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All Journal Kinesik Al Ishlah Jurnal Pendidikan Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Journal Of Human And Education (JAHE) HUMANISMA : Journal of Gender Studies
Utama, Roman Rezki
Universitas Tadulako
Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Journal : Kinesik

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REPRESENTASI ANAK DALAM FILM GARAPAN SINEAS LOKAL KOTA PALU: Analisis Semiotika Pada Film Halaman Belakang dan Film Gula & Pasir Roman Rezki Utama; Stepanus Bo'do; Geraldy Yohanes Kurniawan Lumanauw
Kinesik Vol. 10 No. 1 (2023): April
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Tadulako

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22487/ejk.v10i1.600

Abstract

This study aims to determine representation the figure of a child in Halaman Belakang film and Gula & Pasir film. The research method is descriptive qualitative by using Charles Sanders Peirce's semiotic analysis. Based on the results of this study, it shows that in Halaman Belakang film and Gula & Pasir film, there are findings of signs of representation of children who are constrained, representations of children who do not care about their parents, representations of children who express their emotions, representations of children who are not polite, representations of children who do not respect parents, and representations of children who respect parents based on the representament, object, and interpretant. The similarities and differences between the two films show the figure of a child who does not care about and does not respect his parents, and a child who cares for and respects his parents. The general representation of child characters in both films describes themselves as the main character in the film, both of which take the point of view of a child.
Semiotika Roland Barthes Representasi Kritik Kelas Pekerja Pada Video Klip Rakesh "Penguasa Malam" Maulana, Mohammad Iqbal; Rahmawati, Rezki; Nuraliah, Dewi; Putri, Pusparani Sahran; Febriany; Utama, Roman Rezki
Kinesik Vol. 12 No. 2 (2025): August
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Tadulako

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22487/ejk.v12i2.1857

Abstract

Rakesh's music video - Penguasa Malam is a story about a worker who experiences a dilemma between the mental burden of work and the need to please himself. This research examines the visual signs of the video clip regarding the social criticism of the working class in response to the development of capitalism. The research method used is descriptive qualitative with semiotic analysis method from Roland Barthes. The results showed that the meaning of the representation of working-class social criticism from Rakesh's video clip – Penguasa Malam presents a representation of class conflict between the lower working class (proletariat) and the upper class (bourgeoisie) under the influence of capitalism, where the concept of 'alienation' is often used as a visual message of criticism from the working class (proletariat) against capitalism, so that forms of criticism are presented such as self-introspection, fighting alienation, seeking peace and freedom, and fighting established social control.
Co-Authors Adrian, Donal Fadli, Magfirah Atsari Ayu Febriany Fitriani Puspa Ningsih Geraldy Yohanes Kurniawan Lumanauw Jafar, Mohamad Maulana, Mohammad Iqbal Maya Safitri M Muhammad Wahid Nuraliah, Dewi Putri, Pusparani Sahran Ramadhan, Moch. Rezky Rezki Rahmawati Roslinawati Roslinawati Roslinwati, Roslinwati Stepanus Bo'do SUMARNI ZAINUDDIN Tampubolon, Romaulina Wahid, Muhammad Wahyu Aprijal Siruah