Article Per Year (5 Year)
p-Index From 2020 - 2025
1.642
P-Index
This Author published in this journals
All Journal MUDRA Jurnal Seni Budaya Jurnal Mantik International Journal of Visual and Performing Arts Media Bina Ilmiah International Journal of Multidisciplinary Research of Higher Education (IJMURHICA) Jurnal Ilmiah Ekotrans & Erudisi (JIEE) E-Amal: Jurnal Pengabdian Kepada Masyarakat Singkite Journal
Fadhlan, Fadhlan
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 9 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : MUDRA Jurnal Seni Budaya

 1 
Acehnese Culture-Based Artistic Experimentation in the Creation of the Artwork Imajinisan Fadhlan, Fadhlan; Guntur; Sunarmi
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.3486

Abstract

In Aceh, ancient gravestones, as well as the peusijuek ritual, are increasingly marginalized by modernization and infrastructural development. However, they contain profound symbolic, spiritual, and aesthetic values that remain underrepresented in visual arts discourse. This study aims to explore how local cultural phenomena, particularly Aceh's ancient gravestones and the peusijuek ritual, can serve as conceptual and visual inspiration in the development of contemporary painting techniques. Employing a qualitative method with hermeneutic and artistic practice approaches, the exploration process was conducted through field observations at gravestone sites, visual technique experiments using rubbing, washing, collage, and the gestural act of reutek as a form of spiritual symbolism. All stages were organized in a tiered structure, visualized through a triangular diagram, illustrating an integrative process from observation to visual affirmation. The results show that creating visual techniques based on local culture can produce an authentic and meaningful visual language, while also serving as a reflective medium on the dynamics of cultural preservation amid modernization. These findings affirm that exploratory documentation of the technique creation process plays a crucial role in shaping visual distinctiveness and strengthening the artist's identity within the landscape of contemporary Indonesian art. The study further suggests that experimental practices grounded in local cultural symbols not only enrich the discourse of contemporary painting but also offer a model for sustainable artistic innovation that bridges tradition and modernity.
Co-Authors Agus Nurofik Ardian Samsudin Bautista, Lloyd C. Dabitha Wise Maliha Dorris Yadewani Guntur Guntur Guntur Hadi, Yohanes Ikhwan Iskandar, Raihan Mulyadin, Asrul Nadia Angraini Nini, Nini Pardizal, Zalmi Rafles, H. raharto, tito budi Regen, Ronal Sartika Yuliana Septrizarty, Rika Sunarmi Sunarmi Sunarmi Sutiyem, Sutiyem Yuliana, Sartika