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ANALISIS SEMIOTIKA ROLAND BARTHES ATAS LAGU “DI AKHIR PERANG” NADIN AMIZAH Dela Ayu Puspita; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Vol 6 No 2 (2026)
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, FKIP, UNIKU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ajpm.v6i2.296

ABSTRAK: Penelitian ini mengkaji makna yang terkandung dalam lirik lagu Di Akhir Perang karya Nadin Amizah dengan menggunakan teori semiotika Roland Barthes. Analisis semiotika Roland Barthes dalam penelitian ini menitikberatkan pada tiga tataran pemaknaan, yaitu denotasi, konotasi, dan mitos yang terkandung dalam lirik lagu tersebut. Metode penelitian yang digunakan adalah kualitatif interpretatif dengan teknik pengumpulan data berupa studi dokumentasi. Data penelitian diperoleh dari lirik lagu serta sumber pustaka yang relevan. Hasil penelitian menunjukkan bahwa makna denotatif dalam lagu ini menggambarkan kondisi pascakonflik, makna konotatif merepresentasikan konflik batin dan luka emosional dalam hubungan interpersonal, sedangkan makna mitos membangun pemahaman budaya bahwa cinta dipersepsikansebagai perjuangan emosional yang sarat dengan pengorbanan dan penderitaan. Penelitian ini diharapkan dapat memberikan kontribusi dalam kajian semiotika terhadap karya musik populer Indonesia. KATA KUNCI: lirik lagu; semiotika Roland Barthes; denotasi; konotasi; mitos > ROLAND BARTHES’ SEMIOTIC ANALYSIS OF NADIN AMIZAH’S SONG “Di Akhir Perang” ABSTRACT: This study examines the meaning contained in the lyrics of the song "Di Akhir Perang" by Nadin Amizah using Roland Barthes' semiotic theory. Roland Barthes' semiotic analysis in this study focuses on three levels of meaning: denotation, connotation, and myth, contained in the song's lyrics. The research method used is qualitative interpretative with data collection techniques in the form of documentation studies. The research data were obtained from the song's lyrics and relevant literature sources. The results show that the denotative meaning in this song depicts post-conflict conditions, the connotative meaning represents inner conflict and emotional wounds in interpersonal relationships, while the mythical meaning builds a cultural understanding that love is perceived as an emotional struggle filled with sacrifice and suffering. This research is expected to contribute to the semiotic study of Indonesian popular music. KEYWORDS: song lyrics; Roland Barthes` semiotics; denotation; connotation; myth

PENCARIAN MAKNA HIDUP TOKOH UTAMA NOVEL SEPORSI MIE AYAM SEBELUM MATI : KAJIAN PSIKOLOGI SASTRA Fiam Musahlah; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
J-KIP (Jurnal Keguruan dan Ilmu Pendidikan) Vol 7, No 2 (2026): JUNI
Publisher : Faculty of Teacher Training and Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/j-kip.v7i2.22998

Penelitian ini bertujuan untuk menganalisis proses pencarian makna hidup tokoh utama dalam novel Seporsi Mie Ayam Sebelum Mati karya Brian Khrisna dengan menggunakan pendekatan psikologi sastra. Fokus penelitian diarahkan pada dinamika psikologis tokoh utama yang mengalami krisis eksistensial, kehampaan makna hidup, serta perubahan batin sepanjang alur cerita. Krisis tersebut muncul akibat tekanan hidup, kegagalan personal, serta perasaan kehilangan yang berkelanjutan sehingga mendorong tokoh pada kondisi putus asa dan keinginan untuk mengakhiri hidup. Metode penelitian yang digunakan adalah metode kualitatif deskriptif dengan teknik analisis teks. Data penelitian berupa kutipan dialog, narasi, dan monolog batin tokoh utama yang merepresentasikan kondisi psikologisnya. Analisis data dilakukan melalui proses reduksi, klasifikasi, dan interpretasi data berdasarkan konsep psikologi sastra. Landasan teori yang digunakan adalah teori logoterapi Viktor E. Frankl, khususnya konsep kehampaan eksistensial serta tiga sumber makna hidup, yaitu nilai pengalaman, nilai sikap, dan nilai kreatif. Hasil penelitian menunjukkan bahwa tokoh utama mengalami krisis eksistensial yang ditandai oleh perasaan hampa, kehilangan harapan, dan kecenderungan bunuh diri. Namun, melalui pengalaman sederhana, relasi kemanusiaan, serta perubahan sikap dalam memaknai penderitaan, tokoh utama secara bertahap mampu menemukan kembali makna hidupnya secara lebih bermakna dan manusiawi dalam konteks kehidupan sosial sehari-hari..

ANALISIS PENGGUNAAN BAHASA SARKASME NETIZEN PADA AKUN TIK TOK NISA SABYAN Yosi Yolanda Maulani; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
J-KIP (Jurnal Keguruan dan Ilmu Pendidikan) Vol 7, No 2 (2026): JUNI
Publisher : Faculty of Teacher Training and Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/j-kip.v7i2.22993

Media sosial menjadi ruang bebas bagi pengguna untuk menyampaikan opini dan mengekspresikan sikap terhadap berbagai fenomena publik. Salah satu bentuk ekspresi yang sering muncul adalah penggunaan bahasa sarkasme. Penelitian ini bertujuan untuk menganalisis penggunaan bahasa sarkasme netizen pada kolom komentar akun TikTok Nisa Sabyan. Metode yang digunakan adalah kualitatif deskriptif dengan sumber data berupa komentar netizen pada unggahan akun tersebut selama bulan Oktober 2025. Data dikumpulkan melalui teknik dokumentasi dan dianalisis berdasarkan konteks serta makna tuturan. Hasil penelitian menunjukkan bahwa bahasa sarkasme digunakan sebagai bentuk sindiran, ejekan, dan kritik sosial yang menyoroti ketidaksesuaian antara citra religius dan perilaku individu menurut persepsi publik. Temuan ini memperlihatkan rendahnya kesadaran netizen terhadap kesantunan berbahasa di media sosial serta pentingnya etika komunikasi dalam ruang digital.

CAMPUR KODE PADA KONTEN TIKTOK KREATOR GARUT: MANG EPUL SI TUKANG DAHAR SEBAGAI REPRESENTASI BAHASA ANAK MUDA GARUT Siti Nur Halimah; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
J-KIP (Jurnal Keguruan dan Ilmu Pendidikan) Vol 7, No 2 (2026): JUNI
Publisher : Faculty of Teacher Training and Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/j-kip.v7i2.23000

Penelitian ini dilatarbelakangi oleh maraknya penggunaan campur kode dalam konten media sosial yang mencerminkan dinamika bahasa anak muda, khususnya di daerah Garut. Penelitian ini bertujuan untuk mendeskripsikan bentuk campur kode dalam konten TikTok Mang Epul Si Tukang Dahar serta menjelaskan bagaimana campur kode tersebut merepresentasikan bahasa anak muda Garut. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan sumber data berupa dua video vlog yang diunggah pada akun TikTok Mang Epul Si Tukang Dahar. Analisis data dilakukan berdasarkan teori campur kode Muysken yang mengklasifikasikan campur kode ke dalam tiga kategori, yaitu insertion, alternation, dan congruent lexicalization. Hasil penelitian menunjukkan bahwa ketiga jenis campur kode tersebut ditemukan dalam video yang dianalisis, dengan dominasi insertion dan congruent lexicalization melalui perpaduan bahasa Indonesia dan bahasa Sunda. Campur kode dalam konten tersebut berfungsi sebagai sarana pembentukan identitas, keakraban, ekspresi diri, serta komunikasi populer di media sosial. Simpulan penelitian ini menunjukkan bahwa penggunaan bahasa oleh Mang Epul merepresentasikan bahasa anak muda Garut yang bersifat kreatif, fleksibel, dan tetap mempertahankan identitas budaya lokal, sehingga berimplikasi pada pemahaman perkembangan bahasa daerah di ranah digital.

Karnivalisasi Bakhtin: Perlawanan Kekuasaan dalam Novel Genduk Duku Karya Y.B Mangunwijaya Zaira Aulia Nurjanah; Cecep Dudung Julianto; Lina Siti Nurwahidah
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol. 25 No. 2 (2026): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 25 Nomor 2 Juli 2026
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.252.10

ABSTRACT This study analyzes Bakhtin’s Carnivalization in relation to the Representation of Repressive Power in the novel Genduk Duku by Y.B. Mangunwijaya. The research employs a qualitative paradigm with a Sociology of Literature approach, specifically focusing on Mikhail Bakhtin’s theory of Carnivalization. The formal object of this study is Mikhail Bakhtin's Carnivalization, while the material object is the novel Genduk Duku. The research problem centers on the forms of Bakhtinian Carnivalization manifested within the novel. The objective of this research is to identify the forms and representations of character carnivalization in Genduk Duku as a response to the representation of the Mataram rulers repressive power. The findings demonstrate that there are four categories of carnivalization utilized as a form of implicit resistance: (1) Familiar and free interaction between people, representing the dissolution of social hierarchies which allows the critical voices of the lower class to be acknowledged by the elite; (2) Eccentric behavior, manifested through unconventional actions to subvert or deflect the repressive will of the upper class; (3) Carnivalistic mésalliances, which unite the sacred and the profane to dismantle the authority and prestige of the ruling class; (4) Sacrilegious, in the form of acts of blasphemy against the upper class. Keywords: Bakhtin’s Carnivalization; Genduk Duku Novel; Implicit Resistance;Repressive Power; Sociology of Literature

Konstruksi Makna Emosional dan Budaya dalam Novel Lembayung Senja: Analisis Semiotik Roland Barthes Dewi Rahma Anjani; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.348

This article examined the construction of emotional and cultural meanings in the novel Lembayung Senja using Roland Barthes’ semiotic approach. A descriptive qualitative method was employed, and data were collected through reading and note-taking techniques to identify signs that constructed meaning within the narrative. The analysis focused on three levels of signification, namely denotation, connotation, and myth, as represented through symbols such as twilight imagery, characters’ gestures, and emotional metaphors. The findings indicated that these signs not only reinforced the narrative atmosphere but also reflected the characters’ inner journeys, experiences of loss, and underlying cultural values. The emotional and cultural meanings constructed in the novel were interconnected and produced multilayered interpretations, which expanded readers’ understanding of the themes developed by the author. The study demonstrated that Roland Barthes’ semiotic approach was effective in revealing implicit meanings in literary texts and could be applied to other literary works for deeper interpretative analysis.

Struktur Sintaksis dan Distribusi Jenis Klausa pada Lirik Lagu Album Rahasia Pertama Karya Rony Parulian Nisha Marsha Shonia; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.349

Song lyrics constitute a distinctive form of literary expression in which linguistic structure plays a crucial role in shaping meaning and emotional resonance. This study examines the syntactic structure and distribution of clause types in the song lyrics of Rahasia Pertama, the debut album by Rony Parulian. The research focuses on identifying and classifying clause types that appear in the lyrics, namely verbal clauses, nominal clauses, adjectival clauses, prepositional clauses, and numeral clauses, based on their formal characteristics and syntactic functions. Employing a descriptive qualitative method, the data were obtained through careful reading and systematic note-taking of the lyrics from all eight songs in the album. The collected data were then categorized and interpreted according to established syntactic theories. The findings reveal a total of 213 clauses distributed across four clause types: verbal clauses, nominal clauses, adjectival clauses, and prepositional clauses. Verbal clauses are the most dominant, indicating that the lyrics predominantly emphasize actions, processes, and emotional dynamics experienced by the lyrical subject. Nominal and adjectival clauses function to express states, identities, and emotional qualities, while prepositional clauses contribute metaphorical spatial and emotional nuances. Notably, numeral clauses are entirely absent from the album, suggesting that numerical expressions are not central to the construction of meaning in these song lyrics. These results demonstrate that syntactic structure significantly contributes to the expressive and poetic power of song lyrics. Through varied clause constructions, the album conveys themes of love, longing, loss, and emotional endurance in a nuanced manner. This study highlights the importance of syntactic examination in understanding how popular song lyrics function as literary texts and affirms the relevance of linguistic analysis in contemporary literary and cultural studies.

Kajian Semiotika Lagu Timur 2025 Sebagai Bahan Pembelajaran Bahasa Indonesia dalam Kurikulum Merdeka Selvi Nurul Hidayati; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.350

This study analyzes the layers of meaning in song lyrics using Roland Barthes’ semiotic framework, which includes denotation, connotation, and myth. The research aims to reveal how linguistic signs in the lyrics function as cultural representations reflecting identity, emotional expression, and social narratives. A qualitative descriptive method was employed by examining textual signs, connotative associations, and cultural myths embedded in the song. The findings indicate that the lyrics convey not only literal meanings but also symbolic meanings shaped by local cultural contexts. At the denotative level, the lyrics present explicit narrative elements, while at the connotative level, figurative language and cultural references reveal deeper emotional and ideological meanings, and at the myth level, the song reproduces collective values, cultural identity, and social worldviews. Furthermore, the analysis shows that song lyrics are relevant to be utilized as learning materials in Indonesian language education within the implementation of the Merdeka Curriculum, as they support contextual learning, literacy development, critical thinking skills, and students’ cultural awareness. Overall, Barthes’ semiotic approach proves effective in uncovering the symbolic and socio-cultural meanings of song lyrics.

Analisis Semiotika Ferdinand De Saussare pada Album “Dalam Dinamika” karya Perunggu Elisa Elisa; Aditya Ansor Alsunah; Cecep Dudung Julianto; Lina Siti Nurwahidah
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.352

This study aims to analyze the signifiers and signified in the song lyrics of the album dalam Dinamika by Perunggu and to interpret the meanings that emerge from the interaction between the two. This study employed a descriptive qualitative method using the semiotic approach developed by Ferdinand de Saussure. The data analyzed consisted of song lyrics from the album Dalam Dinamika, including “Tapi”, “Pikiran yang Matang”, “Aku Ada Untukmu”, and “Amalan Baik”. Data collection was conducted though literature study and documentation techniques, while the data were analyzed using content analysis. The finding of this study indicate that the meaning contained in the album dalam Dinamika are constructed through the relationship between signifiers and signifieds, reflecting the life experiences of young g people. The songs “Tapi” and “Amalan Baik” represent struggles and the search for life direction, “Pikiran yang Matang” portrays emotional closeness and nostalgia. Overall, the songs in this album reflect the dynamics of life through the semiotic perspective of Ferdinand de Saussure.

Suara Subaltern Perempuan dalam Puisi Cica 96 karya Chyntia Hariadi: Kajian Feminisme Poskolonial Jihan Rizki Anisa; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.359

This study aims to uncover the voices of subaltern Chinese women in Chyntia Hariadi’s poetry collection CICA 96 using Gayatri Spivak’s postcolonial feminist approach. The work captures the experiences of minority women facing historical, social, and political pressures, particularly racial discrimination and the trauma following the 1998 reforms. Chinese women in the poems are depicted as experiencing double oppression in the form of gender and race-based subordination that limits their bodies, identities, and social spaces. The method used is descriptive qualitative, with textual analysis of 17 poems purposively selected based on Spivak’s three main concepts: double oppression, limited representation, and hegemony and ethical politics. The results show that double oppression is evident in the pressures of family culture, racial stereotypes, and social domination that limit the freedom of Chinese women from childhood. Limited representation emerges through the metaphor of silence, state symbols that conceal identity, and silence as a coping strategy when women’s voices are not recognized in the public sphere. Hegemony and ethical politics are reflected in historical trauma, state violence, and collective memory, which shape fragmented identities and persistent insecurity. Overall, CICA 96 provides an alternative space for subaltern women to voice their experiences through symbols and poetic language, thus reintroducing voices that have been suppressed by patriarchy, racism, and state power. This research is expected to enrich feminist literary studies in Indonesia and open up space for further research on minority identities and historical trauma in modern literature.

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