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All Journal DIKSI Litera Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Jurnal Bahasa Indonesia bagi Penutur Asing (JBIPA) DIMASATRA
Dwi Budiyanto
Universitas Negeri Yogyakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Journal : Litera

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PENINGKATAN KOMPETENSI MENULIS CERITA PENDEK MELALUI TEKNIK TRANSFORMASI TEKS PUISI DAN CO-CREATIVE WRITING Hartono Hartono; Suroso Suroso; Dwi Budiyanto
LITERA Vol 20, No 1: LITERA MARET 2021
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v20i1.35224

Abstract

Menulis kreatif merupakan keterampilan yang dapat berkontribusi bagi pengembangan kemampuan berbahasa. Penelitian ini bertujuan untuk meningkatkan kompetensi mahasiswa dalam menulis cerita pendek melalui teknik transformasi teks puisi dan co-creative writing. Penelitian ini melibatkan 18 orang mahasiswa Jurusan Pendidikan Bahasa dan Sastra Indonesia Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta sebagai subjek penelitian dan seorang dosen pengampu mata kuliah Menulis Sastra sebagai kolaborator peneliti. Jenis penelitian ini merupakan penelitian tindakan kelas dengan menerapkan dua siklus dengan lima kali pertemuan selama pengambilan data penelitian. Pengumpulan data dilakukan melalui teknik observasi, wawancara, dan penyebaran kuisioner untuk kemudian dilakukan kondensasi data, penyajian data, dan penarikan kesimpulan dari data kualitatif yang diperoleh. Kemampuan mahasiswa dalam menulis cerita pendek diperoleh melalui tes menulis cerita pendek yang kemudian dianalisis secara deskriptif kuantitatif. Berdasarkan analisis, diperoleh kesimpulan sebagai berikut. Pertama, penerapan teknik transformasi teks puisi dan co-creative writing dapat meningkatkan efikasi diri mahasiswa, mengembangkan kesadaran kolaborasi dalam menulis cerita pendek, dan membangun suasana perkuliahan menulis sastra yang aktif dan dinamis. Kedua, peningkatan skor rerata setiap aspek kompetensi menulis cerita pendek dari siklus ke siklus memperlihatkan bahwa penerapan teknik transformasi teks puisi dan co-creative writing dapat meningkatkan kompetensi menulis cerita pendek di kalangan mahasiswa. Teknik ini terutama sangat membantu dalam mengembangkan kemampuan untuk menggali ide dan imajinasi penulisan cerita pendek. Mahasiswa menjadi terlatih untuk melakukan ekspansi cerita, modifikasi dan variasi, atau konversi cerita.Kata kunci: menulis kreatif, transformasi teks puisi, efikasi diri, menulis kolaboratifINCREASING COMPETENCE OF SHORT STORIES WRITING THROUGH POETRY TEXT TRANSFORMATION AND CO-CREATIVE WRITING TECHNIQUESAbstract Creative writing is a skill that is expected to contribute to the development of language skills. This study aimed to improve students' competence in writing short stories through poetry texts transformation and co-creative writing techniques. The study involved 18 students of the Department of Language and Literature Education, Faculty of Language and Arts, Yogyakarta State University as research subjects and a lecturer who teaches Literature as a research collaborator. The study was a classroom action research by applying two cycles with five meetings during the research data collection. Data collection was carried out through observation, interviews, and filling out questionnaires followed by data condensation, data display, and drawing conclusions from the qualitative data obtained. Students' ability in writing short stories was obtained through a short story writing test which was then analyzed using descriptive quantitative analysis. The following research results were obtained. First, the application of poetry texts transformation and co-creative writing techniques increased student self-efficacy, developed collaborative awareness in writing short stories, and built an active and dynamic literary writing lecture atmosphere. Second, the increase in the mean score of each aspect of competency in writing short stories from cycle to cycle showed that the application of the poetry texts transformation and co-creative writing techniques improved the competence of writing short stories among students. This technique was especially helpful in developing the ability to explore ideas and imagination in writing short stories. Students became trained to do story expansion, modification, and variation, or story conversion.Keywords: creative writing, poetry texts transformation, self-efficacy, collaborative writing
PENYIMPANGAN IMPLIKATUR PERCAKAPAN DALAM HUMOR-HUMOR GUS DUR Dwi Budiyanto
LITERA Vol 8, No 2: LITERA OKTOBER 2009
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v8i2.1206

Abstract

This study aims to describe forms of speech implicature violations in the discourse of Gus Dur’s humors. The data sources were collections of his humors in okezone.com and gusdur.net. The data were analyzed using the descriptive technique involving tabulation, categorization, and inference. The data were selected and categorized on the basis of the maxim violations and then analyzed and inferred in accordance with types and forms of violations from the cooperative and politeness principles. The results show that humorous effects in Gus Dur’s humors are made through the utilization of speech implicature violations. In the cooperative principle, there are violations from the maxims of quantity, quality, relevance, and manner. In the politeness principle, there are violations from maxims of generosity, approbation, and modesty.
ASPEK PERSUASIF DALAM BAHASA IKLAN PARTAI POLITIK Dwi Budiyanto
LITERA Vol 13, No 1: LITERA APRIL 2014
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v13i1.1902

Abstract

This study aims to describe persuasive aspects in the language of political party advertisements. This was a qualitative study using a semiotic analysis of television advertisements of political parties in the 2009 general election. The data were collecting through careful reading and taking notes. The data were analyzed by means of the inductive comparative technique, categorization, data display, and inference making. The findings are as follows. The persuasive aspects in the language of advertisements of political parties in the 2009 general election consist of two forms, i.e.: (a) presentation of message contents: informational, emotional, and motivational persuasions; and (b) presentation of message styles: hyperbole, imperative, metaphor-simile, acronymy, synecdoche, repetition, irony, and rhetorical question.
Bentuk dan karakteristik Fiksimini di platform sosial media Twitter dan Instagram Dwi Budiyanto; Hartono Hartono; Suroso Suroso
LITERA Vol 21, No 2: LITERA (JULY 2022)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v21i2.43349

Abstract

Fiksimini merupakan genre yang sedang marak dan berkembang di platform sosial media. Kehadirannya diminati anak-anak muda pengguna sosial media sekaligus mulai dimanfaatkan dalam pengajaran bahasa berbasis sastra. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk fiksimini di platform linimasa Twitter dan Instagram. Data penelitian diperoleh dari akun Twitter @fiksimini (79 buah) dan akun Instagram @instafiksi (40 buah) yang terbit sepanjang Februari-Desember 2019. Data selanjutnya dianalisis secara kualitatif. Hasil penelitian sebagai berikut. Pertama, bentuk fiksimini sangat ditentukan oleh platform linimasa yang digunakan sebagai ruang berkarya. Karakteristik khas tersebut adalah daya tampung teks dan dominasi aspek visual media. Kedua, secara spesifik karakteristik fiksimini adalah (1) Fiksimini mengalami penyingkatan isi (condensation), bahkan hiperkondensasi pada fiksimini di Twitter; (2) Fiksimini mengalami pemadatan (compression) pada unsur-unsur pembangun ceritanya, bahkan fiksimini di Twitter cenderung mengalami hiper-kompresi (hyper-compression); (3) Fiksimini diawali dengan kalimat aktif yang pendek, konflik yang tersamar (implisit), dan menampilkan alur cerita yang dipelintir (plot twist) untuk menciptakan efek kejut dalam diri pembaca; (4) Fiksimini, terutama di Instagram, sangat mengedepankan aspek visual; dan (5) Tema fiksimini sangat beragam, terbuka, dan luas. Keragaman topik fiksimini di Instagram memperlihatkan kecenderungan pengarang untuk menyesuaikan diri dengan target pembaca (target readers).Kata kunci: fiksimini, instafiksi, flashfiction, sastra siberThe forms and characteristics of mini fictions on Twitter and InstagramAbstractFlash fiction is a genre that is increasingly prevalent on social media platforms. These mini fiction have attracted the interest of young people who use social media, as well as being used in literature-based language teaching. This study aims to describe flash fiction forms on the Twitter and Instagram timeline platforms. The research data was obtained from the Twitter account @fiksimini (79 pieces) and Instagram account @instafiksi (40 pieces) which were published during February-December 2019. The data were then analyzed qualitatively. Based on the data analysis, the following results were obtained. First, the form of flash fiction is largely determined by the timeline platform that is used as a workspace. The distinctive characteristics of this flash fiction’s form are the capacity of the text and the dominance of the visual aspects of the media. Second, flash fiction has specific characteristics as follows (1) Flash fiction experiences condensation, and especially on Twitter, this condensation is even stronger (hyper-condensation); (2) Flash fiction experiences compaction (compression) of the building blocks of its story, and on Twitter, flash fiction tends to experience hyper-compression; (3) flash fiction begins with a short active sentence, disguised or implicit conflict, and presents a twisted storyline to create a shocking effect for the reader;(4) Flash fiction, especially on Instagram, puts great emphasis on the visual aspect; and (5) The themes of flash fiction are divergent, open and broad. The variety of flash fiction's topics on Instagram shows the author's tendency to adjust to the target audience.Keywords: fiksimini, instafiction, flash fiction, cyber literature
Perkembangan fiksimini Indonesia 2010 – kini Else Liliani; Kusmarwanti Kusmarwanti; Dwi Budiyanto
LITERA Vol 21, No 2: LITERA (JULY 2022)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v21i2.45039

Abstract

Fiksimini adalah fenomena kesusastraan yang lahir karena peran media. Penelitian ini bertujuan menjelaskan perkembangan struktur, penulis, dan penerimaan pembaca fiksimini di Indonesia. Penelitian ini merupakan penelitian konten terhadap fiksimini yang diambil dari Twitter, Facebook, dan Instagram. Sumber data penelitian berupa kata, frasa, kalimat, atau paragraf dalam fiksimini yang memuat informasi mengenai struktur fiksimini. Selain fiksimini, sumber data sekunder penelitian ini adalah informasi mengenai penulis dan respon pembaca yang diperoleh dari berbagai literatur pendukung, seperti laman berita, media sosial, dan artikel penelitian. Pengambilan data yang berkaitan dengan rumusan masalah dilakukan dengan teknik membaca dan mencatat. Teknik analisis data penelitian ini dilakukan secara deskriptif kualitatif, dengan menggunakan teori resepsi sastra. Adapun langkah-langkahnya, yaitu: (1) mencatat atau merekam fiksimini, penulis, dan respons pembaca terhadap fiksimini dari berbagai media daring maupun luring; (2) melakukan telaah kritis atas struktur fiksimini sehingga memperoleh gambaran perkembangannya; (3) mengumpulkan dan mengategorisasi berdasar rumusan masalah; dan (4) melakukan pembahasan dan inferensi berdasarkan pendekatan resepsi sastra. Penelitian ini menggunakan validitas semantis dan reliabilitas interrater dan intrarater. Hasil penelitian menunjukkan bahwa  struktur fiksimini sangat dipengaruhi oleh platform media publikasi yang digunakan. Fiksimini di Indonesia berkembang melalui akun Twitter @fiksimini. Media sosial dan komunitas fiksimini berperan dalam perkembangannya. Penerimaan terhadap fiksimini terlihat dalam keterlibatan aktif publik dalam menghasilkan tulisan serta adanya penelitian, penulisan kritik, atau esai sastra.Kata kunci: fiksimini, media sosial, perkembangan The development of fiksimini in Indonesia in 2010 – present AbstractFiksimini is a literary phenomenon that was born due to the role of the media. This research aims to explain the development of the structure, writers, and reader acceptance of fiksimini in Indonesia. This research is content research on fiksimini taken from Twitter, Facebook, and Instagram. The data sources are words, phrases, sentences, or paragraphs in fiksimini that contain information about the structure of fiksimini. In addition to fiksimini, the secondary data source of this research is information about the author and readers' responses obtained from various supporting literature, such as news pages, social media, and research articles. Data collection related to the formulation of the problem is done by reading and recording techniques. The data analysis technique of this research was carried out in a descriptive qualitative way, using literary reception theory. The steps are (1) recording or recording fiksimini, writers, and readers' responses to fiksimini from various online and offline media; (2) conducting a critical review of the structure of fiksimini to obtain an overview of its development; (3) collecting and categorizing based on the formulation of the problem; and (4) conducting discussion and inference based on the literary reception approach. This research uses semantic validity and interrater and intrarater reliability. The results show that the structure of fiksimini is strongly influenced by the publication media platform used. Fiksimini in Indonesia developed through the Twitter account @fiksimini. Social media and the fiksimini community play a role in its development. The acceptance of fiksimini can be seen in the active involvement of the public in producing writing as well as research, writing criticism, or literary essays.Keywords: fiksimini, social media, development
Intersectional identity of 13th-century Javanese women in the novel "Tutur Dedes" Budiyanto, Dwi; Kusmarwanti, Kusmarwanti; Liliani, Else; Sayuti, Suminto A.
LITERA Vol. 23 No. 1: LITERA (MARCH 2024)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v23i1.70992

Abstract

Within thirteenth-century Javanese tradition in Southeast Asia, women are frequently marginalized. Women who had significant influence were often omitted from historical records, such as Ken Dedes. Her tale is exclusively documented in the book of Pararaton. Dedes is seen as a significant woman who bore the ruling dynasty in Java. Modern Indonesian literature depict Dedes in different ways, offering varied interpretations of her character. This study seeks to analyze the intersectional identity of Ken Dedes in the novel Tutur Dedes: Doa & Kutukan by Amalia Yunus (2022) because of the intricate nature of her identity. The data consist of narrative elements such as tale sequences, characters, settings, themes, and other literary devices sourced from data repositories relevant to the research issue. The data were collected using reading and note-taking methods. Additionally, it was qualitatively analyzed via the lens of Kimberle Crenshaw's (1989) intersectionality approach. The results indicate that Dedes is shaped by various intersecting identities: education for an educated identity, biological physique for beauty and sexuality, high social status for respectability and knowledge access, religion for personal integrity, gender for the role of a mother, and political position for influence and network power. Each component category interacts to shape, reinforce, and internalize Dedes' identity and self as an educated woman in the thirteenth century, who wields significant influence and can overcome the oppression she faces. This study emphasises the importance of viewing women's identities as a cohesive whole rather than in fragmented elements. Javanese women were well educated and engaged in many facets of society in the thirteenth century.
Co-Authors Else Liliani Hartono Hartono Hartono Hartono Kusmarwanti Kusmarwanti Mawaidi Putrirahayu Prawira, Mentari Suminto A. Sayuti Suroso Suroso Suroso Suroso Wijang Iswara Mukti Wiyatmi Wiyatmi Yulianeta Zahrul Jihadurrahim Bajuri , Muhammad