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Batik Pasiran: Wujud Kearifan Lokal Batik Kampung Pasir Garut Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha
PANGGUNG Vol 30 No 4 (2020): Kearifan Lokal dalam Metode, Model dan Inovasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i4.1368

Batik Pasiran merupakan wujud seni batik yang dihasilkan oleh masyarakat Kampung Pasir,Desa Cintakarya, Kecamatan Samarang, Kabupaten Garut. Batik Pasiran tergolong batik yangbaru berkembang dan diperkenalkan oleh masyarakat Kampung Pasir. Batik tersebut memilikikeunikan dan nilai-nilai leluhur Kampung Adat Pasir, bentuk kearifan lokal masyarakatnya.Penelitian ini menggunakan pendekatan deskriptif dengan analisis budaya yang diharapkanmampu mengungkap dan menjabarkan bagaimana bentuk kearifan lokal yang dikiaskandalam Batik Pasiran. Metode yang digunakan dalam penelitian ini adalah metode penelitiankualitatif yang akan membantu mengabstraksikan pertalian antara bentuk seni dalam hal inibatik dengan nilai-nilai kearifan lokal yang hidup di dalam budaya masyarakat KampungPasir. Hasil penelitian menjelaskan bahwa corak motif Pasiran menggambarkan kehidupanmasyarakat yang menyatu dengan alam. Dalam hal ini batik, bukan hanya sekedar hasil budaya,lebih jauh lagi makna dan nilai-nilai yang terkandung di dalamnya merupakan ungkapan daripengalaman empiris dan keseharian masyarakat yang membentuk satu kesatuan budaya.Kata Kunci: Batik, Pasiran, Kearifan Lokal

Motif Batik Ciwaringin sebagai Identitas Budaya Lokal Cirebon Susi Machdalena; Reiza D. Dienaputra; Agus S. Suryadimulya; Awaludin Nugraha; N. Kartika; Susi Yuliawati
PANGGUNG Vol 33 No 1 (2023): Nilai-Nilai Seni Indonesia: Rekonstruksi, Implementasi, dan Inovasi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i1.2476

Artikel ini membahas motif-motif Batik Ciwaringin yang mempunyai kekhasan dan keunikan tersendiri. Batik Ciwaringin dibuat tidak menggunakan pola dalam proses membatiknya, dikerjakan para ibu yang sudah berumur lanjut, untuk mewarnai batik digunakan bahan pewarna alam, motif batik kental dengan nilai-nilai Islam, karena awal mulanya terdapat batik di Ciwaringin dibuat oleh para santri di pesantren. Hal-hal tesebut menjadi unggulan Batik Ciwaringin dan menjadi identitas masyarakatnya. Metode yang digunakan dalam tulisan ini adalah metode kualitatif dengan pendekatan etnografi. Pendekatan ini digunakan untuk memaparkan kearifan lokal dan identitas masyarakat Ciwaringin. Data-data yang berupa motif-motif batik Ciwaringin diperoleh dari sanggar Batik Muhammad Suja’i dan sanggar Batik Risma. Data-data dipilah berdasarkan pola motif batik. Terdapat lima pola motif, yaitu pola geometris, pangkaan, byur, ceplak-ceplok, laseman, dan pola kombinasi. Hasil penelitian ini menunjukkan bahwa motif-motif batik dengan berbagai ragam hias berasal dari alam di sekitar Desa Ciwaringin. Batik Ciwaringin merupakan hasil ekspresi kultural para perajinnya dengan motif-motif yang tidak keluar dari sosio-kultural Islam karena sejak awal adanya Batik Ciwaringin berpedoman pada ajaran-ajaran Islam. Dengan demikian dapat dikatakan bahwa Batik Ciwaringin menunjukkan identitas budaya Ciwaringin yang kaya akan flora dan fauna. Kata kunci: Motif batik, kearifan lokal, identitas Kata kunci: Motif batik, kearifan lokal, identitas.

Preserving Cultural Heritage Through a Traditional Ritual: A Case of Kabuyutan Ciburuy Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Nani Sriwardani; Yully Ambarsih Ekawardhani; Dadang Sudrajat
PANGGUNG Vol 34 No 2 (2024): Estetika, Budaya Material, dan Komodifikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i2.2801

The Seba ceremony in Kabuyutan Ciburuy is a tradition of preserving cultural heritage that has been carried out for generations. Currently, Kabuyutan Ciburuy is no longer actively used as an educational institution, nor are the contents of its ancient manuscripts used as a reference for the development of science. For this reason, this research tries to dissect why this happens. This research uses a qualitative research method which is believed to be a scalpel in research, thereby helping to explain the research object factually. The research step is to carry out participant observation, the researcher actively participates in the activities being researched. Also hold interviews with local cultural figures either formally or informally. The result of this research is a descriptive explanation of the Seba Ceremony as an effort to preserve cultural heritage. Because heirlooms refer to educational activities, such as the discovery of many manuscripts, one of which contains advice on old Sundanese character and ethics. This has become a high level of cultural wealth by continuing to carry out the Seba ceremony as a form of preservation so that it remains alive and relevant for future generations. Keywords: Seba Ceremony, Ciburuy District, Preservation, Cultural Heritage

Unveiling Historical, Religious, And Philosophical Values of the Indonesia’s Panjunan Red Mosque Via Architectural and Visual Narrative Kartika, Nyai; Dienaputra, Reiza D; Machdalena, Susi; Nugraha, Awaludin; Suryadimulya, Agus Suherman; Yuliawati, Susi; Sriwardani, Nani
Journal of Islamic Architecture Vol 8, No 3 (2025): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i3.25686

This historical research examines the messages conveyed through the architectural art of an ancient mosque, the Cirebon Panjunan Red Mosque, which was built by Arab descendants living in Java in 1480 AD. In Indonesia, the acculturation between Islamic culture and traditional values resulted in the uniqueness of mosques' architectural buildings and ornaments. In addition to being a place of worship, mosques became an art form rich in symbols, representing historical, religious, and philosophical values. This qualitative research with historical methods seeks to investigate the visual narrative in the ancient mosque by implementing a series of historical research stages, including heuristics, criticism, and data interpretation. As pictures convey a narrative as well as words, visual narrative can be used to discover the values of the past. The results of the research have unveiled messages of history and culture regarding Islam's development during the Cirebon sultanate. In addition, the history of the Panjunan Red Mosque was described. Hopefully, this research can contribute to new knowledge on the past Islamic development in Indonesia and the wisdom of peaceful acculturation.

Revitalisasi Bangunan Cagar Budaya Gedung Juang Tambun sebagai Museum Digital Kabupaten Bekasi, 2019-2021 Imbron, Imbron; Falah, Miftahul; Kartika, Nyai
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 8 No 1 (2024): April
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v8i1.25308

This research was written to provide information and education about changes in the function of the Juang Tambun Building as a Digital Museum and the use of abandoned or neglected cultural heritage buildings. This research uses the Historical Method. In this method there are four heuristic stages, internal criticism and external criticism, interpretation, and historiography. The results of this research, the revitalization of the Juang Tambun Building as the Bekasi Regency Digital Museum, has had a positive impact on the surrounding community. The Juang Tambun Building is officially managed directly by the Bekasi Regency Culture, Youth, and Sports Department. In 2019, the Juang Tambun Building before being revitalized was only a cultural heritage building with no attractions to visit. In 2021, the Juang Tambun Building will officially become a digital museum that provides information about the history of the Bekasi Regency. The revitalization of the Juang Tambun Building has an influence on the economic aspects, educational aspects, and tourism aspects of the people of Bekasi Regency.

Batik Pasiran: Wujud Kearifan Lokal Batik Kampung Pasir Garut Kartika, Nyai; Dienaputra, Reiza D.; Machdalena, Susi; Nugraha, Awaludin
PANGGUNG Vol 30 No 4 (2020): Kearifan Lokal dalam Metode, Model dan Inovasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i4.1368

Batik Pasiran merupakan wujud seni batik yang dihasilkan oleh masyarakat Kampung Pasir,Desa Cintakarya, Kecamatan Samarang, Kabupaten Garut. Batik Pasiran tergolong batik yangbaru berkembang dan diperkenalkan oleh masyarakat Kampung Pasir. Batik tersebut memilikikeunikan dan nilai-nilai leluhur Kampung Adat Pasir, bentuk kearifan lokal masyarakatnya.Penelitian ini menggunakan pendekatan deskriptif dengan analisis budaya yang diharapkanmampu mengungkap dan menjabarkan bagaimana bentuk kearifan lokal yang dikiaskandalam Batik Pasiran. Metode yang digunakan dalam penelitian ini adalah metode penelitiankualitatif yang akan membantu mengabstraksikan pertalian antara bentuk seni dalam hal inibatik dengan nilai-nilai kearifan lokal yang hidup di dalam budaya masyarakat KampungPasir. Hasil penelitian menjelaskan bahwa corak motif Pasiran menggambarkan kehidupanmasyarakat yang menyatu dengan alam. Dalam hal ini batik, bukan hanya sekedar hasil budaya,lebih jauh lagi makna dan nilai-nilai yang terkandung di dalamnya merupakan ungkapan daripengalaman empiris dan keseharian masyarakat yang membentuk satu kesatuan budaya.Kata Kunci: Batik, Pasiran, Kearifan Lokal

Preserving Cultural Heritage Through a Traditional Ritual: A Case of Kabuyutan Ciburuy Kartika, Nyai; Dienaputra, Reiza D.; Machdalena, Susi; Sriwardani, Nani; Ekawardhani, Yully Ambarsih; Sudrajat, Dadang
PANGGUNG Vol 34 No 2 (2024): Estetika, Budaya Material, dan Komodifikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i2.2801

The Seba ceremony in Kabuyutan Ciburuy is a tradition of preserving cultural heritage that has been carried out for generations. Currently, Kabuyutan Ciburuy is no longer actively used as an educational institution, nor are the contents of its ancient manuscripts used as a reference for the development of science. For this reason, this research tries to dissect why this happens. This research uses a qualitative research method which is believed to be a scalpel in research, thereby helping to explain the research object factually. The research step is to carry out participant observation, the researcher actively participates in the activities being researched. Also hold interviews with local cultural figures either formally or informally. The result of this research is a descriptive explanation of the Seba Ceremony as an effort to preserve cultural heritage. Because heirlooms refer to educational activities, such as the discovery of many manuscripts, one of which contains advice on old Sundanese character and ethics. This has become a high level of cultural wealth by continuing to carry out the Seba ceremony as a form of preservation so that it remains alive and relevant for future generations. Keywords: Seba Ceremony, Ciburuy District, Preservation, Cultural Heritage

The Unspoken Meaning of Names: Cultural Dimensions in Translating Russian Anthroponyms into Indonesian Lukman, Fahmy; Kartika, Nyai; Machdalena, Susi
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra VOL 9, NO 2 (2025): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v9i2.77863

Translating Russian proper names into Indonesian poses linguistic and cultural challenges since Russian anthroponyms, comprising full names, patronymics, and diminutives, encode complex semantic and pragmatic meanings often overlooked in translation. This study aims to examine how these meanings are conveyed in Indonesian literary translations and what cultural implications arise from the process. Using a qualitative descriptive method, data were collected from four Russian literary works translated into Indonesian and analyzed for semantic, pragmatic, communicative, and cultural dimensions. The findings show that most translations fail to reflect the rich social and emotional nuances embedded in Russian anthroponyms. Diminutives, which express intimacy and social bonds, and patronymics, which signify respect and cultural identity, are frequently neutralized or omitted. The study concludes that Indonesian translators tend to prioritize linguistic equivalence over cultural accuracy, leading to the loss of socio-pragmatic depth. This research contributes to cross-cultural translation studies by underscoring the need for culturally sensitive approaches in translating personal names

Pemajuan Kebudayaan sebagai Desa Mandiri Melalui Peningkatan Ketahanan Budaya di Desa Nagarawangi Sumedang Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Prima Agustina Mariamurti; Witakania Sundasari Som; Rony Hidayat Sutisna
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 4 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i4.33261

This study concerns the Promotion of Culture as an Independent Village through the Improvement of Cultural Resilience. The problem in villages that possess culture is the lack of inventory and documentation related to renewable cultural promotion objects (OPK), because conditions in the field may mean that these cultural promotion objects are still developing, underdeveloped, or even no longer developing. Through this research, it is hoped that the potential of OPK in Nagarawangi Village, Rancakalong District, Sumedang Regency, can be mapped comprehensively. The method used is qualitative research, with sources collected not only in the form of objects and written sources but also oral and visual sources. Oral sources were explored through interviews with storytellers as OPK actors and activists. As for visual sources, the exploration was not only carried out on visual sources in the form of moving images but also visual sources in the form of still visuals. The results of this study show a new approach to village development. The Cultural Advancement Village not only enriches the various existing approaches to village development but also provides a new space for village development, namely cultural space. The novelty of this approach will not only make villages more concerned about their culture but also enable villages to become centers of advancement.

Penanaman pohon di area gunung beser sebagai wujud aktualisasi kearifan lokal dalam memelihara sumber mata air Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Nany Ismail; Prima Agustina; Witakania Sundasari; Rony Hidayat
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 8, No 1 (2024): March
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v8i1.21717

AbstrakPenanaman pohon disekitar hutan gunung Beser penting dilakukan, karena fungsi pohon di hutan untuk ketersediaan sumber air dan penahan erosi jika terjadi hujan. Penanaman pohon dilakukan sebagai upaya menjaga keseimbangan alam tersebut. Metode yang dilakukan adalah metode lapangan, dengan dua tahapan kerja yaitu, tahapan persiapan survey lapangan, di antaranyan menyiapkan bibit tanaman yang akan ditanam di hutan. Selanjutnya tahapan pelaksanaan, yaitu hari dimana dilakukan penanaman di hutan gunung Beser. Tujuan Pengabdian Pada Masyarakat dengan melibatkan mahasiswa KKN di Desa Nagarawangi dapat terjun langsung ikut serta dalam program penanaman kembali hutan. Dengan kegiatan ini diharapkan selain bernilai kebermanfaatan bagi masyarakat,dengan penanaman hutan gunung Beser dapat mencegah erosi, dan penghijauan kembali hutan, juga pengalaman berharga bagi mahasiswa peserta KKN dengan ikut serta bersama dengan Kelompok Tani Hutan Benteng Muda Mandiri. Kelompok Tani Hutan ini yang berkegiatan dalam basis tradisi mendapatkan kesempatan melaksanakan program Daya Desa Budaya pada tahun 2021 yang lalu. Kegiatan yang dilaksanakan yaitu mengadakan berbagai pelatihan dalam upaya pelestarian budaya dan pelestarian lingkungan terutama hutan dan mata air. Kata kunci: penanaman pohon; kearifan lokal AbstractPlanting trees around the Mount Beser forest is important, because the function of trees in the forest is to provide water sources and resist erosion when it rains. Tree planting is done as an effort to maintain natural balance. The method used is a field method, with two work stages, namely, the field survey preparation stage, including preparing plant seeds to be planted in the forest. The next stage of implementation is the day when planting is carried out in the Mount Beser forest. The aim of Community service is to involve KKN Student in Nagarawangi Village who can directly participate in the forest replanting program. With this activity, it is hoped that apart from being of value to the community, planting the Mount Beser forest can prevent erosion and reforest the forest, as well as being a valuable experience for student participating in KKN by participating together with Benteng Muda Mandiri Forest Farmer Group. This Forest Farmers Group, which carries out activityes on a traditional basis, had the opportunity to implement the Daya Cultural Village Program in 2021. The activities carried out include holding various trainings in efforts to preserve culture and preserve the environment, especially forests and springs. Keywords: tree planting; local wisdom

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