Articles
<![CDATA[Transformation and diversification of Banten TV business as local television industry in the digital era ]]>
<![CDATA[Amin Aminudin]]>;
<![CDATA[Ana Nadhya Abrar]]>;
<![CDATA[Novi Kurnia]]>
<![CDATA[ International Journal of Visual and Performing Arts Vol 5, No 1 (2023) ]]>
Publisher : <![CDATA[ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE) ]]>
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DOI: 10.31763/viperarts.v5i1.906
<![CDATA[The digital era has changed all aspects of life, including the aspects of the broadcasting industry. The presence of Internet technology also presents a new system in the broadcasting industry. changes in the broadcasting system have also resulted in business diversification in the broadcasting industry. in this digital era, it has also tightened the business competition in the broadcasting industry, such as Banten TV. The formulation of the problem in this study is how to transform and diversify Banten TV's business in maintaining the broadcasting industry business. The method used in this study is a qualitative method with a case study approach by exploring the transformation and Diversification of the Banten TV Business; the paradigm used is constructivism with the theory of media ecology from Marshall McLuhan. Hasi research shows that Banten TV, as the largest local television in Banten province, transforms broadcast content by broadcasting entertainment and local wisdom, such as the local culture and religion in Banten province. With broadcast coverage using a 5000-watt transmitter, it certainly has a potential role in raising local wisdom with a very wide radiance; the transformation of Banten TV broadcast content is carried out by raising a religious superior program with the name of the Sholawat program (Solusi Tepat Per erat Umat) as a superior program in raising local wisdom in Banten which is religious and also the exploration of tourist destinations in the Banten region. In addition to transforming content, Banten TV also diversified its business by creating television program programs in collaboration with the Banten provincial government as a strategy for increasing the company's economic value]]>
<![CDATA[Hoaxes and infodemics: Digital transformation challenges (Case study on Covid-19 pandemic in Indonesia) ]]>
<![CDATA[Choirul Fajri]]>;
<![CDATA[Nunung Prajarto]]>;
<![CDATA[Ana Nadhya Abrar]]>
<![CDATA[ NOTION: Journal of Linguistics, Literature, and Culture Vol. 5 No. 2 (2023): NOTION: Journal of Linguistics, Literature, and Culture ]]>
Publisher : <![CDATA[Universitas Ahmad Dahlan ]]>
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DOI: 10.12928/notion.v5i2.7929
<![CDATA[Digital transformation has many implications for society, not only positive, but also negative. Various crimes in the cyber world, including hoaxes and infodemics, are something that cannot be avoided. During the Covid-19 pandemic, the rise of hoax and infodemic news made the handling of Covid-19 in Indonesia more complex. Many people are victims of hoaxes which in the end take action against government policies related to Covid-19, such as reluctance to comply with health protocols and rejection of vaccination programs. This research contributes to studying the challenges of digital transformation in Indonesia, especially during the past Covid-19 pandemic. The research method used in this paper is a case study. Data collection was carried out by in-depth interviews from Ministry of Communication and Information Technology, literature studies, both from books, journals and scientific articles. The results of this study indicate that digital transformation has encouraged the growth of hoaxes and infodemics which have hampered efforts to deal with Covid-19. The Indonesian government needs to take structured actions in dealing with this hoax and infodemic, and make regulations to optimize the digital transformation process. ]]>
<![CDATA[Memahami Problema Kebijakan Telemanika ]]>
<![CDATA[Ana Nadhya Abrar]]>
<![CDATA[ JKAP (Jurnal Kebijakan dan Administrasi Publik) Vol 6, No 2 (2002): November ]]>
Publisher : <![CDATA[Magister Ilmu Administrasi Publik ]]>
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DOI: 10.22146/jkap.8431
<![CDATA[The art changing and development of the information technologies, mainly Internet, have to be responded quickly by Indonesian government bypreparing a set of new policies to reduce its negative impacts. This idea is driven by the fact that many problems experienced by the Internet users, so far, cannot be solved by the laws and regulations which already existed before i.e. LawNo 36/1999 andNo. 9/ 1999. Therefore, the author suggests in this article that more pressures and intensive political lobby are needed to convince the DPR that it is very urgent to take immediate action i.e. to discuss the Tekmatika bill and then legalize it to become the law.]]>
<![CDATA[Collaborative Newsroom of Local Journalists in Investigative Coverage on Online Media ]]>
<![CDATA[Rani Dwi Lestari]]>;
<![CDATA[Ana Nadhya Abrar]]>;
<![CDATA[Md. Shahidul Haque]]>
<![CDATA[ Komunikator Vol 16, No 1 (2024) ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Yogyakarta ]]>
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DOI: 10.18196/jkm.21655
<![CDATA[Investigative reporting in the digital era faces challenges due to the presence of online and social media. Long reporting times, limited budgets, and minimal editorial resources increasingly undermine the sustainability of investigative journalism. The competition for rapid news coverage further pressures investigative reporting. Several journalists in Yogyakarta and other regions address these challenges by practicing collaborative journalism through collaborative newsrooms. This research aims to describe how journalists in the field use collaborative newsrooms to produce investigative reports. It explores collaborative journalism practices as a middle ground to deliver credible, public-interest reporting using data and investigative journalism principles. The study employs a case study method, involving in-depth interviews with journalists and the analysis of published news data. The findings show that journalists in Yogyakarta use a temporary and separate model for their collaborative newsrooms, focusing on short-term collaboration on a single topic. These newsrooms leverage technology to facilitate communication and data sharing. Tasks are divided among participants to ensure comprehensive, in-depth, data-driven reporting. The reports are published in online media, serving as a strategic approach to presenting investigative journalistic work often constrained by limited media space.]]>
<![CDATA[The Practice of Body Power and Masculine Resistance of Male Actors in Indonesian Comedy Films of the Reform Era ]]>
<![CDATA[Aminudin, Amin]]>;
<![CDATA[Ana Nadhya Abrar]]>;
<![CDATA[Novi Kurnia]]>
<![CDATA[ International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 4 No 1 (2024): IJHESS AUGUST 2024 ]]>
Publisher : <![CDATA[CV. AFDIFAL MAJU BERKAH ]]>
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DOI: 10.55227/ijhess.v4i1.1175
<![CDATA[The practice of power over male actors' bodies in comedy films is understood not as a neutral process where factual reality is conveyed directly through text or images, but as a social praxis related to the deconstruction of gender, resulting in new understandings of masculinity depicted in films from the Reform Era. To address this question, the researcher employs Norman Fairclough's critical discourse approach to comedy films as the main theoretical framework, combined with Michel Foucault's perspective on power relations and Maurice Merleau-Ponty's theory of body language. The paradigm used in this research is the critical paradigm, with data collection techniques obtained through film text documentation studies. The research results show that the male actor's body does not merely function as a tool for visual narration but also as a powerful medium for expressing deeper themes related to power, identity, and social dynamics. For instance, in the film Arisan! 2, the narrative highlights sexual freedom and emotional vulnerability. Meanwhile, Bebas emphasizes physical changes and social symbolism through the male body.]]>
<![CDATA[Exploring self expression and femininity in food photography: the artworks of the women photographer community "Kompakers Jogja" ]]>
<![CDATA[Wibowo, Arif Ardy]]>;
<![CDATA[Abrar, Ana Nadhya]]>;
<![CDATA[Yuwono, Ardian Indro]]>
<![CDATA[ Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/glr.v22i2.6025
<![CDATA[This study aims to analyze of the expressions of femininity in food photography as carried out by Kompakers Jogja. Photography has historically been established inside male-dominated domains. Unlike the historical context where photography has consistently been associated with male-dominated, Kompakers Jogja presents a contrasting perspective that questions the established norms of male dominance. This research explore the diverse viewpoints of ten individuals using a combination of photovoice and photo-elicitation. Through the application of qualitative content analysis within the thematic framework of femininity in photography, categorized as Theatricality, Tactility, Softness, and Hybridity. The analysis reveals that community members infuse distinct feminine sensibilities in their photography, as corroborated through visual scrutiny and validated during photo-elicitation. Prevalent among these manifestations are theatricality and hybridity, exemplified by strategic prop placement and digital enhancements aimed at augmenting the aesthetic allure of the captured images. In addition, tactility becomes important, especially when carefully choosing angles to elicit gustatory wants. Although the works of the members exhibit some softness, they serve more as supporting element. In summary, the Kompakers Jogja depict motifs that subtly and intricately symbolize femininity in their photography. This research shows the distinct characteristics linked to the facets of femininity as expressions of women's self-identity.]]>
<![CDATA[Mediamorphosis: the new face of radio broadcasting in the new normal era ]]>
<![CDATA[Budhi Widi Astuti]]>;
<![CDATA[Ana Nadhya Abrar]]>;
<![CDATA[Budi Irawanto]]>
<![CDATA[ Jurnal Studi Komunikasi Vol. 8 No. 2 (2024) ]]>
Publisher : <![CDATA[Faculty of Communications Science, Dr. Soetomo University ]]>
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DOI: 10.25139/jsk.v8i2.8179
<![CDATA[‘Mediamorphosis’ is a transformation of communication media caused by complex interactions between perceived needs, competitive and political pressures, and social and technological innovation. The digital revolution that gave birth to media digitalisation is one of the causes of mediamorphosis. Another thing that drives mediamorphosis is the impact of the COVID-19 pandemic that hit Indonesia and other countries in the world. Mediamorphosis is a concept used in this study because it refers to the form of radio broadcasts that have changed and adapted due to the novel COVID-19 virus throughout the world and in Indonesia. The main social regulations by the Indonesian Government have implications for radio broadcasting operations. This study aims to see how local private radio– Radio Elisa FM carries out mediamorphosis which is analysed more specifically using the concept of convergence. The research paradigm used is constructivism with a qualitative approach and case study method. The results of the study show that the mediamorphosis carried out by Radio Elisa produces a new face for Radio Elisa broadcasts as a visual radio in the new normal era.]]>
<![CDATA[The Dramaturgy of Public Policy on Raising Subsidized Fuel Prices in Indonesia (Policy Comparative Analysis Between 2013 and 2022) ]]>
<![CDATA[Patria, Nezar]]>;
<![CDATA[Irawanto, Budi]]>;
<![CDATA[Abrar, Ana Nadhya]]>
<![CDATA[ JURNAL KOMUNIKASI INDONESIA Vol. 14, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[This study examines the policy of raising subsidized fuel prices in Indonesia through a dramaturgical lens, employing discourse analysis as its methodology. Each fuel price increase triggers intense political debates, involving key governmental figures and eliciting diverse public responses. The research contrasts two pivotal periods: the policy decisions during President Susilo Bambang Yudhoyono's administration in 2013 and those under President Joko Widodo in 2022. Using a dramaturgical framework, the study analyzes the dimensions of scripting, setting, staging, and performance in policymaking, highlighting how each administration constructs distinct policy narratives. In 2013, the policy faced significant opposition and robust public discourse. In contrast, by 2022, media strategies were strategically employed to shape the narrative and mitigate dissent. The findings reveal contrasting approaches by the two administrations in managing the political and social consequences of the fuel price increases. These insights contribute to a deeper understanding of the dynamics of public policy in the context of economic and political challenges, emphasizing the critical role of communication strategies in the implementation of contentious policies.]]>
<![CDATA[Memaknai Informasi Pelayanan Publik di Media Sosial Pemerintah ]]>
<![CDATA[Pratama, Muchlas Abdi]]>;
<![CDATA[Abrar, Ana Nadhya]]>
<![CDATA[ Jurnal Komunikasi Global Vol 14, No 1 (2025) ]]>
Publisher : <![CDATA[Program Studi Ilmu Komunikasi FISIP Universitas Syiah Kuala ]]>
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DOI: 10.24815/jkg.v14i1.43751
<![CDATA[Direktorat Jenderal Imigrasi memanfaatkan Instagram sebagai salah satu sarana komunikasi publik melalui akun resmi @ditjen_imigrasi. Karakteristik pesan yang disampaikan dalam akun ini mencakup gaya komunikasi formal dan informal, yang mendorong perlunya kajian lebih lanjut mengenai bagaimana pesan-pesan tersebut diterima oleh khalayak, khususnya generasi milenial yang bekerja. Penelitian ini bertujuan untuk memahami pemaknaan pekerja milenial terhadap konten yang diproduksi oleh akun @ditjen_imigrasi dengan menggunakan pendekatan teori resepsi. Teori ini berfokus pada cara audiens memahami makna dari pesan-pesan yang telah termediasi. Metode pengumpulan data dilakukan melalui wawancara mendalam terhadap lima informan dari kalangan pekerja generasi milenial yang pernah mengakses konten Instagram @ditjen_imigrasi sepanjang tahun 2024. Hasil penelitian menunjukkan bahwa dua dari lima informan berada pada posisi dominant-hegemonic, sementara tiga lainnya berada pada posisi negotiated. Temuan ini menunjukkan bahwa mayoritas informan memaknai akun @ditjen_imigrasi belum sepenuhnya memenuhi ekspektasi sebagai media penyebaran informasi keimigrasian yang optimal. Perbedaan dalam pemaknaan ini dipengaruhi oleh latar belakang sosial dan pengalaman masing-masing informan dalam berurusan dengan layanan keimigrasian.The Directorate General of Immigration utilizes Instagram as one of its public communication channels through the official account @ditjen_imigrasi. The formal and informal characteristics of the messages conveyed through this account prompted this study to explore how millennial workers interpret the content produced by @ditjen_imigrasi, using reception theory. Reception theory focuses on how audiences interpret the meaning of mediated messages. Data collection was conducted through in-depth interviews with five millennial workers who accessed the @ditjen_imigrasi Instagram content during 2024. The findings indicate that two of the five informants were in the dominant-hegemonic position, while the remaining three were in the negotiated position. This suggests that, in general, the informants perceived that the @ditjen_imigrasi account has not fully functioned as an immigration information channel that meets public expectations. The variation in interpretation among informants was influenced by their social backgrounds and prior experiences in dealing with immigration matters]]>
<![CDATA[Systematic review of university public relations communication strategies: 2010–2022 ]]>
<![CDATA[Majid, Abd]]>;
<![CDATA[Wahyuni, Hermin Indah]]>;
<![CDATA[Abrar, Ana Nadhya]]>;
<![CDATA[Fitrah, Andi Awaluddin]]>
<![CDATA[ PRofesi Humas Vol 10, No 1 (2025): August 2025 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/prh.v10i1.56522
<![CDATA[Background: Global South colleges employ public relations differently. This gap must be researched to improve these institutions’ reputations. This paper maps and analyzes university public relations research and evaluates science communication framework integration. Method: A comprehensive literature study of four main public relations journals examined publication frequency on public relations, universities, higher education, and colleges during the past 12 years. Results: Public relations research has increased, although university-related studies are scarce. Only twenty-one articles explored this sector, mostly by US scholars focusing on crisis communication. These findings reveal higher education institutions’ communication dynamics and goals when analyzed organizationally and systemically. This report discusses university branding, digital communication methods, and stakeholder participation. It also reveals temporal patterns, such as communication practice changes over time, and university communication components like crisis management and community engagement. These factors depart from public relations research’s corporate and governmental focus. Conclusion: University-specific public relations literature is lacking due to crisis communication studies and US-based authors. This emphasizes the need for further research, particularly the incorporation of the science communication framework, which is essential for understanding how higher education institutions communicate with the public on scientific matters. Implications: This study suggests universities use communication tactics that differ from commercial and government public relations studies.]]>
