cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Hero Patrianto
Contact Email
jurnal.atavisme@gmail.com
Phone
-
Journal Mail Official
jurnal.atavisme@gmail.com
Editorial Address
Balai Bahasa Jawa Timur, Jalan Siwalanpanji, Buduran, Sidoarjo 61252, Indonesia
Location
Kab. sidoarjo,
Jawa timur
INDONESIA
ATAVISME JURNAL ILMIAH KAJIAN SASTRA
Published by Balai Bahasa Jawa Timur
ISSN : 1410900X     EISSN : 25035215     DOI : 10.24257
Core Subject : Education,
Languange, Linguistic, Communication & Media
Atavisme adalah jurnal yang bertujuan mempublikasikan hasil- hasil penelitian sastra, baik sastra Indonesia, sastra daerah maupun sastra asing. Seluruh artikel yang terbit telah melewati proses penelaahan oleh mitra bestari dan penyuntingan oleh redaksi pelaksana. Atavisme diterbitkan oleh Balai Bahasa Provinsi Jawa Timur. Terbit dua kali dalam satu tahun, pada bulan Juni dan Desember.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 284 Documents
 25   26   27   28   29 
POST-SPACE SEBAGAI BENTUK PERLAWANAN IMIGRAN TERHADAP TATANAN KOLONIAL DALAM NOVEL BRICK LANE KARYA MONICA ALI Ikbal, Muhammad; Sudibyo, Sudibyo
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.727.139-152

Abstract

Brick Lane's is a post-colonial literary work that raises the issues of the Bangladeshi diaspora in England. The raise of diaspora writers who settled in Europe and America has colored modern world literature. The ideas of diaspora writers do not only present works with monolithic ideas, they have also presented various spatial constructions and identities about immigrants living in the Western world. This research was conducted as an effort to answer the formulation of the problem as follows: (1). What is the postcolonial spatial response in Brick Lane Monica Ali's novel? (2). How about urban space construction and postcolonial spatial strategy in the novel Brick Lane? This study uses qualitative research methods to explore how the author constructs postcolonial space and offers post-space in his work. Data was collected inductively through the depiction of characters in the novel and classified for later analysis using Spatial Politics Sara Upstone's theory. The results of this study indicate that the authors attempt to present chaos as a postcolonial spatial response. The chaos presented by the author appears when certain individuals in the novel feel discriminated against in a space with colonial-created boundaries and orders, either because of their identity or social class. The author also constructs city space by offering a strategy displacement in the form of transferring a sense of belonging to the smaller things that construct urban space, and the relationships between figures that make individuals feel comfortable with their existence.
DI BAWAH LANGIT TAK BERBINTANG KARYA UTUY TATANG SONTANI: TINJAUAN SASTRA PERJALANAN CARL THOMPSON Windayanto, Riqko Nur Ardi
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.817.93-111

Abstract

Di Bawah Langit Tak Berbintang (DBLTB) by Utuy Tatang Sontani is a travel literature because it narrates travel, fulfills the formal-aesthetic characteristics of travel literature, and reconstructs travel experiences in a novelistic way. This study explains aspects of travel literature and the author's ideology with Thompson's theory of travel literature. The first problem data are verbal units in DBLTB which tell about self-other, movement, room, meeting, agenda, and writing, which are collected using the note-taking technique. Data ideology is narratives from social, cultural, and ideological texts, which are collected by literature study. The data are analyzed by content analysis and Laclau and Mouffe’s discourse analysis. This study shows that Utuy involved himself as I, a traveler in Indonesia and China. The journey makes him arrives at spaces, such as Bandung, Jakarta, Peking, Canton, Cengkareng, sanatoriums, and Cing Tao, and brings him meets with others, both people, places, and activities. In its journey, the dominant world is described subjectively, which then shows the author's agenda, namely and defends his ideology, namely individualism.
AKAR KULTURAL DALAM PUISI KARYA PEREMPUAN PENYAIR BERETNIS MADURA: KAJIAN ANTROPOLOGI SASTRA Anwar, M Shoim
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.823.153-169

Abstract

Madura has a distinct subculture in Indonesian culture. Poetry by female Madurese poets can also represent this distinctive anthropological cultural aspect. From the perspective of literary anthropology, with a qualitative approach, the aims of this reasearch are to interpret, analyze, and find things related to anthropological cultural roots in poetry by women of Madurese ethnic poets. The result of this research is that the poetry of Madurese ethnic women poets is influenced by the anthropological cultural journey based on Madura, both when the poets live on the island of Madura and when they are in other places. The anthropological cultural aspect that appears is the existence of various events in the past which are used as sources of ideas for creation, especially when they were children.  The dominant cultural types in poetry  by women of Madurese ethnicity are those to art, livelihood or economy, relationships in social organization  or familial relationships, and religion as cultural shield. 
JANGER BANYUWANGI: KREASI DAN INOVASI TRADISI LISAN KE PERTUNJUKAN Anoegrajekti, Novi; Macaryus, Sudartomo; Caturwati, Endang; Iskandar, Ifan; Attas, Siti Gomo
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.824.170-184

Abstract

Abstract: Janger Banyuwangi has been established since 1918 and designed to present an entertainment for the community. It was firstly called as Damarwulan due to a character -based Damarwulan and celebrated in every eclipse. This study purposed to analyze the creation, character innovation, and performing arts technique. This study was ethnographic study started by inventing literature studies in the form of article, research report, theses, and dissertation. The literature studies were completed by filed data obtained from observation and participation by directly seeing the performance of Janger. The data were analyzed semiotically by positioning every section such as character innovation, performing technique, property, and community's response as evidences that indicated cultural dynamics. This study resulted that character innovation and creativity, performing technique, and interest of audience had become variabkes that determined the popularity of Janger group.  
PENGARUH LEGENDA LA HILA PUTRI MA MBORA DALAM TRADISI-TRADISI MASYARAKAT DONGGO NUSA TENGGARA BARAT Ifan, Muhammad; Andalas, Eggy Fajar
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.812.54--64

Abstract

Legenda La Hila Putri Ma Mbora (Seorang Putri Yang Hilang) merupakan sastra lisan yang hidup di kalangan masyarakat Bima, Nusa Tenggara Barat. Sebagai cerita yang diwariskan antargenerasi oleh nenek moyang masyarakat Bima, saat ini legenda ini bertransformasi dalam tradisi-tradisi masyarakat Donggo, Bima. Banyak tradisi dalam masyarakat Donggo Bima yang terpengaruh oleh keberadan legenda ini. Penelitian ini bertujuan mendeskripsikan tradisi-tradisi masyarakat Donggo, Bima, yang dipengaruhi oleh legenda La Hila Putri Ma Mbora. Untuk melakukan hal tersebut digunakan metode etnografi. Etnografi yang digunakan dalam penelitian ini adalah etnografi digital. Teknik pengumpulan data dilakukan melalui wawancara kepada informan kunci dan studi dokumen. Teknik analisis data penelitian menggunakan model Milles dan Hubberman, yaitu reduksi data, penyajian data, interpretasi data, dan penarikan simpulan. Hasil penelitian menunjukkan bahwa legenda La Hila Putra Ma Mbora telah bertransformasi ke dalam berbagai bentuk tradisi masyaraat Bima, yaitu syair kalero, pesta raju, cola nasa, adat kematian, dan tradisi berpakaian perempuan Bima. The legend of La Hila Putri Ma Mbora (A Missing Princess) is an oral literature that lives among the community of Bima, West Nusa Tenggara. As a passed down story between generations, today, this legend is transformed into the traditions of the Donggo people of Bima. Many traditions in the Donggo Bima community were influenced by the existence of this legend. This study aims to describe the traditions of the Donggo, Bima, who were influenced by the legend of La Hila Putri Ma Mbora. Ethnographic method is applied to conduct the research. Method used in this research is digital ethnography. Data collection techniques were carried out through interviews with key informants and document studies. Data analysis techniques is using the Milles and Hubberman models, namely data reduction, data presentation, data interpretation, and drawing conclusions. The results showed that the legend of La Hila Putra Ma Mbora had transformed into various forms of Bima community traditions, namely kalero poetry, raju parties, cola nasa, death customs, and Bima women's dress traditions. 
CONSUMER SOCIETY IN UMAR KAYAM’S JALAN MENIKUNG A STUDY OF JEAN BAUDRILLARD’S POSTMODERNISM Suharmono, Suharmono
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.856.31--38

Abstract

Abstract: The research aims to reveal the consumer society in Jalan Menikung, a novel written by Umar Kayam. The theoretical framework used is the postmodern theory of Jean Baudrillard. Baudrillard reveals the characteristics change of culture in contemporary society and introduces the characteristics of Western society as a simulation society. The method used in this study is qualitative. The material was obtained from literature and analyzed using the conception of Baudrillard. The important concept used is the change in value, simulation, simulacra, hyperreality, and consumer society. The results of the study show that in the novel Jalan Menikung, there is a change in value that occurs in the form of consumerism. This consumerism is in the form of consuming clothes, consuming food, or drinks, consuming certain buildings, consuming certain luxury goods, consuming in orgies, consuming in the use of power, and consuming in high-class associations. Simulation processes of consumption in Jalan Menikung happen on the development of technology, especially information technology and language signs. In Jalan Menikung Umar Kayam describes the consumer society as a complicated culture intertwined.
MAKNA TERHADAP MITOS RELASI MANUSIA DAN TUMBUHAN DALAM MANUSKRIP LONTAR JUWARSAH: KAJIAN SEMIOTIKA ROLAND BARTHES Nafi'ah, Wirdatun; Khusyairi, Johny Alfian
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.860.39--53

Abstract

Penelitian ini bertujuan untuk mengetahui makna mitos relasi manusia dan tumbuhan dalam manuskrip Lontar Juwarsah. Penelitian ini menggunakan teori Semiotika Roland Barthes. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan menggunakan model analisis semiotika Roland Barthes. Sumber data penelitian ini adalah manuskrip Lontar Juwarsah koleksi DREAMSEA yang diunduh pada tahun 2022. Hasil penelitian ini berupa pemaparan kode denotasi, kode konotasi, dan mitos relasi manusia dan tumbuhan dalam manuskrip Lontar Juwarsah. Relasi manusia dan tumbuhan dalam manuskrip Lontar Juwarsah menunjukkan bahwa tumbuhan memiliki kekuatan atau energi yang diperlukan oleh manusia.
RESEPSI FILM MIRACLE IN CELL NO. 7 VERSI KOREA DALAM ADAPTASI INDONESIA: KAJIAN SOSIOLOGI SASTRA Alayya, Syamila Isyqi; Muthmainnah, Atikah; Susanto, Dwi
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.877.1--13

Abstract

Film Miracle in Cell No. 7 versi Indonesia merupakan adaptasi yang dibuat karena kepopuleran versi aslinya, yakni versi Korea. Adaptasi tersebut dibuat berdasarkan resepsi yang diterima oleh sutradara Hanung Bramantyo yang dipengaruhi sosial budaya dalam masyarakat Indonesia. Penelitian ini bertujuan mengkaji perubahan aspek sosiologi dalam adaptasi Miracle in Cell No. 7 versi Indonesia dan penyebab dari berbagai perubahan tersebut. Metode yang digunakan penelitian ini adalah metode deskriptif kualitatif. Data penelitian antara lain adegan pada kedua versi film yang mengandung aspek sosiologis dan teks-teks sosial historis yang berkaitan dengan latar belakang film Miracle in Cell No. 7 versi Korea dan versi Indonesia.  Untuk menelaah data-data tersebut, penelitian ini menggunakan teori sosiologi sastra yang berfokus pada konsep sosiologi karya sastra. Berdasarkan penelitian yang telah dilakukan, maka diketahui bahwa perubahan pada adaptasi film Miracle in Cell No. 7 Indonesia didasari oleh perbedaan latar belakang dan tujuan pembentukan film. Selain itu, perubahan juga disebabkan oleh adanya perbedaan sosial dan budaya masyarakat pada negara Indonesia dan Korea.
SEMANGAT REVOLUSI PRANCIS DAN PATRIOTISME NAPOLEON BONAPARTE DALAM PERSPEKTIF BARU SASTRA JAWA Rokhim, Mukhammad Nur; Nugroho, Yusro Edy; Suratno, Pardi
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.879.14--30

Abstract

Peristiwa Revolusi Prancis pada abad XVIII menjadi awal perubahan tatanan dunia guna melepaskan diri dari belenggu perbudakan. Secara politik maupun kultural, semangat revolusi dihidupkan kembali melalui teks sastra. Kanonisasi sastra Jawa kisah Napoleon pada masa kolonial memunculkan perspektif baru pada abad XX, yaitu semangat kebebasan. Hal ini ditemukan dalam teks klasik Cariyos Napoleon Bonaparte koleksi PNRI Nomor NB 1410 yang ditulis pada abad XX. Penelitian ini bertujuan untuk menemukan konsep penafsiran orang Jawa terhadap peristiwa Revolusi Prancis dalam sudut pandang baru sastra Jawa Napoleon. Penelitian ini menggunakan  pendekatan mimetik melalui teori new historicism. Data primer penelitian diambil dari unsur tokoh, penokohan, dan alur, sedangkan data sekunder diperoleh dari karya sastra Jawa lainnya yang berkaitan dengan peristiwa Revolusi Prancis atau bersinggungan dengan Napoleon Bonaparte. Melalui pembacaan hermeneutika, teks ini menawarkan gagasan baru dari konsep budaya yang mengisi teks tersebut, yakni orientasi semangat perjuangan dan nasionalisme rakyat. Tokoh Napoleon Bonaparte dianggap sebagai tokoh yang memberikan keteladanan guna menggugah semangat patriotisme bagi masyarakat Jawa.
DISTOPIA DALAM NOVEL TERJEMAHAN THE LONG WALK KARYA STEPHEN KING (KAJIAN PSIKOLOGI ABNORMAL DAVISON) Putra, Natanael Ricky; Dermawan, Taufik
ATAVISME Vol 26, No 2 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i2.881.102-116

Abstract

Novel The Long Walk karya Stephen King memiliki muatan distopia dan abnormalitas. Distopia merupakan kondisi berlatar masa depan yang penuh dengan kehancuran. Untuk itulah, penelitian ini bertujuan untuk mengungkap bentuk-bentuk distopia dan dampaknya dalam novel The Long Walk karya Stephen King. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan data berupa dialog dan paragraf dalam novel The Long Walk. Hasil penelitian menunjukkan adanya kehidupan dehumanisasi, penyeragaman harapan, penggunaan propaganda sebagai kontrol masyarakat, serta adanya ideologi yang salah. Bentuk-bentuk distopia di atas yang pada akhirnya memicu perilaku abnormal para tokohnya, seperti mengidap skizofrenia, perilaku menyimpang hiperseks, dan pembunuhan massal berkedok perlombaan.

Page 27 of 29 | Total Record : 284

 25   26   27   28   29 

Filter by Year

2007 2024


Reset
Filter By Issues
All Issue Vol 27, No 2 (2024): ATAVISME Vol 27, No 1 (2024): ATAVISME Vol 26, No 2 (2023): ATAVISME Vol 26, No 1 (2023): ATAVISME Vol 25, No 2 (2022): ATAVISME Vol 23, No 2 (2020): ATAVISME Vol 23, No 1 (2020): ATAVISME Vol 22, No 2 (2019): ATAVISME Vol 22, No 1 (2019): ATAVISME Vol 21, No 2 (2018): ATAVISME Vol 21, No 1 (2018): ATAVISME Vol 20, No 2 (2017): ATAVISME Vol 20, No 1 (2017): ATAVISME Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016 Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016 Vol 18, No 2 (2015): ATAVISME, Edisi Desember 2015 Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015 Vol 17, No 2 (2014): ATAVISME, Edisi Desember 2014 Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014 Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013 Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013 Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012 Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012 Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011 Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011 Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010 Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010 Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009 Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009 Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008 Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008 Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007 Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007 More Issue