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Islam dan Paradoks (Budaya) Carok di Madura: Tinjauan Ontologi, Epistemologi, dan Aksiologi Mawaidi Mawaidi; Darmiyati Zuchdi
Jurnal Tamaddun : Jurnal Sejarah dan Kebudayaan Islam Vol 9, No 2 (2021)
Publisher : IAIN Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/tamaddun.v9i2.8410

Carok merupakan salah satu dari dua kearifan budaya yang dilestarikan di Madura. Kearifan budaya yang kedua yaitu kerapan sapi. Pandangan yang pertama tersebut cenderung urakan, nirmakna dalam konteks kebudayaan. Penelitian ini berusaha secara maksimal memberikan pemahaman secara teoretis filsafati keliru tentang tradisi carok sebagai tradisi orang Madura dengan memperoleh tempat terhormat dan istimewa. Penelitian ini merupakan studi pustaka menggunakan skripsi “Tradisi Carok Pada Masyarakat Madura Menurut Perspektif Teori Relativisme Moral” yang ditulis oleh Liberatus Pogolamum. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan menggunakan analisis konten. Hasil penelitian menunjukkan bahwa objek penelitian ini yang berasumsi bahwa carok merupakan tradisi dan budaya mengalami gagal interpretasi. Berdasar pada kegagalan interpretasi ini sehingga mengakibatkan wacana stereotip negatif dikonsumsi publik. Temuan pertama, kegagalan tersebut diawali dengan pendeksipsiannya dalam memaknai carok yaitu sebagai budaya. Kedua, dalam memaknai carok objek penelitian ini tidak mempertimbangkan aspek epistemologis. Ketiga, mengabaikan konteks nilai masyarakat Madura yang dikenal sebagai kaum sarungan.

EKSPLORASI HANTU PEREMPUAN DALAM SIHIR PEREMPUAN KARYA INTAN PARAMADITHA: TELAAH KONSTRUKSI FEMININITAS Mawaidi Mawaidi; Nurhadi Nurhadi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 48, No 2 (2020)
Publisher : Fakultas Sastra Universitas Negeri Malang

EXPLORING FEMALE GHOSTS IN INTAN PARAMADITHA’S SIHIR PEREMPUAN: A STUDY ON FEMININITY CONSTRUCTIONAbstract: Ghost stories as myth have been around for hundreds of years, both in oral or written forms. Literature has provided a space for urban legend. The most popular and legendary ghosts are usually female ghosts. These female ghosts appear not only to represent ghosts but they also carry certain feminine values from the authors. This study aims to investigate female ghosts on Sihir Perempuan, a collection of short stories written by Intan Paramaditha using feminist construction approach. Cixous’ (2008) theory of feminist writing and an approach to shift to the center are used as the study’s conceptual framework. The findings of this study include a paradox in the way Intan Paramaditha reconstructs femininity. In the effort of building femininity, female ghosts are portrayed as legends within patriarchal cultural power. The presence of female ghosts explores female bodies and psychology.Keywords: female ghost, femininity, ghost story, myth, patriarchyEKSPLORASI HANTU PEREMPUAN DALAM SIHIR PEREMPUAN KARYA INTAN PARAMADITHA: TELAAH KONSTRUKSI FEMININITASAbstrak: Cerita hantu sebagai sebuah mitos telah dikonsumsi publik sejak ratusan tahun yang lalu, baik secara lisan maupun tulisan. Dalam perkembangannya, karya sastra menjadi medium legenda urban. Hantu yang paling mengemuka ke ingatan publik adalah hantu perempuan. Kemunculan sosok hantu perempuan tidak hanya sekadar sebagai hantu tetapi juga sebagai sosok yang membawa nilai-nilai femininitas yang disematkan penulis. Penelitian ini membahas hantu perempuan pada kumpulan cerita pendek berjudul Sihir Perempuan karya Intan Paramaditha dengan telaah konstruksi femininitas. Kerangka konseptual yang digunakan adalah teori wacana Cixous (2008) tentang menulis feminin dan sebuah upaya pergeseran ke pusat. Temuan dari penelitian ini yaitu adanya paradoks dalam mengonstruksi femininitas yang dilakukan Intan Paramaditha. Dalam upaya melakukan konstruksi femininitas, hantu perempuan dihadirkan sebagai legenda di tengah kuasa budaya patriarki. Kehadiran hantu perempuan mengeksplorasi tubuh dan psikologis hantu perempuan.Kata kunci: cerita hantu, hantu perempuan, femininitas, mitos, patriarki Permalink/DOI: dx.doi.org/10.17977/um015v48i22020p167

PRODUKSI DAN DISTRIBUSI SASTRA KANON: STUDI KASUS PENERBITAN BUKU UMAR KAYAM NFN Mawaidi; NFN Suroso
Widyaparwa Vol 49, No 2 (2021)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

The birth of the publisher indie as an agent of the literature books canon cannot be released from the publishing history of the Dutch Indian era. The spirit of the indie publisher is resisting the dominance of the readership and the literature pop market. One of the publishers in indie was Pojok Cerpen with Umar Kayam's book choice. This method of research used interview, reading, and writing techniques. Interview techniques are conducted to challenge information from publishers, in this case seeking data related to canon literature and literary canon distribution patterns. The data was reviewed through the literary sociology of Pierre Bourdieu. The results are as follows. First, the canonicity of Umar Kayam's personal figure and also the canonicity of Umar Kayam's. The aspect of Umar Kayam's personal canonicity included his culture, education, and family influence. The canonicity aspect of Umar Kayam includes the influence of bestowed and the republishing of Seribu Kunang-kunang di Manhattan book at different publishers. Second, distribution aspects on reseller networks with 60% reseller power and the remaining conventional bookstores and festivals.Lahirnya penerbit indie sebagai agen produksi buku sastra kanon tidak bisa dilepaskan dari sejarah penerbitan dari era kolonial Hindia Belanda. Semangat penerbit indie melakukan perlawanan terhadap dominasi selera pembaca dan pasar sastra pop. Salah satu penerbit indie tersebut adalah Pojok Cerpen dengan pilihan buku karya Umar Kayam yang ditinjau melalui sosiologi sastra Pierre Bourdieu. Metode pengumpulan data menggunakan teknik wawancara, membaca, dan mencatat. Teknik wawancara dilakukan untuk mengulik informasi dari penerbit, dalam hal ini berupaya mendapatkan data terkait pertimbangan reproduksi karya sastra kanon dan pola distribusi sastra kanon. Hasil penelitian sebagai berikut. Pertama, aspek kanonitas sosok personal Umar Kayam dan aspek kanonitas karya Umar Kayam. Aspek kanonitas personal Umar Kayam meliputi kiprahnya di bidang kebudayaan, pendidikan, dan pengaruh keluarga. Aspek kanonitas karya Umar Kayam meliputi pengaruh penganugerahan dan penerbitan ulang buku Seribu Kunang-Kunang di Manhattan di penerbit yang berbeda-beda. Kedua, aspek distribusi melalui jejaring reseller dengan daya serap 60% dan sisanya toko buku konvensional dan festival-festival.

Pelatihan Pembinaan Penulisan Karya Ilmiah dan Esai bagi Guru SMA/SMK/MA dalam Upaya Meningkatkan Literasi Siswa Kusmiatun, Ari; Mawaidi, Mawaidi; Triono, Eko; Rahayu, Dwi Hanti
GUYUB: Journal of Community Engagement Vol 5, No 1 (2024)
Publisher : Universitas Nurul Jadid

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33650/guyub.v5i1.8300

Writing training at the high school level in Yogyakarta has been going well. However, there are many problems in its implementation due to the lack of competitive motivation among teachers or school institutions. This lack of motivation causes teachers' self-confidence to decrease and students are not optimal in the process of increasing literacy. This article is the output of writing training in schools for SMA/SMK/MA teachers in an effort to increase student literacy which can create motivation for students to think critically and achieve. By using a participatory action research approach, this community (PKM) seeks to overcome demotivation regarding the ability to write scientific papers and essays at the high school level in Yogyakarta which is caused by many students who are not interested and are less competitive in the field of writing. The results of PKM that have been achieved are increased motivation of teachers and students’ writing abilities, especially in the context of writing and presentation competitions. This PKM has also succeeded in creating collaboration between institutions, both between schools and between private institutions, which will be managed in the future in the context of developing writing and increasing student literacy.

Anatomical construction of book covers by indie publishing houses in Yogyakarta Mawaidi, Mawaidi
Sungging: Journal of Innovative, Cultural, Transdisciplinary Art and Kriya Discourse Vol. 3 No. 1 (2024): Sungging January-June Edition
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/sungging.v3i1.72657

Changes upon changes in anatomical elements on book covers are common in the publishing industry. However, changes in anatomical elements have always been read as meaningless. This research aims to describe the meaning of changes in the anatomy of book covers in indie publishers in Yogyakarta. This research method uses deconstructive qualitative analysis using book anatomy concepts from experts, including Michael Bhaskar. The results of this study show three patterns of change construction. First is layout construction. This layout-based anatomical change uses a templateable technique that attracts the reader's attention. Second, colour construction: This design pattern was applied to publishers who thought white could be a publication's identity. Third, construction of totality: This last part is a significant finding because of all the anatomical elements used by mainstream publishers; there is one publisher that negates the existence of critical anatomical elements that are not used, namely ISBN.

Referensi Kunci, State of the Art, dan Novelty dalam Pelaksanaan Penelitian Bahasa Bajuri, Muhammad Zahrul Jihadurrohim; Rahman, Fauzi; Mawaidi, Mawaidi; Prawira, Mentari Putrirahayu
Nitisara: Jurnal Ilmu Bahasa Vol 2, No 1 (2024): Nitisara: Jurnal Ilmu Bahasa
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/ntsr.v2i1.3102

In carrying out research, the role of reference sources, previous research, and research novelty are fundamental and cannot be separated. However, problems arise when in writing, these three elements cannot be described optimally so that the flow of the research problem, research urgency, reference sources and methods used cannot be formulated optimally. Therefore, this article will explain the definitions and concepts of key references, state of the art, and novelty. This study will use the literature review method by analyzing various types of literature sources that are relevant to the topic of discussion. The results of the study show that key references mean the main reference sources used by researchers (key books). State of the Art means the process of identifying previous research to look for gaps. Lastly, research novelty means that a researcher must be able to make research findings or novelty.

Narasi Kontroversial Akun Instagram @aryawedakarna: Analisis Wacana Kritis dalam Gerakan “Sukla Satyagraha” Mawaidi; Pandu Hidayat
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 4 No. 1 (2024): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.041.10

Arya Wedakarna merupakan politisi yang cukup terkenal sekaligus kontroversial di Bali. Ia menggagas dan mengampanyekan gerakan yang diberi nama “Sukla Satyagraha”, sebuah program untuk menunjang perekonomian masyarakat Hindu di Bali. Penelitian ini bertujuan untuk membongkar narasi kontroversial yang berhubungan dengan “Sukla”. Penelitian ini menggunakan analisis wacana kritis Norman Fairclough untuk melihat praktik sosial yang sedang berlangsung melalui dimensi teks, discourse practice, dan sociocultural practice. Data penelitian ini berupa teks; kata, frasa, kalimat yang bersumber dari akun instagram @aryawedakarna. Hasil analisis menunjukkan bahwa program Sukla yang digagas oleh Arya Wedakarna menghasilkan beberapa narasi perpecahan antaretnis-antaragama dan menghasilkan bagaimana wacana disebarkan dan dikonsumsi sehingga wacana tersebut terbentuk sebagai ideologi masyarakat, khususnya Bali.

BENTUK-BENTUK PERLAWANAN (COUNTER-HEGEMONY) DALAM NOVEL SENTUH PAPUA, 1500 MILES, 153 HARI, SATU CINTA KARYA APRILIA WAYAR Rahayu, Nur Afni Puji; Mawaidi, Mawaidi
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 13, No 1 (2024): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2024)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v13i1.153

Resistance, in its various dimensions, often appears in the stories of Indonesian novels that depict the social, political, and cultural complexities of society. One example of this resistance can be found in Papua, which has yet to find a proper resolution. This resistance is largely triggered by the injustice felt by the Papuan people due to the hegemony of power imposed by the government. Using a qualitative-descriptive method, this study aims to understand the counter-hegemony reflected in the behaviors of the characters in the novel Sentuh Papua, 1500 Miles, 153 Days, One Love by Aprila R.A. Wayar. The findings of this research reveal various forms of resistance. These include violent resistance carried out by the character Lazarus and the Papuan people; passive resistance by the characters Rohan, Amelia, and political refugees; and humanistic resistance by the characters Filep Karma, Figure Theys Hiyo, Agus, Ben Tanggahma, and Hindom.Keywords: Gramsci, counter-hegemony, novel, Papua, resistance. Abstrak Perlawanan, dalam berbagai dimensinya, sering muncul dalam cerita novel-novel Indonesia yang menggambarkan kompleksitas sosial, politik, dan budaya masyarakat. Salah satu contoh perlawanan ini terdapat di Papua, yang hingga kini belum menemukan solusi yang memadai. Perlawanan tersebut sebagian besar dipicu oleh ketidakadilan yang dirasakan oleh masyarakat Papua akibat hegemoni kekuasaan yang diterapkan oleh pemerintah. Menggunakan metode kualitatif-deskriptif, penelitian ini bertujuan memperoleh pemahaman tentang counter-hegemony yang tercermin dalam perilaku tokoh-tokoh dalam novel Sentuh Papua, 1500 Miles, 153 Hari, Satu Cinta karya Aprila R.A. Wayar. Adapun temuan dalam penelitian ini menunjukkan adanya bentuk-bentuk perlawanan. Perlawanan tersebut terdiri atas perlawanan kekerasan yang dilakukan oleh tokoh Lazarus dan masyarakat Papua; perlawanan pasif oleh tokoh Rohan, tokoh Amelia, dan pengungsi politik; dan perlawanan humanistik oleh tokoh Filep Karma, tokoh Figure Theys Hiyo, dan tokoh Agus, Ben Tanggahma serta Hindom.Kata kunci: Gramsci, counter-hegemoni, novel, Papua, perlawanan

Referensi Kunci, State of the Art, dan Novelty dalam Pelaksanaan Penelitian Bahasa Bajuri, Muhammad Zahrul Jihadurrohim; Rahman, Fauzi; Mawaidi, Mawaidi; Prawira, Mentari Putrirahayu
Nitisara: Jurnal Ilmu Bahasa Vol 2, No 1 (2024): Nitisara: Jurnal Ilmu Bahasa
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/ntsr.v2i1.3102

In carrying out research, the role of reference sources, previous research, and research novelty are fundamental and cannot be separated. However, problems arise when in writing, these three elements cannot be described optimally so that the flow of the research problem, research urgency, reference sources and methods used cannot be formulated optimally. Therefore, this article will explain the definitions and concepts of key references, state of the art, and novelty. This study will use the literature review method by analyzing various types of literature sources that are relevant to the topic of discussion. The results of the study show that key references mean the main reference sources used by researchers (key books). State of the Art means the process of identifying previous research to look for gaps. Lastly, research novelty means that a researcher must be able to make research findings or novelty.

SYMBOLIC CONVERGENCE IN ALFIN RIZAL'S INSTAGRAM POETRY Mawaidi; Suminto A. Sayuti; Wiyatmi
Literature and Literacy Vol. 2 No. 1: April 2024
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/litlit.v2i1.483

Literary works such as poetry are no longer limited to books. In the digital age, poetry has also shifted to media that easily accessible by readers. It means that poetry is no longer consumed by specific community only. Poetry can be consumed by people from various demographics; age and gender; and can be expressed by anyone from various backgrounds through social media platforms such as Instagram. This study discussed Instagram poetry from the theoretical perspective of symbolic convergence. The data sources for this research were the poems of Alfin Rizal, analyzed qualitatively. Data was collected from the Instagram account @alfinrizalisme, supported by Alfin Rizal's poetry books. Each piece of poetry content on Alfin Rizal's Instagram was classified into smaller taxonomies to facilitate findings. The findings of this study indicated the dramatization of messages by Alfin Rizal, which impacts public response to his work. This message dramatization takes the form of poetry videos, photo manipulation, background as the setting, and illustrations as a secondary backdrop. Another finding was the construction of symbolic reality, which affects public interaction (followers) who utilize this message dramatization (in the form of Instagram posts with poetry content) to re-communicate to the public through other social media platforms.

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