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Intangible Space of Continuity and Changes in Ondel-Ondel’s Costume Elements and Performance Wahidiyat, Mita Purbasari; Carollina, Donna; Marianto, Martinus Dwi; Triatmodjo, Suastiwi
Humaniora Vol. 15 No. 1 (2024): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v15i1.11267

The research discussed Ondel-ondel, a significant and tall doll from Betawi, since the costume elements could be changed anytime, anywhere, and in any shape, Ondel-ondel appeared more alive and appealing in different looks. Initially, Ondel-ondel seemed too unchanged, but it was prettier than before. There were many Ondel-ondel performances in Jakarta's streets that were not accompanied by music. Ondel-ondel transformed not only the costumes but also the myth from repellent to entertainer. The changes were exciting to discover the concept or idea of its background, relationships, impacts on the environment, and other meanings for society. The research applied a descriptive qualitative method. Based on a historical approach with semiotic analysis and interpretation as a research method, Ondel-ondel costume elements underwent continuity and changed alongside the social, political, economic, and cultural contexts linked to the role of power of its respective time. Within the continuity and changes in each Ondel-ondel model, there was a compromise and social dynamic in society, which gave the costume elements a unique trade. This compromise created a cultural negotiation space in the community and helped to develop a typical environment that distinguished itself from others. The result is four Ondel-ondel models, each representing society's compromise and the social dynamic between the authorities, the community, and the Ondel-ondel players. When the transformation of the ondel-ondel's appearance creates an intangible space between maintaining its ideology. Meanwhile, on the other hand, the changes in ondel-ondel portray how the changing times also alter the appearance of the ondel-ondel.

The Conveyance of the Japanese Atmosphere to Visitors as a Performance at Marugame Udon, Solo Paragon Lifestyle Mall Majid, Ainun; Suastiwi, Suastiwi; Simatupang, Gabriel Roosmargo Lono Lastoro
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.40854

Marugame Udon is a Japanese fast-food restaurant chain with many branches in Indonesia. This study examines the conveyance of the Japanese atmosphere to visitors as a performance. Interior research based on performance theory has not been widely conducted. This study aims to determine the performative influence of Marugame Udon’s interior on visitors by exploring Richard Schechner’s performance aspects (action, interaction, relationship). This study uses a qualitative approach with a case study method to deeply explore data from visitors and interior elements. The data collection techniques used are observation, in-depth interviews, literature study, and company profile reading. Data analysis is done by reduction, presentation, and drawing conclusions and recommendations. The findings of this study are: (1) the “action” exploration finds that the interior display is a manifestation of Marugame Udon’s identity as a Japanese restaurant chain and its commitment to introducing Japanese culture, especially Sanuki; (2) the “interaction” exploration finds that the presence of interior elements is a mutually dependent system in displaying the atmosphere (Japanese), and visitors interact most with noren and the theater kitchen; (3) the “relationship” exploration reveals that Marugame Udon does not only act as a restaurant providing food and drinks but also as a stimulating agent that influences visitors’ perceptions and evokes their memories and desires related to Japanese culture. These three findings indicate that Marugame Udon’s interior is a static performative ecosystem that can interact and form relationships with visitors.

Mythologization of The Goddess Mazu: Readings through Spacial Setting and Activity in the Interior of Cu An Kiong Temple Triatmodjo, Suastiwi; Tsai, Ted Tsung-te; Burhan, M. Agus; Prasetya, Hanggar Budi; Budiarti, Endah
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.40627

This study aims to understand the myth of the Goddess Mazu in Lasem City, Central Java. The research was conducted by observing the interior space at Cu An Kiong (CAK), the oldest temple in Lasem City. This study uses a verbal communication approach from Rapoport (1982) and a cultural approach from Koentjaraningrat (2015) to explore human relations with their environment and explain phenomena that exist in the research object. The research found that there is an exaltation space in this Mazu temple; this space is placed on the axis of space and time, it is to see the meaning of the space that has been built is practiced by the whole community, both the Chinese and the Javanese ethnicities, in a continuous flow of time from the first time the temple was built until now, as well as providing an interpretation of the phenomenon which are actually happened in Lasem. Based on the research, it can be concluded that the exaltation space shows the mythical practice of the Goddess Mazu by the local community, both Chinese and Javanese ethnicities. The mythology of Goddess Mazu, or Mak Co, is the protector of fishermen, sailorman, and common people in Lasem.

Fungsi Gambar dalam Memproses Perancangan Interior pada Masa Pandemi Covid-19 Suastiwi Triatmodjo
PANGGUNG Vol 32 No 1 (2022): Varian Model Proses Kreatif dalam Cipta Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i1.2116

Gambar adalah salah satu alat komunikasi yang efektif dalam lingkungan kerja desain interior. Aneka jenis gambar menjadi alat penting dan diperlukan dalam kegiatan perancangan dengan design thinking . Tahun 1990-an berkembang riset tentang desain serta gambar-menggambar yang dikaitkan dengan teori Embodied Cognition , yang berpengaruh terhadap fungsi gambar dalam proses berpikir. Penelitian ini bermaksud untuk mengetahui bagaimana peran gambar dalam sebuah kegiatan berpikir dan bekerja dalam pembelajaran perancangan interior. Caracara seperti apa sajakah yang dilakukan oleh mahasiswa untuk mengaplikasikan gambar dalam menyelesaikan tugas perancangannya. Penelitian ini menerapkan metode kualitatif dan pendekatan deskriptif analitis. Data dikumpulkan lewat studi pustaka, pemeriksaan dokumen perancangan, dan kuesioner. Hasil penelitian menunjukkan bahwa gambar tidak hanya penting untuk berkomunikasi dengan orang lain tetapi lebih penting lagi adalah untuk dipakai berkomunikasi dengan diri sendiri atau untuk berpikir, yaitu dalam rangka melancarkan proses pengembangan gagasan. Dan pada masa pandemi covid-19 pembelajaran menggambar dalam desain masih menghadapi beberapa kendala.Kata kunci: embodied cognition, proses desain, gambar, pengembangan gagasan, pandemi covid-19.

EVALUASI PASKA HUNI ASPEK PERILAKU DI KANTOR KECAMATAN MANTRIJERON KOTA YOGYAKARTA Triatmodjo, Suastiwi
Lintas Ruang: Jurnal Pengetahuan dan Perancangan Desain Interior Vol 2, No 1 (2008): Maret 2008
Publisher : Institut Seni Indonesia Yogyakarta

Right now the District Office is a governmental office that has an increasing importantrole in giving services and generating regional income To develop its service perfomance theDistrict Office has an intention to rearrange the interior design of the office building therefore they need to do post occupancy evaluation research This research concentrates on thebehavioural aspect The basic assumption of this reasearch is that the built environment is designed to fulfill the needs of human life as effectively as possible whereas human effectiveness in any activity is greatly influenced by social and psychological factors Thereby the success of an interior design does not only depend on technical functional and aestheticconsiderations but also on behavioural consideration This research has found typical behaviours which need to be considereded carefully in the planning and design of the DistrictOffice interior in the futureKey words : district office interior behaviour

Manifestation of Circular Economy in Repurposable Green Furniture Design, A Project-Based Learning by Interior Design Student Triatmodjo, Suastiwi; Nurcahyo, Mahdi
Mudra Jurnal Seni Budaya Vol 40 No 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i1.3045

This article reveals the embodiment of circular economy in interior design students' design of reused green furniture. The circular economy is becoming important, mainly in dealing with the problem of inorganic waste. The main focus is how the circular economy concept can be taught through actual practice, where students collaborate with stakeholders, namely TPS3R and the green industry, to design environmentally friendly and sustainable furniture. This applied research uses the double-diamond method from the UK Design Council to guide the design process, including Discovery, Definition, Development, and Delivery, emphasizing the first diamond for field research and the second diamond for design development. This method has enabled students to understand and practically apply circular economy principles. The applied research was conducted over 16 weeks for field research and studio work on campus. Although all the research results are not yet satisfactory, they show that this project-based learning approach effectively improves students' understanding of sustainability and innovation in furniture design. In addition, the collaboration with the green industry also enriched students' learning experiences and strengthened the link between education and industrial practice in sustainable design.

“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic Raharjo, Timbul; Triatmodjo, Suastiwi; Dafri, Yulriawan
Devotion : Journal of Research and Community Service Vol. 4 No. 3 (2023): Devotion: Journal of Research and Community Service
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36418/devotion.v4i3.439

A pandemic is like a mirror that shows us the realities of life (Teng & Margaret, 2020). This fact of life is the importance of doing for humanity as did the artists of Trisno Guyub’s members. They initiated a joint exhibition for donations and recovery from the Covid-19 pandemic. This exhibition was attended by 118 artists and exhibited around 200 works of art, paintings and sculptures. The first purpose is an effort to share and the second is so that artists can fulfill their artistic expression. This study uses a qualitative method in the form of an explanation of the pandemic condition and how a group of Guyub Tresno conducts exhibition efforts as one of the recovery efforts. The pandemic period in various fields experienced significant social and economic changes in society. Life is relatively difficult and efforts to maintain and develop the arts continue. Artists generally focus on how to create works according to their intuition. Meanwhile the strategy of how the work can be distributed with a certain dowry during the pandemic is also relatively difficult. This also applies to other disadvantaged groups of people, namely orphans of course. Those experiencing the same problem may be more concerned. The limitations of children who have lost their parents as the foundation of life and learning to live are gone. Meanwhile, this happens to artists who are in a state of suspended animation. This exhibition is one of the positive forums for an honorable life and ways to share with others. The aim of this exhibition is recovery (Farah & Nasution, 2020) together with the way artists share with fellow artists and orphans. It is hoped that it can contribute to awakening the creative process of artists and can ease the burden on orphans affected by the Covid-19 Pandemic.

STUDI DESAIN INTERIOR PANTI REHABILITASI PONDOK TETIRAH DZIKIR SLEMAN DENGAN METODE TERAPI BERBASIS LINGKUNGAN Kusumawati, Arum; Triatmodjo, Suastiwi; Aji, Artbanu Wishnu
Lintas Ruang: Jurnal Pengetahuan dan Perancangan Desain Interior Vol 13, No 2 (2025): September 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/lintas.v13i2.15570

Peningkatan jumlah individu yang mengalami masalah kesehatan mental dan narkoba menjadi salah satu tantangan besar dalam masyarakat modern. Dalam konteks ini, panti rehabilitasi memiliki peran penting dalam memberikan dukungan dan pemulihan bagi individu yang membutuhkan. Dalam proses pemulihannya, panti rehabilitasi memiliki metode yang sangat beragam, salah satunya adalah terapi lingkungan. Penelitian ini bertujuan untuk mengkaji bagaimana penerapan metode terapi lingkungan di Panti Rehabilitasi Pondok Tetirah Dzikir Sleman ditinjau dari cara manipulasi ruangnya sebagai lingkungan yang mengalami kontak langsung dengan residen. Penelitian kualitatif ini melibatkan studi pustaka, analisis ruang, wawancara, observasi, dan dokumentasi, dianalisis menggunakan teori terapi lingkungan menurut Josep (2011) yaitu sebagai tindakan terapeutik melalui manipulasi lingkungan guna mendukung proses pemulihan pasien. Hasil penelitian menunjukkan terdapat bentuk strategi manipulasi ruang yang berbeda, disesuaikan secara spesifik dengan tingkat kondisi mental pasien, tujuan dan kegiatan tahapan penyembuhan pada masing-masing fase pemulihan. Ironisnya, meskipun metode ini dinilai cukup baik untuk diaplikasikan, namun terdapat beberapa kondisi fisik yang cukup memprihatinkan, berbanding terbalik dengan banyaknya pasien yang ada. Perlu perhatian khusus bagi pemerintah dan instansi terkait untuk mendukung pengembangan fasilitas panti rehabilitasi yang lebih memadai agar terciptanya lingkungan yang lebih baik.

Fungsi Gambar dalam Memproses Perancangan Interior pada Masa Pandemi Covid-19 Triatmodjo, Suastiwi
PANGGUNG Vol 32 No 1 (2022): Varian Model Proses Kreatif dalam Cipta Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i1.2116

Gambar adalah salah satu alat komunikasi yang efektif dalam lingkungan kerja desain interior. Aneka jenis gambar menjadi alat penting dan diperlukan dalam kegiatan perancangan dengan design thinking . Tahun 1990-an berkembang riset tentang desain serta gambar-menggambar yang dikaitkan dengan teori Embodied Cognition , yang berpengaruh terhadap fungsi gambar dalam proses berpikir. Penelitian ini bermaksud untuk mengetahui bagaimana peran gambar dalam sebuah kegiatan berpikir dan bekerja dalam pembelajaran perancangan interior. Caracara seperti apa sajakah yang dilakukan oleh mahasiswa untuk mengaplikasikan gambar dalam menyelesaikan tugas perancangannya. Penelitian ini menerapkan metode kualitatif dan pendekatan deskriptif analitis. Data dikumpulkan lewat studi pustaka, pemeriksaan dokumen perancangan, dan kuesioner. Hasil penelitian menunjukkan bahwa gambar tidak hanya penting untuk berkomunikasi dengan orang lain tetapi lebih penting lagi adalah untuk dipakai berkomunikasi dengan diri sendiri atau untuk berpikir, yaitu dalam rangka melancarkan proses pengembangan gagasan. Dan pada masa pandemi covid-19 pembelajaran menggambar dalam desain masih menghadapi beberapa kendala.Kata kunci: embodied cognition, proses desain, gambar, pengembangan gagasan, pandemi covid-19.

Meraih Desain Lokal Berkelanjutan Suastiwi Triatmodjo
Ars: Jurnal Seni Rupa dan Desain Vol 26, No 1 (2023): April 2023
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v26i1.9381

Pada saat ini permasalahan lingkungan hidup menjadi semakin kritis. Banyak upaya yang telah dilakukan namun hasilnya belum memuaskan, justru situasi menjadi kian buruk. Partisipasi banyak pihak masih dibutuhkan khususnya bidang desain. Riset ini menawarkan gagasan desain local berkelanjutan yang dapat ditumbuhkan dengan sinergi antara ekoliterasi dan kearifan local. Diyakini bahwa gagasan ini dapat menghasilkan desain yang ramah lingkungan dan beridentitas local yang kuat, serta mampu mensejahterakan masyarakat. Riset ini bersifat kwalitatif dan focus pada studi pustaka, mendialogkan konsep dan variable yang ditemukan, selanjutnya menyusunya ke dalam konstruk pemikiran. Temuan riset ini mengatakan bahwa gagasan desain local berkelanjutan dapat terwujud bila literasi ekologi dan kearifan local dapat dinternalisasikan dalam mode keterhubungan dengan alam dan lingkungan sekitar dan kemudian dipraktikan secara nyata oleh para penggubah dunia buatan manusia.

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