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All Journal Gorga : Jurnal Seni Rupa Ars: Jurnal Seni Rupa dan Desain Corak : Jurnal Seni Kriya Fesyen Perspektif Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Rupa Besaung : Jurnal Seni Desain dan Budaya International Journal of Visual and Performing Arts Visual Heritage: Jurnal Kreasi Seni dan Budaya Atrat: Jurnal Seni Rupa Narada : Jurnal Desain dan Seni Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Moda : The Fashion Journal Jurnal Dimensi Seni Rupa dan Desain eProceedings of Art & Design Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
Morinta Rosandini
Universitas Telkom
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences Other

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PEMANFAATAN LIMBAH MEMBRAN CANGKANG TELUR MENJADI MATERIAL TEKSTIL Antik Larasati; Morinta Rosandini
Fesyen Perspektif Vol 8, No 2 (2017): Fesyen Perspektif
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The egg is a familiar thing to us. Eggs can be used for foods ingredients, beauty, and many things in our daily life. The study was backed by the lack of utilization of eggshells waste to increase the economic and aesthetic value, this is because until recently part of the eggshells are mainly part of the membrane is only considered garbage that is no longer useful. The purpose of this research is the processing waste membrane eggshells to become a textile material. This research uses qualitative research methods by doing research directly in the field. The research was conducted in two stages. First stage related to the separation part of the eggshell with eggshells membrane. Second stage was to research how to make eggshells membrane using as a new textile material. The results of the first stage research related to the discovery of the most effective ways of separating parts of the eggshells with the membrane of eggshells,  the way is soaking eggshells in 25% concentration of vinegar. The results of the research second stages, founding a way how to make an eggshells membrane so it can be used as a new textile material. The most effective way is by the coating process with silicon oil, soaking with a solution of salt and soaking with softener clothes.
PENGEMBANGAN MOTIF KEMBANG TURI DAN KOI UNTUK INOVASI BATIK KEMBANG TURI BLITAR Morinta Rosandini; Jeng Oetari; Nofita Sari
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 39, No 1 (2022): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v39i1.6822

Abstract

Batik Kembang Turi dari Kampung Wisata Kembang Turi Blitar menjadi salah satu produk unggulan wisata Kota Blitar sejak diresmikan tahun 2018. Motif kembang turi, ikan koi, serta kendang menjadi ciri khas batik Kembang Turi. Proses kreasi stilasi dan komposisi motif batik di Kelurahan Turi terbilang masih sederhana dengan menggunakan teknik pola motif satu langkah dan karakter warna belum memiliki konsep warna yang dapat mempresentasikan ciri khas motif batik dari Kampung Batik Kembang Turi. Metode yang digunakan untuk penelitian ini adalah metode kualitatif dan kuantitatif dengan pengumpulan data melalui observasi lapangan dan wawancara dengan pengrajin di Kampung Batik Turi. Selanjutnya, dilakukan eksperimen berupa eksplorasi pengolahan stilasi, pengolahan motif setengah Langkah, dan eksplorasi warna. Hasil dari penelitian ini adalah dua baru dengan kreasi motif dan warna yang lebih dinamis dengan stilasi dan komposisi baru pada Batik Kembang Turi Blitar, Komposisi pola motif setengah langkah dan pola satu langkah refleksi simetri, serta konsep warna baru, sehingga terciptanya karakter motif dan warna yang dimiliki Kampung Batik Kembang Turi. Pengolahan motif ini berpotensi dalam upaya pengembangan Kampung Batik Kembang Turi serta menambah estetika dalam pengembangan pola motif batik Blitar khususnya di Kelurahan Turi.
Pengolahan Motif dengan Teknik Pola Repetisi Simetri Menggunakan Bentuk Aksara Jawa Ade Ayu Dwicahyani; Morinta Rosandini
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 5, No 2 (2023): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v5i2.4811

Abstract

Perkembangan teknik pengolahan desain motif saat ini sangat beragam, teknik pola motif repetisi simetri, memiliki potensi untuk menghasilkan suatu inovasi pola motif. Penggunaan aksara latin sebagai modul pada pola simetri sudah dilakukan oleh peneliti sebelumnya, menghasilkan ragam motif variatif dikarenakan bentuk aksara latin yang asimetris. Penelitian ini memanfaatkan potensi tersebut dengan mengambil bentuk aksara tradisional, yaitu aksara Jawa yang juga memiliki unsur asimetris pada bentuknya, sebagai modul dasar pengolahan motif. Upaya ini dilakukan untuk menciptakan keberagaman bentuk motif yang tercipta dengan teknik pola repetisi simteri dengan mengadaptasi bentuk tradisional. Metode penelitian yang digunakan adalah yaitu metode kualitatif dengan melakukan studi pustaka mengenai teori teknik repetisi simetri dan aksara jawa dan observasi perkembangan penggunaan teknik repetisi simetri, serta eksplorasi bentuk dan pola repetisi simetri menggunakan visual aksara Jawa secara digital. Berdasarkan hasil eskplorasi yang telah dilakukan, pengolahan motif simetri pada penelitian ini menghasilkan bentuk motif dan metamotif yang beragam dengan karakter gaya art deco yang elegan. Luaran penelitian ini dapat digunakan sebagai referensi desainer untuk menciptakan inovasi motif yang dapat diaplikasikan kedalam produk fashion.
PENGOLAHAN MOTIF MENGGUNAKAN TEKNIK ROTATION ESCHER DENGAN INSPIRASI RAGAM HIAS KAIN BATIK MADURA Rania Nurul Latifah; Morinta Rosandini
Jurnal Dimensi Seni Rupa dan Desain Vol. 19 No. 2 (2023)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v19i2.10028

Abstract

Developments in making motifs are very diverse in form and technique; in processing motifs, repetition techniques are needed, one of which is the tessellation repetition technique. Tessellation is creating a two-dimensional plane using geometric elements that are repeated without gaps and overlaps. Dutch graphic artist Maurits Cornelis successfully created tessellation using non-geometric shapes. It has four techniques in its manufacture: translation, reflection, rotation, and glide reflection. Previous studies have carried out the development of the rotation Escher technique with the inspiration of Indonesian fabrics. Still, the results of processing the motifs have not been optimal. So that further research is needed with proper processing to be able to produce more diverse motifs. The Escher rotation technique has special mathematical calculations and uses a different basic form. This study aims to create variations of non-geometric plane motif modules with tessellation compositions using the Escher rotation technique. This study brings Madura batik motifs that also have organic visual similarities and are geometric patterns with the Escher tessellation technique to provide more aesthetic value to the motif work. This study uses a qualitative method by conducting a literature study on the theory of rotation Escher, visual observation of objects in the rotation Escher technique, and Madura Batik fabrics. The next step is to process the motifs digitally using the Escher rotation technique with the inspiration of Madura Batik cloth. The final result is a variation in the shape of the motif in the form of a modification of the Escher rotation technique with visual details of the flora of chickens, peacocks, birds, fish, and flowers to have local content. This variety of motif creations can be used as a visual reference for designers to make motif applications on clothing.Keywords: Batik, Escher, Geometric, Madura, Motive, Tessellation.  
The transformation of Tuban Batik colors: perception and value in modern society Fajar Ciptandi; Morinta Rosandini; Ulfah Nafi’ah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 18, No 1 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i1.5184

Abstract

This article discusses the philosophical meanings represented by the dominant color in the background of traditional batik cloth in Tuban, East Java, Indonesia. These meanings have provided values and appreciation for the people of Tuban throughout their lives, reflecting a way of life connected to the concept of cosmology from birth to death. However, the current wave of development trends and modernity has impacted how the people of Tuban attribute value and adhere to these philosophical meanings within batik. This research employs an ethnographic approach involving direct data collection at the research location. We immersed ourselves in the local community, engaging in random interactions to gain insight into their thoughts and behaviors. Additionally, to uncover hidden philosophical values, data was collected through oral traditions involving one community leader, two entrepreneurs, and batik craftsmen knowledgeable about these values due to hereditary teachings. Subsequently, the data was analyzed using a phenomenological approach to elucidate the relationship between the philosophical meanings inherent in the traditional Tuban batik color and the daily behavioral patterns of the current population. This exploration illustrates the enduring significance of these philosophical meanings to the Tuban people. These meanings serve as a foundation for contemplating actions that preserve the tradition's continuity in the face of evolving innovations. It is imperative to assess how these values within the tradition are treated—whether maintenance, development, or elimination is appropriate—based on contemporary conditions.
Leveraging the modular design approach to enhance variation of SME LORI jewelry Morinta Rosandini; Dewi Isma Aryani; Elliati Djakaria; Riana Plourida Hura; Nadiah Salsabila; Jeng Oetari; Prafitra Viniani; Roro Retno Wulan
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.1044

Abstract

LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.
Analisis Visual Mahkota Binokasih Sang Hiyang Pake di Kabupaten Sumedang Jeng Oetari; Fajar Ciptandi; Morinta Rosandini
JURNAL RUPA Vol 8 No 1 (2023): Open Issue (In press)
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

Regency, especially the Sumedang Larang Palace, was designated as the Sumedang Puseur Budaa Sunda in 2017 by the Sumedang Government and designated as an institution for the preservation, protection, and development of ancestral customs and culture. As a result of this policy, 10 typical Kesumedan ornaments were determined, one of which was the Binokasih Crown. On the other hand, the Regent's Regulation Number 113 of 2009 concerns legal developments and community needs, therefore to strengthen legality it is necessary to increase it in the form of regional regulations, to maintain cultural preservation which is carried out through inventory, security, maintenance, rescue, and publication. So that is more potential in digging up further information, one of which is in the visual analysis of objects related to culture, especially the ornaments on the Crown which have been designated as cultural heritage/cultural assets for efforts to preserve Sundanese culture in Sumedang. The purpose of this study is to visually analyze the crown and analyze the philosophy contained in the crown. So that it can maintain cultural heritage both tangible and intangible aspects and become a basic reference in developing a product because it already has a clear foundation. Keywords: Visual Analysis, Crown Binokasih, Decorative Variety, Sumedang
APLIKASI RAGAM HIAS RUMAH GADANG PADA PRODUK FESYEN DENGAN PENGOLAHAN POLA SIMETRI Febrinolla Susanto; Morinta Rosandini; Prafitra Viniani
Moda : The Fashion Journal Vol. 5 No. 1 (2023)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v5i1.3249

Abstract

Teknik olah motif pada produk fesyen sudah sangat berkembang, terlebih dengan menggunakan teknik symmetry pattern yang memiliki banyak ragam teknik olah motifnya. Penerapan teknik symmetry pattern juga terlihat pada ukiran Rumah Gadang, dengan adanya kesamaan tersebut terdapat peluang untuk diolah untuk menghasilkan motif yang lebih beragam dengan menggunakan teknik pengolahan symmetry pattern. Metode penelitian yang digunakan adalah metode kualitatif dengan melakukan studi literatur dengan mencari data dan informasi mengenai teknik pengolahan symmetry pattern dan ukiran Rumah Gadang. Kemudian melakukan observasi studi visual berupa gambar dari ukiran Rumah Gadang berdasarkan unsur dan prinsip rupa. Lalu dilakukan pula eksplorasi untuk mengaplikasikan teknik olah motif dari inspirasi ukiran Rumah Gadang secara digital dengan mengikuti bentuk ukiran asli dari Rumah Gadang. Dari tahapan eksplorasi yang telah dilakukan, penelitian ini menghasilkan motif yang lebih variatif dan menciptakan suatu inovasi baru dari inspirasi ukiran Rumah Gadang menggunakan teknik symmetry pattern dengan mengolah empat operasi dasar dan menggunakan teknik repetisi secara planar, sehingga terciptanya sebuah komposisi motif yang diaplikasikan pada busana modest wear dengan menggunakan teknik digital printing dan bordir.
Exploration of motif patterns using the space-time-plane system and flat design stylization with La Galigo epic inspiration Aghnia Fauzul Muslikhani; Morinta Rosandini; Gina Shobiro Takao
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5472

Abstract

The development of storytelling motifs is enhanced through the Space-Time-Plane (STP) system, a drawing technique that integrates Image Way and Grammar principles. This system adeptly represents spatial and temporal dimensions, facilitating the creation of illustrative storytelling. Its application extends to translating images into meaning and vice versa, showcasing its impact on the textile sector. Notably, it drives the evolution of non-repetitive motif compositions embodying story concepts presented with flat design styling. Despite its successes, applying the STP system to motif development poses challenges, particularly when incorporating motifs into product patterns, leading to story truncation. Conversely, the non-repetitive motif composition using the STP system ensures the entire narrative is encapsulated in a single image, preventing any intersection of motifs. Motif development with the STP system draws inspiration mainly from modern sources despite its closer connection to traditional Indonesian art, particularly heroic stories like the epic La Galigo. While developments inspired by heroic narratives, including La Galigo, exist, their visualization remains confined to single-image models. The primary aim of this research is to generate an inspirational motif rooted in Indonesian traditional art, specifically the La Galigo epic. This is achieved through the utilization of the STP system, flat design styling, and repetitive composition or repeated illustration models. Employing an exploratory method, the research culminates in a repetitive motif composition, providing an alternative resolution to the issue of truncated motifs in non-repetitive composition models. The study aspires to contribute significantly to research focused on enriching the application of the STP system in visualizing stories through the manipulation of textile motif compositions.
Analisis Visual Artefak Budaya Makuta Binokasih Sang Hyang Pake Oetari, Jeng; Ciptandi, Fajar; Rosandini, Morinta
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

The Binokasih Crown is a Sundanese cultural heritage object stored in the Prabu Geusan Ulun Museum in Sumedang Regency as a symbol of the coronaton of a king in the contnuaton of power. The Binokasih Crown is designated as a Kasumedangan ornament and its visual is also used in the Sumedang Puseur Budaya Sunda or SPBS logo. In the use of the crown’s visual, there are diferences in history and no comprehensive descripton. Through the eforts of Sumedang Puseur Budaya Sunda in reconstructng culture and the need to identfy artfacts through cultural values, it is necessary to study the Binokasih Crown as an icon of Sumedang Regency through Sundanese cultural values in an efort to preserve Sundanese culture in Sumedang. The method used in this research is a qualitatve method with data collecton through feld observaton, deep interviews, document studies, and documentaton. The data analysis technique on cultural values uses Sundanese Cosmology and visual analysis uses morphological aesthetcs with descriptve, analytcal, interpretatve, and evaluatve stages. The purpose of this research is to explore the tangible and intangible aspects of the Makuta Binokasih as a cultural artfact. This is done in order to preserve Sundanese cultural heritage, and to provide a clear foundaton for the development of products based on the artfact.
Co-Authors Ade Ayu Dwicahyani Adzania, Farizka Shobrina Aghnia Fauzul Muslikhani Agtha Juliani Purnama Dewi Ahda Yunia Sekar Fardhani Aisy, Rihhadatul Aldi Hendrawan Alfandy, Zahra Deffi Almira, Alya Zahra Amalia Rachma Attorik Antik Larasati Arisanto, Kharisma Putri Attorik, Amalia Rachma Ayu Fitriani Azzahira, Syarifah Azzahrah, Karamina Chantika Qintara Fatharani Citra Puspitasari Dea Rahma Andini Dewi Isma Aryani Djoehara, Amanda Raniaputri Dzannurazkia, Vathya Elliati Djakaria Fajar Ciptandi Farhani, Shafiradita Fatharani, Chantika Qintara Febrianti, Evalina Permata Febrinolla Susanto Finky Aura Nisa Gantini, Yayu Sri Gina Shobiro Takao Hafiza Aprilia Hamida, Aqilah Audiva Hana Kamila Wibowo Haniah, Salma Hidayati, Irna Dwinissa Imam Syafrudin Iskandar, Shelvia Utari Jeng Oetari Jeremi Samuel Latifah, Rania Nurul Liandra Khansa Utami Putri Lingga Agung Made Devi Savitri Wirawan Meiyevi, Nadia Mutiara Mirandani, Khalishah Haura Muslikhani, Aghnia Fauzul Nadiah Salsabila Nofita Sari Permatasari, Aprillia Indah Prafitra Viniani Prafitra Viniani Prameswari, Ananda Prasetya, Shyavira Putri, Andini Pramestisya Rania Nurul Latifah Riana Plourida Hura Rima Febriani Roro Retno Wulan S, Salma Nurazizah G. Salsabila, Divya Syifa Salsabila, Nadiah Samudra, Ayyala Syahla Sari, Nofita Sukma, Mestika Nawang Tiurina, Devi Selviana Ulfah Nafi’ah Utari, Arizki Savira Viniani, Prafitra Widia Nur Utami Bastaman Yossie Novella Yuki Kireina Yuningsih, Sari