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All Journal Gorga : Jurnal Seni Rupa ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Pengajaran Seni dan Budaya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Melayu Arts and Performance Journal Creativity And Research Theatre Journal Bercadik: Jurnal Pengkajian dan Penciptaan Seni Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Panggung
Sherli Novalinda
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Analisis Struktur Pertunjukan Opera Batak Sisingamangaraja XII: Episode Tongtang I Tano Batak Sulaiman, Sulaiman; Minawati, Rosta; Alamo, Enrico; Novalinda, Sherli
PANGGUNG Vol 29 No 2 (2019): Konstruksi Identitas Budaya dalam Seni dan Sastra
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i2.908

Abstract

ABSTRACTOpera Batak is a “traditional” performance genre from the Toba Batak ethnic group. Opera Batak is staged based on oral tradition through acting, music and dance. The creation of works aims to preserve Sisingamangaraja XII's historical values. The method is carried out beginning with research through observation, interviews, literature studies with steps to work on the search phase, the stage of giving content, the development stage, and the stabilization stage.Transitions of performers and sections are accompanied musical instruments including gondang, suling, serunai, kedapi, hesek, odap and garantung. This mixture is intended to bring the drama to life and entertain the audience. The figures in Opera Batak are Sisingamangaraja XII, Patuan Anggi, Putri Lopian, Boru Sagala, Somaling, Panglima Sarbut and Panglima Amandopang. his episode tells how the war against the Dutch company in the Batak land for about 30 years. Arranged with a flow, dramatic, and conflicting conflict to show Sisingamangaraja's humanity and kinship side in the face of war.Key Word: Opera Batak, Theater, Sisingamangaraja XII, Tongtang I Tano BatakABSTRAKOpera Batak merupakan seni pertunjukan ‘tradisi’ dalam masyarakat Batak.Opera Batak ditampilkan melalui sastra lisan, pemeranan, musik, dan tarian. Penciptaan karya bertujuan untuk melestarikan nilai-nilai kesejarahan Sisingamangaraja XII. Metode dilakukan diawali dengan riset melalui observasi, wawancara, studi pustaka dengan langkah garap; tahap pencarian, tahap memberi isi, tahap pengembangan, dan tahap pemantapan. Opera Batak dipandu pencerita dalam mengenalkan tema, menyapa penonton, menggambarkan kisah, dan menggenalkan pemain. Peralihan pemain dan bagian diiringi musik yang terdiri atas: gondang, suling, sarunai, kecapi, hesek, odap, dan garantung. Tokoh Opera Batak dalam episode Tongtang I Tano Batak adalah Sisingamangaraja XII, Patuan Anggi, Putri Lopian, Boru Sagala, Somaling, Panglima Sarbut, dan Panglima Amandopang. Episode ini menceritakan bagaimana perperangan melawan kompeni Belanda di tanah Batak yang kurang lebih 30 tahun lamanya. Disusun dengan alur, dramatik, dan konflik yang rapat untuk memperlihatkan sisi kemanusian dan kekeluargaan Sisingamangaraja dalam menghadapi perperangan.Kata Kunci: Opera Batak, Teater, Sisingamangaraja XII, Tongtang I Tano Batak 
Opera Batak Sisingamangaraja XII Episode Ugamo Malim Horja Bolon Na Parpudi: Usungan Tradisi dan Kontemporer Alamo, Enrico; Minawati, Rosta; Sulaiman, Sulaiman; Novalinda, Sherli
Dance and Theatre Review Vol 3, No 2: November 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1996.455 KB) | DOI: 10.24821/dtr.v3i2.4418

Abstract

Batak Opera of Sisingamangaraja XII the Episode of Ugamo Malim Horja Bolon Na Parpudi: Carriying out the Tradition and Contemporary. The purpose of research and creation of Batak opera is to revitalize Batak traditional arts. Sisingamangaraja Opera Batak XII, the episode of Ugamo Malim Horja Bolon Na Parpudi, results from the research and creation of the Sisingamangaraja XII Batak opera. The creation of Batak opera uses research methods, namely observation, interviews, literature study, and documentation. The working process begins with reading the script, making blocks according to the script, detailing blocking, playing the role/scenes, music, and tutoring, selecting and doing the artistic and lighting creation. Opera Batak was done in contemporary work, including story elements, jokes (amalopas), and even accompaniment (uning-uning). Sisingamangaraja Opera Batak XII, the episode of Ugamo Malim Horja Bolon Na Parpudi tells the story of Ugamo Malim in the Dutch colonial era and the family of King Sisingamangaraja XII. The story’s plot consists of; news of the death of King Sisingamangaraja XII, the captivity of the Sisingamangaraja XII family, Ompu Ni Onggung, and Ompu Portahan Batu, who had a grudge against King Sisingamangaraja XII and followers of Ugamo Malim’s teachings. Tortor dance and Cawan dance were created contemporary. Sisingamangaraja Batak Opera XII, the episode of Ugamo Malim Horja Bolon Na Parpudi wants to maintain the existence and preserve the traditional arts of the Batak community.Keywords: Batak opera; Sisingamaraja XII; ugamo malim; tortor
Co-Authors Ahmad Iqbal Ariefin Alham Jaya Putra Dede Pramayoza Della Rosa Panggabean Dwi Prakasa, M Aqsal EMRI, EMRI Enrico Alamo Enrico Alamo Enrico Alamo Enrico Alamo Erman Syaiful Fattahul Anugraha Fresti Yuliza Hafif HR Jepisa, Tomy PUPUT RAHMADANTI Rasmida, Rasmida Rosta Minawati Saduddin Saaduddin Suaida Suaida Sukri, Ali sulaiman sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Susi Susanti Syaiful Erman Wardi Metro