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Pedia Aldy
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Pusat Kebudayaan Batak Toba Di Kabupaten Tobasa Dengan Pendekatan Arsitektur Neo Vernacular Andre Giovanni Gultom; Gun Faisal; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The Batak Toba clan is one of the tribes existed in North Sumatra. The Batak Toba tribe has many of artistic and cultural potential. Thus there are also plenty potential natural resources, traditionalarchitecture that displays local cultural values and wisdom. In today's modern era, many people are ignorant of the history and culture of the Batak Toba, resulting in attention and enthusiasmdecreasing about the history and culture of Batak Toba. Therefore, this research aims to design a cultural center for the development and preservation of the potential of the Batak Toba culture inorder to improve people's knowledge about culture and the history of Batak Toba. The selection of Tobasa Regency as the cultural center location because it has well potential, strategic location,cultural heritage and includes the development of the Toba Caldera Geopark area. The method used in this design is the Neo-Vernacular Architecture approach by applying the principles anddesign ideas that exist in the Bolon house with the addition of modern elements in it. The concept used is the transformation of Adaptation Culture concept, which expected to be able to unitebetween architecture with nature and Batak Toba culture aspects. The final result is the design of the Batak Toba Cultural Center which presented the local wisdom of Batak Toba, especially the themodernization of Ruma Bolon however remain expressed local identity.Keyword: Architecture Neo Vernacular, Batak Toba, Culture, Culture Center
Adventureland Di Pekanbaru Dengan Pendekatan Ekologi Arsitektur Andri Anggesi; Pedia Aldy; Ratna Amanati
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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The development of town nowadays is not considering humanity side and social relation to the people. pekanbaru with the increasing density of people and also a hectic activities make people get bored and stress easily. Meanwhile pekanbaru has no suitable recreational facilities caused by governor's inability to make tourist attraction. hence, people need to have a place for entertainment and relaxation to eliminate fatigue. adventureland is a place for tour which is full of game and emphasizes to storyline and thinking ability in analyzing a place visually or concluding the things. Design approach applied is more prioritizing the principle of architecture ecology than ken yeang's, with the aim that the designed area has more integrity in the effort of noticing the circumstance around. the design of this area uses "educational tours" as a concept that is also basic of ken yeang's : 1) energy saving, 2) physic integrity 3) systems integrity by nature process 4) integrity of human resource 5) natural air circulation 6) responsive orientation 7) humanism. this adventureland has land area of 4,5 hectares with 17 units rides that divided into 4 zone : easy zone, medium zone, hard zone and simulator zone. The design of this adventureland has fulfilled the principles of Architecture Ecology with Educational Tours concept.Keywords: Adventureland, Architecture Ecology, Ken Yeang
Rupat Beach Theme Park Dengan Pendekatan Arsitektur Post Modern - Pastiche Harian Syah; Pedia Aldy; Muhammad Rijal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 1, No 2 (2014): Wisuda Oktober Tahun 2014
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Rupat Beach Theme Park is a medium beach recreation forum in the Rupat subdistrict, which has function as a family holiday place, specially for Riau society and the regional around it. Geographically, the position of Rupat Island is very strategic, because it is located between the international trade route. This island is also located between two important place, they are Bandarkuna Malaka in the east side, and Sumatera Island as the place which produce various nature properties in the west side. This design use the part of the post modern architecture as a theme, this is metaphor, and the concept is pastiche, whichis the intend of this concept is to move one element (atmosphere, decorative manner, building mass form ), or a group of element from a place to the other. In this design there are some element which be moved, which come from 5 country in the south east Asia (Cambodia, Malaysia, Thailand, Singapore, and Indonesia), from each country, we take one or two part which will be pastiche-ly. The conclusion which we get from this design of Rupat Beach Theme Park are: Giving the clear limit from each zone based on function which have beendetermined, balancing the position of games forum and the building function, and the application of pastiche concept which has been applied on each of building mass.Keywords: Rupat Beach Theme Park, Post-modern Architechture, Methapor, Pastiche, Recreation Forum, Beach.
Pasar Seni Di Pekanbaru Dengan Pendekatan Arsitektur Melayu Riau T.Nadhilah Putri; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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The design of art marketplace in Pekanbaru is meant to fulfill of buying and selling activities of signature handicrafts and culinary of Riau. This design purpose to the sale and purchase of handicrafts, traditional snacks and souvenirs, the promotion of signature handicrafts and culinary of Riau, and also workshop of Riau’s handicraft such as Siak weaving, embroidery, tekat embroidery, woven, Riau batik, and wood craft , so visitors can see and try the process of making signature handicrafts of Riau. The Art Marketplace uses the design transformation method. This design uses the approach of Riau Malay Architecture. The Riau Malay Architecture Approach is taken from theMalay houses of four major rivers in Riau, that is Kampar River, Siak River, Rokan River, and Indragiri River, that will be transformed into the art marketplace buildings. The concept of designing the art marketplace is Harmony of Cultural Heritage. The concept of harmony is applied through therelationship of building orientation to the site and the relationship between buildings in the art marketplace. While the concept of cultural heritage applied to the transformation of Malay houses from four major rivers in Riau into the art marketplace buildings. The Main Building applies the transformation from the building of Isatan Rokan IV Koto. The Culinary Building applies the transformation from Rumah Lontiok, Kampar. The Workshop building applies the transformation from Balai Kerapatan Tinggi, Siak. The Handicraft Retail building applies transformation from Rumah Godang Suku Peliang, Koto Sentajo, Kuantan Singingi.Keywords: Art Marketplace, Handicraft, Culinary, Riau Malay Architecture, Harmony of Cultural Heritage.
Pusat Pelatihan Jasa Bangunan Di Pekanbaru Berdasarkan Prinsip Desain Ludwig Mies Van Der Rohe Nadine Raraz Cahyani; Pedia Aldy; Gun Faisal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 7 (2020): Edisi 1 Januari s/d Juni 2020
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Indonesia provides many types of services users, but there are still many service workers who still do not have jobs due to lack of experience. One of them is construction services, which is a voice in the construction workforce profile in LPJK (2015), the number of uncertified construction workers in Riau Province reaches 124,158 people. They need a forum for construction workers to be trained and educated by giving them special skills in the not too long time and producing concrete evidence in the form of certification. For this reason, this training center is needed to accommodate workers who still lack the experience to train themselves, and improve work competency with the skills they have chosen. The training center has the concept of regularity with the principles of Ludwig Mies Van Der Rohe who prioritizes the function and simplicity of form. Keyword: Building services training center, Regularity
Representasi Karya A.A. Navis Melalui Arsitektur Metafora Pada Perancangan Gedung Apresiasi Sastra Di Padang Panjang Irsyad Rahim Putra; Mira Dharma Susilawati; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

House of literature appreciate come to support the environment which supporting the literature growth in West Sumatera. This building have function as creativity area. A place for gathering and as place for litterateurs to interact with one another, and also as a reading area for visitors and researchers. So that, it can rise their interest in appreciate of literature. Due to historical and strategic position, so, Kota Padang Panjang choose as site. Meanwhile, Robohnya Surau Kami by A.A. Navis, a writer born in Padang Panjang, become planning concept. The characteristic and value in that short-story displayed again as a house of literature appreciate through architecture metaphor. House of literature appreciate likened as Robohnya Surau Kami through transforming the literature elements on that short-story into architecture perspective. Transformation is done with metaphor method. Generally, it developed physical form building which came from that short-story title, mass shape come from conflict I short-story, landscape that described short-story background, and optimize the facilities to support individual activities, but still blending around as a form of application of the short-story theme.Keywordrs : House of literature appreciate , Robohnya Surau Kami, Architecture Metaphor
Pusat Modifikasi Mobil Di Pekanbaru Dengan Pendekatan Eko Arsitektur Said Sidik Sijori; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 3, No 1 (2016): Wisuda Februari Tahun 2016
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Modification enthusiasts in Pekanbaru City car modification requires an integrated container. The Place with car garage complete the facilities and provide all automotive service information. In addition, Car Modification Center in Pekanbaru as modification services will have a positive impact modification enthusiasts. Car Modification Center in Pekanbaru expected to be a comfortable and attractive building, through the design of eco-architecture approach. Designing Car Modification Center in Pekanbaru using the paradigm of eco-architecture design principles through the logic of cultural and eco eco technic. The two logic is transformed and adopted into the region with a touch of eco-architecture design. The design method derived from the concept of modification. Results of these concepts derived from aspects of planning includes determining the theme of the design, analysis of the site and the environment, user analysis, analysis of the activities, program space needs, the pattern of the relationship between space, structural analysis, analysis of circulation, materials analysis and elaboration of the concepts in design Car Modification Center in Pekanbaru.Keyword: modification, eco Architecture, eco technic, eco cultural
Ulu Kasok Resort Di Desa Pulau Gadang Kabupaten Kampar Dengan Pendekatan Arsitektur Neo-Vernakular Sayid Al-Fajri Saleh; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Pulau Gadang village is one of the villages that located in Kampar of Riau province. Recently, there are many people from Riau also from other cities visited Pulau Gadang village because Ulu Kasok region has a beautiful nature. Therefore, it needs designs area to facilitate so it can develop existing potential, such as facilitation of recreation, home stay, and resort so it can increasing tourists for visits. The disign method for these designs are using approach neo-vernacular architecture by apply principles and design ideas that existing in Lontiok house by adding modern elements in it. The concept that used is transformation of return to village that result patterns of region structure, circulation that follows line and contour pattern so that the result of designs make the region become neatly and attraction it self for tourists.Key word: Resort, Lontiok House, Neo-Vernacular Architecture
Pasar Tradisional Di Pekanbaru Dengan Pendekatan Arsitektur Tropis Dede Novita; Ratna Amanati; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 4, No 1 (2017): Wisuda Februari Tahun 2017
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Traditional market is public facility that must be in every subdistrict. Base on data from Dinas Pasar Pekanbaru, until 2015 Pekanbaru traditional market that managed by government there are 6 units. There are Agus Salim market, Labuh Baru market, Simpang Baru market, Cik Puan market, Rumbai market and Lima Puluh market. Total subdistrict in Pekanbaru city is 12 subdistricts. Therefore Dinas Pasar Pekanbaru must be increase the quantity of traditional market in every subdistrict. It makes pasar kaget grow up. Therefore, Rumbai subdistrict highly require for traditional market. The concept of traditional market design is interaction with nature, building, and human. It’s mean, how to make every element in traditional market area interacting each other. The require of tropical architecture influence in traditional market design is differentiate this market with traditional market that must be exist before. Therefore the market that doing adaption with environment around building, whether nature or circumstance in around building. Design element of Pekanbaru traditional market with tropical architecture approachment is zoning, the mass order, the exterior order, mass form, the interior order, and structure. The concept is applied on mass form that follows the site and facilitate the access of visitors to reach the parking area into the buildings, and between buildings. The interaction is realized in the form of pedestrian bridge and the travellator. Keywords: Traditional Market, Interaction, and Tropical Architecture
Rusunawa Di Pekanbaru Dengan Penekanan Penghawaan Alami Umar Hafiz Alfadil; Pedia Aldy; Ratna Amanati
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 4, No 2 (2017): Wisuda Oktober Tahun 2017
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The minimal existing of residences in the city of Pekanbaru is causing the rental price or the selling price of a dwelling unit continues to rise. With the difference of economic ability in each individual, not all the people who are migrants in Pekanbaru city get a place to live. Dense economic growth in downtown Pekanbaru, causing the amount of empty land becomes reduced. Pekanbaru need an affordable solution for a settlement and able to accommodate the density of residents of Pekanbaru city. One of the affordable rental dwelling is a Rusunawa (Rented Simple Public Mansion). This Rusunawa is intended for middle-class people who want to have a fixed residence at a more affordable price. Some facilities that needed in the design of Rusunawa are residential facilities, shared facilities, environmental facilities and supporting/infrastructure facilities. The designing of natural cooling in Rusunawa is by applying 4 elements : wind, space, water & vegetation and building materials. Air circulation in Rusunawa designed to run smoothly because it can maximize the application of natural cooling into the buildings. The application of the concept design is to facilitate Rusunawa with communal space as a means of social interaction among residents. Its application is by making a gathering room, sky bridge and sky plaza, and the building mass into the form of boxes.Kata kunci: Rental house, Rusunawa, Rented Simple Public Mansion, Natural cooling
Co-Authors Abyadh Nadhiifun Achnia Tiffany Nurfadillah Agryvania Br Sembiring Agustina Irfita Ali Djamhuri Andre Giovanni Gultom Andri Anggesi Annisa Cinintya Arifia Azas Awliya Rahmat Erviyus Ayu Riska Putri Dariyanto, Dariyanto Dede Novita Dedek Elida Siregar Desy Susanti Devi Endriani Diko Despabera Rosdianto DWI SURYANTO Dwiki Hermawan Fachry Enzeta Firzal, Yohannes Fitrah Ramadhani Syam Gandhi Thaiba Gun Faisal Hadi Gusmara Hardi Rasidi Harian Syah Herlika Herlika Herliman Restu Waruwu Iin Fitri Febriani Irsyad Rahim Putra Izazul Lizar Jacob Adha Putra Jenny Yolanda Gustia Julius Eduvin Panjaitan Junia Handayanis Laili Dwi Annisa Laras Utami Inka Laura Arifah Hanum Lupita Lupita Lusi Novita M Iswandi MAYA PURNAMASARI Melti Afifka Albar Merry Deria K Lase Mira Dharma S Mira Dharma Susilawati Mira Dharma Susilawaty Mira Dharma Susilawaty Mita Fransisca Rumapea Mohd. Aidil Akbar Muhammad Ikrom Muhammad Rafiki Muhammad Rijal Nabila Shalihah Nadine Raraz Cahyani Nazamri Nazamri Noni Septiani Nur Adela Sobri Rezki Ogie Pratama Parlinggoman Pasaribu Putra Mhd Alamsyah Rabiatul Husna Rahman wahyudi Ratna Amanati Reghina Tri Municha Rendy Musamel Rusydina Sabila Fauzi Said Sidik Sijori Sayid Al-Fajri Saleh Sri Djuniati Sri Hardianti Suci Rahmawati Syalam Haryadi Syilvia Ovtariyani Putri T.Nadhilah Putri Umar Hafiz Alfadil Vera Yunita Vicky Sonya Vini Asfarilla Wahyu Dwi Syaputra Wahyu Hidayat Witra Karima Yogi Efrinaldi Yuri Prima Nurullah