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FEMALE OPPRESSION TOWARD FEMALE CHARACTERS IN MARS NEED MOM MOVIE Rahma, Azizatur; Sili, Surya; Wati, Erna
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 1 (2017): Edisi Januari 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

In this study the researcher analyzed the oppression from female character toward other female characters. The researcher only discussed two female characters, Milo’s mother and Gribble’s mother who gained the oppression from Supervisor as another female character because the researcher wanted to prove that oppression could also happen from female to female (same sex). There are two objectifies of the study in this research, to show the forms of oppression which occur toward female characters in Mars Need Mom movie and to analyze how the female characters, experience the oppression that are shaped by another female character in Mars Need Mom movie. The five faces of oppression is a theory that is explained by Irish Marion Young. The theory is related toward the form of oppression which usually occur in the society. This form of oppression somehow called as injustice action that adhere toward people or group because of several reasons, such as class, race and gender. The five faces of oppression are marginalization, exploitation, powerlessness, cultural imperialism and violence. The result of this study are, Milo’s mother got three faces oppression from Supervisor, those three oppression are marginalization, powerlessness and violence. Whereas Gribble’s mother got four faces oppression. The four faces of oppression are exploitation, marginalization, powerlessness, and violence. And the process of oppression that was gained by two mothers firstly which was done by Supervisor (female) was, Supervisor observed them, abducted them and extracted them using solar extraction machine. The different process from both of them is Martians succeed to extract Gribble’s mother, whereas Milo’s mother, the extraction is failed because Milo was successful in saving his mother.Based on those analysis, the researcher concludes that the oppression toward women can be done by women. Therefore, the researcher believes that the oppression toward women is not always caused by gender assumption that male is superior rather than women, but the oppression can be happened due to the power which is had by the perpetrators (men and women) of oppression. Key words: female, oppression, feminism, gender roles

MASCULINITY TRAITS OF MAUD WATTS AS A FEMALE CHARACTER IN THE SUFFRAGETTE FILM Rastina, Rastina; Sili, Surya; Nasrullah, Nasrullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This study is aimed to reveal how a female character is depicted in the film and to prove that a female character also adopted masculinity traits. The theory of characterization by Boggs and Petrie is used to reveal the depiction of Maud’s character, while to prove that Maud Watts adopted masculinity traits, the writer used the theory of Bem Sex Role Inventory by Sandra L. Bem. This study is conducted as a qualitative content analysis, which adopts the technique of coding categories. The findings of this study reveal that as a female character, Maud Watts is not only adopted femininity traits but also masculinity traits. Maud’s character is depicted through the five tools of characterization according to Boggs and Petrie. Through her appearances, she is masculine and likeable. Through the dialogues, she is independent, confident, ambitious, assertive, competitive, sympathetic and loyal. Through her external action, Maud is ambitious, sympathetic, aggressive and loyal. Through her internal actions, she is sensitive and independent. Next, through reactions of other characters, she is smart, aggressive and ambitious. Those findings prove that as a female character, Maud also adopted masculinity traits. Kajian ini bertujuan untuk mengungkapkan bagaimana karakter perempuan digambarkan dalam film dan untuk membuktikan bahwa karakter perempuan juga mengadopsi sifat maskulinitas. Teori karakterisasi dari Boggs dan Petrie digunakan untuk mengungkap penggambaran karakter Maud, sementara untuk membuktikan bahwa Maud Watts mengadopsi sifat maskulinitas, penulis menggunakan teori Bem Sex Role Inventory dari Sandra L. Bem. Kajian ini dilakukan sebagai analisis isi kualitatif, yang mengadopsi teknik pengkodean kategori. Temuan kajian ini mengungkapkan bahwa sebagai karakter wanita, Maud tidak hanya mengadopsi sifat feminitas tetapi juga sifat maskulinitas. Karakter Maud digambarkan melalui lima alat karakterisasi menurut teori dari Boggs dan Petrie. Melalui penampilannya, Maud diketahui memiliki sifat maskulin dan menyenangkan. Melalui dialog, Maud mandiri, percaya diri, ambisius, tegas, kompetitif, simpatik, dan loyal. Melalui tindakan luarnya, Maud ambisius, simpatik, agresif, dan loyal. Melalui tindakan internalnya, dia sensitif dan mandiri. Selanjutnya, melalui reaksi dari karakter lain, Maud diketahui sebagai orang yang pintar, agresif dan ambisius. Temuan itu membuktikan bahwa sebagai karakter wanita, Maud juga mengadopsi sifat-sifat maskulinitas.

POLITENESS STRATEGIES USED BY THE CHARACTERS IN FINDING NEVERLAND MOVIE (2004) Sari, Karina; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 4 (2017): Edisi Oktober 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Politeness is one of important thing in doing conversation to avoid misunderstanding between speaker and hearer during the conversation to make the social interaction running more harmony. The purposes of this research were to find out types of politeness strategies, factors influencing the characters in using politeness strategies and the dominant politeness strategy used by the characters in Finding Neverland movie. The research method in this research was descriptive qualitative research, the theory of politeness strategies by Brown and Levinson (1987) was used to analyze the four types of politeness strategy. The result of this research showed that there were fifty eight utterances represented four politeness strategies used by the characters in Finding Neverland movie. Fourteen utterances represented of bald on record strategy, twenty seven utterances represented of positive politeness strategy, sixteen utterances represented of negative politeness strategy and oneutterance represented bald off record strategy. There are 2 factors influencing the choice of politeness strategies used by the characters in Finding Neverland movie. They are intrinsic payoff and relevant circumstances. Fifty eight utterances categorized as politeness strategies, twenty seven of them belong to positive politeness strategy, so that positive politeness strategy is the most dominantly used by the characters in Finding Neverland movie. Keywords: pragmatics, context, politeness strategies, movie ABSTRAK Kesantunan merupakan satu hal penting dalam melakukan suatu percakapan untuk menghindari kesalahpaham antara pembicara dan pendengar dalam melakukan percakapan agar interaksi sosial berjalan lebih harmonis. Tujuan dari penelitian ini adalah untuk mengetahui tipe - tipe strategy kesantunan, factor - faktor yang mempengaruhi karakter dalam menggunakan strategi kesantunan dan juga strategi kesantunan yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Metode penelitian ini adalah bersifat deskripsi kualiatif dengan menggunakan teori strategi kesantunan oleh Brown dan Levinson (1987) yang digunakan untuk menganalisa tipe strategi kesantunan. Hasil dari penelitian ini menunjukkan bahwa terdapat lima puluh delapan ujaran yang mewakili keempat strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Empat belas ujaran mewakili strategi kesantunan langsung (tanpa basa basi), dua puluh tujuh ujaran mewakili strategi kesantunan positif, enam belas ujaran mewakili strategi kesantunan negatif, dan satu ujaran mewakili strategi kesantunan tak langsung (basa basi). Terdapat dua faktor yang mempengaruhi pemilihan strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Faktor tersebut adalah faktor payoff dan faktor keadaan. Lima puluh delapan ucapan yang dikategorikan kedalam strategi kesantunan, dua puluh tujuh diantaranya merupakan startegi kesantunan positif, oleh karena itu strategi kesantunan positif adalah strategi yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Kata Kunci: pragmatik, konteks, strategi kesantunan, film

THE MASCULINITY AND FEMININITY TRAITS OF FEMALE CHARACTER IN ROTH’S INSURGENT NOVEL Fatimah, Siti; Sili, Surya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 4 (2019): Oktober 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Woman and man are often seen as two individuals with different characteristics. Women are labeled with feminine characteristics and men are labeled with masculine characteristics. Women often considered have lower status than men by not having the characteristics of men. However, the existence of masculinity traits in a female character is still possible to happen considering masculinity and femininity are concept created by society. By this research, the researcher aimed to analyze the masculinity and femininity traits of female character in Roth’s Insurgent Novel. This research has two purposes. The first is to analyze the masculine traits of Beatrice Prior, and the second is to analyze the feminine traits of Beatrice Prior. The researcher applied Sandra L Bem theory to answer the research questions. This research is under qualitative paradigm. Content analysis was applied in this research. The findings of this research showed that Beatrice Prior has eighteen masculine traits and five feminine traits. By the result of this research, it can be concluded that female individual can have more masculine traits or vise versa which then gives more understanding to the researcher. In addition, this research strengthens the idea that novel can be used as a tool to raise the awareness of the readers about th phenomena that happen in the society. Wanita dan pria seringkali dipandang sebagai dua individu dengan karakteristik berbeda. Wanita dilabeli dengan karakteristik feminin dan pria dilabeli dengan karakteristik maskulin. Wanita sering dianggap memiliki status lebih rendah daripada pria dengan tidak memiliki karakteristik pria. Namun, keberadaan ciri-ciri maskulinitas dalam karakter perempuan masih mungkin terjadi mengingat maskulinitas dan feminitas adalah konsep yang diciptakan oleh masyarakat. Dengan penelitian ini, peneliti bertujuan untuk menganalisis sifat-sifat maskulinitas dan femininitas karakter perempuan dalam Roth's Insurgent Novel. Penelitian ini memiliki dua tujuan. Yang pertama adalah untuk menganalisis sifat-sifat maskulin dari Beatrice Prior, dan yang kedua adalah untuk menganalisis sifat-sifat feminin dari Beatrice Prior. Peneliti menerapkan teori Sandra L Bem untuk menjawab pertanyaan penelitian. Penelitian ini adalah penelitian kualitatif. Penelitian ini berkaitan dengan teknik analisis konten. Temuan penelitian ini menunjukkan bahwa Beatrice Prior memiliki delapan belas ciri maskulin dan lima ciri feminin. Dari hasil penelitian ini, dapat disimpulkan bahwa individu perempuan dapat memiliki lebih banyak sifat maskulin atau sebaliknya yang kemudian memberikan lebih banyak pemahaman kepada peneliti. Selain itu, penelitian ini memperkuat gagasan bahwa novel dapat digunakan sebagai alat untuk meningkatkan kesadaran pembaca tentang fenomena yang terjadi di masyarakat.

THE CHANGE OF SASHI’S SOCIAL IDENTITY IN ENGLISH VINGLISH MOVIE (2012) Lifah, Halifah; Sili, Surya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

English Vinglish (2012) is an Indian movie inspired from Gauri Shinde’s mother. This movie tells about a woman named Sashi who struggle for her social identity. This problem background encourages the researcher to analyze Sashi’s character and characterization and the change of her social identity. The researcher limits the focus of Sashi’s character and her social life. The researcher uses characterization theory and Social Identity Theory to conduct the analysis. The data are analyzed by using qualitative descriptive method. The findings of this research reveal that: Sashi is the main character in the movie, because she is given much contribution of the story. The characterization is about Sashi’s physical appearance, personality, social status and social relationship. Sashi’s physical appearance is, she is a beautiful woman with beautiful eyes, long black hair and white skin. Her personality shows that she is a patient woman, a loving person, has a high tolerance and a loyal person. Her social status is a woman with low education and not a modern woman. Sashi has relationships with other characters in this movie, good and bad relationships. The analysis about the change of Sashi’s social Identity is divided into two processes: self-categorization and social comparison. The researcher concludes that Sashi changes her social identity from an ordinary housewife who does not know English become well-educated woman who fluent in English. The researcher finds that to change Sashi’s social identity she has to pass self-categorization and social comparison.

AN ANALYSIS OF CONVERSATIONAL IMPLICATURE ON “JUMANJI: WELCOME TO THE JUNGLE” FILM Saniatang, Saniatang; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3087

In this research, the researcher used the film as the object of the research entitled Jumanji: Welcome to the Jungle film and focused on understanding character utterances. The data were taken from the film script and scene in the form of utterances. Through the utterances, the participants tell their idea and opinion about something, but sometimes they do not say their goals directly; this is called implicature. Based on that, the researcher tries to understand the meaning of implicature utterances occurred in the film based on the implicature theory. This research was aimed at classifying the types of conversational implicature, which have been done by the five main characters in the film and then explaining the implied meaning. The researcher used Levinson's implicature theory and context by DeVito. The data were explained by showing the maxim flouted by the main characters, the context of the situation, the types of conversational implicature, and the implied meaning of the utterances. Dealing with the purposes of the research, it was found that the five main characters used implicature. Thirty-seven utterances contained conversational implicatures, which comprise thirty-four particularized conversational implicature, and three generalized conversational implicature. The five main characters used particularized conversational implicature more frequently than generalized conversational implicature. In addition, it was also found that the implied meaning behind main characters’ utterances mostly depend on the context of the conversation. The implied meaning found were informing, complaining, refusing, reminding, criticizing, assuring, affirming, apologizing, and entreating.

PORTRAYAL OF A WITCH AS HEROINETHROUGH MALEFICENT CHARACTER IN MALEFICENT MOVIE (2014) Farnush, Jemi; Sili, Surya; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 4 (2018): Oktober 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Maleficent movie (2014) a movie directed by Robert Stromberg and written by Linda Woolverton. This movie adapted from Sleeping Beauty animation version in 1959. Maleficent movie tells about the human Kingdom and the Moors Kingdom that have never be peace. This research focused on analyzing a portrayal of a witch as heroine through Maleficent character. The purposes of this research were to analyze kind of witch characteristics portrayed through Maleficent character in Maleficent movie, and to analyze Maleficent character portrayed as a heroine in Maleficent movie. This research was a qualitative research. This research used two theories. The first is witch theory by Julian Goodare and the second one is hero theory by Kendra Cherry. The results of the research showed, that Maleficent character in Maleficent movie (2014) evil and good side. There are four concepts of witch such as demonic, village, folkloric, and envisioned witch. Maleficent movie goes into the folkloric witch category. There are seventh elements of hero, which Maleficent character as a heroine in Maleficent movie. First, people who become heroes tend to be concerned with the well being of others. Second, heroes are good at seeing from the perspective of others. Third, heroes are competent and confident. Fourth, heroes have a strong moral compass. Fifth, heroes have right skills. Sixth, heroes persist even in the face of fear, and keep working on their goals. The second result showed that Maleficent character is a heroine. Keywords: hero, Maleficent, portrayal, witch ABSTRAK Film Maleficent (2014) adalah sebuah film yang disutradarai oleh Robert Stromberg dan ditulis oleh Linda Woolverton, film ini diadaptasi dari Sleeping Beauty versi animasi pada tahun 1959. Film Maleficent (2014) menceritakan tentang kerajaan Manusia dan kerajaan Moors yang tidak pernah berdamai. Penelitian ini fokus menganalisa penggambaran seorang wanita penyihir sebagai pahlawan melalui karakter Maleficent. Tujuan penelitian ini menganalisa jenis penggambaran karakteristik penyihir melalui karakter Maleficent di dalam film Maleficent. Penelitian ini merupakan penelirian kualitatif. Penelitian ini menggunaka dua teori. Yang pertama teori penyihir oleh Julian Goodare dan yang kedua teori pahlawan oleh Kendra Cheery. Hasil penelitian ini menunjukkan bahwa, yang pertama karakter Maleficent dalam film Maleficent (2014) sebagai seorang penyihir yang mempunyai sisi jahat dan baik. Ada empat konsep penyihir seperti demonic, village, folkloric, dan envisioned. Berdasarkan keempat konsep tersebut, film Maleficent masuk dalam kategori penyihir folkloric. Ada tujuh elemen kepahlawanan, dimana karakter Maleficent sebagai seorang pahlawan didalam film Maleficent (2014). Pertama, orang yang menjadi pahlawan cenderung memperhatikan kesejahteraan orang lain. Kedua, pahlawan pandai melihat sesuatu dari sudut pandang orang lain. Ketiga, pahlawan percaya diri. Keempat, pahlawan memiliki kompas moral yang kuat. Kelima, memiliki keterampilan. Keenam, pahlawan terus menghadapi ketakutan dan yang ketuju, pahlawan terus mengerjakan tujuan mereka, bahkan setelah menghadapi beberapa kemunduran. Kata kunci: pahlawan, Maleficent, penggambaran, penyihir

REJECTIVE BEHAVIORS TOWARD AFRICAN-AMERICAN SLAVES IN COLSON WHITEHEAD’S THE UNDERGROUND RAILROAD NOVEL Khatimah, Husnul; Sili, Surya; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3099

This study aimed to identify types of rejective behavior that depicted in Colson Whitehead’s The Underground Railroad and analyzed how the African-American slaves react toward these rejective behaviors. To conduct this research, the researcher used qualitative method, content analysis approach and multicultural criticism. The data source of this research was The Underground Railroad novel written by Colson Whitehead. The data were taken in the forms of words, sentences, clauses, phrases and narration that related to act of rejective behaviour experienced by African-American slaves and their reaction toward this rejective behaviour that suitable with Allport’s rejective behaviour theory and responses to rejective behavior theory. As analyzed, the results showed that all types of rejective behaviors were depicted in the novel. First, verbal rejection where in the action there were an indication of verbally insult like name calling, making fun of cultural makers and joking about physical attribute. Second, discrimination where in the action there were an indication of segregation and unfairly treatment between whites and blacks. Last, physical attack where in the action there were the indications of violence acts. Furthermore, the result also showed how African-American slaves react to these rejective behaviors that they experienced.

AN ANALYSIS OF MAIN CHARACTERS IN WARM BODIES FILM USING JUNG THEORY OF ARCHETYPES Rizakiah, Syarifah; Sili, Surya; Kuncara, Singgih Daru
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 4 (2018): Oktober 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACTThe collective unconscious concept of Jungian critic contains archetypes that are unique part of the theory of human personality. The archetypes can be found in R and Julie character in Warm Bodies film. The purpose of this study is to find out some archetypes based on Jungian critics that related to both characters. Analytical psychology theory by Carl G Jung was used as the main theory to find out the archetypes that related to both characters. This study is categorized as literary criticism since this study is emphasized on the analysis of literary work. The primary data of this study are collected from Jonathan Levine’s Warm Bodies film. The result of this study is showed there were six archetypes found in the film. They were persona, shadow, anima, animus, hero, and self-archetypes. Keywords: Jungian psychoanalysis, archetypes, Warm Bodies film ABSTRAKKonsep kumpulan bawah sadar dari kritik Jung mengandung pola dasar yang merupakan bagian yang unik dari teori kepribadian manusia. Pola dasar ini dapat di temukan di dalam karakter R dan Julie dalam film Warm Bodies. Tujuan dari penelitian ini untuk menemukan beberapa pola dasar bedasarkan dari kritik jung yang terkait dengan kedua karakter. Psikologi analisis teori dari Carl G Jung digunakan sebagai teori utama untuk menemukan pola dasar yang terkait dengan kedua karakter. Penelitian ini di kategorikan sebagai kritik sastra sejak penelitian ini menekankan pada Analisa dari kerja sastra. Data utama dari penelitian ini di kumpulkan dari film Jonathan levine Warm Bodies. Hasil dari penelitian ini menunjukkan bahwa ada 6 pola dasar yang ditemukan di dalam film. 6 pola dasar itu adalah persona, shadow, anima, animus, hero, dan pola dasar self. Kata kunci : psikoanalisis Jung, pola dasar, film Warm Bodies

ANTI-RACISM: A STUDY OF THE MAIN CHARACTERS IN THE HELP (2009) NOVEL BY KATHRYN STOCKETT Iban, Ageline; Sili, Surya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

The Help is a novel written by Kathryn Stockett and published in 2009. This novel tells about the lives of black maids who were discriminated by the white master around 1960s in Jackson, Mississippi. This research focused on analyzing the anti-racism of the main characters who are Skeeter, Aibileen and Minny. The purpose of this research was to analyze how the main characters’ anti-racism attitude in The Help novel and to analyze why the main characters become anti-racist people. This research is a qualitative research. This research used two theories, the first is Gordon Allport’s prejudice and discrimination theory and the second is social psychology theory. The result of this research showed that the main characters’ anti-racism attitude such as: verbal antagonism, avoidance and segregation. Meanwhile the factors in social psychology that influence the main characters become anti-racist people are identification factors in social psychology, motive, and social characteristic. Novel The Help adalah novel yang di tulis oleh Kathryn Stockett dan terbit pada tahun 2009. Novel ini bercerita tentang kehidupan para wanita pembantu rumah tangga kulit hitam yang didiskriminasi oleh majikan kulit putih sekitar tahun 1960-an di kota Jackson, Mississippi. Penelitian ini fokus pada menganalisa anti-rasisme dari para tokoh utama yaitu Skeeter, Aibileen dan Minny. Tujuan dari penelitian adalah untuk menganalisa bagaimana sikap anti-rasisme dari para tokoh utama dalam novel The Help dan menganalisa mengapa para tokoh utama menjadi seorang yang anti-rasis. Penelitian ini adalah sebuah penelitian kualitatif. Penelitian ini menggunakan dua teori, teori pertama yaitu teori prasangka dan diskriminasi dari Gordon Allport dan yang kedua yaitu teori psikologi sosial. Hasil penelitian menunjukan sikap anti-rasisme dari para tokoh utama yang melawan sikap rasis yaitu: lisan antagonisme, penghindaran dan pemisahan. Sementara factor-faktor dalam psikologi sosial yang mempengaruhi para tokoh utama menjadi seorang yang anti-rasis yaitu faktor identifikasi dalam psikologi sosial, motif, dan karakteristik sosial.

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