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PROPHET KHIDIR IN KUNTOWIJOYO’S NOVEL WASRIPIN DAN SATINAH: WOLFGANG ISER’S AESTHETIC RESPONSE ANALYSIS Inung Setyami; Faruk Faruk; Fadlil Munawwar Manshur
POETIKA Vol 10, No 1 (2022): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v10i1.64730

Abstract

This study aims to describe and reveal the meaning of the figure of the Prophet Khidir as a repertoire in Kuntowijoyo's Wasripin dan Satinah novel in terms of Wolfgang Iser's Aesthetic Response theory. This study is qualitative descriptive, and the data source is the novel Wasripin dan Satinah published by Kompas Publisher in 2003. Using a note-taking technique of all novels related to the Prophet Khidir’s repertoire, it obtained the data. The technique was through 1) identification, 2) classification, 3) interpretation, and 4) inference. The results showed that 1) the figure of the Prophet Khidir in the novel Wasripin dan Satinah was an earlier reference in the text used by Kuntowijoyo as the basis or background for creating his novel. The transformed story of the Prophet Khidir in the Al-Qur'an has a different storyline. 1) In the Al-Qur'an, Prophet Khidir was approached by Prophet Musa to learn. Meanwhile, in the novel Wasripin and Satinah, the Prophet Khidir came to Wasripin to give his knowledge. 2) The novel Wasripin dan Satinah which represents the figure of Prophet Khidir, has given rise to myths in the lives of Javanese people. 3)  an intention conveyed by Kuntowijoyo in presenting the figure of the Prophet Khidir in his work, namely a lesson not to be shirk by glorifying or deifying someone who has superior abilities.
Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam Faruk Faruk; Fadlil Munawwar Manshur
Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Vol 5 No 1 (2022): 2022: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.4076

Abstract

The third-year of service activities (2021) at the Komunitas Sastra Darussalam were centered on training in writing local stories of the magical genre. Komunitas Sastra Darussalam has the potential to maximize the pesantren’s cultural background as the basis for their writing, such as through the genre of magical realism which is considered very close to their lives. Through training and mentoring held by the service community team, it is expected that they will ignite their ability to continue developing to compete at the national or global level. In the first year (2019), activities are focused on developing story ideas that produce mini-fictions about life with a pesantren background. In the second year (2020), service participants received training on writing realism genre literary works. So, in the third year (2021), the activities focused on the story’s substance, that is rewriting local stories (folklore) with the magical genre. From this training and mentoring that has been carried out, it was found that the tendency of writing local stories by KSD writers has shown its magical side. The stories explored by the participants were quite diverse, not only tending to explore local stories, but the participants also showed their tendencies as a pesantren community, some of them took stories with a magical substance that developed in Islam. ==== Kegiatan Pengabdian kepada Masyarakat pada tahun ketiga (2021) di Komunitas Sastra Darussalam dipusatkan pada pelatihan penulisan cerita lokal bergenre magis. Komunitas Sastra Darussalam sendiri adalah sebuah kelompok yang berpotensi menumbuhkan penulis-penulis yang dapat memaksimalkan latar budaya pesantren sebagai basis kepenulisan mereka, di antaranya, melalui genre realisme magis yang dianggap sangat dekat dengan kehidupan mereka. Pelatihan dan pendampingan yang diadakan oleh Tim Pengabdian ini diharapkan mampu memantik kemampuan anggota komunitas untuk terus berkembang dan bersaing dalam tataran nasional ataupun global. Jika tahun pertama (2019) kegiatan difokuskan pada pengembangan ide cerita yang menghasilkan fiksi mini mengenai kehidupan berlatar pesantren, tahun kedua (2020) peserta pengabdian mendapat pelatihan mengenai penulisan karya sastra bergenre realisme, dan pada tahun ketiga (2021), kegiatan difokuskan pada substansi cerita, yaitu menulis ulang cerita lokal (cerita rakyat) yang bergenre magis. Dari pelatihan dan pendampingan yang telah dilakukan ditemukan bahwa kencenderungan penulisan cerita lokal oleh penulis-penulis KSD telah menampakkan sisi magisnya. Cerita yang dieksplorasi peserta cukup beragam, tidak hanya cenderung pada eksplorasi cerita-cerita lokal, peserta juga menampakkan kecenderungan mereka sebagai masyarakat pesantren, yaitu sebagian di antara mereka mengambil cerita-cerita bersubstansi magis yang berkembang dalam Islam.
Haunted Memory, Trauma, and Recovery in Louise Erdrich’s The Stone Alfian Maulana; Faruk Faruk
POETIKA Vol 10, No 2 (2022): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v10i2.75899

Abstract

While the ghost is almost always connected with the source of terror, psychological disorder, traumatic memory, unfinished task, or dormant desire, could it also be a guide to collective memory and recovery, especially for Native American society? This study aimed to read the haunting phenomenon in Louise Erdrich’s The Stone as literary work that could give a deeper understanding of the relation among haunting, collective memory, trauma, and recovery. It answered two questions: 1) How the haunting narrated past collective memory and system of power to the living, and 2) How the relationship between the memory and the present living might establish recovery. To analyze the text, this study used the haunting theory by Avery Gordon. The main data was collected from Louise Erdrich’s The Stone. The result revealed that 1) the haunting in this work was related to the demand of Ojibwe memory in the reservation era, that was the demand to be remembered; 2) the traumatic event was not over and continues to occur in the present, and 3) this text developed new mode of practicing testimony through the act of remembrance of the past collective memory.
French Holocaust Literature: A Study of the Work of Joseph Joffo on World War Two Sunahrowi Sunahrowi; Faruk Faruk; Aprinus Salam
Lingua Litteria Journal Vol 10 No 2 (2023): Octobre 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ll.v10i2.72803

Abstract

La seconde guerre mondiale en France a donné naissance à une nouvelle forme dans le domaine de la littérature. Outre le Nouveau Roman né dans les années 1950, une nouvelle forme de littérature a émergé, à savoir la littérature holocauste. Ce type d'œuvre littéraire qui prend pour toile de fond l'holocauste a été lancé par de nombreux écrivains français, tels que Patrick Modiano, Simone Veille, Joseph Joffo et bien d'autres. Ils ont choisi le décor de l'holocauste avec divers rôles; en tant qu'auteurs (victimes) et en tant que lecteurs de documents sur l'événement. Cette étude vise à décrire la forme de la littérature française sur l'Holocauste, à décrire les œuvres de Joseph Joffo et les récits de l'Holocauste, et à examiner les recherches antérieures sur les œuvres de Joffo. La méthode utilisée dans cette recherche est Library Method. Cette recherche produit des résultats liés aux questions soulevées et à la forme de la littérature sur l'holocauste, l'histoire de l'holocauste dans les deux suites de Joseph Joffo et la position de l'œuvre de Joseph Joffo parmi d'autres œuvres se déroulant dans la seconde guerre mondiale.