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p-Index From 2021 - 2026
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This Author published in this journals
All Journal Lingua Cultura Rubikon: Journal of Transnational American Studies Celt: A Journal of Culture, English Language Teaching & Literature International Journal of Humanity Studies (IJHS) Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Lire Journal (Journal of Linguistics and Literature)
Ida Rochani Adi
American Studies Graduate Program, Gadjah Mada University, Yogyakarta
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Translation Criticism: Implementing House’s TQA Model on “Jesus Paid It All” into Kirundi Ntamwana, Simon; Adi, Ida Rochani
Celt: A Journal of Culture, English Language Teaching & Literature Vol 25, No 1: June 2025, Nationally accredited
Publisher : Soegijapranata Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/celt.v25i1.12269

Abstract

The article probed into the quality of the Kirundi translation of Hall’s “Jesus Paid It All”, a hymn in The Seventh-day Adventist Hymnal (1985). The study is a translation criticism centered on House’s translation quality assessment (TQA) model. The descriptive qualitative method with inductive orientation was used. The primary data were collected from the original American English hymn “Jesus Paid It All” as written in the current church hymnal and the Kirundi lyric “Numv’ Umukiz’ ambwira”. Books and articles pertinent to translation criticism, House’s TQA model, and Seventh-day Adventist (SDA) hymnody were consulted for secondary data. Covert errors distorting the ideational and interpersonal meanings concerning Christ’s sacrificial atonement and the Christian individual’s response to it were found. They were characterized by shifts in the transitivity system, topical lexis, mood structure, and thematic construction. At the non-dimensional level, a manipulation of the original was discovered. The highest rate of overt errors was represented by the cultural filtering of the topical lexis and inadequate substitution of metaphorical constructions and culture-bound items. It was concluded that the TT is an inappropriate covert translation and its quality is inadequate.
Pemberdayaan Pemuda Karang Taruna Desa Ngentakrejo dalam Masa/ Pasca Darurat Covid-19 Melalui Kegiatan Kesenian Jatmiko, Rahmawan; Adi, Ida Rochani; Saktiningrum, Nur
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 4 No 1 (2021): 2021: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (828.751 KB) | DOI: 10.22146/bakti.1280

Abstract

This Community Service program is intended as one of assistance service programs for people affected by the Covid-19 pandemic, which has created major impacts on the pattern of people's lives in practically all aspects and levels of society, including the youth organizations in rural areas. This program focuses on facilitating activities which can maintain productivity and enthusiasm of the youths during the pandemic/ post-pandemic situation. Some of the initial inputs and data of the youth group targeted for the activity, namely the youth organization Tunas Harapan Ngentakrejo, were obtained during the observation period which was then followed up for realization of the program. All of the activities in the program are carried out online or remotely, with internet communication media, by utilizing common communication technology devices, applications and software. This activity, conducted from July 2020 to mid-October 2020, has resulted in a collaborative video output featuring artistic activities produced youth organizations Tunas Harapan Ngentakrejo. ===== Program Pengabdian kepada Masyarakat ini ditujukan sebagai salah satu bentuk program pendampingan bagi masyarakat yang terdampak pandemi Covid-19 yang merupakan sebuah peristiwa yang berdampak besar bagi pola kehidupan masyarakat hampir di semua aspek dan lapisan masyarakat, tak terkecuali generasi muda di pedesaan, agar nantinya dapat menjaga produktifitas dan semangat mereka dalam berkarya. Beberapa masukan awal dari kelompok pemuda sasaran kegiatan yakni pemuda karang taruna Tunas Harapan Ngentakrejo telah diperoleh pada masa observasi yang selanjutnya ditindaklanjuti sehingga terwujud program kegiatan ini. Keseluruhan kegiatan ini dilakukan dengan cara online atau jarak jauh, menggunakan media komunikasi via internet memanfaatkan perangkat-perangkat teknologi komunikasi serta beberapa software yang dapat digunakan untuk produksi karya bersama. Kegiatan yang dimulai sejak bulan Juli 2020 ini telah selesai dilaksanakan pada pertengahan bulan Oktober 2020, dan mengasilkan luaran berupa hasil video kolaboratif yang menampilkan kegiatan kesenian dari para pemuda karang taruna Tunas Harapan.
DECONSTRUCTING THE AMERICAN DREAM IN THE CHINESE-AMERICAN NARRATIVE OF REBECCA F. KUANG'S NOVELS Akbar, Rifqi; Adi, Ida Rochani
Rubikon : Journal of Transnational American Studies Vol 13, No 1 (2026)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v13i1.106302

Abstract

The American Dream as the axis of diaspora pathways has an impact on the construction of American diaspora novels, especially the perspective of Chinese-American female writers, one of whom is RF Kuang. This study focuses on RF Kuang's reflection in representing the American Dream. For the American diaspora, this dream still marginalizes the existence of minorities and is exclusive to white people. Diaspora writers always conflict with ambivalent values that must intersect with the American Dream so that this racism can be dissolved in American society and achieve equality. Through Derrida, American diaspora writers are given a third space to implement the American dream and ideological contestation that provides a nuance of transnational solidarity. This dream is conveyed through Kuang’s novels Poppy War Trilogy: An Arcane of History: Babel; and Yellowface. This research indicates that each of Kuang’s works is constructed within the myth as the foreground, and it is negotiated through her achievements, exclusivity, and inclusivity in literary production, the equality in the characterization, and the Chinese Dream, which forms the contestation. These elements represent the Chinese-American narrative, as well as the existence of the Asian-American diaspora within the American publishing system, which significantly pulls in a global popularity among international audiences.
Co-Authors Adhitya, Galant Nanta Akbar, Rifqi Dahlan, A. Fahmi El Sarah, Ratu Nadhirah Fajarwati, Diah Prima faruk faruk Firmansyah, Muchammad Sofyan Muh Arif Rokhman Muludi, Riza Rahayu Nisa, Intan Khoirun Ntamwana, Simon Rahmawan Jatmiko RB. Edi Pramono Rosmah Tami Saktiningrum, Nur Utami, Shantika Budhi