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Laki-laki Madura dalam Kumpulan Esai Madura Niskala Karya Royyan Julian Studi: Maskulinitas Rifai, Ahmad; Ahmadi, Anas; Rengganis, Ririe
Jurnal Ilmiah Mandala Education (JIME) Vol 8, No 3 (2022): Jurnal Ilmiah Mandala Education (Agustus)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jime.v8i3.3542

Penelitian ini bertujuan untuk mendeskripsikan maskuklinitas yang terdapat dalam kumpulan esai-esai Indonesia, Madura Niskala. Secara spesifik, tujuannya terbagi menjadi 3, yaitu (1) bagaimana maskulinitas tanggung jawab laki-laki Madura dalam kumpulan esai-esai Madura Niskala ditinjau dari perspektif maskulinitas, (2) bagaimana maskulinitas kegagahan laki-laki Madura dalam kumpulan esai-esai Madura Niskala ditinjau dari perspektif maskulinitas, dan (3) bagaimana maskulinitas harga diri laki-laki Madura dalam kumpulan esai-esai Madura Niskala ditinjau dari perspektif maskulinitas. Teori yang digunakan dalam penelitian ini adalah studi maskulinitas. Metode yang digunakan adalah deskriptif kualitatif yang berfokus pada pemaparan data secara naratif. Teknik pengumpulan data yang digunakan adalah studi pustaka. Teknik analisis data dilakukan dengan beberapa langkah yaitu mengidentifikasi data, mengklasifikasi data, mereduksi data, menginterpretasi data, mendeskripsikan data, dan memverifikasi data. Hasil penelitian menunjukkan bahwa maskulinitas laki-laki Madura direpresentasikan dalam beberapa aspek yakni laki-laki yang berperilaku maskulin adalah laki-laki yang bertanggung jawab, harga diri, dan gagah.

Ekspresi Bahasa Bermuatan Self-Improvement dalam Novel Luka Cita Karya Valerie Patkar: Kajian Psikoanalisis Jacques Lacan Afrani, Aurora Zaen; Rengganis, Ririe; Sudikan, Setya Yuwana
DISASTRA: PENDIDIKAN BAHASA DAN SASTRA INDONESIA Vol 6, No 2 (2024): JULI
Publisher : Universitas Islam Negeri Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/disastra.v6i2.3716

Penelitian ini bertujuan untuk mengidentifikasi proses pembentukan subjek, mendeskripsikan konstruksi bahasa subjek, serta menganalisis identitas subjek dalam novel Luka Cita karya Valerie Patkar berdasarkan kajian psikoanalisis Jacques Lacan. Metode penelitian yang digunakan yakni kualitatif bersifat deskriptif dengan pendekatan pragmatik pembaca. Data dalam penelitian ini berupa kalimat, teks, dialog, narasi, dan paragraf novel yang memuat self-improvement serta konsep psikoanalisis Jacques Lacan. Pengumpulan data dilakukan melalui teknik baca dan catat dengan menekankan peneliti sebagai instrumen utama. Analisis data mengacu pada hermeuneutik yang diwujudkan melalui tafsiran serta interpretasi. Hasil penelitian menunjukkan bahwa proses pembentukan subjek Tara dalam novel melalui tahap imajiner, simbolik, dan real berimplikasi pada pengembangan diri Tara sebagai atlet catur perempuan. Konstruksi bahasa subjek Tara yang bermuatan self-improvement dapat diklasifikasikan berdasarkan mekanisme metafora dan metonimi yang digunakan untuk mengetahui hubungan makna antar penanda. Identitas subjek Tara teridentifikasi sebagai subjek aktif yang memuat hasrat anaklitik dan narasistik. Temuan ini memberikan kontribusi terhadap bidang bahasa dan sastra karena konsep psikoanalisis Lacanian menitikberatkan kajian bahasa dalam karya sastra.

Representasi Maskulinitas Hegemonik dalam Novel Ayah... Kisah Buya Hamka Karya Irfan Hamka: Kajian Kritik Sastra R.W. Connell Rohman, Miftahul Afifur; Rengganis, Ririe; Sudikan, Setya Yuwana
GERAM (Gerakan Aktif Menulis) Vol. 13 No. 2 (2025): GERAM (Gerakan Aktif Menulis)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2025.22634

This research aims to uncover the form and function of hegemonic masculinity in intergender relationships so as to influence readers' understanding of the concept of masculinity. This research utilizes a qualitative approach to literary criticism of masculinity by Connell which was chosen because it is able to explain the power relations between men and between men and women. This study analyzes the dialogue and narrative in the Novel Ayah... Buya Hamka's story is through the technique of listening, purposive sampling, and the flow of Miles' analysis. The results of the study identified 35 findings divided into four categories: social constructs (25 findings) that show masculinity norms are shaped through cultural expectations; gender hierarchy (4 findings) that affirm the dominant position of men in intergender relations; the role of popular culture (1 finding) that reinforces masculine values from outside the text; and subordination (5 findings) that show the weakening of non-dominant forms of masculinity in order to maintain masculine hegemony. Overall, this study shows that the representation of masculinity in literature is intertwined with broader social and cultural structures. In addition, the recommendations of the study further explore the impact of hegemonic masculinity in other literary works and its influence on people's views on gender across cultural contexts.

Minang Identity in Indonesian Literary Works 2008-2025 (Anthropocentrism Study) Retnosari, Putri; Parmin; Susanto, Moh Arif; Aditama , Destynar; Rengganis, Ririe; Savitri, Agusniar Dian; Indrawati, Dianita; Faisal , Rakmat; Wibowo, Yermia Nugroho Agung
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 5 No. 1 (2026): Proceeding of Conference on Literature, Linguistic, and Cultural Studies: ICONE
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v5i1.6572

This study aims to explore the construction and transformation of Minangkabau identity in Indonesian literary works published between 2008 and 2025. Using an anthroposentric literary approach, the research investigates how human-centered cultural values, norms, and beliefs associated with Minangkabau ethnicity are narrated, challenged, or maintained in contemporary fiction. The analysis focuses on selected novels and short stories written by both Minangkabau and non-Minangkabau authors, identifying recurring themes such as adat, migration, gender roles, and intergenerational conflict. The method combines textual interpretation with cultural contextualization to uncover how literature reflects or reconfigures the image of Minang identity in response to changing national and global contexts. The results reveal that while many works reaffirm traditional Minangkabau values, others offer critical perspectives that depict internal tensions and evolving identities, especially among younger generations. The study shows that Minang identity in literature is dynamic, marked by a constant negotiation between heritage and modernity.

Melawan lewat bahasa: Ujaran performatif tokoh marginal dalam Pasung Jiwa dan Kerumunan Terakhir Chodiyah, Ayunda Nuril; Sudikan, Setya Yuwana; Rengganis, Ririe
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2026)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v9i1.1513

The purpose of this study is to examine the utterances of marginalized characters in Okky Madasari’s Pasung Jiwa and Kerumunan Terakhir as performative acts containing resistance to dominant social structures. This research is a qualitative descriptive type with a feminist approach. The research data consists of narrative excerpts, monologues, and dialogues containing performative utterances. Data collection was carried out through intensive reading. The analysis focused on how these utterances form performative acts in the character’s social context, and function as discursive practices that reproduce or challenge norms of identity and power. The results of the study show that language is not merely an expression of personal experience, but a form of performative act that contains resistance to dominant social structures. The language in the characters’ utterances can be used as a means to restructure the social order. Through the concept of linguistic performativity by Austin and Butler, the language spoken by the characters is present as a tool for negotiating meaning and power. Language becomes a space of resistance that challenges the boundaries of social norms, challenges the truth claims conveyed by the majority, and invites readers to see reality from other perspectives that tend to be marginalized.

Representasi Maskulinitas Hegemonik dalam Novel Ayah... Kisah Buya Hamka Karya Irfan Hamka: Kajian Kritik Sastra R.W. Connell Rohman, Miftahul Afifur; Rengganis, Ririe; Sudikan, Setya Yuwana
GERAM (Gerakan Aktif Menulis) Vol. 13 No. 2 (2025): GERAM (Gerakan Aktif Menulis)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2025.22634

This research aims to uncover the form and function of hegemonic masculinity in intergender relationships so as to influence readers' understanding of the concept of masculinity. This research utilizes a qualitative approach to literary criticism of masculinity by Connell which was chosen because it is able to explain the power relations between men and between men and women. This study analyzes the dialogue and narrative in the Novel Ayah... Buya Hamka's story is through the technique of listening, purposive sampling, and the flow of Miles' analysis. The results of the study identified 35 findings divided into four categories: social constructs (25 findings) that show masculinity norms are shaped through cultural expectations; gender hierarchy (4 findings) that affirm the dominant position of men in intergender relations; the role of popular culture (1 finding) that reinforces masculine values from outside the text; and subordination (5 findings) that show the weakening of non-dominant forms of masculinity in order to maintain masculine hegemony. Overall, this study shows that the representation of masculinity in literature is intertwined with broader social and cultural structures. In addition, the recommendations of the study further explore the impact of hegemonic masculinity in other literary works and its influence on people's views on gender across cultural contexts.

Sastra Digital: Antara Inovasi Bentuk dan Kebuntuan Metodologis Rokib, Mohammad; Alindah, Lutfiyah; Parmin, Parmin; Rengganis, Ririe
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.2412

This study examines the development of Indonesian digital literature through the identification of its forms and the accompanying methodological implications. Although literary production in the digital space is increasingly abundant and has received academic attention, there is still little attention examining the diversity of forms and its methodological consequences that arise from differences in material and medium. Two main problems that guide this study are how have Indonesian digital literary forms developed as a medium of expression, and what methodological challenges arise in examining them. This study then uses a historical-material approach borrowing Bolter and Grusin's media remediation framework. This study identifies four main categories: Material Digital Literature, Web-based Literature, App-based Literature, and Chat Literature as well as Generative Literature. Each form demonstrates transformations in the production and reception of literary texts, which require different methodological approaches. This article’s argument emphasizes the importance of alignment between method, medium form, and interpretive validity in the study of digital literature. These findings encourage the development of an adaptive approach in the study of Indonesian digital literature to achieve a sharp understanding of technological and authorial aspects.

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