Article Per Year (5 Year)
p-Index From 2021 - 2026
1.789
P-Index
This Author published in this journals
All Journal E-Journal Of Cultural Studies Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Kamaya: Jurnal Ilmu Agama International Journal of Interreligious and Intercultural Studies DHARMASMRTI: Jurnal Pascasarjana UNHI International Journal of Religious and Cultural Studies Jurnal Penelitian Agama Hindu Global Art Creativity Conference
Ida Bagus Gde Yudha Triguna
Universitas Hindu Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences

Published : 18 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 18 Documents
Search

 1   2 
PEMBANGUNAN KARAKTER DAN PEMBANGUNAN DIRI Ida Bagus Gde Yudha Triguna
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 14 No 27 (2016): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.324 KB) | DOI: 10.32795/ds.v14i27.46

Abstract

The pursuit of the education finds its ultimate result on the building of character and discipline. Both are the weapons to eclipse the ‘war’ of ideology within the world of education, i.e. between the positivism against the humanism. There are four characteristics in this regard: (1) the significance of the intelligence-creativity-inovation-reflection; (2) the enforcement of spirituality and ethics; (3) being appreciative, tolerant, and care one another; and (4) having sense of helpfulness and physical exercise.
MEMBANGUN PERADABAN BANGSA: PERSPEKTIF SOSIOLOGI AGAMA Ida Bagus Gde Yudha Triguna
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 17 No 1 (2017): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (253.179 KB) | DOI: 10.32795/ds.v16i01.74

Abstract

Civilization as a representation of the moral commitment of goodness to its citizens [singular and plural] is then used as a reference in the concept of living together. Meanwhile, It is also the source of appreciation, creativity, and expressing feelings. As a valuable moral commitment, it re- quires its adherents to nurture, preserve, and interpret it in the best way according to their meth- odology. The number of ways available to interpret the value have opened up the possibility of po- larization of meaning, so it may open the possibility of bias and differences in the interpretation of a value, moreover, if external factors have contributed to the polarization of how to interpret the value.
KEBHINEKAAN BANGSA INDONESIA: URGENSI DAN RELEVANSINYA DALAM ERA REVOLUSI INDUSTRI 4.0 I.B.G Yudha Triguna
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 19 No 2 (2019): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (298.631 KB) | DOI: 10.32795/ds.v19i2.426

Abstract

Isu-isu SARA dan identitas, bahkan hampir selalu dikapitalisasi, diinstrumentalisasi, dan dimobilisasi dalam setiap kontestasi politik, baik pada tingkat lokal maupun nasional sehingga polarisasi masyarakat tidak hanya didasari pilihan politik, tetapi juga identitas primordial. Transformasi kebhinekaan ke dalam identitas nasional mengisyaratkan pentingnya mengurai relasi etnisitas dan sentimen primordial lainnya dengan nasionalisme. Kebanggaan terhadap identitas primordial harus berjalan seiring dengan kebanggaan berbangsa yang berbhineka. Membangun kohesi sosial dalam realitas bangsa yang plural menemukan urgensi dan relevansinya bagi keberhasilan transformasi bangsa Indonesia menjadi negara yang maju, adil, sejahtera, dan bermartabat di mata dunia.
Konstruksi Wacana Moral Dalam Putru Pasaji Anak Agung Inten Mayuni; Ida Bagus Gde Yudha Triguna; Nanang Sutrisno
Kamaya: Jurnal Ilmu Agama Vol 3 No 3 (2020)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (302.112 KB)

Abstract

Putru Pasaji keeps a wealth of knowledge and wisdom of the archipelago's ancestors, especially regarding Hindu eschatology. The eschatological discourse in this text interrelates with other discourses, including morality. The construction of moral discourse in Putru Pasaji is studied using discourse theory with a constructivist approach. Moral discourse has an important position in Putru Pasaji because it is related to the pitara's life after death. Heaven and hell are determined by the results of the actions and the moral quality of the pitara during his lifetime. The moral teachings in Shiva-Buddha construct moral discourse in its eschatological interrelations in a holistic and integral manner
Tradisi Mengirim Doa Dalam Bentuk Syoko Studi Deskriptif Pada Masyarakat Buddhis di Kabupaten Wonogiri Situ Asih; Ida Bagus Gde Yudha Triguna
Kamaya: Jurnal Ilmu Agama Vol 5 No 3 (2022)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (362.727 KB) | DOI: 10.37329/kamaya.v5i3.1938

Abstract

As a diverse country, Indonesia has various cultures that are believed and carried out for generations. One of the traditions carried out by the Buddhist community in Wonogiri is the tradition of sending prayers to deceased ancestors in the form of Syoko. The Buddhist community believes that the death of a person is not the end of life, so the bereaved family will perform various rituals to pray for the deceased family member. This study aims to describe how the Syoko tradition is carried out and what it means for people who carry out the Syoko tradition. By using a qualitative descriptive method, which was obtained through interviews and direct observation. From the results of the study, it can be explained that the Syoko Tradition carried out by the Buddhist community in Wonogiri has an important meaning. That is sending prayers to ancestors who have died, by sending prayers it is hoped that the living people can help ancestors who have died to go to a happy world of life. The arrangement of the altar which is different from the puja altar in general is that there is a photo of a person who has died in front of the Syoko altar, which aims to help condition the minds of the Buddhist community who praises remembering all the virtues that have been carried out by people who have died while still alive.
Rekonstruksi Toleransi Beragama Umat Hindu dan Islam di Desa Tembok Kecamatan Tejakula Kabupaten Buleleng Heriyanti, Komang; Yudha Triguna, Ida Bagus Gde; Wirawan, I Gusti Bagus
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.4096

Abstract

Tembok Village as part of Buleleng Regency is inhabited by people of different religions, namely Hindus and Muslims. The relationship between the two communities from the beginning has been based on the values ​​of tolerance. Although in some conditions there was a decline in tolerance, this was strengthened by the reconstruction of religious tolerance such as silaturahmi during religious holidays. The purpose of this study is to provide an overview of the importance of tolerance for a pluralistic society like in Indonesia. Activities that have a nuance of tolerance in Tembok Village can be considered in strengthening the bonds of tolerance in certain areas. The method used in this study is a qualitative method, by exploring the phenomena that occur in the field related to the social life of Hindus and Muslims in Tembok Village. The results of the field research explain that the process of reconstruction of religious tolerance is carried out during religious holidays such as Galungan, Eid al-Fitr, and Eid al-Adha. Furthermore, regarding the implications of the reconstruction of religious tolerance, it explains that it has implications for social, cultural, and religious life. It can be concluded that the reconstruction of religious tolerance in Tembok Village is able to bring positive implications for society. Where society better understands the importance of tolerance in social life.
Simbolisme Kakereb Barong Dan Rangda Dalam Upacara Butha Yadnya Di Desa Bitra Gianyar Yudha Triguna, Ida Bagus Gde; Bagiarta, I Nyoman Kembar; Sudanta, I Nyoman
Jurnal Penelitian Agama Hindu Vol 9 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i4.4611

Abstract

Kakereb is the veil used for Barong and Rangda, made from a square piece of white cloth measuring 1.2 meters by 1.2 meters. Its uniqueness lies in the sacred inscriptions (rerajahan) written on its surface. These inscriptions contain texts that represent a sacred symbolic system of Shaivite Tantric theology, encompassing the concept of Acintya (the inconceivable aspect of God) as well as sacred characters such as Ongkara and wijaksara. In addition to the textual elements, the kakereb also features symbolic images such as dragons, fire, weapons of the Dewata Nawasanga, and modre letters. The essential meaning behind the kakereb is that God (Shiva) is the essence that is both One and many (Eka-aneka). The One Supreme God (Eka), by His own will, manifests Himself into various deities and even into all that exists (sarwa). The kakereb, in relation to Barong and Rangda, symbolizes a theology of duality. God is glorified with the names Bhatara Shiva and Dewi Uma, who are considered the source, existence, and ultimate purpose of all things in the world. Shiva has a thousand names (sahasra nama), and so does Uma, illustrating the infinite aspects of their divinity. Thus, Balinese Hindus who follow the Shaivite Tantric tradition are not worshipping demons, but are in fact worshipping God through sacred and religious-magical forms such as Barong and Rangda. Although these figures may appear demonic on the surface, they are actually sacred embodiments known as Ratu Bagus and Ratu Ayu.
The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia's Sustainable Maritime Culture Peradantha, Ida Bagus Gede Surya; Widyastutieningrum, Sri Rochana; Soewarlan, Santosa; Triguna, Ida Bagus Gde Yudha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this study is to uncover the aesthetic meaning in the Sentani Tribe's Isolo tradition in Lake Sentani, Papua. The study focused on how the artistic aspects of Isolo represent essential creative meanings and what the important implications of artistic meanings in the Isolo tradition are for the development of the archipelago's sustainable maritime culture. This study employs a qualitative technique based on Roland Barthes' semiotic theory. Data was gathered through observation of Isolo performances during the 2023 Lake Sentani Festival, interviews, and literature searches. The following are the study's findings: First, creative components such as dance moves, singing, clothes, property, and body painting motifs demonstrate symbolic connotations of natural prosperity, patriotism, spirituality, and fraternity. Second, the key meanings in Isolo derive from the concept of Rokhabia, a sense of brotherhood of one womb that is deeply established in Sentani tradition. Third, the implications of the Isolo tradition might build Sentani tribe social relationships through the meaning of the elements in its artistic representation. This study contributes significantly to expanding the horizon of the Sentani Tribe's Isolo heritage in preserving Indonesia’s sustainable maritime culture.
Co-Authors Anak Agung Inten Mayuni Bagiarta, I Nyoman Kembar Bani Sudardi Heriyanti, Komang Hermawan Winditya I Gde Paramartha I Gde Semadi Astra I Gusti Ayu Wimba I Gusti Bagus Wirawan I Made Arsa Wiguna I Made Pasek Diantha I Made Suastika I Wayan Budi Utama I Wayan Gede Suacana Ida Made Pidada Manuaba Maryano Maryano Nanang Sutrisno Peradantha, Ida Bagus Gede Surya Situ Asih Soewarlan, Santosa Sudanta, I Nyoman Titis S. Pitana Titis Srimuda Pitana Widyastutieningrum, Sri Rochana Wiguna, I Made Arsa Winditya, Hermawan