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All Journal Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya WISDOM: Jurnal Pendidikan Anak Usia Dini Journal of Early Childhood Education Al-Isnad: Journal of Islamic Civilization History and Humanities Jurnal Sistem Informasi Mahakarya (JSIM) Realita: Jurnal Penelitian dan Kebudayaan Islam Journal of Islamic History and Manuscript Carita : Jurnal Sejarah dan Budaya Social Science Academic Jurnal Sejarah dan Budaya
Ahmad Syafii Mufadzilah Riyadi
UIN Syekh Wasil Kediri
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Physics Social Sciences Other

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SIRAM TUWUH SEBAGAI SISTEM SIMBOLIK: PEMAKNAAN RITUAL PASCAPERKAWINAN DALAM KONTEKS SOSIOKULTURAL MASYARAKAT JAWA MANCANEGARA WETAN Ahmad Syafii Mufadzilah Riyadi
CARITA: Jurnal Sejarah dan Budaya Vol. 4 No. 2 (2026): CARITA : Jurnal Sejarah dan Budaya
Publisher : Program Studi Sejarah Peradaban Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35905/carita.v4i2.17698

Abstract

Studi mengenai ritual pernikahan Jawa selama ini cenderung memandang tradisi pernikahan sebagai prosesi pra-nikah, peristiwa seremonial, atau objek penilaian keagamaan yang bersifat normatif. Akibatnya, ritual pasca-nikahyang berfungsi sebagai ruang untuk memaknai keberlanjutan hubungan pernikahan kurang mendapat perhatian. Artikel ini berargumen bahwa Siram tuwuh merupakan sebuah sistem simbolik dalam rangkaian ritual pasca-nikah masyarakat Jawa Mancanegara Wetan. Dengan menggunakan pendekatan kualitatif dan desain etnografi interpretatif, studi ini memaknai Siram tuwuh sebagai praktik budaya yang maknanya terbentuk melalui simbol, tindakan ritual, objek material, narasi partisipan, serta relasi sosial yang menopangnya. Analisis ini mengacu pada antropologi interpretatif Clifford Geertz, teori simbol ritual Victor Turner, dan konsep perwujudan budaya menurut Koentjaraningrat. Temuan penelitian menunjukkan bahwa Siram tuwuh bukan sekadar prosesi adat, melainkan juga sebuah teks budaya yang melaluinya masyarakat Jawa Mancanegara Wetan memaknai pernikahan sebagai ikatan moral, sosial, dan spiritual yang memerlukan pemeliharaan berkelanjutan. Elemen-elemen ritual seperti air, bunga setaman, daun dadap serep, sesaji selamatan, doa bersama, pembaruan janji nikah, serta kehadiran anggota keluarga dan tokoh agama membentuk suatu sistem simbolik yang saling terkait. Simbol-simbol tersebut merepresentasikan makna penyucian, pertumbuhan, kesejahteraan, tanggung jawab, dan keberlanjutan hubungan pernikahan
Metodologi Historiografi Muhammad bin Jarir ath-Thabari dalam Tārīkh al-Rusul wa al-Mulūk: Antara Tradisi Hadis dan Konstruksi Sejarah Islam Klasik Ahmad Syafi’I Mufadzilah Riyadi
Social Science Academic Vol. 4 No. 1 (2026)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.10130

Abstract

This article examines the historiographical methodology of Muhammad bin Jarir al-Ṭ abarī in Tārīkh al-Rusul wa al-Mulūk by highlighting the relationship between the hadith tradition and the construction of classical Islamic history. This research departs from the methodological problem of early Islamic historiography which relies on narration, especially the use of sanad as the basis for the legitimacy of historical truth. The research method used is qualitative with a historical-textual approach and content analysis. This study does not dissect the entire volume of Tārīkh al-Rusul wa al-Mulūk, but focuses on the purposive textual samples in the early part of the book, particularly the narrations of Qabil and Habil, which show the use of sanad, the plurality of versions of the narration, and the differences in the matans in a single event. The data were analyzed through four categories, namely the structure of the sanad, the content of the matan, the narrative presentation pattern, and the methodological attitude of al-Ṭ abarī towards different narrations. The results of the study show that al-Ṭ abarī positioned himself as a compiler historian who maintained the mandate of transmission by presenting various versions of history without always giving an explicit assessment of the matan. This approach confirms that the historiography of al-Ṭ abarī operates within a framework of classical Islamic epistemology that prioritizes sanad authority over historical causality analysis. On the one hand, this model reinforces the integrity of transmission and opens up a space of plurality of historical narratives; On the other hand, he presents methodological limitations in the form of inconsistent internal criticism of the content of history. The novelty of this article lies in the reading of sanad not only as an instrument of verification, but also as a narrative strategy and legitimacy of scholarly authority in classical Islamic historiography. These findings enrich the discourse of Islamic historiography by placing al-Ṭ abarī's work as an epistemological transition space between the hadith tradition and systematic historical writing.
Co-Authors Ariq Nurjannah Irbah Azis, Muhammad Nur Ichsan Binsa, Ucik Hidayah Irbah, Ariq Nurjannah Muhammad Habib Adi Putra Munastiwi, Erni Rizal Zamzami Suyadi Suyadi Ucik Hidayah Binsa