through the imagination and reality of the characters in Al-Karnak novel.Keywords: heterotopia; caf; other space; utopia
The Representation of Social Class Conflicts in Ally Condie’s Matched Wardani, Dyah Purwita; Ayu Lestari, Vony Rizka
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.684.220-232

Abstract

Matched belongs to the dystopian novel, which is popular in the last twenty years. This genre usually satirizes the established state, which controls every part of people’s lives.  Matched talks about how the government control people’s lives led to the social class conflict.  The social class conflict is essential to be discussed because it shows the unequal structure in the established society. The objective of this research is to examine Ally Condie’s Matched by using Stuart Hall’s theory of representation is to find out the class conflict and exposes the critical position of the author. The method used is descriptive qualitative. The analysis technique is to look at the narrative of the figures, Cassia Reyes and Ky Markham, as the reflection of citizen struggle in a totalitarian government called Society. The findings show that Cassia and Ky have to strive in Society because Society perpetuates its power by manipulating politics and exploiting the economy. This research is encouraging the other researchers to examine Matched from different angles, perspectives and theories to complement the findings of this current study. 
Solidaritas Perempuan dalam Novel A Thousand Splendid Suns Karya Khaled Hosseini Ruhaida, Nana; Udasmoro, Wening
ATAVISME Vol 23, No 2 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i2.673.161-174

Abstract

Novel A Thousand Splendid Suns berbicara mengenai solidaritas dua perempuan yang merupakan istri pertama dan kedua yang berasal dari usia dan kelas sosial yang berbeda dalam latar gejolak konflik politik di Afghanistan. Poligami biasanya menghasilkan persaingan di antara para istri, tetapi kedua perempuan tersebut justru memiliki solidaritas kuat dalam menghadapi kekerasan suami, masyarakat, dan negara mereka. Permasalahan di dalam penelitian ini adalah mengapa solidaritas digarisbawahi sebagai sebuah fenomena masyarakat ketika menghadapi masa krisis seperti situasi kekerasan dan konflik? Penelitian ini menggunakan konsep solidaritas perempuan dan interseksi gender dari Chandra Talpade Mohanty. Tujuan penelitian ini adalah untuk menjelaskan penyebab solidaritas sesama perempuan di dalam novel ini digarisbawahi sebagai sebuah fenomena masyarakat ketika menghadapi masa krisis. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan data-data yang terkait dengan persoalan solidaritas dan interseksi gender. Penelitian ini mengungkapkan bahwa solidaritas perempuan menguat ketika mereka berada dalam situasi krisis yang sama sehingga satu-satunya cara menumbangkan dominasi maskulin berbentuk kekerasan adalah melalui solidaritas.[Women’s Solidarity in Khaled Hosseini’ Novel A Thousand Splendid Suns] The novel A Thousand Splendid Suns talks about the solidarity of two women who are the first and second wives from different ages and social classes in Afghanistan's political turmoil setting. Polygamy usually produces competition between wives, but both women actually have a strong solidarity in facing the violence of their husband, society, and state. The problem in this research is why solidarity is underlined as a community phenomenon when facing times of crisis, such as situations of violence and conflict. This study uses the concept of women's solidarity and gender intersection from Chandra Talpade Mohanty. The study aims to explain the solidarity causes among women in this novel, which is underlined as a community phenomenon when facing a crisis. The method used in this research is descriptive qualitative with data related to issues of solidarity and gender intersection. This research revealed that women's solidarity strengthens when they are in the same crisis. The only way to subvert masculine domination in the form of violence is through solidarity.Keywords: solidarity; gender intersection; A Thousand Splendid Suns; Chandra Mohanty
MELAMPAUI DOMINASI MASKULINITAS HEGEMONIK MELALUI TOKOH SUPERHERO GAY DALAM NOVEL HERO KARYA PERRY MOORE Vidiarama, Made Arya; Saktiningrum, Nur
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.720.123-138

Abstract

Superhero is considered as an ideal figure with the image of hegemonic masculinity men. Hegemonic masculinity men are categorized as heterosexual, strong, intelligent, and dominant men. Meanwhile, homosexual men are subordinate masculinity. Perry Moore’s novel Hero presents the figure of a gay superhero. This study will explain how a gay superhero character named Thom was able to transcend the domination of hegemonic masculinity which has been synonymous with the image of a superhero. The method used is descriptive-analysis. The data taken is in the form of quotations in the novel Hero. The data that has been collected will be analyzed using the hegemonic masculinity theory popularized by R.W. Connell. The results of this study indicate that Thom is categorized as subordinate masculinity because of his sexual orientation as well as his weak, and insecure nature. As a gay superhero, Thom faces several conflicts in academics, family, and neighbourhood. However, he showed that he could change the perceptions of people. Through this novel, Perry Moore tried to dismantle superhero stereotypes.  
READING WORKS, INTERPRETING WORLDS: A POSTMODERN-LITERARY EXPLORATION IN FREDERIC JAMESON'S HORIZON Nurhidayah, Sri; Setiawan, Rahmat
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.834.112-122

Abstract

This conceptual article aims to explore literary works through the perspective of Fredric Jameson. Literary works have legitimacy as a critical space for real problems, however, many of them also expose the author’s ideological side or reality. This is the political unconsciousness. This research approach is grounded theory because this exploration moves from the empirical realm to the theory-based realm in analyzing data. The data are in the form of quotation statements taken from relevant reference books, articles or journals. The data collection technique is documentation because this research is a type of library research. The analysis technique is thematic analysis. From the exploration results, it can be seen that Jameson sees a text as a symbolic act, resistant but reproducible to the dominant ideology. This is the condition of reification, in which the subject (writer and/character) is drowning to a process of totalization towards unconsciousness which is inherent in ideological power. This is the political unconscious which leads us to the unmasking of cultural artifacts (literary texts) as interpreted social symbolic actions

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