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Representation of Nationalism Values in the Kadet 1947 Film (Semiotic Analysis of the Kadet 1947 Film) Toyib Alwi Arahmad, Toyib Alwi Arahmad; Wirawanda, Yudha Wirawanda
Jogjakarta Communication Conference (JCC) Vol. 1 No. 1 (2023): The 4th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

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Film is a medium of communication as well as a medium for spreading messages, including messages of nationalism. The way to convey the message also varies, whether in the form of audio such as conversations or in the form of visuals such as sign. Nationalism is an idea formed to create freedom, lasting peace, and social justice in a country. In this research, the writer wants to examine the values of nationalism contained in the film Kadet 1947. The method used is descriptive qualitative with the aim of identifying, understanding, explaining and describing what happened. The purpose of this study is to find out the values of nationalism contained in the film of Kadet 1947. The results of the study show that in the Kadet 1947 film there are values of nationalism in accordance with the Budiawan concept of nationalism, namely the values of Patriotism, Willing to Sacrifice, Service to the Country, Sense of Owning, Pride on Country and Unity.

Representasi Pesan Mental Health Pada Lagu “Tutur Batin” dan “Jalan Pulang” Karya Yura Yunita Ardita, Rina; Wirawanda, Yudha
Jurnal Komunikasi Nusantara Vol 6 No 1 (2024)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v6i1.473

Music can be something that helps someone to maintain mental health because music videos and lyrics can motivate such as the songs entitled "Tutur Batin" and "Jalan Pulang" by Yura Yunita. This research aims to see the representation of mental health in the songs "Tutur Batin" and "Jalan Pulang" by Yura Yunita. Using analytical techniques using qualitative research methods with Ferdinand de Saussure's semiotic analysis techniques to see messages through deep codes contained in the lyrics and music video scenes. The research results show that the representation of mental health is shown in the composition of the lyrics and music video scenes which tell the story of the reality of human life so that there are signifiers and signifieds of mental health disorders shown in the two songs. Abstrak Musik dapat menjadi hal yang membantu seseorang untuk menjaga kesehatan mental karena video musik dan lirik yang dapat memotivasi seperti lagu yang berjudul “Tutur Batin” dan “Jalan Pulang” karya Yura Yunita. Tujuan penelitian ini adalah untuk melihat representasi kesehatan mental yang ada pada lagu “Tutur Batin” dan “Jalan Pulang” karya Yura Yunita. Menggunakan teknik analisis dengan menggunakan metode penelitian kualitatif dengan teknik analisis semiotika Ferdinand de Saussure untuk melihat pesan melalui kode-kode mendalam yang terdapat pada lirik dan scene video musik. Hasil penelitian menunjukan representasi kesehatan mental yang ditunjukan pada susunan lirik dan scene musik video yang menceritakan kisah realita kehidupan manusia sehingga terdapat signifier (penanda) dan signified (petanda) dari gangguan kesehatan mental yang diperlihatkan oleh kedua lagu tersebut.

Representasi Pesan Mental Health Pada Lagu “Tutur Batin” dan “Jalan Pulang” Karya Yura Yunita Ardita, Rina; Wirawanda, Yudha
Jurnal Komunikasi Nusantara Vol 6 No 1 (2024)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v6i1.473

Music can be something that helps someone to maintain mental health because music videos and lyrics can motivate such as the songs entitled "Tutur Batin" and "Jalan Pulang" by Yura Yunita. This research aims to see the representation of mental health in the songs "Tutur Batin" and "Jalan Pulang" by Yura Yunita. Using analytical techniques using qualitative research methods with Ferdinand de Saussure's semiotic analysis techniques to see messages through deep codes contained in the lyrics and music video scenes. The research results show that the representation of mental health is shown in the composition of the lyrics and music video scenes which tell the story of the reality of human life so that there are signifiers and signifieds of mental health disorders shown in the two songs. Abstrak Musik dapat menjadi hal yang membantu seseorang untuk menjaga kesehatan mental karena video musik dan lirik yang dapat memotivasi seperti lagu yang berjudul “Tutur Batin” dan “Jalan Pulang” karya Yura Yunita. Tujuan penelitian ini adalah untuk melihat representasi kesehatan mental yang ada pada lagu “Tutur Batin” dan “Jalan Pulang” karya Yura Yunita. Menggunakan teknik analisis dengan menggunakan metode penelitian kualitatif dengan teknik analisis semiotika Ferdinand de Saussure untuk melihat pesan melalui kode-kode mendalam yang terdapat pada lirik dan scene video musik. Hasil penelitian menunjukan representasi kesehatan mental yang ditunjukan pada susunan lirik dan scene musik video yang menceritakan kisah realita kehidupan manusia sehingga terdapat signifier (penanda) dan signified (petanda) dari gangguan kesehatan mental yang diperlihatkan oleh kedua lagu tersebut.

Analisis Semiotika Roland Barthes terhadap Representasi Diskriminasi Gender Perempuan dalam Film A Normal Woman Exga Soleha; Yudha Wirawanda
JOM Vol 7 No 1 (2026): Indonesian Journal of Humanities and Social Sciences , March
Publisher : Universitas Islam Tribakti Lirboyo Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33367/ijhass.v7i1.8870

The practice of discrimination against women is constructed through film screenings and reinforced by societal myths. Gender inequality causes women to experience various disadvantages, making gender discrimination a significant research concern. This phenomenon is represented in the film A Normal Woman, which addresses gender discrimination against women in the modern era. This study aims to gain a deep understanding of how gender discrimination against women is represented through signs that appear in film scenes using Roland Barthes' semiotic analysis. The method used is qualitative descriptive to obtain knowledge related to meanings in the form of connotation, denotation, and myth. The critical paradigm is used to explore and critique societal inequalities and to uncover injustices arising from power relations. Analysis is conducted by identifying visual and verbal signs in selected scenes, describing their denotative meanings (literal), interpreting connotations (socio-cultural meanings), and revealing myths (naturalized patriarchal ideology). The results reveal that the film constructs the myth of "ideal wife" through repeated signs of domestic roles and controlled female bodies, the myth of "female body as social capital" legitimizing beauty standards as prerequisites for social acceptance, and the myth of "violence as logical consequence" naturalizing symbolic to physical violence when women fail to meet patriarchal standards. These findings demonstrate how Barthesian semiotics uncovers the mechanism of patriarchal ideology reproduction through cinema's sign systems.

Representation of Mental Health Issues in the Movie Not Okay Nasya Fairuzya Ramadhani; Yudha Wirawanda
Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora Vol. 4 No. 1 (2024): June
Publisher : Penerbit Jurnal Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53697/iso.v4i1.1693

In this study, researchers will discuss the issue of scenes that represent how mental health issues are presented in the film Not Okay. The method in this research is a descriptive study using a qualitative approach. The population of this research is all the characters from the film Not Okay. Danni Sanders, the main character in the film Not Okay, is the subject or sample of the research. Data is collected through cutscene analysis which represents mental health issues through conversations and scenes which will be divided into several categories. Apart from verbal communication, researchers will also analyze non-verbal cues such as facial expressions because they can also be used to convey implied messages. The result of this research is the film "Not Okay" (2022), which succeeded in providing an in-depth and realistic depiction of the complexity of mental health issues. The main characters can encourage viewers to consider the need to recognize and understand mental health issues, as well as how external circumstances and support networks play an important role in the recovery process. As a result, the film is not only entertaining but also makes a significant contribution to increasing awareness and understanding of people facing mental health problems.

Perlawanan Terhadap Kekerasan Simbolik dalam Drama Undercover High School (Analisis Semiotika Roland Barthes) Rahma Nastiti Damayanti; Yudha Wirawanda
MUKASI: Jurnal Ilmu Komunikasi Vol. 5 No. 1 (2026): Februari 2026
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/mukasi.v5i1.6739

The Korean drama Undercover High School was quite popular in 2025, which raised the theme of social inequality in the school education environment. This drama packaged the existence of social inequality in the lower class so that resistance aided by the middle class against symbolic violence from the upper class made the drama interesting to study. The purpose of this study was to determine how social inequality causes symbolic violence so that there is a difference between rich and poor students in the drama Undercover High School. The method used was qualitative analysis. The data analysis technique in the research of the drama Undercover High School used semiotics from Roland Barthes with primary data observing and watching the conversations of the drama subjects. Then the secondary data was obtained from journal literature, books and websites related to this research topic. In this study, researchers used data validity through triangulation and involved various sources for data accuracy. The results of the study found that social inequality resulted in symbolic violence from Pierre Bourdieu, which caused resistance from the lower class that occurred at the elite school Byeongmun High School.

YOUNG MEDIA CREATORS: PEMBERDAYAAN SISWA SMA MELALUI PELATIHAN JURNALISME VIDEO, FOTO, DAN PENULISAN BERITA BERBANTUAN KECERDASAN BUATAN Rino Andreas; Siti Umaiyah; Septi Anggita Kriskartika; Rony Kurniawan Pratama; Muhamad Reznu Firsyawardana; Yudha Wirawanda
Devote: Jurnal Pengabdian Masyarakat Global Vol. 5 No. 2 (2026): Devote : Jurnal Pengabdian Masyarakat Global, June 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/devote.v5i2.6387

Artificial intelligence (AI) has transformed information production practices among senior high school students. Students of SMA Negeri 1 Pakem Yogyakarta have the potential to become critical, creative, and responsible young media creators, yet they still need guidance in producing journalistic content. This article describes the implementation of Young Media Creators as a student empowerment program through training in video journalism, journalistic photography, and AI-assisted news writing. The program used a participatory approach involving preparation, material delivery, production practice, mentoring, and evaluation. The training covered basic journalism, photo and video production, news writing, media ethics, and the use of AI. The results show improved journalistic understanding, media production skills, and ethical awareness in using AI to create school-based journalistic works. The main contribution of this program lies in the integration of basic journalistic competencies, media ethics, and the responsible use of AI technology. Students are encouraged to become media creators who are not only creative and productive, but also capable of critical thinking and understanding the ethical implications of using digital technology. This program contributes to the development of young human resources who are adaptive to digital transformation while also being able to produce high-quality information content that benefits society.

Representation of Family Values in the Film 1 Imam 2 Makmum (2025): John Fiske’s Semiotic Analysis of Gender Representation in Popular Narrative Melinda Ratmayanti; Yudha Wirawanda
Jurnal Dakwah dan Komunikasi Vol. 11 No. 1 (2026)
Publisher : Institut Agama Islam Negeri (IAIN) Curup

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29240/jdk.v11i1.15170

Purpose − This study examines the representation of family values in the film 1 Imam 2 Makmum (2025) using John Fiske’s semiotic approach. Through three levels of analysis—reality, representation, and ideology—it finds that the film portrays family dynamics constructed upon particular value systems, where men are depicted as rational decision-makers and women as emotional and domestic stabilizers. Method − This research employs a descriptive qualitative approach within a critical paradigm, meaning the researcher serves as the primary instrument. Findings − This method allows for an in-depth exploration of film elements related to John Fiske’s semiotic analysis. The main findings indicate that the division of roles and communication patterns are symbolically represented through visual aesthetics, dialogue, and framing, which together shape gender relations within the household. The film also illustrates processes of negotiation and emotional recognition, suggesting that family identity is constructed through a combination of authority, care, and adaptation. These subtle symbolic representations demonstrate how contemporary popular media both shapes and reflects social discourse on family and gender

Konstruksi Sosial Peran Gender dan Relasi Kuasa dalam Film “Andai Ibu Tidak Menikah dengan Ayah” Ruruh Salma Arista; Yudha Wirawanda
Hulondalo Jurnal Ilmu Pemerintahan dan Ilmu Komunikasi Vol 5 No 2 (2026): Juli - Desember 2026
Publisher : Fakultas Ilmu Sosial dan Ilmu Poliitik Universitas Ichsan Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59713/6yg62r95

Film as a product of popular culture not only represents social reality but also actively participates in constructing values, norms, and power relations. The film Andai Ibu Tidak Menikah dengan Ayah (2025), directed by Kuntz Agus, portrays family dynamics characterized by the absence of the father figure and the dominance of the mother’s role, thereby opening space for analyzing the social construction of gender roles within a patriarchal culture. This study aims to examine the social construction of gender roles as well as power relations as represented through the film’s narratives and symbols. Employing a qualitative approach with a case study strategy, the research is grounded in Peter L. Berger’s theory of the social construction of reality, encompassing the processes of externalization, objectivation, and internalization. Data were collected through documentation in the form of screenshots and dialogue transcripts and analyzed based on visual and audio signs. The findings reveal that the film represents women’s double burden, the supermom myth, and the weakening of paternal masculinity that nevertheless remains embedded within a framework of symbolic patriarchy. Power relations are depicted through the normalization of the mother’s dominant role in both domestic and emotional spheres. These findings indicate that film functions as a medium for both the reproduction and negotiation of patriarchal ideology in contemporary Indonesian society, with important implications for media literacy and gender awareness.

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