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Konstruksi Wacana Moral Dalam Putru Pasaji Anak Agung Inten Mayuni; Ida Bagus Gde Yudha Triguna; Nanang Sutrisno
Kamaya: Jurnal Ilmu Agama Vol 3 No 3 (2020)
Publisher : Jayapangus Press

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Putru Pasaji keeps a wealth of knowledge and wisdom of the archipelago's ancestors, especially regarding Hindu eschatology. The eschatological discourse in this text interrelates with other discourses, including morality. The construction of moral discourse in Putru Pasaji is studied using discourse theory with a constructivist approach. Moral discourse has an important position in Putru Pasaji because it is related to the pitara's life after death. Heaven and hell are determined by the results of the actions and the moral quality of the pitara during his lifetime. The moral teachings in Shiva-Buddha construct moral discourse in its eschatological interrelations in a holistic and integral manner

Tradisi Mengirim Doa Dalam Bentuk Syoko Studi Deskriptif Pada Masyarakat Buddhis di Kabupaten Wonogiri Situ Asih; Ida Bagus Gde Yudha Triguna
Kamaya: Jurnal Ilmu Agama Vol 5 No 3 (2022)
Publisher : Jayapangus Press

As a diverse country, Indonesia has various cultures that are believed and carried out for generations. One of the traditions carried out by the Buddhist community in Wonogiri is the tradition of sending prayers to deceased ancestors in the form of Syoko. The Buddhist community believes that the death of a person is not the end of life, so the bereaved family will perform various rituals to pray for the deceased family member. This study aims to describe how the Syoko tradition is carried out and what it means for people who carry out the Syoko tradition. By using a qualitative descriptive method, which was obtained through interviews and direct observation. From the results of the study, it can be explained that the Syoko Tradition carried out by the Buddhist community in Wonogiri has an important meaning. That is sending prayers to ancestors who have died, by sending prayers it is hoped that the living people can help ancestors who have died to go to a happy world of life. The arrangement of the altar which is different from the puja altar in general is that there is a photo of a person who has died in front of the Syoko altar, which aims to help condition the minds of the Buddhist community who praises remembering all the virtues that have been carried out by people who have died while still alive.

Sekularisasi Seni Sakral: Refleksi Kritis Politik Kebudayaan Bali Ida Bagus Gde Yudha Triguna; Anak Agung Inten Mayuni; Anak Agung Made Putra Arsana
Jurnal Kajian Bali (Journal of Bali Studies) Vol 13 No 2 (2023): Volume 13 No 2 Oktober 2023
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2023.v13.i02.p01

The secularisation of sacred art in Bali is marked by its performances in various profane spaces and times. Local government regulations have not been able to overcome this problem. Therefore, this study aims to reflect critically on Balinese cultural politics in responding to the secularisation of sacred arts by applying qualitative methods. Data was collected through document studies, namely three policies related to strengthening and protecting sacred art in Bali and analysed using a critical policy analysis approach. This research found that the three policy documents were fragmentary in relation to other discourses. The regulation is also not implemented consistently, especially in relation to tourism. Based on this critical reflection, policies regarding sacred art in Bali need to be developed with a strategic and conceptual thinking (CST).

THE CONTROVERSY OVER SAMPRADAYA AND THE DYNAMICS OF HINDU INSTITUTION: CONTESTATION OF HINDU ELITES IN PALANGKA RAYA CITY Agung Adi; I Made Suastra; Ida Bagus Gde Yudha Triguna; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p04

This article is intended to analyze the controversy over sampradaya and the dynamics of Hindu institutions in general and ‘The Indonesia Administrative Council of Hindu Dharma’ Parisada Hindu Dharma Indonesia (PHDI) in particular in Palangka Raya City. The existence of sampradaya, as a transnational organization, has triggered an internal contestation among the Hindu elites. Being a qualitative study, this current study applies the approach of cultural studies, and emphasizes the different ways of interpreting one phenomenon. The data were obtained from the informants purposively chosen; therefore, they are categorized as the primary data source. The secondary data were obtained from the online and offline books available in the library, documents, articles and research results. The data were analyzed interactively in which Milles and Huberman were referred to. The data analysis includes the data reduction, the data presentation, the conclusion withdrawal or the data verification and interpretation. The results and discussion show that the controversy and contestation more dominantly result from the impact of globalization indicated by the dialectic process of affecting each other between the particularity referring to the symbols of the Bali Hindu identity, as one of the Hindu identities in Indonesia which is obliged to be maintained, and the universality, as the Hindu identity referring to the Indian culture, whose followers have spread all over the world. Keywords: sampradaya, PHDI, elite, Bali Hindu

Hindu Religious Practices in Pregnancy Care for Stunting Prevention among Hindu’s Family in Kupang City Dewa Putu Sahadewa; Ida Bagus Gde Yudha Triguna; I Made Damriyasa
International Journal of Interreligious and Intercultural Studies Vol. 8 No. 1 (2025): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

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This study examines the influence of Hindu religious practices on prenatal care and stunting prevention among Hindu families in Kupang City, East Nusa Tenggara. Despite the region's high stunting prevalence, Hindu families exhibit significantly lower rates. To understand this disparity, the research employs a qualitative methods approach, incorporating in-depth interviews, observations, and a textual analysis of relevant Hindu scriptures. By delving into specific practices like magedong-gedongan, this study aims to identify cultural factors contributing to improved maternal and child health outcomes. Hindu practices, such as magedong-gedongan, offer valuable prenatal education and socio-cultural bounding , while banten and prasadham provides nutritional guidance. Additionally, the ceremonial aspects and daily prayers contribute to optimal physical , psychological and mental well-being, essential for stunting prevention. The findings of this study may inform culturally sensitive public health interventions and programs to address stunting, especially in this region

Rekonstruksi Toleransi Beragama Umat Hindu dan Islam di Desa Tembok Kecamatan Tejakula Kabupaten Buleleng Heriyanti, Komang; Yudha Triguna, Ida Bagus Gde; Wirawan, I Gusti Bagus
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.4096

Tembok Village as part of Buleleng Regency is inhabited by people of different religions, namely Hindus and Muslims. The relationship between the two communities from the beginning has been based on the values of tolerance. Although in some conditions there was a decline in tolerance, this was strengthened by the reconstruction of religious tolerance such as silaturahmi during religious holidays. The purpose of this study is to provide an overview of the importance of tolerance for a pluralistic society like in Indonesia. Activities that have a nuance of tolerance in Tembok Village can be considered in strengthening the bonds of tolerance in certain areas. The method used in this study is a qualitative method, by exploring the phenomena that occur in the field related to the social life of Hindus and Muslims in Tembok Village. The results of the field research explain that the process of reconstruction of religious tolerance is carried out during religious holidays such as Galungan, Eid al-Fitr, and Eid al-Adha. Furthermore, regarding the implications of the reconstruction of religious tolerance, it explains that it has implications for social, cultural, and religious life. It can be concluded that the reconstruction of religious tolerance in Tembok Village is able to bring positive implications for society. Where society better understands the importance of tolerance in social life.

Simbolisme Kakereb Barong Dan Rangda Dalam Upacara Butha Yadnya Di Desa Bitra Gianyar Yudha Triguna, Ida Bagus Gde; Bagiarta, I Nyoman Kembar; Sudanta, I Nyoman
Jurnal Penelitian Agama Hindu Vol 9 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i4.4611

Kakereb is the veil used for Barong and Rangda, made from a square piece of white cloth measuring 1.2 meters by 1.2 meters. Its uniqueness lies in the sacred inscriptions (rerajahan) written on its surface. These inscriptions contain texts that represent a sacred symbolic system of Shaivite Tantric theology, encompassing the concept of Acintya (the inconceivable aspect of God) as well as sacred characters such as Ongkara and wijaksara. In addition to the textual elements, the kakereb also features symbolic images such as dragons, fire, weapons of the Dewata Nawasanga, and modre letters. The essential meaning behind the kakereb is that God (Shiva) is the essence that is both One and many (Eka-aneka). The One Supreme God (Eka), by His own will, manifests Himself into various deities and even into all that exists (sarwa). The kakereb, in relation to Barong and Rangda, symbolizes a theology of duality. God is glorified with the names Bhatara Shiva and Dewi Uma, who are considered the source, existence, and ultimate purpose of all things in the world. Shiva has a thousand names (sahasra nama), and so does Uma, illustrating the infinite aspects of their divinity. Thus, Balinese Hindus who follow the Shaivite Tantric tradition are not worshipping demons, but are in fact worshipping God through sacred and religious-magical forms such as Barong and Rangda. Although these figures may appear demonic on the surface, they are actually sacred embodiments known as Ratu Bagus and Ratu Ayu.

The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia's Sustainable Maritime Culture Peradantha, Ida Bagus Gede Surya; Widyastutieningrum, Sri Rochana; Soewarlan, Santosa; Triguna, Ida Bagus Gde Yudha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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The purpose of this study is to uncover the aesthetic meaning in the Sentani Tribe's Isolo tradition in Lake Sentani, Papua. The study focused on how the artistic aspects of Isolo represent essential creative meanings and what the important implications of artistic meanings in the Isolo tradition are for the development of the archipelago's sustainable maritime culture. This study employs a qualitative technique based on Roland Barthes' semiotic theory. Data was gathered through observation of Isolo performances during the 2023 Lake Sentani Festival, interviews, and literature searches. The following are the study's findings: First, creative components such as dance moves, singing, clothes, property, and body painting motifs demonstrate symbolic connotations of natural prosperity, patriotism, spirituality, and fraternity. Second, the key meanings in Isolo derive from the concept of Rokhabia, a sense of brotherhood of one womb that is deeply established in Sentani tradition. Third, the implications of the Isolo tradition might build Sentani tribe social relationships through the meaning of the elements in its artistic representation. This study contributes significantly to expanding the horizon of the Sentani Tribe's Isolo heritage in preserving Indonesia’s sustainable maritime culture.

Studi Simbolisme Nama Dalam Agama Dan Identitas Budaya Pada Masyarakat Bali Dan Lombok Barat Yudha Triguna, Ida Bagus Gde; Sugiharta, I Putu Suweka Oka; Aryaningsih, Dewi Rahayu
Jurnal Penelitian Agama Hindu Vol 10 No 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i1.4713

A name is not merely a personal label; it represents a complex symbol encompassing social identity, power relations, spiritual significance, and cultural unification. This article explores the role of names in Hindu communities in Bali and West Lombok through four key lenses: as markers of individual and social identity, as instruments for sustaining traditional hierarchies, as symbols of religious meaning and spiritual protection, and as representations of identity in the digital age. Utilizing a symbolic-cultural and interdisciplinary approach, the study demonstrates how names serve both cognitive and performative functions-shaping identity, reinforcing authority, and mediating between the seen (sekala) and unseen (niskala) dimensions of life. In the last decade, digital transformation has introduced new layers of meaning, as names increasingly operate as online identities through social media, localized scripts in domain names, and digital administrative platforms. Despite these changes, symbolic and spiritual meanings remain robust, supported by processes of cultural adaptation and innovation. The article concludes that the cultural significance of names in Bali and West Lombok reflects an ongoing negotiation between tradition and modernity, emphasizing the importance of symbolic interpretation and culturally grounded digital practices for heritage preservation.

Sekularisasi Seni Sakral: Refleksi Kritis Politik Kebudayaan Bali Ida Bagus Gde Yudha Triguna; Anak Agung Inten Mayuni; Anak Agung Made Putra Arsana
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 13 No. 2 (2023): Volume 13 No 2 Oktober 2023
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2023.v13.i02.p01

The secularisation of sacred art in Bali is marked by its performances in various profane spaces and times. Local government regulations have not been able to overcome this problem. Therefore, this study aims to reflect critically on Balinese cultural politics in responding to the secularisation of sacred arts by applying qualitative methods. Data was collected through document studies, namely three policies related to strengthening and protecting sacred art in Bali and analysed using a critical policy analysis approach. This research found that the three policy documents were fragmentary in relation to other discourses. The regulation is also not implemented consistently, especially in relation to tourism. Based on this critical reflection, policies regarding sacred art in Bali need to be developed with a strategic and conceptual thinking (CST).

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