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All Journal Mahasiswa S1 Teologi Hindu MUDRA Jurnal Seni Budaya Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Kamaya: Jurnal Ilmu Agama Purwadita : Jurnal Agama dan Budaya Kalangwan: Jurnal Pendidikan Agama, Bahasa dan Sastra PARIWISATA BUDAYA: JURNAL ILMIAH AGAMA DAN BUDAYA Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vyavahara Duta Sanjiwani: Jurnal Filsafat Jurnal Penelitian Agama Hindu JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU Sevanam: Jurnal Pengabdian Masyarakat Sphatika: Jurnal Teologi Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya
Ida Bagus Subrahmaniam Saitya
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : MUDRA Jurnal Seni Budaya

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Theology of Art in The Text of Adiparwa Saitya, Ida Bagus Subrahmaniam
Mudra Jurnal Seni Budaya Vol 39 No 4 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i4.3008

Abstract

Adiparwa is the initial part of the Mahabharata, which can be viewed as consisting of two distinct parts. The first part presents the framework of the Bharata epic, and the second part contains the genealogy of the Pandavas and Kauravas. Adiparwa not only narrates the origins of the Kuru Dynasty and the various early events leading to the great war in Kuruksetra but also contains many profound theological and aesthetic elements. This study uses the theory of literary reception, which is based on the notion that literary works have always received responses from their readers since their publication. A qualitative research method with a theological approach is used in this study. The theology in the text of Adiparwa includes the concepts Nirguna Brahman and Saguna Brahman, in line with His attributes for creating the universe, embodied in Sanghyang Siwa with Bhatari Parwati. The aesthetics in the text of Adiparwa are described in the terms satyam, siwam, and sundaram. Satyam in the text of Adiparwa can be seen in the story of four quails that survived the burning of the Khandawa forest. The essence of siwam in the text of Adiparwa is described in the concept of God as Nirguna Brahman and Saguna Brahman. The values of sundaram are reflected in the beauty of Tilottama. The influence of theology on aesthetics is evident in the rituals described in the text of Adiparwa through the mabebasan tradition, usually performed during the atma wedana ceremony, via the Astikacarita story using the palawakya reading technique.
Co-Authors A.A. Diah Indrayani Acyutananda Wayan Gaduh Adi Suryana Ambarnuari, Mery Anggriawan, G. Arya Gaduh, Acyutananda Wayan Gaduh, Acyutananda Wayan Gede Agus Siswadi Hari Harsananda Harsananda, Hari Harsananda, Hari Harsananda I Gede Sathya Dharma Putra Mahardika I Ketut Wardana I Komang Suastika Arimbawa I Made Ary Hardana Yasa I Wayan Redi Ida Ayu Tary Puspa IDA AYU TARY PUSPA Ida Bagus Putu Adnyana Jagadhita, Pande Putu Puja Jelly, Ni Kadek Jendra, I Made Iwan Indrawan Kurniarini, Ni Nyoman Yunike Ni Gusti Ayu Nyoman Meilani Ni Luh Ratna Sari Ni Putu Ersa Rahayu Putu Emy Suryanti Rahayu, Ni Putu Ersa Sinta Dewi, Ni Putu Subawa, I Made Pasek Suryanti, Putu Emy Wirawan, I Nyoman Gede