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Journal : Mamangan Social Science Journal

Differrences in The Meaning Dolalak Dance in PurworejoDistrick, Central Java Province Adeliana Galih Nurbaidhah; Nurhadi Nurhadi; Sigit Pranawa
Jurnal Ilmu Sosial Mamangan Vol 9, No 1 (2020): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 30E/KPT/201
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (499.615 KB) | DOI: 10.22202/mamangan.v9i1.3347

Abstract

Dolalak dance is a folk dance whose movements and costumes adopted the Dutch soldiers war training and dancing movements and costumes. The exsistention of the traditional art become degradation in a year. Dolalak dance is also influenced by the cultural change from modernity, and then the meaning of Dolalak will be gone.This enable people interprete the ideal value of Dolalak dance in daily life that different from Dolalak dance in the past that was full of life regulation values.This qualitative research uses a case study method to answer the different interprete the meaning of Dolalak dance.It uses interview, observation and documentation techniques to collect data. Theory in thisresearch using interpretative culture from Clifford Geertz.This research reveals that Dolalak experienced a cultural creativity by combining with other arts, i.e dangdut and Campursari.It also experienced changes in players, movements, makeup, costumes, and time performanes. As a folk dance play a role in unity and guide the social life. Dolalak dance is interpreted as a religious symbols, varlour, faith and social conditions. Nowdays, it has a new interpretation as a equality, effectivity, efficiency and specialization lead to individualization in the group.
Changes in Households’ Welfare and Consumption Patterns among Jenitri (Elaeocarpus ganitrus) Farmers in Kebumen Regency - Central Java Tri Marini; Nurhadi Nurhadi; Yuhastina Yuhastina
Jurnal Ilmu Sosial Mamangan Vol 11, No 1 (2022): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (813.056 KB) | DOI: 10.22202/mamangan.v11i1.4930

Abstract

This research aims at analyzing changes on the welfare level and consumption patterns among Jenitri (Elaeocarpus ganitrus) farmers in Pujotirto, Karangsambung, Kebumen regency of Centra Java- Indonesia. Using mix-method, this research combined quantitative method and that of qualitative. Quantitative data was collected by a survey involving 20 respondents which were selected purposively. Qualitative data was collected by a series of in-depth interviews with farmers and traders of jenitri. Quantitative data was analyzed descriptively. Interview data was transcripted and analyzed by using domain analysis technique. The research resulted in following conclusions: (1) the cultivation of jenitri has brought about significant changes in farmers’  welfare; (2) the raised welfare level affects the pattern of household’s consumption; (3) prior to cultivating jenitri, farmers’ household tend to be subsistence-oriented; (4) now that they cultivate jenitri, they are driven to meet secondary and tertiary needs, such as motorcycles and jewelries.
The Preservation Strategy of Written Batik as a Cultural Heritage (Case Study Of GunawanSetiawan Batik in Kauman Batik Tourism Village, Solo –Central Java, Indonesia) Mifta Khusnul Nurjanah; Abdul Rahman; - Nurhadi
Jurnal Ilmu Sosial Mamangan Vol 10, No 2 (2021): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (855.501 KB) | DOI: 10.22202/mamangan.v10i2.4772

Abstract

Batik, with a unique style, reflectsthe prosperityofIndonesian culture. UNESCO officially designated batik as an Intangible Cultural Heritage of Humanity. One of the batiksin Indonesia is original hand-written batik.Batik Gunawan Setiawan is a local batik company remainsproducing traditional hand-written batik. Hand-made batikfaced few problems includingless competitive with printingbatik, scarce raw materials, and the lack of batik artist regeneration. Thisresearch aims to describe Gunawan Setiawan's Batik strategyfor maintainingsustainable written batikbusiness. This study uses structural functionaltheorydeveloped by Talcott Parsons. This is a qualitativestudy supported bya case study approach. The data were collected through in-depth interview, observation, and documentation. Data validity was tested with source triangulation. Afteranalyzing datawith data reduction, presentation, and conclusion, fact-findings indicate that to preserve written batikthe current strategycovers batik training program, writtenbatik fashioninnovation, batik-linked socialevents, direct selling promotion, mixed social media branding, joint Kauman batik tourism village,and regular Kauman batik exhibitionin Solo Batik Museum.