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All Journal Japanese Literature IZUMI Jurnal Arbitrer Kiryoku: Jurnal Studi Kejepangan HARMONI Jurnal Bakti Humaniora

Zaki Ainul Fadli

Japanese Language And Culture Departement, Faculty Of Humanities, Diponegoro University

Author-ID : 262679

Humanities Chemistry Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Other

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Front Cover, Editorial Team, and Table of Contents Fadli, Zaki Ainul
IZUMI Vol 9, No 2 (2020)
Publisher : Universitas Diponegoro

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Front Cover, Editorial Team, and Table of Contents Fadli, Zaki Ainul
IZUMI Vol 10, No 1 (2021)
Publisher : Universitas Diponegoro

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Front Cover, Editorial Team, and Table of Contents Fadli, Zaki Ainul
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

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Acknowledgment, Author Guidelines, Back Cover Fadli, Zaki Ainul
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

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Kontrol Informal dan Formal Terhadap Yakuza di Jepang Zaki Ainul Fadli; Femiga Salsa Nabila
IZUMI Vol 8, No 2 (2019)
Publisher : Universitas Diponegoro

(Title: Informal and Formal Controls Against Yakuza in Japan) This research explores how far yakuza's development in Japan and to find social factors which affecting its change. The methods used are literary research. This paper discusses the implementation of formal and informal social control in Japanese society and its ties to yakuza. The fact that yakuza, as Japanese mafia, have been intervening its society for decades, is a strange phenomenon since Japan is known for its low crimes as portrayed on most of the media. The formal control section will be focused on the National Police Agency of Japan, while the informal control section will be focused on Japanese society, emphasizing on its culture. Both controls leave the door open for yakuza to establish power in society. This may lead to the conclusion that Japan’s social control is relatively weak.

EKSPRESI THUMOS MISHIMA YUKIO DALAM NOVEL KINKAKUJI Zaki Ainul Fadli
IZUMI Vol 3, No 1 (2014)
Publisher : Universitas Diponegoro

In the social study, there is a concept about strong desire to be recognized by others named thumos. Mishima as a Japanese ultranasionalist have a value about guarding the traditional Japanese values. Among of these values is the absolute position of Japanese emperor in the state. If Mishima’s thumos which expressed in the novel linked with his ideology, there is strong similarity between the protagonist’s disappointment and Mishima’s critics related with the Japanese society. Those assumptions supported by novel’s structural aspects.

KAJIAN SEMIOTIK: INTERPRETASI PUISI KUROFUNE KARYA KINOSHITA MOKUTARO Zaki Ainul Fadli
IZUMI Vol 4, No 2 (2015)
Publisher : Universitas Diponegoro

[The interpretation of Kinoshita Mokutaro’s Kurofune] This article discusses about the interpretation of poetry with semiotic approach. As the object of this study is one of Kinoshita Mokutaro’s poetries: Kurofune. Decoding the dramatic situation and connotation of a poetic text can be helpful for its interpretation. The dramatic situation of Kurofune will be discussed with semiothics theory from Riffaterre. In Riffaterre’s theory, poetry can be interpreted with heuristic and hermeneutic’s reading. The purpose of this article is to know the poetry’s implied meaning. The terms of Black Ships(Kurofune) commonly refer to the American steam-powered warships led by Commodore Matthew Calbraith Perry which first arrived in Uraga in 1853. But as the result of the analysis, the term kurofune can be also read as the end of shakoku and the beginning of new era called the Meiji Restoration.

Meaning's Comparison of Two Autumn Haiku Written by Masaoka Shiki and Takarai Kikaku Zaki Ainul Fadli; Najma Fairus Handoko
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.2.380-388

Every country has its own culture. Japan has a close culture of art, both modern and traditional. One of the Japanese arts in literature is poetry. Poetry in Japanese literature is called haiku. To find out the differences and similarities in the meanings contained in the autumn-themed haiku by Masaoka Shiki and Takarai Kikaku, the writer intends to analyze the comparison of the two-autumn haiku by Masaoka Shiki and Takarai Kikaku. Comparative analysis of meaning is studied using Ronald Barthes's semiotic study to find its meaning. The semiotic study used is Ronald Barthes's semiotics which uses two stages of study through denotation and connotation, then its relationship with myth or culture. The result of this research produces a comparison of the similarities and differences between Masaoka Shiki's autumn haiku and Takarai Kikaku's. The similarity of autumn haiku by Masaoka Shiki and Takarai Kikaku is the theme raised, namely the beauty of nature and the environment. While the difference between the autumn haiku by Masaoka Shiki and Takarai Kikaku is the philosophical meaning of the discussion, and in the background of time and atmosphere mentioned.

DEUS VERSUS OHIRUME DALAM CERPEN KAMIGAMI NO BISHOU: BENTURAN BUDAYA ANTARA BARAT DENGAN JEPANG Zaki Ainul Fadli
IZUMI Vol 7, No 2 (2018)
Publisher : Universitas Diponegoro

(Title: Deus Versus Ohirume in Kamigami No Bishou: Cultural Clash Between West and Japan) The Kamigami no Bishou short story is one of the most famous Japanese literary works, Akutagawa Ryuunosuke. Kamigami no Bishou was created by Akutagawa in 1922 which tells the meeting of Organtino, a Christian missionary in Japan with an old man who was the embodiment of one of Japan's ancient gods. The purpose of this article is to reveal how the clash of cultures between the West and Japan was reconstructed in Kamigami no Bishou short stories. To achieve this goal, the following steps are taken. First, an explanation of the terms contained in the Kamigami no Bishou Short Story. Second, explained the actions of two figures in the short story that are in opposition to the Greimas model's official scheme because this scheme can make it easier to understand the actions and motivations of the characters. Third, the analysis of one of the short story structural elements is a theme with the aim of understanding the essence and purpose of the entire short story. Fourth, further explanation about the reconstruction of Western versus Japanese cultural clash which is explained by the presentation of binary opposition. After going through all four stages, it was concluded that the reconstruction of cultural clash in Kamigami no Bishou short stories was presented by Akutagawa in a conversation between the Organtino character and the old male character. Through a dialogue centered on Deus versus Ohirume carried out by Organtino figures and old male figures, Akutagawa indirectly wanted to convey the message that Japanese tradition and culture would not be destroyed due to influences from foreign cultures that entered.

TEMA CINTA DALAM NOVEL SHIOSAI KARYA MISHIMA YUKIO Zaki Ainul Fadli; Nur Hastuti
IZUMI Vol 6, No 1 (2017)
Publisher : Universitas Diponegoro

This paper is titled Theme of Love in Mishima Yukio’s Shiosai. The purpose of writing is to reveal the major themes in Mishima Yukio's Shiosai and its relationship to other structures, especially figures and characters, plots and backgrounds. The analysis uses structural methods that have the concept that in a building of a literary work consists of interrelated and inseparable structures. The results of this paper indicate that the theme of love is a major theme that is evidenced by the correlation and relationship of love problems with other structures, especially figures and characterizations, plot, and background.

Co-Authors Anitawati Sihombing, Anitawati Arsi Widiandari Arsi Widiandari, Arsi Ayuk Silvia Hariyanti, Ayuk Silvia Ayyub, Ichlasul Catur Kepirianto Dewi Kusmiati Dewi Saraswati Dewi Saraswati Sakariah Dewi Saraswati, Dewi Fajria Noviana Femiga Salsa Nabila Hanif Febrian Adityo, Hanif Febrian Ishikawa, Shin'Ichiro Liu, Tanjun Luqyana Salsabila Maharani Patria Ratna Maharani Ratna, Maharani Moh Muzakka, Moh Najma Fairus Handoko Nezatria Risma Quartyza Nur Hastuti Patria Restu Indriawan, Patria Restu Prihantoro Prihantoro Rini, Elizabeth Ika Hesti Aprilia Nindia Salsabila, Unik Hanifah Susana Fitriana Lado, Susana Fitriana Tribuana Tunggadewi Kusumowardhani Baiquni Yuliani Rahmah

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