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All Journal Diglosia Syntax Literate: Jurnal Ilmiah Indonesia Martabe : Jurnal Pengabdian Kepada Masyarakat JURNAL PENDIDIKAN TAMBUSAI Jurnal Pendidikan dan Konseling Jurnal Serunai Bahasa Indonesia Tamumatra : Jurnal Seni Pertunjukan JIIP (Jurnal Ilmiah Ilmu Pendidikan) Jurnal Suluh Pendidikan Community Development Journal: Jurnal Pengabdian Masyarakat Melayu Arts and Performance Journal Lombok Journal of Science Jurnal Hukum PATIK Jurnal Visi Pengabdian Kepada Masyarakat Jurnal Abdimas Bina Bangsa PROFICIO: Jurnal Pengabdian Masyarakat Jurnal Kajian Seni Mamangan Social Science Journal Innovative: Journal Of Social Science Research
Kartini Ruth Maduma Manalu
Universitas HKBP Nommensen Medan
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Physics Public Health Social Sciences Other

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Journal : Mamangan Social Science Journal

 1 
Presentation Of The Seven Last Words Of Christ Composed By Théodore Dubois By The Medan Glorious Singers Choir Kartini Ruth Maduma Manalu; Eniman Gea; Mastaria Simanjuntak
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2024): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i03.7923

Abstract

Cantata BWV 147 Herz und Mund und Tat und Leben (Heart and mouth, deeds and life) by JS Bach is one of the compositions that is often sung, especially the part "Jesu, Joy of Man's Desiring". This study discusses the presentation of The Seven Last Word of Christ by Théodore Dubois by the Medan Glorious Singers Choir. The research used is qualitative research with analytical descriptive writing methods and using a musicological study approach. The relationship between the soloist (soprano, tenor, and baritone) and the choir is an important part of the performance so that harmony and volume can be properly regulated. The consideration of the conductor in determining the repertoire of the performance and how to organize the whole performance is interesting to study, as well as the accompaniment (keyboard) which is an important part in providing color, dynamics, tempo in realizing the metaphors conveyed through the text. Certain parts from text Seven Words Jesus on the Cross supported with election mature melodies and progressions chords that carry we are at a metaphor that goes beyond trajectory history
Diding Musuh Suka Arrangements Tipan Sembiring Works Ranita Br. Sitepu; Hendrik L. Simanjuntak; Kartini R.M. Manalu
Jurnal Ilmu Sosial Mamangan Vol 12, No 2 (2023): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i2.6508

Abstract

Tipan Sembiring was a Karo artist, but he was better known as a perkolong-kolong (Karo singer) around 1930-1970. Tipan Sembiring is also one of the women's groups who compose songs with quite poetic lyrics. This research aims to arrange musical arrangements for the diding enemy like the work of Tipan Sembiring. The method approach used to identify the study of the arrangement of the song Diding Musuh Suka by Tipang Sembiring is qualitative research. As for changes within the song, namely those resulting from the accumulated creative efforts of individuals or groups; and there is a change in the entire structure of tradition, as a result of internal or external pressures. The song Diding Musuh Suka by Tipan Sembiring has an interesting history related to the agreement between two singers which culminated in Tipan Sembiring's marriage to Sayang Barus, in 1937. The musical composition of this song still uses traditional musical instruments and has no variations or modulations. Even though it is said that the production was 'simple', it still took into consideration musical elements such as; tempo, rhythm, dynamics, melody, and intro. The Karo singing style is part of what is put forward as a form of cultural richness that cannot be separated from where musical activity grows and develops. The method of transcribing the song Diding Musuh Suka shows how Tipan Sembiring composed his work by prioritizing musical experience. Of course, the composition of the work is more 'tinged' with Karo culture by accommodating the Western music system
Instrumental Dominance In Bands: a Study of Player Subjectivity Manalu, Kartini R.M.; Simanjuntak, Hendrik L; Waruwu, Happy Majesty; Sagala, Yeremia Yosephina Van; Siahaan, Thessa Angelica
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2025): Jurnal Ilmu Sosial Mamangan Accredited 2 (SK Dirjen Ristek Dikti No. 0173/C3/DT
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i3.9203

Abstract

This research opens up a space for discourse on the existence of various perspectives of musicians and the community regarding the dominance of instruments. They believe that there is one instrument that has a higher 'value' than other instruments. In this case, ‘value’ can be interpreted as dominance, tendency, ‘primacy’, ‘existence’ and ‘position’ within a band or musical ensemble. The urgency of this research is to see to what extent this dominance is interpreted in a musical performance by musicians, the general public, and how this is connected to the concept of 'equality' from an instrumentation perspective. Something that becomes ‘blurry’ when an instrument is debated without a ‘balanced’ indicator or is diminuted from the character of the instrument.
Co-Authors Adelina Artauli Sinaga Adella Girsang Apriani Apriani Bangun Munthe Bernike Sinaga Berutu, Kristin Advent J BESLINA AFRIANI SIAGIAN Cindy Cristian Damanik, Yogi Martua David Guth David Mrazek Domilika Panggabean Dusan Jina Elida Gries Simbolon Elza Leyli Lisnora Saragih Eniman Gea Enzelina Napitupulu Eriska Elgrita Hutabalian Ester Meisy Tarigan Fernando S. H Rajagukguk Fitri Yuneza G. R. Lono Lastoro Simatupang Grendy Mathew Purba Gulo, Rizki Sozanolo Hendrik Leonard Simanjuntak Herlina H. Sianipar Herlina Turnip Jamaluddin Sitorus Jan Tomasov Junita Batubara, Junita Karunia Debora Claudia Kristian Gea Lamtiur Verawaty Simbolon Lawolo, Noverman Lenka Křivánková Lenni Yanti Margaret Stevani Martin Maděra Mastaria Simanjuntak Matous Havrlik Melga J Capah Morianus Gowasa Nainggolan, David Nasri Simanjuntak Natalina Simanjuntak Nova Yunita Sari Nove Lastri Situmorang Nyak Ina Raseuki Pardede , Fransius Pontas J. Sitorus Pontas Jamaluddin Sitorus Puspa Realita Gulo Ranita Br. Sitepu Rinatasya Ginting Rinawati Lumbansiantar Rinsofat Naibaho Sagala, Yeremia Yosephina Van Sanggam Pardede Sara Sidabutar Sarma Panggabean Sella Noviyanti Saragih Sherina Debora Simamora Siahaan, Thessa Angelica Sidabutar, Regina Halmin Sihombing, Nielson simanjuntak, andreas Simanjuntak, Hendrik L Simatupang, Rikommen Sinaga, Bobi Sitanggang, Ronaldo Sitohang, Tigor Sri Sulastri Lumban Tobing Susi Era Veri Uton Utomo Waruwu, Happy Majesty Yuni Indah Romaida Simangunsong