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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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Presentation of Ma'badong Music in the Context of Social Action in Lembang Gandangbatu Sambira, Zefanya; Wadiyo, Wadiyo; Syakir, Syakir
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.44526

Abstract

Ma'badong music is a music that is presented in the Ma'badong performance at the Rambu Solo' ritual or death ritual in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency as an expression and lamentation for someone who has died. This study uses qualitative research method with a sociological approach. The data analysis used to analyze the presentation of Ma'badong music in the context of social action consists of three stages, namely: data reduction, data presentation, and drawing conclusions. The data collection techniques used were observation, interview, and documentation techniques. The results suggest that the presentation of Ma'badong music in Lembang Gandangbatu consists of four types of social action proposed by Max Weber, namely: objective rational action, value rational action, affective action, and traditional action. Pa'badong acts as an actor or music presenter of Ma'badong that tried to present their best performance through melodies, rhythms, and lyrics in Badong which are full of meaning and noble values upheld by the Toraja tribe. Meanwhile, individuals or groups of people who watch Ma'badong performance act as appreciators or audience. The presentation of Ma'badong music is not only seen as part of religious rituals and performing arts, but also as a form of social action that occurs in Tana Toraja community, especially in Lembang Gandangbatu. Ma'badong music is a music that is presented in the Ma'badong performance at the Rambu Solo' ritual or death ritual in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency as an expression and lamentation for someone who has died. This study uses qualitative research method with a sociological approach. The data analysis used to analyze the presentation of Ma'badong music in the context of social action consists of three stages, namely: data reduction, data presentation, and drawing conclusions. The data collection techniques used were observation, interview, and documentation techniques. The results suggest that the presentation of Ma'badong music in Lembang Gandangbatu consists of four types of social action proposed by Max Weber, namely: objective rational action, value rational action, affective action, and traditional action. Pa'badong acts as an actor or music presenter of Ma'badong that tried to present their best performance through melodies, rhythms, and lyrics in Badong which are full of meaning and noble values ​​upheld by the Toraja tribe. Meanwhile, individuals or groups of people who watch Ma'badong performance act as appreciators or audience. The presentation of Ma'badong music is not only seen as part of religious rituals and performing arts, but also as a form of social action that occurs in Tana Toraja community, especially in Lembang Gandangbatu.
An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra Pamungkas, Benidiktus Candra; Utomo, Udi; Sumaryanto Florentinus, Totok
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.44612

Abstract

Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning
Musical Creativity and Character Education Values in Performing Arts Activities at SMA Negeri 1 Kedungwuni Afwa, Mughny El.; Utomo, Udi; Cahyono, Agus
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.44810

Abstract

This study aims to analyze the process of students' musical creativity and the value of character education through performing arts activities at SMA Negeri 1 Kedungwuni. This study uses a qualitative method. The data were collected by using observation, interview, and document study techniques. The data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources, and theory. The results showed that the process of musical creativity in performing arts activities at SMA Negeri 1 Kedungwuni was carried out in 4 stages. In the first stage, namely preparation, students chose songs and determined what musical arrangements that matched to the theme determined by the teacher. In the second stage, namely incubation, students determined the solution to the problem of music, drama, and dance collaboration arrangements to the teacher through discussion. In the third stage, students determined the musical instruments used, arranged arrangements, and practiced. The last stage was verification of the work of musical creativity which was carried out through the pre-general rehearsal and general rehearsal. Character education values that were formed during the preparation process and performing arts activities are: (1) the value of discipline, (2) the value of creative, (3) the value of cooperation, and (4) the value of responsibility.
An Innovation of Music Art Learning Media in the Covid-19 Pandemic to Develop Student Character Saputra, Oktafian Harys; Utomo, Udi; Florentinus, Totok Sumaryanto
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.45181

Abstract

The COVID-19 pandemic has resulted in learning activities that took place face-to-face, turning into distance learning. Teachers need to adjust to this condition by making innovations to provide good educational services to students. This study aims to describe and analyze an innovation of media use in music art learning in the Covid 19 pandemic to develop the character of students at SMP Nasima Semarang. The research method used is qualitative research with a case study design. The data collection process was carried out by observation, interviews, and literature study. The data analysis was carried out by using three activity lines according to Miles and Huberman, namely data reduction, data presentation, and conclusion drawing. The results of this study is the use of learning videos uploaded to social media namely Youtube as a form of innovation in distance learning activities at SMP Nasima Semarang, which previously used powerpoint media in face-to-face learning in class. The use of video in distance learning makes it easy for teachers in delivering material, even though the manufacturing process requires more effort. There are character values instilled in students through the use of instructional videos, namely responsibility, curiosity, and honesty. The benefit of this study is as an overview of learning media innovation that can be used as a reference in implementing learning in the COVID-19 pandemic.
Character Values in Children Songs Lyrics by Sumaryanto as an Effort to Develop Children's Personality Wulansari, Reni; Wadiyo, Wadiyo; Triyanto, Triyanto
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.45214

Abstract

Children song by Sumaryanto is a learning medium that was created with the character values contained. The purpose of this study is to analyze and describe the values contained in children songs by Sumaryanto that can shape a child's personality. The method used is qualitative with a psychological approach and arts education. The data collection techniques was conducted through observation, interviews, and document study. The data validity technique used was the source triangulation technique. The analysis process was started from data collection, data reduction and clarification, drawing conclusions and interpretation. The results showed that children songs by Sumaryanto have character values that can help children's development. The values including the values of caring for the environment, the value of curiosity, the value of respect for parents, and the value of honesty. These values appeared through the lyrics contained in every song by Sumaryanto which certainly had a good impact on children by implementing these good qualities.
The Value of Creative Character of Guci Dance Through The Extracurricular Art of Dance Ferawati, Yusnita; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45220

Abstract

Guci dance is one of the dance creations from the Guci area in Tegal Regency which had a characteristic in its variety of movements and it was used as a material for the extracurricular art of dance. This study aims to provide an overview of the value of the creative character of the Guci Dance, which was given through the extracurricular activities learning of dance. The study was conducted by using a qualitative analysis research method with the research location at SMP Negeri 2 Bumijawa in Tegal Regency. The instruments and data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The results of the cultivation of creative character values through the extracurricular activities learning art of dance focused on 5 aspects, namely thinking in all directions, changing perspectives, generating ideas, stimulating backgrounds and skills in many ways.
The Inheritance of Balo-Balo Art at the Cahaya Rembulan Musik Studio in Tegal City Pratama, Rizki Giska; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45253

Abstract

The aim of this study is to analyze the inheritance of the balo-balo art performance and the inheritance of socio-cultural values carried out by the balo-balo art community. The method used is qualitative with ethnomusicology and anthropology approaches. The data collection techniques was conducted through observation, interviews, and documentation studies. The analysis process consists of data collection, data reduction, and data clarification. The results of the study on the inheritance of the balo-balo art include inheritance of the form of balo-balo art performance which was an effort to keep traditional arts. The inheritance was carried out at the Cahaya Rembulan Musik Studio by doing exercises, preparations, and balo-balo art performance. Balo-balo art poetry is in the form of wangsalan (poem) which contains of advice about God Almighty. The inheritance of socio-cultural values contain religious values which these values are contained in the lyrics and educational values that are inherited through training in balo-balo art which are expected to introduce traditional arts, especially balo-balo art to the Tegal City community.
The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency Ryandana, Mylza Nova; Florentinus, Totok Sumaryanto; Utomo, Udi
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45272

Abstract

Terbang Papat is a typical traditional art from Kudus, the name of Terbang Papat was taken from the instruments of Terbang in the amount of four and used one Jidor. The art of Terbang Papat, now is starting to fade because it has been replaced by the times. This study aims to provide a preservation overview of the Terbang Papat art form in Kudus. The study was conducted by using a qualitative analysis research method with the research location in the Kedungdowo Kaliwungu village, Kudus Regency. The data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The result of preserving the Terbang Papat music is from musical elements namely the time element and the characteristics of the accompanying instruments.
Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village Iskandar, Wahyu; Ibnan Syarif, Muhammad; Wadiyo, Wadiyo
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45298

Abstract

Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation . Analysis of data is done through data collection, data reduction , data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color , face shape , accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.
The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic Natalia, Violinna Wynsa; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45347

Abstract

This study aims to identify, reveal, analyze and describe adaptation of Andy Irawan Music's efforts to deal with the Covid-19 pandemic in the wedding music industry. The author uses an interdisciplinary approach, by borrowing theories and concepts from the disciplines of musicology, sociology, and economics. The object in this study is industry and adaptation, with the subject Andy Irawan Music. The research design uses an interpretive case study located in Semarang. The data were collected through observation, interviews, and documentation. The results show that Andy Irawan Music could adapt during the Covid-19 pandemic. Adaptation efforts made by Andy Irawan Music include appearing with new formations, optimizing the use of social media/ digital platforms, applying virtual music, following recommended health protocols, participating in wedding showcases, and creating Andy Irawan Disciples.

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