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Diatesis Pasif dalam Bahasa Arab: Kajian Tipologi Linguistik az-Zahra, Namira; Nasution, Khairina; Basaria, Ida
Ta'limi | Journal of Arabic Education and Arabic Studies Vol. 5 No. 1 (2026): Ta'limi
Publisher : STAINI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53038/tlmi.v5i1.347

Abstract

This study aims to describe the system of passive diathesis in Arabic by highlighting the morphological forms that mark passive constructions and analyzing the relationship between morphological forms and syntactic structures. The research is grounded in Linguistic Typology theory Comrie and Morphosyntactic Diathesis theory Haspelmath. It employs a qualitative approach with a descriptive method through a library research design. The data sources consist of classical and modern Arabic texts, including the Qur’an, literary works, traditional Arabic grammar books (nahwu), and scholarly articles and books on Arabic linguistics. The data comprise sentences or clauses containing passive constructions (al-mabnī lil-majhūl), collected using the note-taking technique. The data were analyzed using the distributional method and the immediate constituent analysis (ICA) technique. The findings reveal that the passive diathesis in Arabic is formed through two main strategies: the synthetic and the analytic. The synthetic strategy is realized through internal vowel alternation within the verb, while the analytic strategy is expressed through constructions involving auxiliary verbs such as qāma and tamma, which have undergone grammaticalization. Syntactically, the formation of the passive diathesis is characterized by the omission of the active subject (fāʿil) and the promotion of the object to the subject position (nāʾib al-fāʿil). This phenomenon demonstrates the close interrelation between morphology and syntax in the Arabic diathesis system and indicates a typological shift from a synthetic to an analytic system as a form of grammatical innovation.
Makna Kultural dalam Lirik Lagu Batak “Pulo Samosir” Karya Nahum Situmorang: Kajian Antropolinguistik Basaria, Ida; Ramadhani, Saskia; Budiman, Ulfiyah; Rahma, Naiya Ar
Jurnal Pendidikan Tambusai Vol. 10 No. 2 (2026): Agustus
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v10i2.38132

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya melestarikan lirik lagu tradisional sebagai teks budaya yang menyimpan kekayaan makna kultural, khususnya pada karya musisi legendaris Batak Toba, Nahum Situmorang. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis makna kultural dalam lirik lagu “Pulo Samosir” melalui perspektif antropolinguistik. Metode yang digunakan adalah kualitatif deskriptif dengan teknik pengumpulan data berupa metode simak bebas libat cakap dan catat. Hasil penelitian menunjukkan adanya empat kategori makna kultural utama: keterikatan mendalam terhadap tanah leluhur, representasi kekayaan alam dan mata pencaharian agraris, peran kuliner tradisional (tuak) dalam interaksi sosial, serta filosofi kematian dan penghormatan leluhur. Simpulannya, lagu ini berfungsi sebagai dokumen kultural yang merekam nilai-nilai filosofis masyarakat Batak Toba. Penelitian ini merekomendasikan integrasi lagu tradisional dalam pembelajaran muatan lokal untuk memperkuat pelestarian budaya daerah.
Makna Kultural dalam Lirik Lagu Batak “Pulo Samosir” Karya Nahum Situmorang: Kajian Antropolinguistik Basaria, Ida; Ramadhani, Saskia; Budiman, Ulfiyah; Rahma, Naiya Ar
Jurnal Pendidikan Tambusai Vol. 10 No. 2 (2026): Agustus
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v10i2.38182

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya melestarikan lirik lagu tradisional sebagai teks budaya yang menyimpan kekayaan makna kultural, khususnya pada karya musisi legendaris Batak Toba, Nahum Situmorang. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis makna kultural dalam lirik lagu “Pulo Samosir” melalui perspektif antropolinguistik. Metode yang digunakan adalah kualitatif deskriptif dengan teknik pengumpulan data berupa metode simak bebas libat cakap dan catat. Hasil penelitian menunjukkan adanya empat kategori makna kultural utama: keterikatan mendalam terhadap tanah leluhur, representasi kekayaan alam dan mata pencaharian agraris, peran kuliner tradisional (tuak) dalam interaksi sosial, serta filosofi kematian dan penghormatan leluhur. Simpulannya, lagu ini berfungsi sebagai dokumen kultural yang merekam nilai-nilai filosofis masyarakat Batak Toba. Penelitian ini merekomendasikan integrasi lagu tradisional dalam pembelajaran muatan lokal untuk memperkuat pelestarian budaya daerah.
Umpasa dan Nilai Budaya Mangalahat Horbo: Kajian Antropolinguistik Basaria, Ida; Hutabarat, Gaby Gabriela; Habeahan, Marta Erinda; Sembiring, Gressella Sesinta
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 2 (2026): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i2.1094

Abstract

This article examines umpasa as the determinant of the validity of the Mangalahat Horbo ritual and as a vehicle for transmitting the cultural values of the Batak Toba people from an anthropolinguistic perspective. Mangalahat Horbo is a buffalo sacrifice ritual that functions simultaneously as a cosmological, political, and linguistic event. This study employs a descriptive qualitative approach using three theoretical frameworks: Dell Hymes' (1974) SPEAKING model to analyze the ritual as a speech event, Roland Barthes' (1968) semiotics to dissect the denotative and connotative meanings of umpasa, and Kluckhohn's (1953) theory of cultural values and Sibarani's (2014) local wisdom theory to identify embedded cultural values. The findings reveal that umpasa operates on three simultaneous layers of meaning: pragmatic-performative, social-hierarchical, and cosmological-ecological. Umpasa is not merely an aesthetic ornament but a constitutive element of the ritual that shapes the social and cosmological reality of the Bius community. Eight cultural values are identified: communicative courtesy, adat knowledge transmission, self-restraint, collective responsibility, cultural preservation, cosmological reciprocity, distributive justice, and ecological harmony. This study affirms the urgency of anthropolinguistic documentation of Mangalahat Horbo before the Parhata masters of umpasa diminish further.