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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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Wayang Gaga as a Media of Creativity Education for Students at Nongkosawit 02 Elementary School Semarang Setyaningrum, Heny; Jazuli, Jazuli; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35745

Abstract

Wayang Gaga is a contemporary puppet made from grass. Wayang Gaga is staged with a simple story and triggers communication between the players and the audience. Wayang Gaga can be used as a medium for creativity education for children through the process of creating and appreciating. This study aims to examine Wayang Gaga as a medium for creativity education for elementary school children. Research location in Nongkosawit Public Elementary School 02, Jl. Randusari, RT.06/RW.02, Nongkosawit, Gunungpati District, Semarang City. Data collection techniques use observation, interviews, and documentation. The data validation technique uses source triangulation. Data analysis techniques refer to Miles and Huberman with data reduction procedures, data presentation and conclusion drawing. The results showed that Wayang Gaga can be used as a medium for creativity education for elementary school children through the process of making puppets (creations) to short performances by students (appreciation). Weaving skills, the breadth of thinking and the flexibility of speaking in public when being a puppeteer is one of the characteristics of creativity that results from learning activities using the Wayang Gaga media. Specific creativity can be seen from the personalities of students involved in a series of creative processes namely Wayang Gaga workshops and performances, supported by internal and external driving factors, so as to produce a creative product in the form of Wayang Gaga and its performances. This research is expected to bring up new educational media based on local wisdom, so that in addition to developing creativity students can also recognize and love the arts in their own area.
The Symbolic Meaning and Cultural Ethics Values in Pagar Pengantin Dance Movements Kartikasari, Aprilia; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35950

Abstract

The Pagar Pengantin dance is one of the South Sumatra's traditional works of art, it was created based on the spirit of the Komering tribe and developed in Palembang. The Pagar Pengantin dance is one form of art that is widely used by the local community that presented during the the traditional wedding ceremony which has the symbolic meaning of the bride's separation from her family and requests permission to form a new family. The purpose of this study is to analyze the symbolic meaning and cultural ethical values ​​in the Pagar Pengantin dance moves. This is case study that used a qualitative method. The data were collected by observation, interview and document study. The results of the study provide knowledge and references about the symbolic meanings and values ​​of cultural ethics in the Pagar Pengantin dance moves. In particular, this findings are (1) the symbolic meaning of the Pagar Pengantin dance moves is the request of the bride's permission to start a new life as in the respect gesture associated with the symbolic meaning of respect. The flower motion symbolizes the bride, the united motion means the union of two families. (2) The value of local cultural ethics in the Pagar Pengantin dance movement shows forms of behavior that lead to goodness in social life such as the ethical values ​​of politeness and positive thinking, humility, caution, and the affection value.
Palembang Songket Fabric Visual Motif Wijayanti, Fitri; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36035

Abstract

Palembang songket fabric visually has various aesthetic forms that are always changing, but always maintain the value of local wisdom. The purpose of this study was to analyze the visual motifs of the Palembang Songket fabric. The method used is a qualitative method with a phenomenological research design. Data collection techniques include observation, interview and document study. The validity of the data in this study uses triangulation, while the data analysis procedure is carried out by collecting data, reducing, presenting, and drawing conclusions. This study was analyzed using De Witt H. Parker's aesthetic theory. The results showed that Palembang Songket visually contained two forms of visual classical motifs and modern visual motifs. Visual classical motifs have characteristics; (1) animal and tumpal motifs, (2) material used is silk thread and gold-plated thread, (3) the colors used are predominantly dark red and gold. While modern visual motifs have characteristics, (1) motifs are more on plants and geometric but do not leave tumapal motifs, (2) materials used are silk thread and copper-coated silk thread, (3) colors used are more diverse, like red, pink, blue, green, and purple. Specifically, the subject of this research was the visual motifs of Palembang's Songket fabric, which experienced continuous visual changes in motifs.
Batik Batik in the Joint Business Group of Sidomulyo, Tegal: A Case Study of the Ornamentation, Function, and Inheritance Affan, Faiz; Triyanto, Triyanto; Iswidayati, Sri
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36426

Abstract

Producing art is a human need. This research focuses on the art production in the form of batik made by Sidomulyo Joint Business Group in Pasangan. This research aims to analyse the ornamentation of batik, explain the function of batik, and the inheritance to the next generation organized by the business group. This research employs qualitative method with socio-cultural interdiscipline and art. The researchers collected the data through observation, interview, and documentation. The analysis of the data focuses on the aesthetics, function, and the concept of inheritance (internalization, enculturation, and socialization). First, the business group produces batik with variative and aesthetics value. Second, the batik provides human value for the source of living, socialization, and cultural preservation. Third, the inheritance works through family’s intergenerational transfer and informal education. Batik Tegal has varied motives. The producer may preserve it by motivating the younger generation to keep on producing the batik in Tegal. As a suggestion, this research can become a reference for future generation about batik in Tegal and how to do it.
Keroncong : The Creativity Process of Pesona Gabuse Music Group in Pati Regency Wismandanu, Hanur; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36916

Abstract

The Keroncong Pesona Gabuse Group is one group that uses the Keroncong genre in every performance. To maintain its existence, Pesona Gabuse always presents new and contemporary works in every performance. This research analyzes the process of creativity in realizing new works as an effort to preserve keroncong music in the country. Thus the purpose of this study is to analyze how the processes of artists in creativity, especially the personnel of the Pesona Gabuse group, using qualitative research methods. Data collection techniques using observation techniques, interviews, and document studies. The data validity technique is by using data and source triangulation, while the data analysis procedure is by data reduction, data presentation, and drawing conclusions. The theory used to analyze the data that is the theory of Creativity according to Utami Munandar. It is defined into four types of dimensions as "four points creativity" namely (1) personal dimensions (person), (2) dimensions of the process (process), (3) dimensions of pressure (press), and product dimensions. The general result found is that there is a culture which is the result of a form of community gratitude because of the abundant of natural resources, or art that is only intended as mere entertainment. The art and culture tours in general are the Gong Theater, Widyas Budoyo dance studio, shadow puppet shows, puppet shows, barongsai pagoda, alms earth, and the Gabus market festival. One of them is music tour, there are 2 music tours in the village of Gabus namely Gagego music village and Pesona Gabuse. The Pesona Gabuse Keroncong Group is one of the existing keroncong groups in Pati Regency. Specific research results found relating to the creativity process are the result of the creative process of the Keroncong Pesona Gabuse music group. Keroncong Pesona Gabuse group makes the keroncong music sound different from the original keroncong music that has been legendary since the Indonesian colonial era, such as the original keroncong and extra keroncong which are almost all rhythmic 4/4 music. The new genre created by the Pesona Gabuse group is pop keroncong, congdut (dangdut keroncong), congrock (rock keroncong, congska (ska keroncong), reggae keroncong, and congjazz (jazz keroncong).
The Symbolic Meaning of Charaters in Wayang Lupit and Slentheng By Ki Entus Susmono Kuntoro, Adi; Iswidayati, Sri; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37111

Abstract

Wayang Lupit and Slentheng are the characters played in Carangan performance by Ki Entus Susmono. The characters are based on Punawakan. This research analyses the visual elements of Wayang Lupit and Slentheng by Ki Entus Susmono. This research uses qualitative method with semiotic approach. The researchers collected the data from observation, interviews, and documentation. The data were validated by triangulation. The analyses of the data were through data reduction, presentation, and verification. The visual analysis of the characters implemented the theories of Ferdinand De Saussure and Roland Barthes. The findings show that: 1) The characters of Wayang Lupit wear Tegalese costumes, which are clothes, black trousers (in some cases wear Sarong), and iket wulung (a head band); 2) The character of Slentheng wears moslem apparel with sarong and kupluk/peci (moslem cap). Besides, the researchers found that the symbolic meaning of Wayang Lupit and Slentheng are reflected through its use of traditional costume. pakaian adat. In the end, this research can become a reference for similar study in the future, specifically for art education study in the future.
Jonggan Dayak Kanayatn Dance: Study of Educational Values in The Learning Process in Elementary Schools Mukhlisin, Mukhlisin; Hartono, Hartono; Lanjari, Restu
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37181

Abstract

The learning process is inseparable from the educational values that occurs during the learning and teaching activities taking place, and also in the learning process of Jonggan Dayak Kanayatn Dance. This study examined the educational value in the learning process of Jonggan Dayak Kanayatn Dance in elementary schools. This research used qualitative method and educational approach. Data collection used observation, interview and document study technique. Data analysis procedures used data reduction, data presentation and data verification. Analysis of the educational value in the learning process of Jonggan Dayak Kanayatn Dance used Rosyadi and Hasbullah Analysis. The validity of the data in this study used triangulation of data sources. The results of the study were: 1). Religious Value; 2). Discipline Value; 3). Responsibility Value; 4). Independence Value; 5). Tolerance Value and Hard Work Value. Specifically, the findings in the Jonggan Dayak Kanayatn Dance learning process, there was an educational value that is reflected in the Jonggan Dayak Kanayatn Dance learning process in Elementary Schools. The benefits of the results of this study can be used as a reference in dance learning in particular and in learning other arts in general.
Religious Messages in Rapa’i Tuha Aceh Song Lyrics Ayu Agustya, Kembang; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37199

Abstract

Rapa’i Tuha music comes from Aceh, there are many religious messages conveyed through song lyrics. The purpose of this study was to analyze the religious messages contained in the lyrics of the Rapa’i Tuha Aceh music song. This research used a communication approach using qualitative research methods. Data collection techniques were using observation, interviews and documentation. Data analysis procedures were carried out through data reduction, presentation and verification. Data validity used triangulation of data sources, methods and theories. Analysis of religious messages in song lyrics in Rapa’i Tuha music used communication analysis by Effendy, namely the presence of messages and communicators, recipients of messages and the presence of media. The results of this study indicated that the Rapa’i Tuha contains religious messages namely the message of faith and the message of morals. Specifically, the findings in this study were that there was a message of faith which means everything that should be trusted, believed and faithful as a Muslim. As well as moral messages which are reflected in the behavior patterns of our fellow human beings where all of these religious messages are contained in song lyrics in Rapa’i Tuha Aceh music.
Social Changes on Basisombow in The Community of Kampar Riau Regency Putri, Osmawinda; Hartono, Hartono; Utomo, Udi
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37256

Abstract

Basisombow is a literature that develops in the North Kampar of Kampar District. In antiquity Basisombow was used for traditional event, wedding, and circumcision event. The research aims to describe and analyze the social change of Basisombow in the community of Kampar Riau Regency. This study used qualitative research, with a sociological approach. Observation technology, interviews and documentation are used as instruments of the research in collecting the data. The data analysis procedures used data reduction, data presentation and data verification. The validity of the data in this study used Triangulation source that was performed for the inspection process by examining data from multiple sources. The results of the study that Basisombow experienced social change as follows: 1). Changes on Kampar community structure; 2). new findings and other cultural contacts; 3). Differences of opinion amongst generations. In particular, the findings in social change are influenced by 2 (two) factors such as; external and internal factors which are related to the social environment of the Kampar community.
The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency. Bekti, Wahyu Prasetyo; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37936

Abstract

Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.

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