Article Per Year (5 Year)
p-Index From 2021 - 2026
2.949
P-Index
This Author published in this journals
All Journal Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik RITME Pendas : Jurnah Ilmiah Pendidikan Dasar Humaniora Jurnal Paedagogy DEDIKASI: Community Service Reports Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Magelaran: Jurnal Pendidikan Seni Harmonia: Journal of Arts Research and Education
Cipta, Febbry
Universitas Pendidikan Indonesia
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Mechanical Engineering Physics Social Sciences Other

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
“Ngeroncongi Sunda”: Sundanese Vocal Ornamentation and Hybrid Aesthetics in Indonesian Keroncong Ekstra Uus Karwati; Febbry Cipta; Diah Latifah; Marsel Ridky Maulana
Harmonia: Journal of Arts Research and Education Vol. 26 No. 1 (2026): June 2026
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v26i1.37548

Abstract

Keroncong music represents one of Indonesia’s most valuable artistic heritages, embodying the nation’s history, culture, and musical identity. Meanwhile, kawih, a traditional Sundanese vocal genre, features distinctive vocal ornaments derived from kepesindenan and Tembang Sunda Cianjuran, including an aesthetic element known as dongkari. This study aims to integrate Sundanese vocal ornamentation with keroncong vocal style to create a new form of musical expression that remains rooted in tradition. This study employed a descriptive qualitative approach, encompassing stages of song and vocal ornament transcription, classification of ornament types and techniques, and performative analysis of kawih songs performed in the keroncong ekstra rhythm. The findings reveal that the vocal techniques of kawih and keroncong ekstra share similarities in breath control and dynamics, yet differ in vocal timbre, with resonance centered and supported by head and nasal resonance. Diction and articulation adhere to the Sundanese dialect, while expression aligns with lyrical meaning and melodic texture. The identified ornaments include reureueus, riak, beulit, kait, jekluk, dorong, leot, gibeg, buntut and golosor, all performed improvisationally. Overall, the integration of Sundanese vocal ornamentation within keroncong ekstra enriches the aesthetic color and opens possibilities for the development of hybrid art that represents a dialog between tradition and innovation. It is recommended that future research focus on strengthening vocal scholarship to advance technique, aesthetics, and musical expression, thereby enhancing global competitiveness.  
Co-Authors Almira, Tya Aziz, Ihsan Nur Bayu Denia Shanti Diah Latifah Dimas Sunandar Asmara Dody Mohamad Kholid Firmansah, Agus Fortuna, Eliza Mellyani Ganes Herlambang Henry Virgan Ika Fitri Apriani Kholid, Dody M. Manalu, Ganda Parsaulian Marsel Ridky Maulana Muhammad Zidhan Assidiq Nisyar Fauzi Noor Novrizal, Ricko Zalza Pratama Gumilar Respati, Resa Rita Milyartini sandie gunara, sandie Toni Setiawan Sutanto Tri Indri Hardini uus karwati Virgan, Henry Yudi Sukmayadi Zakiah, Ray Gisella