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All Journal English Review: Journal of English Education JURNAL EDUCATION AND DEVELOPMENT JOURNAL OF LANGUAGE Vernacular Jurnal Pengabdian Nusantara

Anayati, Wan

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Author-ID : 1742253

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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IMPLIKATUR PERCAKAPAN YANG DITEMUKAN DALAM DIALOG FILM THE SIXTH SENSE OLEH M. NIGHT SHYAMALAN Pratama, Yudi Apriandi; Anayati, Wan
Vernacular: Linguistics, Literature, Communication and Culture Journal Vol. 2 No. 1 (2022): July Edition 2022
Publisher : Universitas Harapan Medan

This research is aimed to analyze the conversational implicatures and the application of cooperative principle found in the dialogues of The Sixth Sense movie. The analysis based on qualitative methodology which focused on four kinds of maxims (P. Grice, 1975). The next section is the analysis of the dialogues which contained cooperative principle. The result of this research shows seventeen maxim violations included eight of data violating a maxim of quality, three data violating maxim of quantity, three data violating maxim of manner, and three data violating maxim of relevance. The researcher also found six data of cooperative principle in the object of the research. The theory successfully applied towards the data of maxim violations and cooperative principle in The Sixth Sense movie.

Kearifan Lokal dalam Tarian Serampang Dua Belas di Etnik Melayu: Pendekatan Antropolinguistik Syafhira, Zhihand; Mayasari, Mayasari; Hidayati, Hidayati; Anayati, Wan; Lubis, Ilham Sahdi
Vernacular: Linguistics, Literature, Communication and Culture Journal Vol. 4 No. 1 (2024): July Edition 2024
Publisher : Universitas Harapan Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35447/vernacular.v4i1.899

Serampang Dua Belas was the characteristic dance of Malay Deli in North Sumatera. This study was aimed at describing and revealing the local wisdom in Serampang Dua Belas dance. This study used the qualitative method. The researcher traced various journals related to the context theory of anthropolinguistics and semiotics use in language for study of its substance. The source of the data in this study was obtained from the twelve movements contained in the Serampang Dua Belas dance. The data was obtained from the record archives of Serampang Dua Belas dance at Istana Maimoon. In analyzing the data, qualitative analysis method was applied based on theory proposed Bogdan and Taylor. The result of the study showed that there were eleventh movements in Serampang Dua Belas dance which every step had its own meaning telling the story about the process of meeting a soul mate right up to the marriage. The meanings of each step were the first love, crush on, falling in love, crazy in love, the sign of love, love in return, looking for the truth, persisting the feeling, giving the answer, proposing, the bride meeting and the marriage.

Figurative Meaning in “Lang Leav” Poetry: Array Azti, Tengku Mutiara; sari, Maya; Anayati, Wan
Vernacular: Linguistics, Literature, Communication and Culture Journal Vol. 1 No. I (2021): JULY EDITION 2021
Publisher : Universitas Harapan Medan

This study concerns with the descriptive analysis of Figurative Meaning In “Lang Leav” Poetry. The problem of the study is (1) What are the types of figurative meaning used in Lang Leav poetry? (2) What is the dominant type of figurative meaning used in Lang Leav poetry? (3) Why was the type most dominantly used? The objective of the study is to find out the types of figurative meaning that is used in Lang Leav Poetry and to know the dominant types of figurative meaning that is used in Lang Leav Poetry and the reason why was the type most dominantly used. This study used a Keraf’s (2009) theory. The research method used is descriptive qualitative method to classify and analyze the poetry. The data sources are found to originate from Lang Leav poetry. The total number of the types of figurative meaning in Lang Leav poetry: personification is 2 (6%), hyperbole is 14 (45%), metaphor is 3 (10%), symbol is 3 (10%), simile is 4 (13%) and irony is 5 (16%). Hyperbole is the most dominant types because it indicated activities that happen in Lang Leav poetry. Hyperbole as the dominant types of figurative meaning in poetry because there are so many expressions are over expressed.

Co-Authors Azti, Tengku Mutiara Damanik, Bernieke Anggita Ristia Damanik, Jerico Ezir, Ely Geubrina, Misla Hartati, Rita Hidayati Hidayati lubis, ilham sahdi Maya Sari Mayasari Mayasari, Mayasari Muhammad Kiki Wardana Pratama, Yudi Apriandi Pratiwy, Devi Purwarno, Purwarno Rahmawati, Rahmawati Sianturi, Erika Silalahi, Rachel Sonya, Trisya Sri Susanti Surayya MS, Malisa Syafhira, Zhihand Yanti Kristina Sinaga Zuindra, Zuindra

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