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Zhongqiu Festival in Hwie Ing Kiong temple, Madiun Anitia Octantiar Maunardani; C. Dewi Hartati
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (569.676 KB) | DOI: 10.53744/bambuti.v1i2.4

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Abstract. This paper discusses about one of Chinese festival, namely Moon Cake Festival. This festival is celebrated by Chinese people in Madiun, East Java in Hwie Ing Kiong temple. At Hwie Ing Kiong temple the Zhong Qiu festival is still held as a form of maintaining Chinese culture, and inherit to their future generation. Through the ritual id dedicated to Mazupo, the sea guardian deity as a main deity in this temple and also to the moon deity, Chinese people in Madiun maintain the existence of this festival. The ritual is held in night after that people enjoy the moon cake outside the temple. The festival still exist up to now because it is well acculturated with local culture.
Culture Hybridity in Padi Lapa Temple, Jakarta Haikal Hibatul Azizi; C. Dewi Hartati
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (319.627 KB) | DOI: 10.53744/bambuti.v1i2.5

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Abstract. Padi Lapa temple is located in west Jakarta. It is different with the other temple. The peak time for this temple is Thursday night. Thursday night is considered sacred time for people who often come here. In this temple there is a special offering place for Wali Songo which is only open on Thursday night. There is one statue that is above the altar, the statue is a statue of the grandson of Sunan Gunung Jati, Prabu Siliwangi, who is depicted as a tiger. The offerings is like Kejawen such as lisong, seven forms of flowers and incense. Special rituals were preserved. It can be seen that the tumpengan is seen on Eid al-Fitr, Eid al-Adha and the Prophet's birthday which are usually equated with the night of one sura. In the evening, a heirloom object that is placed or donated to the temple is sanctified by a pilgrim who studies or has sufficient Islamic knowledge.
Chinese New Year in Siu San Teng Temple, Jambi Muhamad Safari; C. Dewi Hartati
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.302 KB) | DOI: 10.53744/bambuti.v1i2.6

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Abstract. The existence of Jambi Chinese cannot be separated from the Siu San Teng temple. Siu San Teng Temple is the oldest temple in Jambi which was built in 1805 under the name Hok Tek temple with the main god Hok Tek Tjeng Sin. Siu San Teng Temple as a place of Tridharma worship. As a place of worship for Tridharma, this temple becomes a place of worship during ce it cap go, namely prayers every 1st and 15th of the Chinese calendar. The Chinese New Year celebration at Siu San Teng temple is marked by the Chinese New Year ceremony itself, namely the installation of Chinese New Year candles, prayers to Tian, ​​the main god Hok Tek Tjengsin, the goddess Kwanyim, and the goddess Zhu Sheng Niang Niang. Apart from praying to these gods, the fangsheng tradition is also carried out as a form of getting rid of bad luck and welcoming the arrival of a better new year. The animal released in this tradition is the sparrow. The Chinese New Year at Siu San Teng Temple is also enlivened by liong and lion dance performances.
ACCULTURATION IN GOD'S BIRTHDAY CEREMONY KELENTENG SHIA DJIN KONG, JONGGOL Ludovika Desprosianasari; C. Dewi Hartati
Bambuti Vol 2 No 1 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (641.974 KB) | DOI: 10.53744/bambuti.v2i1.10

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This paper discussed the acculturation of Chinese and Sundanese culture in a ceremony at the Shia Djin Kong temple, Jonggol. On the right side of the temple there is a special room for the cult of Jonggol's ancestors, namely Embah Jago, Embah Sabin, Embah Surkat, Embah Jagakarsa, and Embah Nagawulung. In that room there are also many heirloom objects, such as keris, spears, lafadz Allah, and swords. Acculturation between Sundanese culture and Chinese culture can be seen at the birthday ceremony of the god Shia Djin Kong, which is the similarity between local culture and Chinese culture, in ancestor worship. The research method used in this writing is a qualitative research method, data collection techniques in this writing are participant observation, observation, and interviews to the temple officer, and people who come to pray both during the god's birthday ceremony and on ordinary days.
TRADISI SEMBAHYANG CIOKO (鬼節Guǐ Jié) DI PAN KHO BIO, BOGOR CIOKO (鬼節Guǐ Jié) TRADITION IN PAN KHU BIO, BOGOR Ni Putu Diah Wahyuni; C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (536.163 KB) | DOI: 10.53744/bambuti.v2i2.14

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Cioko as one of the ceremonial traditions in Chinese culture has a meaning as a sense of devotion to the ancestors for the Chinese community. They believe that in this world humans do not live alone and their ancestors can still witness from a different realm. Prayers are performed to remember the ancestors and so that the ancestors are calm in their nature. This prayer also aims to ask for protection from their ancestors. Similarly, the Chinese in Bogor held the Cioko ceremony at a temple in Bogor, namely Pan Khu Bio. In addition to the Chinese community who held the Cioko celebration, the people who lived around Pan Kho Bio also helped during Cioko. Starting from preparation, helping decorate the temple to cleaning the temple after Cioko finished. Despite differences in beliefs, residents help each other at the temple and form a social bond.
TRADISI PENGHORMATAN DEWA DALAM MASYARAKAT TIONGHOA BEKASI C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.195 KB) | DOI: 10.53744/bambuti.v2i2.15

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This article discusses the practice of the cult of temple”s deity. This cult is said to be a reinvented tradition. The tradition is created because it is formed by the elements that come from the original tradition. By tracing the process of discovering the Hobsbawm tradition from the sacred and profane aspects of Durkheim and its relation to totemism, it is evident that this tradition has a new form and function. The original function of tradition was to strengthen identity, but the new function of the reinvented tradition appears to be an integrative function. The reinvented tradition also occurs in an effort to attract public interest or attention to make it more popular in the community. The temple community carries out an invented traditional process so that the tradition of the cult becomes more attractive, and is preferred more popular, through the appearance of entertainment shows at festivals.
The Use of Fengshui in Keraton Kasepuhan Cirebon Nita Auliasari; C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (466.662 KB) | DOI: 10.53744/bambuti.v2i2.17

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This article shows the application of fengshui in Keraton Kasepuhan. The application of fengshui also shows the acculturation of Chinese culture in Kertaon Kasepuhan. This study uses a qualitative research method which data collection uses literature study, interviews, observation, and documentation. The results showed that Keraton Kasepuhan applied fengshui at the location of the palace, namely its position facing the sea with its back to the mountain. The shape of the building has the advantageous shape of a rectangle. The fengshui elements used in Keraton Kasepuhan building are in the form of color, room lighting, the symbol of plants and animals, and fengshui decorative symbols. The application of fengshui at Keraton Kasepuhan is carried out in order to get the benefits of balance or harmony.
MARINE TRANSPORTATION ACROSS INDONESIA AND SINGAPORE IN TRANSNATIONAL CHINA BATAM TRANSPORTASI LAUT INDONESIA- SINGAPURA DALAM JARINGAN TRANSNASIONAL Danny Faturachman; C. Dewi Hartati; Febi Nur Biduri; Hin Goan Gunawan
Bambuti Vol 3 No 1 (2021): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.905 KB) | DOI: 10.53744/bambuti.v3i1.25

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Batam City, which is part of the Riau Islands province, is a connecting city between Indonesia and Singapore. Batam City is located in a very strategic location in the border region between countries, neighboring one of the world's business centers, namely Singapore. For this reason, marine transportation has a very important role in maritime countries like Indonesia. The high intensity of Batam and Singapore transportation cannot be separated from the Chinese population of Batam which is a community group in the city of Batam. The existence of Batam Chinese has been going on for centuries, since they came from mainland China using boats. With tenacity, social networks and geographical proximity to Singapore, Batam Chinese people become dominant in the economy in Batam. This study seeks to show maritime aspects and shipbuilding technology and their relationship with social society through transnational concepts. With globalization, and to develop networks, people really need sea transportation to support the transnational process. For all that, maritime safety is needed which greatly affects the sustainability development efforts, especially sea transportation activities.
SOSIALISASI PEMANFAATAN LIMBAH ORGANIK MENJADI BAHAN PEMBERSIH RUMAH TANGGA Yulie Neila Chandra; C. Dewi Hartati; Gustini Wijayanti; Hin Goan Gunawan
Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Vol 1 (2020): PROSIDING SEMINAR NASIONAL PENGABDIAN KEPADA MASYARAKAT - SNPPM2020
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (491.955 KB)

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Abstract The choice of the topic of “Pengabdian kepada Masyarakat” (PkM) is based on the current situation which is being hit by the covid-19 global pandemic. PkM programs that are truly related and touch directly to the target audience or the community as partners cannot be carried out. The partners of this activity are “Ibu-ibu PKK” RW 03 Pisangan Timur Pulo Gadung, East Jakarta. Therefore, this PkM program prioritizes the virtual socialization of the use of organic waste which is an environmentally friendly household cleaning material, conceptualizing eco-enzyme, including disinfectants, antiseptics, and hand sanitizers. Eco enzyme is a liquid from the results of fermentation of organic residues in the form of fruit and/or vegetables, which are light brown, sometimes rather dark, and have a distinctive aroma of fermentation results. This eco enzyme can be used for a variety of things, such as household cleaners, soaps, shampoos, facial and body treatments, fertilizers, even as environmentally friendly disinfectants. This activity resulted in a simple module that could serve as a guidebook for further activities, namely training in the process of making eco-enzyme. Abstrak Pemilihan topik kegiatan pengabdian kepada masyarakat (PkM) ini didasarkan atas situasi sekarang ini yang sedang dilanda pandemik global covid-19. Program PkM yang sejatinya berhubungan dan menyentuh langsung ke khalayak sasaran atau masyarakat sebagai mitra tidak dapat dilakukan. Mitra kegiatan ini adalah ibu-ibu PKK di lingkungan RW 03 Kelurahan Pisangan Timur Kecamatan Pulo Gadung Jakarta Timur. Oleh karena itu, program PkM ini memprioritaskan pada sosialisasi virtual pemanfaatan limbah atau sampah organik menjadi bahan pembersih rumah tangga yang ramah lingkungan, berkonsep eco enzyme (ekoenzim), termasuk disinfektan, antiseptik, dan hand sanitizer. Eco enzyme adalah cairan dari hasil fermentasi sisa organik berupa buah dan/atau sayur, yang berwarna coklat muda, kadang agak gelap, dan memiliki aroma khas hasil fermentasi. Eco enzyme ini dapat dimanfaatkan untuk berbagai hal, seperti pembersih rumah tangga, sabun, sampo, perawatan wajah dan tubuh, pupuk, bahkan sebagai disinfektan yang ramah lingkungan. Luaran dari kegiatan ini menghasilkan modul sederhana mengenai pemanfaatan limbah organik sehingga dapat menjadi panduan dalam kegiatan selanjutnya, yaitu pelatihan proses pembuatan eco enzyme.
THE GAMBANG KROMONG, CHINESE BENTENG’S IDENTITY IN TANGERANG Reza Apriliani Putri; C. Dewi Hartati
Bambuti Vol 4 No 1 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1040.422 KB) | DOI: 10.53744/bambuti.v4i1.38

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This article discusses the art of Gambang kromong which is a form of identity for the Chinese Benteng in Tangerang. This art is a form of acculturation of two cultures, Chinese and Betawi cultures. The research method used is a qualitative research method, namely literature study, documentation, observation, and interviews with informants who know about Gambang Kromong. The result of this study is to explain the efforts to preserve the art of Gambang Kromong so that it can be maintained it can become a form of identity for the Chinese Benteng in Tangerang.