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PEMAKNAAN SIMBOL DALAM KOMUNITAS ‘BROTHERHOOD’ (Konstruksi Makna Simbol sebagai Identitas Diri dalam Komunitas ‘Brotherhood’ di Bandung) Ditha Prasanti; Sri Seti Indriani
SEMIOTIKA: Jurnal Komunikasi Vol 10, No 1 (2016): SEMIOTIKA: Jurnal Komunikasi
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/s:jk.v10i1.25

Abstract

Culture is reflected in a community, the community itself is created from a group of individuals which have similarities. These similarities can come from the same race, same level of economic, same religion, same political view or the same lifestyle. As social beings, every individual has the urge to have a sense of belonging, a need of self existence, humans also need to be accepted by a group of people or community. This 'sense of belonging' is one of the human trait. It gives the satisfaction of self-identification which they can feel as a part of a community, and so they can feel their existency. The Brotherhood community has its own characteristic identity which have been constructed before in Bandung, so it is recognized easily by the people of Bandung. They have the particular identities that range from simbols through attributes in clothing and also motorcycles. Those identities become major simbols as individuals who are members of the Brotherhood community. In this study, researchers used a qualitative approach with descriptive methods. Data collection techniques used were interviews, observation and documentation. The results of this study indicate that in this case the simbols used by the Brotherhood simbolizes 'macho', 'manly' and ‘loyality’.They are identified from the skull emblem, black colour clothing, boots, leather jackets and big classic motorcycles. As a Brotherhood member, he should continue to hold this commitment in accordance with the identity simbol attached to him, he has to look macho, manly and loyal. Keywords: Meanings, Simbol, Community Brotherhood
Analysis of The Filter Bubble Phenomenon in The Use of Online Media for Millennial Generation (An Ethnography Virtual Study about The Filter Bubble Phenomenon) Sri Seti Indriani; Ditha Prasanti; RANGGA SAPTYA MOHAMAD PERMANA
Nyimak: Journal of Communication Vol 4, No 2 (2020): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1328.533 KB) | DOI: 10.31000/nyimak.v4i2.2538

Abstract

This article describes about phenomenon of Filter Bubble for Millennial Generation in online media.  Nowadays, we know that people in searching information are likely to be unaware that their search has been chosen. What is most interesting is how people which are aware on how a filter bubble works but seemed to forget when they search on some information. Researchers and critics are worried because these filters isolate people from getting the information on what they want not on what they need. People might not realize that they are led to partial information blindness. This research is acknowledge their awareness on the filter bubble phenomena especially on Y generation who are believed to be a group of people that adapt fast from the analogue era to the digital era. How they search information nowadays, how bubble filters add their self-value on things and how they prevent themselves from being in a bubble. The research was conducted using a qualitative method with an ethnography virtual approach through LINE group of millennial generation. This approach was to gain more information on the virtual culture, and this case the filter bubble phenomena. Results shows that most informants were not aware on the term of ‘Filter Bubble’, but have been assuming it for quite a while. When they were more informed of this term, they realized that they should be more critical on what they read, and being literated is a significant competence in this era. Though, in addition whether or not this filter bubble could construct their identity, some denied that it didn’t have any relevation while others seemed to think that it did give some additional values on it.Keywords: Filter Bubble, Computer-mediated Communication, ethnography virtual, millennials, and self valueABSTRAKPenelitian ini menjelaskan tentang fenomena bubble filter untuk Generasi Milenial di media online. Sekarang ini, orang-orang dalam mencari informasi cenderung tidak menyadari bahwa pencarian mereka telah dipilih. Hal paling menarik adalah bagaimana orang-orang yang menyadari cara kerja bubble filter namun menjadi lupa ketika mereka mencari informasi. Para peneliti dan kritikus khawatir bubble filter ini mengisolasi orang dari mendapatkan informasi tentang apa yang mereka inginkan, bukan tentang apa yang mereka butuhkan. Orang mungkin tidak menyadari bahwa mereka dituntun pada kebutaan informasi parsial. Penelitian ini bertujuan untuk mengetahui kesadaran generasi Y terhadap fenomena bubble filter: cara mereka mencari informasi saat ini, bagaimana bubble filter menambahkan harga diri mereka pada sesuatu, dan bagaimana mereka mencegah diri mereka dari berada dalam bubble. Penelitian ini menggunakan pendekatan kualitatif dan metode etnografi virtual untuk mendapatkan lebih banyak informasi tentang budaya virtual, terutama fenomena bubble filter. Hasil penelitian menunjukkan bahwa sebagian besar informan tidak mengetahui istilah "Filter Bubble", namun mereka sudah mengasumsikannya cukup lama. Ketika mereka menjadi lebih tahu tentang istilah ini, mereka menyadari bahwa mereka harus lebih kritis terhadap apa yang mereka baca, dan menjadi literated adalah kompetensi yang signifikan di era sekarang ini. Selain apakah bubble filter dapat membentuk identitas mereka atau tidak, beberapa menyangkal bahwa bubble filter tidak memiliki relevansi apa pun, sementara yang lain tampaknya berpikir bahwa bubble filter memberikan beberapa nilai tambahan.Kata Kunci: Filter Bubble, computer-mediated communication, etnografi virtual, generasi milenial, nilai diri
Pengaruh Penggunaan Media Sosial Twitter Terhadap Partisipasi Online Budaya Pengenyahan (Cancel Culture) Di Indonesia Jasmin Jannatania; S. Kunto Adi Wibowo; Henny Sri Mulyani Rohayati; Dadang Rahmat Hidayat; Sri Seti Indriani
Jurnal Mutakallimin : Jurnal Ilmu Komunikasi Vol 5, No 2 (2022)
Publisher : Universitas Islam Kalimantan Muhammad Arsyad Al Banjari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31602/jm.v5i2.7690

Abstract

Budaya pengenyahan (cancel culture) merupakan istilah baru di media sosial terutama Twitter, yang memiliki definisi mengenyahkan atau memojokkan individu tertentu di media sosial, yang dilakukan secara bersama-sama. Tujuan dari penelitian ini yaitu untuk mengetahui bagaimana pengaruh penggunaan media sosial terhadap tingkat partisipasi online dalam budaya pengenyahahan pada penggunanya. Metode yang digunakan pada penelitian ini adalah metode kuantitatif dengan teknik nonprobabilitas kuota sampling. Teknik pengumpulan data yang digunakan berupa kuesioner online berjumlah 36 pertanyaan dan didapatkan responden sebanyak 221 orang. Penelitian ini menggunakan dua variabel eksogen; orientasi budaya pengenyahan dan penggunaan media sosial untuk menentukan pengaruh pada variabel endogen; partisipasi online budaya pengenyahan di media sosial Twitter. Hasil dari penelitian ini menjelaskan bahwa orientasi budaya pengenyahan bagi pengguna berpengaruh terhadap partisipasi online budaya pengenyahan di media sosial Twitter, juga penggunaan media sosial Twitter yang berpengaruh terhadap partisipasi online pengguna dalam budaya pengenyahan di media sosial Twitter.Kata kunci :  media sosial, twitter, partisipasi online, budaya pengenyahan 
Strategi Komunikasi Kesehatan Pencegahan Lonjakan Kasus COVID-19 dalam Youtube Kemenkes RI Ditha Prasanti; Sri Seti Indriani
Jurnal Ilmu Komunikasi Vol 20, No 3 (2022)
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v20i3.6349

Abstract

Pemberitaan media ramai mempublikasikan info terbaru pandemi COVID-19, Kemenkes RI selaku departemen yang bergerak di bidang kesehatan, memberikan informasi terbaru melalui channel youtube-nya dalam salah satu video bertajuk “Keterangan Pers: Update Penanganan COVID-19 di Indonesia” pada 2 Agustus 2021. Penelitian ini bertujuan menemukan strategi penanganan lonjakan kasus gelombang kedua COVID-19 yang disampaikan Kemenkes RI melalui konferensi pers dalam akun youtube-nya. Penelitian ini menggunakan metode analisis etnografi virtual, dengan teknik pengumpulan data melalui studi literatur dan observasi online. Hasil penelitian menunjukkan adanya beragam komunikasi literasi kesehatan yang tergambar dari percakapan netizen yang mengikuti video “Keterangan Pers: Update Penanganan COVID-19 di Indonesia”. Antusiasme netizen yang menyimak video tersebut mencapai 4754 viewers, terdiri dari tenaga kesehatan, wartawan dari berbagai media, perwakilan kota atau kabupaten, serta masyarakat luas. Intisari video tersebut menggambarkan perkembangan strategi komunikasi kesehatan yang dilakukan Kemenkes RI dalam menghadapi lonjakan kasus berupa deteksi, terapeutik, dan vaksinasi. Budaya percakapan yang terbentuk adalah adanya komentar dan kritik yang cukup kontroversial terkait dengan upaya penanganan COVID-19 di Indonesia yang dilakukan Kemenkes RI masih belum menunjukkan hasil yang memuaskan. Kontribusi penelitian ini memberi rekomendasi kebijakan kepada Kemenkes RI mengenai strategi penanganan komunikasi kesehatan melalui media Youtube.
PROVIDING POST TRUTH ERA: SOCIAL MOVEMENT OF CADRE TEAMS IN RESOLVE THE HOAX OF HEALTH INFORMATION Ditha Prasanti; Sri Seti Indriani; Ikhsan Fuady
Jurnal Ilmu Sosial Mamangan Vol 10, No 1 (2021): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (452.612 KB) | DOI: 10.22202/mamangan.v10i1.4820

Abstract

The post truth era has become a new vocabulary for cadres who never give up in following the times. But who would have thought that the post truth era would also lead to a dilemma that never ended after unsettling the cadre team in Cibeusi village. The cadre team that was incorporated from 3 RWs including RW 06, RW 014, and RW 015 also showed their dedication through regular social activities. Therefore, the authors use a qualitative approach through data collection techniques in the form of observation and interviews. The results obtained show the following; 1) designing social movements as an effort made by the Cibeusi cadre team in overcoming health information hoaks and the post truth era; 2) the Cibeusi cadre team's social movement implementation consists of 3 words, namely active, innovative, and creative; 3) cadre team social movements include communication programs in the form of counseling and training involving academics or related medical personnel as the main sources in providing literacy movement training programs; 4) Evaluation of the ongoing literacy movement as part of the success of the government health program output.
Parents' involvement on teen's movie consumption in the pandemic era Indriani, Sri Seti; Mohamad Permana, Rangga Saptya; Basit, Abdul
Jurnal Studi Komunikasi Vol. 6 No. 3 (2022)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v6i3.5135

Abstract

Abstract Watching movies at home through movie applications now has become a trend in this pandemic era. Adolescents who have online learning at home are forced to entertain themselves with indoor activities; spending more time watching movies is one example. As one of the online movie platforms, Netflix has gained 204 million subscribers in January 2021, following Amazon Prime with 150 million subscribers. This situation becomes a concern where adolescents seemingly have more freedom and access to select movies without parents' awareness. Adolescents are given trust in their competence to be conscious, critical, and analyse their content despite their age. This research's objects were to acknowledge how adolescents gain access to online movies despite the television content rating system and their parents' involvement in the adolescents' selection of movies. The research was conducted using a qualitative method with a case study approach. Informants were adolescents in the range of 11-14 years old and some parents. Results showed that most adolescents gained access to movies through online applications, namely Netflix, YouTube, Telegram, and illegal websites. These adolescents gained this information from friends and the TikTok application. Regarding the parents' involvement, most adolescents claimed that their parents did not contribute to their selection of movies, seemingly ignorant, and some parents even did not know what their children watch and do in their bedrooms. However, a few of them stated that their parents contributed to their selection of movies but sometimes gave adolescents some permission to watch unsuitable movies based on the television content rating system.
Analisis Faktor yang Mempengaruhi Intensi Pola Hidup Bersih dan Sehat pada Masyarakat di Bantaran Sungai Citarum Ikhsan Fuady; Ditha Prasanti; Sri Seti Indriani
Journal of Socio-economics on Tropical Agriculture (Jurnal Sosial Ekonomi Pertanian Tropis) (JOSETA) Vol 2, No 2 (2020): August
Publisher : UNIVERSITAS ANDALAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/joseta.v2i2.232

Abstract

Permasalahan pola hidup sehat yang buruk memiliki peran yang besar terhadap permasalahan kesehatan pada masyarakat di hulu bantaran Sungai Citarum. Penelitian ini bertujuan untuk menganalisis faktor faktor yang mempengaruhi intensi masyarakat dalam berperilaku pola hidup sehat. Metode penelitian ini  kuantitatif dengan pendekatan survey. Berdasarkan hasil penelitian diketahui bahwa intensi perilaku masyarakat dalam perilaku hidup bersih dan sehat terkategori sedang. Adapun faktor faktor yang mempengaruhi intensi perilaku pola hidup sehat adalah faktor sikap masyarakat terhadap kesehatan itu sendiri dan norma subjektif  Sikap yang positif pada pola hidup sehat sebagai faktor dominan yang mempengaruhi intensi untuk berperilaku hidup sehat. Norma subjektif yang memiliki peran signifikan terhadap intensi adalah dukungan lingkungan sekitar dan tokoh masyarakat.
Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film Pandu Watu Alam; Rangga Saptya Mohamad Permana; Sri Seti Indriani
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.47281

Abstract

Background: This research examines the 2017 film Pengabdi Setan scoring function. Joko Anwar wrote and directed the film Pengabdi Setan, released on September 28, 2017. This film is a remake of a 1980 film of the same name. In this film, the score is essential for visually confirming symbols or incomplete messages. There are two types of sound: diegetic sound and non-diegetic sound. Purpose: This research aims to determine how diegetic and non-diegetic sound were used to create a horror atmosphere in the film Pengabdi Setan. Methods: The authors described the audio analysis results in the form of diegetic and non-diegetic sounds using a qualitative descriptive analysis. Documented assessment and observation were employed as data collection techniques. Results: The results indicate that infrasonic sound (infrasound) and sub-bass frequencies in the form of non-diegetic sounds emotionally impact audiences. The typical frequency is 31 Hz, and although it is inaudible to the human ear, the audience can sense the vibrations of this frequency. This frequency can typically only be perceived as a “chest rumble.” In general, both diegetic and non-diegetic sounds in the film Pengabdi Setan contribute to completing the defective message symbol. The combination of infrasonic sound effects, sub-bass, and musical composition validates the visual messages or symbols. Implications: This research can theoretically serve as a resource for future researchers interested in studying diegetic and non-diegetic sound in film. Directors and cinema sound engineers can use this research to construct diegetic and non-diegetic sound in their films, particularly horror films.
Communication Challenges of AEC English Teachers in Australia (A case study of the culture shock experienced by AEC teachers in Australia) Sri Seti Indriani; Ditha Prasanti
West Science Social and Humanities Studies Vol. 1 No. 04 (2023): West Science Social and Humanities Studies
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/wsshs.v1i04.161

Abstract

AEC teachers are those who have taught English in a school called Armidale English College. They also have been exposed enough with English language and its culture. AEC has a program of sending its teachers to Australia with a mission to improve their English skills and to gain cultural studies for three months. These English teachers were expected to have a high ability to communicate well in English, they were also expected to be prepared in cultural differences, in fact, what they experienced was far from the expectations for most people. They actually experienced culture shock in Australia. The purpose of this study is to acknowledge the communication challanges and how they experienced the culture shock in Australia. This study was conducted through a qualitative research using case study approach. Data collection techniques consisted of in-depth interviews and documentation studies. The results of the research on the communication challenges by AEC teachers mostly came from themselves and the language which consisted of 1) the accent 2) slang words, 3) vocabularies, and 4) conversation topics. The culture shock they experienced consisted of 1) different mindset 2) openness 3) use of profanity words and 4) life habits. The results also emphasized that overcoming cultural shock does not only focus on having language skills, but also having cultural competence and intelligence.
PERKEMBANGAN ARKETIPE DISNEY VILLAIN DALAM TIGA ERA FILM ANIMASI DISNEY PRINCESS Ikhtiary, Fadilla Audiya; Indriani, Sri Seti; Rosfiantika, Evi
Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Vol. 9 No. 1 (2024): EDISI JANUARI
Publisher : Laboratorium Ilmu Komunikasi Fisip UHO

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52423/jikuho.v9i1.133

Abstract

Perkembangan zaman dan perubahan kebutuhan pasar mendorong Disney untuk melakukan perubahan unsur intrinsik dalam cerita agar lebih sesuai dengan khalayak, Penelitian ini bertujuan untuk mengetahui penggambaran tokoh Disney Villain dalam film animasi Disney Princess yang dibagi ke tiga era: era klasik, era renaisans, dan era modern. Dengan menggunakan metode kualitatif dan pendekatan analisis isi, penelitian ini mengkaji adegan pada situasi awal, transformasi, situasi akhir yang menunjukkan tokoh Ratu Jahat dalam film Snow White and the Seven Dwarfs dari era klasik, Ursula dalam film The Little Mermaid dari era renaisans, dan Pangeran Hans dalam film Frozen dari era modern. Hasil penelitian menunjukkan adanya pergeseran penggambaran tokoh Disney Villain dari era ke era. Film di era klasik cenderung menggunakan metode langsung untuk karakterisasi tokoh, memegang fungsi jenis karakter yang sama sepanjang film, dan mengalami perkembangan tokoh statis. Sedangkan, film di era renaisans menggunakan metode langsung dan tidak langsung secara seimbang untuk karakterisasi tokoh, memegang fungsi jenis karakter yang berbeda di situasi awal namun kemudian berubah ke fungsi final dan memegang jenis karakter yang sama hingga situasi akhir, dan mengalami perkembangan tokoh dinamis. Untuk film di era modern mayoritas menggunakan metode tidak langsung untuk karakterisasi tokoh, memegang fungsi jenis karakter yang selalu berubah di tiap tahap film, dan mengalami perkembangan tokoh dinamis.